Sunbyanyname

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

I hope you liked RRR Song #2: Koi lauta de mere beete huye din. Here is the next song:

Song #3
Hamsafar saath apna chhod chale

A Duet as RRR Song

Yes, this a duet between Mohammad Rafi and Asha Bhosle. It is picturised on the lead actors of the 1958 Mahesh Kaul movie Aakhri Dao: Shekhar and Nutan. However, the song only brings out their emotions silently; they don’t lip-sync it.

Who Does the Song Belong to?

Who would the song belong to more than anyone else? I would say the honours are to be divided between the lyricist Majrooh Sultanpuri for coming up with remarkably beautiful words that go straight into your heart; composer Madan Mohan for coming up with a super slow composition in Raag Gara, Tal Dadra, as if he knew that people need to pause and take in the beautiful lyrics; singers Mohammad Rafi and Asha Bhosle who made it look like as if the words don’t come out of the throat but from the heart and finally actress Nutan who came up with better histrionics here than she did in most other similar songs including Anaadi’s Tera jaana. That leaves only Shekhar. But, those who have seen the movie and the song would know that he was actually the weak point.

The Movie

Lets start with the movie itself. Regrettably, some of the movies having exceptionally beautiful songs were not just weak movies but had weak plots too. Aakhri Dao was one of them. The story was about a misunderstanding between the hero (Shekhar as a car mechanic) and the heroine (Nutan; all we know is she goes to a dance class) which makes them each think that the other is rich. They start loving each other but of course there are circumstances and a villain. Nutan’s dad owes some Rs. 5000 to the villain, which Shekhar tries to repay by asking for a loan first, then by gambling and losing it all and then goes on to steal from none other than Nutan’s dad. Of course npone of this works and he finally agrees to marry TunTun for the meagre amount. The song is sung at the betrothal of Shekhar.

There was another great song in the movie: Tujhe kyaa sunaaun main dilruba tere saamne mere haal hai, which Shekhar actually lip syncs to Nutan. Naturally, she looks as stunned as some of Anil Dhawan’s actresses did. Hindi movies actually excelled in some of the worst guys (in acting) singing some of the best songs (you should listen to the songs lip synced by Manoj Kumar to see this phenomenon). The saving grace is that Nutan is there to render respectability to the song in the same manner Sadhana was there for Manoj Kumar in Lag jaa gale se phir yeh haseen raat ho na ho.

Raag Gara, Tal Dadra

I am merely a beginner in the world of Indian classical music and my interest is limited to its effect on Hindi songs. The raaga that I know least about is Raag Gara though it fascinates me no end. It is another thing that the second of my Raaga based songs of the day was composed in Raag Gara, Tal Kaherava: Unake khayaal aaye to aate chale gaye. Raag Gara, of course, boasts of some of the best songs in Hindi movies:

1. Mohe panghat pe Nandlal.
2. Deewana Kehke Aaj.
3. Unke khayal aaye.
4. Jab jab tumhein bhulaya.
5. Jo guzar rahi hai mujhpe.
6. Guzre hain aaj ishq mein.
7. Aapki nazaron ne samajha.
8. Aise to na dekho.
9. Kabhi khud pe.
10. Phir woh bhuli si yaad.

Raag Gara belongs to Kafi Thaat. It is traditionally sung in second half of morning although Bhatkhande didn’t specify any time of the day for this Raaga. Gara is one of the family of Raagas derived from folk melodies and entered classical music in concert with Thumri. The closest resemblance of the raag is to Jaijaivanti, a raag devised by Shri Tegh Bahadur, the 9th Guru of the Sikhs.

The Jati of Raag Gara is Shadhav – Sampurna; in Avroha Rishab is Varjya.

Amongst the songs that I gave you above, the songs that come close to this composition by Madan Mohan are: Ravi’s Deewana keh ke aaj mujhe phir pukaariye and Jaidev’s Kabhi khud pe kabhi halaat pe rona aaya; both being in the same Tal Dadra.

Madan Mohan

Madan Mohan brought out the best in Lata’s singing. However, surprisingly, in this song, he has Asha Bhosle accompanying Mohammad Rafi in the duet.

Madan Mohan was born on 25 Jun 1924 at Erbil, Iraqi Kurdistan, where his father Rai Bahadur Chunilal was working as an Accountant General with the Kurdistan Peshmerga forces. Madan Mohan spent the early years of his life in the Middle East. After 1932, his family returned to their home town of Chakwal, then in Jhelum district of Punjab, British India. He joined the Army as a Second Lieutenant in the year 1943. He served there for two years until end of World War II, when he left the Army and returned to Bombay to pursue his musical interests. In 1946, he joined the All India Radio, Lucknow as Programme Assistant, where he came in contact with various artists such as Ustad Faiyaz Khan, Ustad Ali Akbar Khan, Begum Akhtar, and Talat Mahmood.

He was very fond of singing, and so in 1947 he got his first chance to record two ghazals penned by Behzad Lucknawi, Aane Laga Hai Koi Nazar Jalwa Gar Mujhe and Is Raaz Ko Duniya Jaanti Hai. Soon after, in 1948 he recorded two more private ghazals penned by Deewan Sharar, Wo Aaye To Mahfil Mein Ithlaate Huye Aaye and Duniya Mujhe Kahti Hai Ke Main Tujhko Bhoolaa Doon. In 1948, he got his first opportunity to sing a film duet Pinjare Mein Bulbul Bole and Mera Chhotasa Dil Dole with Lata Mangeshkar under composer Ghulam Haider (composer) for the film Shaheed (1948 film), though these songs were never released or used in the film. Between 1948 and 1949, he assisted music composers SD Burman for Do Bhai, and Shyam Sundar in Actress and Nirdosh.

As Music Director, he scored his first big break with the film Aankhen (1950 film) in 1950. He was soon to emerge as a music director par excellence especially for ghazals. Indeed, music director OP Nayyar once said about Madan Mohan that two of his ghazals were better than all that OP Nayyar composed. Some of the best songs of Lata Mangeshkar (she fondly called him “Madan Bhaiyya”) were composed by him on the lyrics of Raja Mehdi Ali Khan and Rajinder Krishan.

