I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.
This is the Song #22 in the series. I hope you liked Song #21 – Mujhe raat din ye khayal hai.
Song #22
Chupke chupke raat din aansu bahana yaad hai
Hasrat Mohani and Ghulam Ali
He might not have been as popular in Hindi movies as the other Hasrat – the one from Jaipur in Rajastan. This Hasrat, as the name suggests, was from the town of Mohan in Unnao district in North West Province, now in Pakistan.
He should have been even more popular than Hasrat Jaipuri since it was Hasrat Mohani who came up with the slogan: Inquilab Zindabad. He not only was a pillar in the freedom struggle of India but was also an ardent devotee of Krishna and often attended Janamashtami in Mathura.
His lyrics, poems and ghazals found their way into many Hindi movies. This one was used in the 1982 BR Chopra movie called Nikah on the sad shariat tradition of triple talaq that was so unfair to women. Indeed, BR Chopra wanted to name the movie Talaq Talaq Talaq but the muslim clerics stepped in and got it changed to Nikah. They could do so under the Congress regime since Congress used to suck to such minorities in the name of secularism.
Ghulam Ali, a disciple of Ustad Bade Ghulam Ali Khan, is a Pakistani singer of Patiala Gharana. His ghazals, especially written by Indian poets, have been very popular in the sub-coninent. This is a favourite with me and so is Hungama kyun barpa thodi si jo pi hai penned by Akbar Allahabadi.
Though Ravi was the music director of the movie, this ghazal was composed by Ghulam Ali. Indeed, the ghazal existed even before the movie and was used here as found most suitable.
Why This Ghazal in 1982 Movie Nikaah?
Salma Agha (she won the best female singer for the ghazal Dil ke armaan aansuyon mein beh gaye in the same movie) was married to Wasim (Deepak Prashar) after an affair with Haider (Raj Babbar).
Her life becomes hell after marriage since Wasim is a work alcoholic and neglects her totally. This ghazal is to bring about what it used to be before the marriage turned sour.
Raat Din – Always or All The Time
This is the second consecutive song by me with Raat Din. The first one was day before yesterday: Mujhe raat din yeh khayal hai.
My Own Poetry
Tab Aur Ab
हमारी गुफ्तगू कभी खत्म ना होती थी,
आज ख़ामोशी की हद्द भी पार हो गयी.
दर्द – ऐ – दिल का हमें गुमान तक ना था,
आज खुशियां हमारी उधार हो गयी.
गुलज़ार थी वफ़ा – ओ – इश्क़ की दुनिया,
आज मौत भी हमसे बेज़ार हो गयी.
ना बुलाने से भी चले आते थे वह,
आज आह भी अपनी बेकार हो गयी.
तबुस्सम की फ़िज़ा लहरा के चलती थी तब,
आज अश्क़ों की लड़ी मेरे रुखसार हो गयी .
ज़िन्दगी के रंग – ओ – नूर वह साथ ले गए,
महफ़िल – ऐ – इश्क़ उनके बाद बेक़रार हो गयी.
हमें यकीन नहीं होता तेरे बज़्म – ऐ – दुनिया में,
सचाई – ओ – वफ़ा झुक के शर्मसार हो गयी.
खुदा अपनी रहमत से मुझे बुलंद रखना,
आज मेरी उम्मीद – ओ – तवक़्क़ो लाचार हो गयी.
The Song
Ladies and gentlemen,
Please enjoy: Chupke chupke raat din aansu bahana yaad hai…
I hope you liked my choice of Raat or Din Song #22.
Please await Raat or Din Song #23- Poochho na kaise maine raen bitayi.
He was born on this day in 1932.
This song is from Kundan Kumar’s 1968 movie Aulad starring Jeetendra and Babita and Mehmood and Aruna Irani.
Of course, Manna Dey sang for Mehmood in his put up Anglicised role and Asha Bhosle for typical village belle Aruna Irani. The song was shot in Goa that got its name from Go or Cow but loves to be seen in borrowed Portuguese culture.
I take the help of this song penned by Shailendra and composed and sung by Kishore Kumar in the 1964 movie Door Gagan Ki Chhaon Mein that was written, produced and directed by Kishore Kumar:
He could truly be called an One Man Army or One Man Industry. Take the movies that he made: this and Door Ka Rahi. Instead of trying to make them as commercial successes, he preferred to make them as reflection of his inner self, his quest for an eternal world.
No matter who and where you are; you do deserve a song by Shakeel Badayuni, every now and then. And this is from the 1962 Biren Nag Film Bees Saal Baad for whose song Kahin deep jale kahin dil Shakeel received his third (of the only hat-trick in Hindi movies) Filmfare Award for Best Lyricist and Lata Mangeshkar received Best Playback Singer (Female) Award.
Hemant Kumar was one singer who would at the fastest transport you to the world of the lyrics of the song. So, if he sang Sahir’s Pedon ki shaakhon pe soyi soyi chandini, or Kaifi’s Raat haseen ye chand haseen tu sabse haseen mere dilwar, your imagination donned wings and you didn’t hear him from far; you were already there at the scene of the song (even if you had never seen the video!)
The movie was based on Arthur Conan Doyle’s Sherlock Holmes story The Hound of Baskervilles. It starred Biswajeet and Waheeda Rehman in the lead roles. It was the most super hit movie of 1962 thanks, to a great extent to Shakeel – Hemant Kumar songs.

However, here we are with the title song of the group from the 1953 Amiya Chakrabarty movie Patita starring Dev Anand and Usha Kiran, both of whom feature in this truly iconic song that we shall never be able to get out of our system. Hemant Kumar sang for Dev Anand and Lata ji sang for Usha Kiran.
The song was penned by my behna Kishwar Jaipuri’s dad Hasrat Jaipuri and composed by the duo who were the best in the world. Even after so many years, Hasrat ji and Shankar Jaikishan ji never fail to wow us. This song, of course, is very special to this group and not just a beautiful duet. Each word is imprinted on our hearts; each word fills us with precious memories; each note touches the chords of our hearts:
This movie Oomar Qaid, a movie of 1961, has Aspi Irani directing it and Mohan Choti, Helen, Sheikh Mukhtar, Mukri, Nazima and Sudhir in the lead roles.
The song with very beautiful and expressive lyrics was penned by Kishwar Jaipuri’s father Hasrat Jaipuri and composed most beautifully by Iqbal Qureshi. It is simply the best and most memorable song of the movie.
After making my more than a dozen groups and pages, I have spent more time on YKDN than on any other group or page. Hence, I can be excused saying it with Majrooh Sultanpuri:
This movie was directed by Phani Majumdar for the primary reason that sometime or the other I shall be able to use this as an RRR Song. Thank you Phani, thank you Majrooh, thank you Chitragupt and thank you Mohammad Rafi. If you guys hadn’t given me this song, I won’t have known how to start my RRR Series.




RK Nayyar’s 1963 movie Yeh Raaste Hain Pyar Ke was based on the case of navy Commander KM Nanavati who returned from sailing and shot dead the lover of his wife.
One can call it an unforgettable song both for its lyrics that silently touch your heart in many ways and its sensitive handling by Ravi. Here are the lyrics for you to appreciate:
Majrooh was from that part of Uttar Pradesh that produced some of the greatest lyricists in Hindi movies: Kaifi from Azamgarh, Shakeel from Badayuni and he himself from Sultanpur. Many many years later, politically, it was said that the winners in UP normally made the government at the centre. That was the effect of people in that part of the world both poetically and politically.
With such beautiful lyrics, who is there