Some of my favourite songs of Madan Mohan are: Aaj soch to aansu bhar aaye, Betaab dil ki tamanna yehi hai, Tum jo mil gaye ho (Hanste Zakham 1973), Aapke pehlu mein aa ke ro diye, Naino mein badra chhaye, Jhumka gira re, Tu jahan jahan chalega (Mera Saya 1966), Aapki nazaron ne samajha, Hai isi mein pyaar ki aabru, Vo dekho jala ghar kisi ka (Anpadh 1962), Aapko pyaar chhupane ki buri aadat hai, Tere paas aake mera waqt nikal jaata hai (Neela Akash 1965), Agar mujhase mohabbat hai, Main nigaahen tere chehre se hatayun kaise (Aap Ki Parchhayiyan), Ai mere dil mujhe bata de (Bhai Bhai 1946), Ari vo shokh kaliyon muskara dena vo jab aayen (Jab Yaad Kisi Ki Aati Hai 1967), Baad muddat ke yeh ghadi aayi, Haal-e-dil youn unhe sunaya gaya, Jab jab tumhe bhulaya tum aur yaad aaye, Kisi ki yaad mein duniya ko jhain bhulaye huye, Main teri nazar ka saroor hoon, Phir wohi shaam wohi gham wohi tanhaayi hai, Teri aankh ke aansu pi jaayun, Wo chup rahen to mere dil ke daag jalate hain (Jahan Ara 1964), Hamare baad mehfil mein (Baghi 1953), Bainya na dharo O balma, Ham hain mataa-e-kuchcha-e-bazaar ki tarah, Mai ri main kaase kahun, Tumse kahun ik baat (Dastak, 1970), Bairan neend na aaye mohe (Chacha Zindabad 1959), Basti basti parbat parbat gaata jaaye banjara, Chand madham hai aasman chup hai, Dekh tere Bhagwan ki haalat (Railway Platform 1955), Bhooli hui yaado mujhe itna na satayo, Vo bhooli dastaan lo phir yaad aa gayi (Sanjog 1961), Chanda ja re ja re, Main to tum sang nain mila ke (Manmauji 1962), Chhadi re chhadi kaise gale mein padhi, Dil dhoondata hai fursat ke, Ruke ruke se kadam (Mausam 1975), Chhod kar tere pyar ka daaman, Jao hamane dastaan apni sunaayi, Lag jaa gale ke phir, Naina barse rimjhim rimjhim, Shokh nazar ki bijliyan (Woh Kaun Thi 1964), Do dil toote do dil haare, Doli chadate hi Heer ne bain kiye, Milo na tum to ham ghabraayen, Ye duniya ye mehfil mere kaam ki nahin (Heer Ranjha 1970), Ham chal rahe the wo chal rahe the (Duniya Na Maane 1959), Ham pyar mein jalane waalo ko chain kahan (Jailor 1958), Hamsafar saath apna chhod chale, Tujhe kya sunayun main dilruba (Aakhri Dao 1958), Hamse aaya na gaya, Kaun aay mere man ke dwaare, Meri veena tum bin roye, Tu pyar kare ya thukraye (Dekh Kabira Roya 1957), Har taraf ab yahi afsaane hain, Hai tere saath meri wafa main nahin to kya (Hindustan Ki Kasam 1973), Hoke majbuur mujhe usne bhualaya hoga, Kar chale ham fida, Khelo na mere dil se, Main ye soch kar uske dar se, Zara si aahat hoti hai (Haqeeqat 1964), Husn haazir hai mohabbat ki saza paane ko, Is reshmi paazeb ki jhankar ke sadake, Tere dar pe aaya hoon (Laila Majnu 1976), Ik haseen raat ko dil mera kho gaya, Kabhi ai haqeeqat-e-muntazar, Sapano mein agar mere (Dulhan Ek Raat Ki 1966), Ishq ki garmi-e-jazbaat kise pesh karun. Mere mehboob kahin aur mila kar mujhase, Naghma o sher ki saugat, Rang aur noor ki baraat (Ghazal 1964), Jaa jaa re jaa saajna, Jaana tha hamse door, Unako ye shikayat hai, Youn hasaraton ke daag (Adalat 1958), Kabhi na kabhi kahin na kahin koi na koi to aayega, Mujhe le chalo aaj us jagah, Sawan ke mahine mein (Sharaabi 1964), Koi shikwa bhi nahin koi shikayat bhi nahin (Neend Hamari Khwab Tumhaare 1966), Main paagal mera manwa paagal (Aashiyana 1952), Meri yaad mein tum na aasnu bahana (Madhosh 1951), Na tum bewafa ho na ham bewafa hain (Ek Kali Muskaaye 1958), Sapne mein sajan se do baaten, Do ghadi wo jo paas aa baithe (Gateway Of India 1957), Teri aankhon ke siwa duniya mein rakha kya hai (Chirag 1969), Tumhari zulf ke saaye mein shaam kar loonga (Naunihaal 1967), Tu mere saamne hai teri zulfen hain khuli (Suhagan, 1964), and Vo jo milate the kabhi hamsase deewano ki tarah (Akeli Mat Jaiyo 1963).

Majrooh Sultanpuri

On my Facebook page Lyrical, I covered Lyricist #5: Majrooh Sultanpuri under my Remembering Great Lyricists series. I have kept my favourite Shakeel Badayuni out of this series since I already have a number of articles and tributes on him.

Majrooh is the fifth of our lyricists who was a contemporary of Shakeel Badayuni. Out of all these six (*including Shakeel), three have been from Uttar Pradesh, which says something about that region producing some great poets and lyricists.

Majrooh Sultanpuri was born on 01 Oct 1919 as Asrar ul Hassan Khan in a Tarin Pashtun family, in Sultanpur, Uttar Pradesh. His father was an officer in the police department, but, preferred to send his son for traditional madrasa (Urdu school) rather than provide him with English schooling.

He tried his hand at being a quack until he was noticed in a mushaira in Sultanpur.

He was a disciple of the great Urdu poet Jigar Moradabadi. When he visited Bombay in 1945 to participate in a mushaira, the director Abdul Rashid Kardar noticed him and invited him to write for the movies. Majrooh turned it down as he looked down upon movies! He was persuaded through his mentor Jigar Moradabadi and then there was no turning back.

Many traditionalists of the Urdu literature, however, felt that Majrooh sold his soul to the Hindi films and that he could have emerged a great poet in the likeness of Ghalib and Jigar.

The takhalus Majrooh means “injured” or “wounded”.

Majrooh was awarded, in 1993, the highest award – Dadasaheb Phalke award – for his lifetime contribution towards lyrics and poetry. He was the first lyricist ever to be given that award. For the film Dosti, that made Laxmikant Pyarelal famous, he was awarded the Filmfare Best Lyricist Award for the song: Chahunga main tujhe saanjh savere.

For someone who didn’t want to join Hindi movies, Majrooh emerged as a natural lyricist, very popular, very romantic and enchanting.

Many of Majrooh’s songs are of Dil vil pyaar vyaar main kyaa jaanu, Baahon mein chale aao, Bangle ke peechhe, Ye raaten ye amusam nadi ka kinaara, and Dekho mausam kyaa bahaar hai. However, some of his lyrics are still comparable to Shakeel’s such as Hui shaam unaka khayaal aa gaya, Woh jo milate the kabhi, Rahe na rahe ham, Chhupa lo youn dil mein pyaar mera, Tu kahe agar jeevan bhar main geet sunaata jaayun, Mujhe dard-e-dil ka pata na tha, Hamaare baad ab mehfil mein afsaane bayaan honge, and the great song on eyes: Teri aankhon ke siwa duniya mein rakha kyaa hai.

My Own Poetry

NA KHELO MERE DIL SE

ना खेलो मेरे अरमानो से, मेरे जज़्बातों से,
मेरे उदास दिनों से, मेरी सुनसान सियाह रातों से,
मुझे आदत सी पड़ गयी है रूखेपन की,
ना उलझायो मुझे प्यारी और मदहोश बातों से।

कुछ नहीं होगा, रहने दो मुझे तन्हा ओ बेज़ार,
ना ललचाओ माज़ी की सुहानी मुलाकातों से।
ज़िन्दगी सेहरा बन गयी है, और तुम अभी भी,
दिल की धरती सींच रहे हो कल की बरसातों से

मेरा कोई दोस्त, हमसफर, महबूब नहीं है,
ना बांधो मुझे झूठे रिश्तों से, फरेबी नातों से।
गमों के, अश्क़ों के, तनहाईयों के ख़ज़ाने दिए बेहद,
अब और ना बहलाओ वादा – ए – सौगातों से।

ज़मीन से आसमान, आसमानो से ज़मीन पे पटका यकायक,
हैरान रह गया हूँ तुम्हारी जादूगरी करामातों से।
हर सितम सहते रहे, तेरी बेवफाई का सनम,
आह भी ना निकली तेरा नाम गुनगुनातों से ।

The Song

Ladies and gentlemen, please enjoy Mohammad Rafi and Asha Bhosle sing a composition of Madan Mohan in Raag Gara Tal Dadra on the lyrics of Majrooh Sultanpuri a song from the 1958 Mahesh Kaul movie Aakhri Dao: Hamsafar saath apna chhod chale….

र : हमसफ़र साथ अपना छोड़ चले
रिश्ते नाते वो सारे तोड़ चले
हमसफ़र साथ …

आ : हमसफ़र साथ अपना छोड़ चले
रिश्ते नाते वो सारे तोड़ चले
हमसफ़र साथ …

र : रासता साफ़ था तो चलते रहे
साथ हँसते रहे मचलते रहे
मोड़ आय तो मूँह को मोड़ चले
हमसफ़र साथ …

आ : सपने टूटे पड़े हैं राहों में
दर्द की धूल है निगाहों में
दिल पे क़दमों के नक़्श छोड़ चले
हमसफ़र साथ …

र : जब उन्हें हमसे प्यार ही न रहा
रोयें क्या, इन्तज़ार भी न रहा
हम भी दामन को अब निचोड़ चले (that’s why the group is closing)
हमसफ़र साथ …

I hope you liked Song #3 in this series.

Please await Song #4: Kabhi kisi ko mukammal jahan nahin milta.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #22 in the series. I hope you liked Song #21 – Mujhe raat din ye khayal hai.

Song #22
Chupke chupke raat din aansu bahana yaad hai

Hasrat Mohani and Ghulam Ali

He might not have been as popular in Hindi movies as the other Hasrat – the one from Jaipur in Rajastan. This Hasrat, as the name suggests, was from the town of Mohan in Unnao district in North West Province, now in Pakistan.

He should have been even more popular than Hasrat Jaipuri since it was Hasrat Mohani who came up with the slogan: Inquilab Zindabad. He not only was a pillar in the freedom struggle of India but was also an ardent devotee of Krishna and often attended Janamashtami in Mathura.

His lyrics, poems and ghazals found their way into many Hindi movies. This one was used in the 1982 BR Chopra movie called Nikah on the sad shariat tradition of triple talaq that was so unfair to women. Indeed, BR Chopra wanted to name the movie Talaq Talaq Talaq but the muslim clerics stepped in and got it changed to Nikah. They could do so under the Congress regime since Congress used to suck to such minorities in the name of secularism.

Ghulam Ali, a disciple of Ustad Bade Ghulam Ali Khan, is a Pakistani singer of Patiala Gharana. His ghazals, especially written by Indian poets, have been very popular in the sub-coninent. This is a favourite with me and so is Hungama kyun barpa thodi si jo pi hai penned by Akbar Allahabadi.

Though Ravi was the music director of the movie, this ghazal was composed by Ghulam Ali. Indeed, the ghazal existed even before the movie and was used here as found most suitable.

Why This Ghazal in 1982 Movie Nikaah?

Salma Agha (she won the best female singer for the ghazal Dil ke armaan aansuyon mein beh gaye in the same movie) was married to Wasim (Deepak Prashar) after an affair with Haider (Raj Babbar).

Her life becomes hell after marriage since Wasim is a work alcoholic and neglects her totally. This ghazal is to bring about what it used to be before the marriage turned sour.

Raat Din – Always or All The Time

This is the second consecutive song by me with Raat Din. The first one was day before yesterday: Mujhe raat din yeh khayal hai.

My Own Poetry

Tab Aur Ab

हमारी गुफ्तगू कभी खत्म ना होती थी,
आज ख़ामोशी की हद्द भी पार हो गयी.

दर्द – ऐ – दिल का हमें गुमान तक ना था,
आज खुशियां हमारी उधार हो गयी.

गुलज़ार थी वफ़ा – ओ – इश्क़ की दुनिया,
आज मौत भी हमसे बेज़ार हो गयी.

ना बुलाने से भी चले आते थे वह,
आज आह भी अपनी बेकार हो गयी.

तबुस्सम की फ़िज़ा लहरा के चलती थी तब,
आज अश्क़ों की लड़ी मेरे रुखसार हो गयी .

ज़िन्दगी के रंग – ओ – नूर वह साथ ले गए,
महफ़िल – ऐ – इश्क़ उनके बाद बेक़रार हो गयी.

हमें यकीन नहीं होता तेरे बज़्म – ऐ – दुनिया में,
सचाई – ओ – वफ़ा झुक के शर्मसार हो गयी.

खुदा अपनी रहमत से मुझे बुलंद रखना,
आज मेरी उम्मीद – ओ – तवक़्क़ो लाचार हो गयी.

The Song

Ladies and gentlemen,

Please enjoy: Chupke chupke raat din aansu bahana yaad hai…

I hope you liked my choice of Raat or Din Song #22.

Please await Raat or Din Song #23- Poochho na kaise maine raen bitayi.

Beautiful Duet Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #21 – Yaad kiya dil ne kahan ho tum. So here, then, is the next one:

Song #22
Jodi hamari jamega kaise Jaani?

Remembering Mehmood on His Birth Anniversary

He was born on this day in 1932.

Just like Meena Kumari, he started acting in Hindi movies as a child artiste (Kismet being an early movie for him). He married her sister Madhu later.

He soon emerged as the King of Comedy and some of his roles and songs are memorable (eg, Hum kaale hain to kyua hua dilwale hain in Gumnaam, Ajahun na aaye balma in Saanjh Aur Savera, Ek Chatur naar in Padosan and his entire role in Kunwara Baap.

He often paired with Shubha Khote and quite a few duets are picturised on them such as Main rangeela pyar ka rahi.

He also paired with IS Johar and Aruna Irani.

He was responsible for giving a break to Amitabh Bachchan in the movies (The Big B stayed in Mehmood’s house for two years and then Mehmood gave him his debut role in Bombay To Goa with Aruna Irani. Reportedly, Amitabh Bachchan in later life didn’t even bother to see Mehmood in the hospital when he was sick even when AB had gone to the same hospital to see his ailing father Harvansh Rai.

Mehmood also gave a break to RD Burman in his first movie as full fledged music director Chhote Nawab with Lata’s first song composed by Pancham: Ghar aaja ghir aaye badra sanwariya, in Raag Malgunji.

This Song

This song is from Kundan Kumar’s 1968 movie Aulad starring Jeetendra and Babita and Mehmood and Aruna Irani.

Majrooh Sultanpuri, the first recipient of Dadasaheb Phalke Award as Lyricist, penned the lyrics for this unique song. It is a fusion between Western beats (for Mehmood as Chamanlal “Charlie” Singaporie) and Indian beats (for Aruna Irani as Shobha). It was, indeed, a masterly stroke by Chitragupt Shrivastava to have thought of a duet wherein the beats change every time one or the other sings.

Of course, Manna Dey sang for Mehmood in his put up Anglicised role and Asha Bhosle for typical village belle Aruna Irani. The song was shot in Goa that got its name from Go or Cow but loves to be seen in borrowed Portuguese culture.

Lyrics

Jodi hamari jamega kaise jani
Jodi hamari jamega kaise jani
Ham toh hai angreji tum ladki hindustani

Tumko bhi mushkil mujhe bhi pareshani
Ham toh hai angreji tum ladki hindustani
Tumko bhi mushkil mujhe bhi pareshani
Bat mano saiya ban jao hindustani, jodi hamari

Angreji mulak me kitna romance hai
Bahar kaa chokari kitna advance hai
Angreji mulak me kitna romance hai
Bahar kaa chokari kitna advance hai

Dekhe bina kabhee koyi itepyar se
Mukhde pe laj kaaancharva dar ke
Khilti hai ghunghat me jawani
Jodi hamari jamega kaise jani
Khilti hai ghunghat me jawani
Jodi hamari jamega kaise jani
Bat mano saiyan ban jao hindustani, jodi hamari

Bahoo me tham ke do ghanta roj me
Tumko shikhlayega ulfat kaa poz me
Bahoo me tham ke do ghanta roj me
Tumko shikhlayega ulfat kaa poz me

Daiya re nain kaa kajra naa chhut jayey
Jhankoro naa piya jhumka naa tut jayey
Ro degi dekho tumhare dil kee rani
Tumko bhi mushkil mujhe bhi pareshani
Tumko bhi mushkil mujhe bhi pareshani
Ham toh hai angreji tum ladki hindustani, jodi hamari

My Own Poetry

I have written a number of humorous poems on the subject of Angrezi. Here is one of them:

Honhaar Birbaan Ke Chikne Chikne Paat

पिछले दस सालों से मारी है हमने नक़ल,
तब कहीं जाके exam में हुए हैं सफल,
कड़ी मेहनत का काम था, दोस्तो,
और बहुत ही यूज़ करनी पड़ी थी अकल।

सबसे मुश्किल था अंग्रेजी का टेस्ट,
Essay की पर्ची ले के गए थे ‘My Friend Best’
लेकिन उस साल ‘Journey by Aeroplane आ गया,
सारी मेरी एफर्ट हो गयी वेस्ट।

और उस साल भी हम हो गए फेल,
पिता जी की पिटाई करनी पड़ी झेल,
लेकिन पता था कभी तो आयेगा नंबर,
अंग्रेज़ी में क्यों रहेंगे हम अनवेल?

और इस साल प्रभु ने खोल दी किस्मत,
हमारी पर्ची ने रख ली हमारी इज़्ज़त,
If I Were The Prime Minister की पर्ची ले के गए थे,
वही आया, मंज़ूर की प्रभु ने हमारी ख़िदमत।

अब हम भी matric पास हैं कहलाते,
पढ़े लिखों में हम भी हैं गिने जाते,
प्लीज, यस सर, गुड़ मारनिंग के इलावा,
कई वर्ड्स हमें अंग्रेज़ी के हैं आते।

देखना एक दिन हम बनेंगें HRD मिनिस्टर,
बड़ी कार और मकान होगा, हम कहलायेंगे मिस्टर,
हाऊ आर यू कह के विदेशियों को मिलेंगे,
हेलो जेंटलमैन, हेलो बरादर, और हेलो सिस्टर।

Please enjoy: Jodi hamari jamega kaise Jaani…

I hope you liked my choice of Beautiful Duet #22.

Please await Beautiful Duet #23- Tere mere milan ki ye raina.

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

I hope you liked RRR Song #1: Mujhe dard-e-dil ka pata na tha. Here is the next song:

Song #2
Koi lauta de mere beete huye din

Where are My Family Members of YKDN Now?

I take the help of this song penned by Shailendra and composed and sung by Kishore Kumar in the 1964 movie Door Gagan Ki Chhaon Mein that was written, produced and directed by Kishore Kumar:

अल्बेले दिन प्यारे, मेरे बिछड़े साथी सारे
हाय! कहाँ गये, हाय! कहाँ गये

कोई लौटा दे मेरे, बीते हुए दिन – (२)
बीते हुए दिन वो हाय, प्यारे पल छिन
कोई लौटा दे …

मैं अकेला तो ना था, थे मेरे साथी कई
एक आँधी सी उठी, जो भी था लेके गई
आज मैं ढूँढूं कहाँ, खो गये जाने किधर – २
बीते हुए दिन वो हाय, प्यारे पल छिन
कोई लौटा दे …

मेरे ख्वाबों के नगर, मेरे सपनों के शहर
पी लिया जिनके लिये, मैंने जीवन का ज़हर
ऐसे भी दिन थे कभी, मेरी दुनिया थी मेरी – २
बीते हुए दिन वो हाय, प्यारे पल छिन
कोई लौटा दे …

Kishore Kumar – Versatility Personified

He could truly be called an One Man Army or One Man Industry. Take the movies that he made: this and Door Ka Rahi. Instead of trying to make them as commercial successes, he preferred to make them as reflection of his inner self, his quest for an eternal world.

Door Gagan Ki Chhaon Mein was adapted from American movie The Proud Rebel, the story of a retired soldier and his travails to bring up his mute son in a society full of corruption, biases and violence. His own son Amit acted his son in the movie and no one can ever forget this song and Aa chal ke tujhe main le ke chalun ek aise gagan ke tale.

One reason for Kishore Kumar’s versatility is something that I myself experienced: When you have lofty ideas full of ideals, you stand by yourself. However, if you follow the beaten track, you have quite a bandwagon.

My Own Poetry

SULAGTE AANSU

वो लौटा रहें हैं मेरा सामान,
और जला रहे हैं सब कुछ,
मेरी आरज़ू है सितमगर
मेरे अश्क भी जला दें

ताके दिल के समुन्दर में
वो तूफ़ान फिर ना उभरे;
जो मरहले खड़े थे
उन्हें ठोकर से मिटा दें

काश हम ना होते वो ना होते,
और ये आरज़ू ना होती
तेरी आँखों में जो सरूर था
वो सरूर भी हटा दें

मैं भूल गया हूँ सब कुछ,
तेरे प्यार की नज़र में
मेरी कौन सी है मंजिल
मुझे कुछ तो अब पता दें

अब दिल न हो, प्यार ना हो,
और ना रहे उनकी यादें,
कोई उनसे जाके कह दे,
मेरी हस्ती ही मिटा दें

The Song

Ladies and gentlemen, please enjoy: Koi lauta de mere beete huye din…

I hope you liked Song #2 in this series.

Please await Song #3: Hamsafar saath apna chhod chale.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #20 – Zindagi mein aaya toofan in Zindagi or Jeevan Songs series. Let’s start with Song #21.

Song #22
Beqraar karke hamen youn na jayiye
Theme-word: Last stanza: Zindagi ke raste ajeeb hain

Shakeel Badayuni

No matter who and where you are; you do deserve a song by Shakeel Badayuni, every now and then. And this is from the 1962 Biren Nag Film Bees Saal Baad for whose song Kahin deep jale kahin dil Shakeel received his third (of the only hat-trick in Hindi movies) Filmfare Award for Best Lyricist and Lata Mangeshkar received Best Playback Singer (Female) Award.

The popularity of the song Beqraar karke hamen youn na jayiye continues to be there nearly sixty years after Shakeel wrote it. At the outset, lets admire the beauty of the lyrics:

(बेक़रार करके हमें यूँ न जाइये 
आपको हमारी कसम लौट आइये  ) - २

देखिये वो काली काली बदलियाँ
ज़ुल्फ़ की घटा चुरा न ले कहीं
चोरी चोरी आके शोख बिजलियाँ
आपकी अदा चुरा न ले कहीं
यूँ क़दम अकेले न आगे बढ़ाइये
आपको हमारी...

(देखिये गुलाब की वो डालियाँ 
बढ़के चूम ले न आप के क़दम ) - २
खोए खोए भँवरे भी हैं बाग़ में
कोई आपको बना न ले सनम
बहकी बहकी नज़रों से खुद को बचाइये
आपको हमारी...

ज़िन्दगी के रास्ते अजीब हैं
इनमें इस तरह चला न कीजिये
खैर है इसी में आपकी हुज़ूर
अपना कोई साथी ढूँढ लीजिये
सुनके दिल की बात ना मुस्कुराइये
आपको हमारी...

Hemant Kumar on Hemant Kumar

Hemant Kumar was one singer who would at the fastest transport you to the world of the lyrics of the song. So, if he sang Sahir’s Pedon ki shaakhon pe soyi soyi chandini, or Kaifi’s Raat haseen ye chand haseen tu sabse haseen mere dilwar, your imagination donned wings and you didn’t hear him from far; you were already there at the scene of the song (even if you had never seen the video!)

This flight of your imagination by Hemant’s voice was the best if he’d sing on his own composition.

Take any of Hemant Kumar songs on Shakeel’s lyrics and you’d know; eg, Chandan ka palna. However, if Hemant is singing on his own composition of Shakeel’s songs, then it is sheer magic; eg, Zindagi kitani khubsurat hai and Jab jaag uthe armaan to kaise neend aaye.

This movie also happens to be Hemant Kumar’s production, like Khamoshi.

Bees Saal Baad

The movie was based on Arthur Conan Doyle’s Sherlock Holmes story The Hound of Baskervilles. It starred Biswajeet and Waheeda Rehman in the lead roles. It was the most super hit movie of 1962 thanks, to a great extent to Shakeel – Hemant Kumar songs.

The Song

Ladies and gentlemen, please enjoy: Beqraar karke hamen youn na jayiye…

I hope you enjoyed my choice for Song #21 in the series.

Please await Song #22 –  Babuji dheere chalna.

Beautiful Duet Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #20 – Ye khamoshiyan, ye tanhayiyan. So here, then, is the next one:

Song #21
Yaad kiya dil ne kahan ho tum

Remembering Dev Anand on His Birth Anniversary and Hemant Kumar on His Death Anniversary 26 Sep

These are difficult times because of COVID. Else, we would have met in Kandaghat for our usual annual meet of the YKDN group and would have sung this anthem of ours together whilst the YKDN cake would have been cut by the youngest lady.

We also missed paying tribute to both Dev Anand and Hemant Kumar yesterday because of the sudden, tragic and totally unexpected demise of the great singer SP Balasubramanyam.

Patita – 1953 Movie

However, here we are with the title song of the group from the 1953 Amiya Chakrabarty movie Patita starring Dev Anand and Usha Kiran, both of whom feature in this truly iconic song that we shall never be able to get out of our system. Hemant Kumar sang for Dev Anand and Lata ji sang for Usha Kiran.

The Song

The song was penned by my behna Kishwar Jaipuri’s dad Hasrat Jaipuri and composed by the duo who were the best in the world. Even after so many years, Hasrat ji and Shankar Jaikishan ji never fail to wow us. This song, of course, is very special to this group and not just a beautiful duet. Each word is imprinted on our hearts; each word fills us with precious memories; each note touches the chords of our hearts:

याद किया दिल ने कहाँ हो तुम
झूमती बहार है कहाँ हो तुम
प्यार से पुकार लो जहाँ हो तुम  - २

(ओ, खो गये हो आज किस खयाल में 
ओ, दिल फ़ंसा है बेबसी के जाल में )    - २
मतलबी जहाँ मेहरबां हो तुम
याद किया दिल ने कहाँ हो तुम
प्यार से पुकार लो जहाँ हो तुम  - २

(ओ, रात ढल चुकी है सुबह हो गयी
ओ, मै तुम्हारी याद लेके खो गयी     )    - २
अब तो मेरी दास्ताँ हो तुम
याद किया दिल ने कहाँ हो तुम
प्यार से पुकार लो जहाँ हो तुम  - २

(ओ, तुम हमारी  ज़िंदगी के बाग़ हो
ओ, तुम हमारी राह के चिराग़ हो  )  - २
मेरे लिये आसमाँ हो तुम
याद किया दिल ने कहाँ हो तुम
प्यार से पुकार लो जहाँ हो तुम  - २

Ladies and gentlemen, so what this year we didn’t meet to sing this anthem together but enjoy, whilst humming this beautiful duet: Yaad kiya dil ne kahan ho tum…

I hope you liked my choice of Beautiful Duet #21.

Please await Beautiful Duet #22- Jodi hamari jamega kaise jaani.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #21 in the series. I hope you liked Song #20 – Chand phir nikla.

Song #21
Mujhe raat din ye khayal hai

Another Murder – Another Story

Just like the Beautiful Duet #45 that I gave you today from the 1945 movie Bambai Ka Babu: Deewana mastana hua dil, the story of this song also starts with murder! What a coincidence.

In this movie, Manohar Lal, a jeweler, is convicted of a murder he didn’t commit. His wife, in order to keep their son away from the disgrace of a convicted father, gives away the son to another woman. He grows up to become a police inspector who is after Manohar Lal, the convict who has run away. His mother knows that the son is chasing the father but both the father and son don’t know this.

The Cast

This movie Oomar Qaid, a movie of 1961, has Aspi Irani directing it and Mohan Choti, Helen, Sheikh Mukhtar, Mukri, Nazima and Sudhir in the lead roles.

The song in particular is sung by Sudhir for Nazima.

Sudhir had Mohammad Rafi singing Main ye chhod kar uske dar se utha tha in 1963 movie Haqeeqat. He has Mukesh singing this for him:

The Song

The song with very beautiful and expressive lyrics was penned by Kishwar Jaipuri’s father Hasrat Jaipuri and composed most beautifully by Iqbal Qureshi. It is simply the best and most memorable song of the movie.

The use of theme-words Raat Din is to convey All the Time. Sudhir doesn’t want Nazima to drop him from grace.

Have a look at the lyrics:

मुझे रात दिन ये ख्याल है
मुझे रात दिन ये ख्याल है
वो नज़र से मुझको गिरा न दे
मेरी ज़िन्दगी का दिया कही
मेरी ज़िन्दगी का दिया कही
ये गमो की ाँधी बुझा न दे
मुझे रात दिन ये ख्याल है

मेरे दिल के दाग़ न जल उठे
मेरे दिल के दाग़
मेरे दिल के दाग़ न जल उठे
कही मेरे सीने की आग से
कही मेरे सीने की आग से
ये घुटी घुटी मेरी आह भी
ये घुटी घुटी मेरी आह भी
कही होश मेरे गँवा न दे
मुझे रात दिन ये ख्याल है

किसे अपना हाल सुनाऊं मैं
किसे अपना हाल
किसे अपना हाल सुनाऊं मैं
मेरा दिल भी गैर का हो चूका
मेरा दिल भी गैर का हो चूका
बड़ी उलझनों में घिरा हूँ मैं
बड़ी उलझनों में घिरा हूँ मैं
के फ़साना कोई बना न दे
मुझे रात दिन ये ख्याल है

मैं दिया हूँ ऐसा जहां में
मैं दिया हूँ ऐसा
मैं दिया हूँ ऐसा जहां में
के जला तो हूँ नहीं रौशनी
के जला तो हूँ नहीं रौशनी
जो जिगर में है वो खलिश कही
जो जिगर में है वो खलिश कही
मेरी हसरतों को मिटा न दे
मुझे रात दिन ये ख्याल है
मुझे रात दिन ये ख्याल है
वो नज़र से मुझको गिरा न दे
मुझे रात दिन ये ख्याल है.

My Own Poetry

NA KHELO MERE DIL SE

ना खेलो मेरे अरमानो से, मेरे जज़्बातों से,
मेरे उदास दिनों से, मेरी सुनसान सियाह रातों से,

मुझे आदत सी पड़ गयी है रूखेपन की,
ना उलझायो मुझे प्यारी और मदहोश बातों से।

कुछ नहीं होगा, रहने दो मुझे तन्हा ओ बेज़ार,
ना ललचाओ माज़ी की सुहानी मुलाकातों से।

ज़िन्दगी सेहरा बन गयी है, और तुम अभी भी,
दिल की धरती सींच रहे हो कल की बरसातों से

मेरा कोई दोस्त, हमसफर, महबूब नहीं है,
ना बांधो मुझे झूठे रिश्तों से, फरेबी नातों से।

गमों के, अश्क़ों के, तनहाईयों के ख़ज़ाने दिए बेहद,
अब और ना बहलाओ वादा – ए – सौगातों से।

ज़मीन से आसमान, आसमानो से ज़मीन पे पटका यकायक,
हैरान रह गया हूँ तुम्हारी जादूगरी करामातों से।

हर सितम सहते रहे, तेरी बेवफाई का सनम,
आह भी ना निकली तेरा नाम गुनगुनातों से ।

Please enjoy: Mujhe raat din ye khayal hai…

I hope you liked my choice of Raat or Din Song #21.

Please await Raat or Din Song #22- Chupke chupke raat din aansu bahana.

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

Song #1
Mujhe dard-e-dil ka pata na tha, mujhe aap kis liye mil gaye

Exactly Fifty Days to Go

Finally, the kind of inevitability that I entertained more than an year ago, is shared by all pillars of YKDN. Time has come to say goodbye.

By the time we bury this group on 08 Mar this year, we would have completed:

1. A total of 195 Beautiful Duets.
2. A total of 193 Raat or Din Songs.
3. A total of 133 Zindagi or Jeevan Songs.

I shall be adding five songs to Beautiful Duets and seven to Raat or Din Songs to make these 200 each. Similarly, we may add 17 songs to Zindagi or Jeevan songs to make these 150. Thus, we the 50 RRR songs, we shall have 600 of some of the finest songs in this group on themes that are never far from our minds.

This Song

Hindi movies have songs on every emotion and some of us shall continue using songs to expressing our own emotions long after the group is buried.

After making my more than a dozen groups and pages, I have spent more time on YKDN than on any other group or page. Hence, I can be excused saying it with Majrooh Sultanpuri:

        मुझे दर्द-ए-दिल का पता न था
	मुझे आप किस लिये मिल गये?
	मैं अकेले यूँ भी मज़े में था 
	मुझे आप किस लिये मिल गये?
	
	यूँ ही अपने अपने सफ़र में गुम 
	कहीं दूर मैं कहीं दूर तुम
	कहीं दूर तुम
	चले जा रहे थे जुदा जुदा
	मुझे आप किस लिये मिल गये?
	मैं अकेले यूँ भी मज़े में था
	मुझे आप किस लिये मिल गये?
	
	न मैं चांद हूँ किसी शाम का
	न चिराग़ हूँ किसी बाम का
	किसी बाम का
	मैं तो रास्ते का हूँ एक दिया
	मुझे आप किस लिये मिल गये?
	मैं अकेले यूँ भी मज़े में था
	मुझे आप किस लिये मिल गये?
	
	मुझे दर्द-ए-दिल का पता न था
	मुझे आप किस लिये मिल गये?

Akashdeep – 1965 Movie

This movie was directed by Phani Majumdar for the primary reason that sometime or the other I shall be able to use this as an RRR Song. Thank you Phani, thank you Majrooh, thank you Chitragupt and thank you Mohammad Rafi. If you guys hadn’t given me this song, I won’t have known how to start my RRR Series.

My Own Poetry

My sister Manik Lakhkar Chava behna has objected to more than once that my posts lose their luster if I don’t put up my poems with them. So, here is one:

KAHAN HAIN HAMDARD?

आदत सी पड़ गई है हमें,
रखते हैं बन्द ज़ुबान।
वह बात बात पे लेते हैं,
हमारा ही इम्तिहान।

सब तो परिंदे हैं यहां,
दो घड़ी के हैं महमान।
पर उन्हें क्यूं यह लगता है,
उन्हीं का तो है जहान।

मेरा घर भी कुछ अजीब है,
जैसे हो कोई शमशान।
यहां लाश पड़ी है सपनों की,
वहां पड़े हैं मेरे अरमान।

अब तक तो खड़ा था,
ग़म ओ बेबसी के दरमियान।
अब तो वह भी मुझे देख के,
दिखते हैं बहुत हैरान।

जीने की सलाह देते हैं सब,
पर जीना नहीं है आसान।
शहर ए ज़िन्दगी बड़ा तो है,
पर गलियां हैं सुनसान।

आधी ज़िन्दगी बनाते रहे,
हम अपनी ही एक पहचान।
बाकी की ज़िन्दगी में अब,
मन करता है बनें अनजान।

इतनी बड़ी दुनिया में, रवि,
कोई एक तो होगा इन्सान।
दूसरों के दुख देख कर,
खुद को समझे पशेमान।

Ladies and gentlemen, please enjoy: Mujhe dard-e-dil ka pata na tha…

I hope you liked Song #1 in this series.

Please await Song #2: Koi lauta de mere beete huye din.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #19 – Tujhe Kya Sunayun Main Dilruba in Zindagi or Jeevan Songs series. Let’s start with Song #20.

Song #20
Zindagi mein aaya toofan

Remembering Dara Singh on His Birth Anniversary 19 Nov

He was born on this day in 1928, a Punjabi Jat Sikh. Like many Punjabis before and after him, he was the epitome of gentlemanliness. He became a professional wrestler in Singapore and in the year 1954 became Rustam-e-Hind.

Two years before it, in the year 1952, he started his career as an actor in the movie Sangdil (Dilip Kumar and Madhubala with the immortal song Ye hawa ye raat ye chandini.

He emerged as a stunt actor and finally as a hero. His earthy style and Punjabi rustic way of delivering dialogues won him millions of fans. He also tried his hand at Direction and some of his movies include Nanak Dukhiya Sub Sansaar and Rustom (both of which I saw and liked).

As an actor, his unforgettable role as and in the movie Jagga made me cry. I also saw his King Kong, Rustam-e-Baghdad, Faulad, Samson and Lootera.

Aaya Toofan – 1964 Movie

I have taken this Zindagi song from the 1964 Kidar Kapoor movie Aaya Toofan starring him and Helen in the lead. Farooq Qaiser wrote the lyrics and Laxmikant Pyarelal composed them:

ज़िन्दगी में आया तूफान
ज़िन्दगी में आया तूफान
हुए आज सब पराये
दिन ये कैसे आये
दो घडी में आया तूफान
ज़िन्दगी में आया तूफान

फैली गमो की स्याही
मई हु मेरा हमराही
फैली गमो की स्याही
मई हु मेरा हमराही
ो माँगी न थी तुझसे दुनिआ
मैंने मोहब्बत चाही|
प्यार बनके आया तूफान
ज़िन्दगी में आया तूफान
हुए आज सब पराये
दिन ये कैसे आये
दो घडी में आया तूफान
ज़िन्दगी में आया तूफान

यद् करेगा जमाना
किस्मत का ये तडपना
यद् करेगा जमाना
किस्मत का ये तडपना
हो हीरो को ठुकराने वाले
चुनते है दाना दाना
हाय कैसा आया तूफान
ज़िन्दगी में आया तूफान
हुए आज सब पराये
दिन ये कैसे आये
दो घडी में आया तूफान
ज़िन्दगी में आया तूफान

As expected, the song has been sung very beautifully by Mohammad Rafi.

My Own Poetry

Toofan Se Hoon Anjaan

बात कहने से बात निकल आती है,
न कहूं तो बात बन जाती है।
बाहर तूफ़ान आने को है लेकिन,
अंदर धड़कन खामोश हुई जाती है।

इश्क़ की हवाएं तेज़ हुआ करती थीं,
लहरें उमड़ कर उनका ही दम भरती थीं।
दिल की रगें मेरी तो थीं लेकिन,
लगता था वह उनसे कुछ डरती थीं।

और फ़िर वह मुकाम भी आया,
ज़िन्दगी ने इस कदर हमें आजमाया।
जैसे दोनों के बीच आ गया हो,
भूले हुए ज़ख्मों का कोई साया।

क्या खबर उनको हो गया हूं दूर तूफ़ान से,
जैसे साहिल पे पत्थर पड़े हों बेजान से।
इन्सान तो इन्सान है लेकिन,
मैं तो बेरुख हुआ हूं भगवान से।

रहने दो यादों के शोलों को राख में,
पड़ा रहने दो मुझे वक़्त की ख़ाक में।
नहीं लगते हैं वह फूल कभी दोबारा,
एक बार टूट जो गए उस हरी शाख से।

The Song

Ladies and gentlemen, please enjoy: Zindagi mein aaya toofan…

I hope you enjoyed my choice for Song #20 in the series.

Please await Song #21 –  Beqraar karke hamen youn na jayiye.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #20 in the series. I hope you liked Song #19 – Main rickshaw wala.

Song #20
Chand phir nikla magar tum naa aaye
Theme-word: Ye raat kehti hai…

Remembering Majrooh Sultanpuri and SD Burman on Their Birth Anniversaries 01 Oct

The first song that was made by them together was also a Raat Song; sung by Geeta Roy (Not yet Dutt) for the 1950 movie Pyar: Woh sapne waali raat.

However, as I have already mentioned, it took the breakup between SD Burman and Sahir Ludhianvi for them to be together after the last movie of Sahir and SD Burman: the 1957 movie Pyaasa.

Paying Guest – 1957 Movie

Paying Guest, the 1957 movie directed by Subhodh Mukherjee was their first movie after Pyar of 1950. It was a Filmistan movie: the production company started by Sashadhar Mukherjee after separating from Himanshu Rai and Devika Rani’s production company Bombay Talkies.

Paying Guest was one of the four movies that paired Dev Anand and Nutan. Indeed it was the first. The others are Barish (1957), Manzil (1960) and Tere Ghar Ke Saamne (1963). The last two were partly shot in my home-place Shimla.

Dev Anand is a Paying Guest (in the guise of an old man) in the house of a landlord whose daughter Nutan eventually falls in love with him and he too with her.

However, Shubha Khote as Chanchal has designs on him and he starts neglecting Nutan and she sings this song.

Chand phir nikala has been commented upon me in my blog. During those days, the passage of time used to be measured by the phases of the moon!

Lyrics

चांद फिर निकला, मगर तुम न आये
जला फिर मेरा दिल, करुँ क्या मैं हाय
चांद फिर निकला …

(ये रात कहती है वो दिन गये तेरे
ये जानता है दिल के तुम नहीं मेरे ) – २
खड़ी मैं हूँ फिर भी निगाहें बिछाये
मैं क्या करूँ हाय के तुम याद आये
चांद फिर निकला …

(सुलगते सीने से धुंआ सा उठता है
लो अब चले आओ के दम घुटता हैं ) – २
जला गये तन को बहारों के साये
मैं क्या करुँ हाय के तुम याद आये
चांद फिर निकला …

My Own Poetry

TU NAHIN TO CHANDNI RAAT KYA KARE?

चांदनी रात है पर तूं मेरे साथ नहीं,
बात तो कुछ है लेकिन वह बात नहीं।

भीगी फिजायें छू लेती हैं आके रुखसार,
उनसे क्या हो जब दिल में बरसात नहीं।

एक ज़माना था शाम ओ सेहर मिलते थे हम,
अब कभी मिलें ऐसे तो हालात नहीं।

लहरे उठती हैं उठ के चली जाती हैं,
दिल की धड़कन को बढ़ा दें इनकी औकात नहीं।

पेड़ों की छाओं में बैठे भी तो क्यूं हो जादू,
ठहरे कैसे ये समां जब हाथ में तेरा हाथ नहीं।

नज़रें रह रह के ढूंढती हैं तेरी नज़रें,
कहाँ है तू इतनी तो अंधेरी रात नहीं।

कैसे अब प्यार हमारा मुकाम तक पहुंचे,
ना तो तुम से न मुझ से जब शुरुआत नहीं।

हम नहीं मिलते यह ज़माने की है पाबंदी,
क्यूं कहती हो, रवि, तेरे दिल में जज़्बात नहीं।

Lata Mangeshkar

It has become fashionable with some people to look for songs from Asha and Geeta Dutt as relief from Lata ji. However, she continues being my favourite female singer and it is a joy to listen to her especially in such songs.

Ladies and Gentlemen, please enjoy: Chand phir nikla…

I hope you liked my choice of Song #20 in Raat or Din series.

Please await Song #21 – Mujhe raat din ye khayal hai.

Beautiful Duet Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #19 – O raat ke musaffir chanda. So here, then, is the next one:

Song #20
Ye khamoshiyan ye tanhayiyan, Mohabbat ki duniya hai kitani jawan

A Naval Love Story

RK Nayyar’s 1963 movie Yeh Raaste Hain Pyar Ke was based on the case of navy Commander KM Nanavati who returned from sailing and shot dead the lover of his wife.

Indian Navy is the fifth largest navy in the world and has proved itself in various combat situations. However, as seen by Hindi films industry (some people have bastardised the name of the industry as Bollywood to convey that it is only a copy of Hollywood and doesn’t have any independent standing), the only thing about the Navy that interests them is this love story or triangle. So much is the appeal that it was remade into 1973 movie Achanak and 2016 movie Rustom.

RK Nayyar was, of course, three years away from marrying the actress Sadhana.

The movie starred Sunil Dutt, Leela Naidu and Rehman who was killed by Sunil Dutt and Ashok Kumar acted as the advocate Byomkesh Mukherjee. Byomkesh, for Bengalis, is a popular fictional detective and there has been recently (2015) movie made by Dipakar Banerjee: Detective Byomkesh Bakshy with Sushant Rajput playing the title role.

Rajinder Krishan and Ravi

Two days ago, we had the Death Anniversary of Rajinder Krishan. His son, Rajesh Duggal presented a three hours programme of his songs sung by Dr Rahul Joshi, Dhanashree, Meenakshi, Satish Sawant and Pankaj Chaturvedi. The others were, of course, just alright singers; but, Rahul and Dhanashree were excellent and in some songs even outstanding. One of the songs sung by the lead singers was this, which was originally sung by Mohammad Rafi and Asha Bhosle.

One can call it an unforgettable song both for its lyrics that silently touch your heart in many ways and its sensitive handling by Ravi. Here are the lyrics for you to appreciate:

ये खामोशियाँ, ये तन्हाईयाँ
मोहब्बत की दुनिया है कितनी जवाँ
ये खामोशियाँ, ये तन्हाईयाँ…

ये सर्दी का मौसम बदन काँपे थर-थर
ये है बर्फ का ढेर या संगमरमर
बना लें ना क्यों अपनी जन्नत यहाँ
ये खामोशियाँ, ये तन्हाईयाँ…

ये ऊँचे पहाड़ों के मगरूर साये
ये कहते हैं उनको नज़र तो मिलाए
फ़रिश्ते भी हैं इस जगह, बेज़ुबां
ये खामोशियाँ, ये तन्हाईयाँ…

न पर्दा है कोई, न है कोई चिलमन
जहाँ पाँव रख दें, है फिसलन ही फिसलन
कदम छोड़ते जा रहे हैं निशाँ
ये खामोशियाँ, ये तन्हाईयाँ…

These are the kind of lyrics that you often find in the songs of someone who loved Khamoshi, Sannata, Chup i lagi hai: Hemant Kumar.

My Own Poetry

Silence, Khamoshi, Chup are some of the things that are closest to my heart in my own poetry (I have been giving you my own poems with almost all songs).

Here is one on: Sound of Silence

शोर ओ गुल में रूह की आवाज़ को भी सुन,
नूर ओ रंग में इस दबे राज़ को भी सुन।

बहुत दिलकश हैं ज़िन्दगी के हसीन नग़मे,
पर दूर कहीं बज रही है यह हल्की सी धुन।

फरेब-ऐ-नज़र है, सराब है, महज़ ग़ुबार है दुनिया,
जागते सोते चंद रोज़ के खवाइश-ऐ-ख्वाब न बुन।

रिश्ते, मुहबतें, याराने सब दिल ओ दिमाग की हैं बातें,
शहनाई की मुबारक धुन, घुंघरू की यह रूण झुन।

हमसफर रहे हैं अभी तक लालच, अना और खुद गर्ज़ी,
दौरान-ए-हयात में अब रहमत ओ रूहानियत भी चुन।

हंगामा-ए-जंगल में आवाज़ें बहुत रही हैं बुलंद,
गौर से, रवि, अब इस नन्हे परिंदे की भी सुन।

Please enjoy: Ye khamoshiyan ye tanhayiyan…

I hope you liked my choice of Beautiful Duet #20.

Please await Beautiful Duet #21- Yaad kiya dil ne kahan ho tum.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #18 – Aaj purani raahon se in Zindagi or Jeevan Songs series. Let’s start with Song #19.

Song 19
Tujhe kya sunayun main dilruba
Theme-word: Teri ik nigaah ki baat hai, Meri Zindagi ka sawaal hai

Excellence of Lyrics

Majrooh was from that part of Uttar Pradesh that produced some of the greatest lyricists in Hindi movies: Kaifi from Azamgarh, Shakeel from Badayuni and he himself from Sultanpur. Many many years later, politically, it was said that the winners in UP normally made the government at the centre. That was the effect of people in that part of the world both poetically and politically.

By writing the theme-word line, Mahrooh simply made us understand why he was awarded the Dadasaheb Phalke Award, the highest in cinematic excellence, given by the government of India.

So, why just the theme-word line, with the superb use of Zindagi being compared to her one look, lets, at the outset, go through the lyrics:

तुझे क्या सुनाऊँ मैं दिलरुबा
तेरे सामने मेरा हाल है
तेरी इक निगाह की बात है
मेरी ज़िंदगी का सवाल है

मेरी हर ख़ुशी तेरे दम से है
मेरी ज़िंदगी तेरे ग़म से है
तेरे दर्द से रहे बेख़बर
मेरे दिल की कब ये मज़ाल है

तेरे हुस्न पर है मेरी नज़र
मुझे सुबह शाम की क्या ख़बर
मेरी शाम है तेरी जुस्तजू
मेरी सुबह तेरा ख़याल है

मेरे दिल जिगर में समा भी जा
रहे क्यों नज़र का भी फ़ासला
के तेरे बग़ैर ओ जान-ए-जां
मुझे ज़िंदगी भी मुहाल है

You would know that twice more Majrooh (Injured or Wounded) repeated Zindagi. What do you get out of this? He is thinking of Zindagi as something that is dependent on her, her gaze, her sorrow. You can’t be so aloof as to miss the excellence of lyrics.

Madan Mohan and Mohammad Rafi

With such beautiful lyrics, who is there to compose them? Well, the maestro: Madan Mohan himself. Recall what he did to Kaifi’s Main ye soch kar uske dar se utha tha? He transformed already great lyrics into something totally sublime. He did the same here.

And who is there to sing these? A man who could take ordinary lyrics and average compositions into great songs: Mohammad Rafi. And, if the lyrics are already great and composition already sublime, what does he do? According to me, he takes the song to a height that all other singers (without exception) cannot even imagine reaching.

Aakhri Dao – 1958 Movie

And now for the other relatively insignificant details. The song is from the 1958 Mahesh Kaul movie Aakhri Dao starring Nutan and Shekhar. He has been asked to sing in a picnic party and he sings, not to everyone, but only to her. She is uncomfortable with the revelation of his love for her in such intense words in front of everyone. You should see the way she looks and the way others, especially Shammi, looks at her.

My Own Poetry

Meri Zindagi Aapki Aankhon Tale

आपकी आँखों में मुझे वह झलक मिल जाती है,
ज़िन्दगी दफ़अतन और हसीन हो जाती है I

लोग देखते हैं प्यार दिलरुबा की आँखों में,
मुझे तो सारी कायनात नज़र आ जाती है I

ये आँखें नहीं हैं मेरी ज़िन्दगी की रहनुमा हैं,
ज़िन्दगी के मायने यकीनी मुझे समझाती हैं I

कई बार सोचता हूँ कह दूँ इनसे मैं दिल की बात,
क्या कहूं हया मेरी आंखों में छलक जाती है I

सबेरे का सूरज इनकी पलकें खुलने का इशारा है,
रात का अँधेरा पलक झुकने पे ले आती हैं I

ज़िन्दगी में लाखों ग़म इधर उधर बिखरे हों तो क्या,
ज़िन्दगी के सारे ग़म इनकी लौ भुलाती हैं I

मुझे अब इनके सिवा कुछ और न चाहिए, रवि,
जन्नत – ऐ – खुदा खुद बा खुद मिल जाती है I

The Song

Ladies and gentlemen, please enjoy: Tujhe kya sunayun main dilruba…

I hope you enjoyed my choice for Song #19 in the series.

Please await Song #20 –  Zindagi mein aaya toofan.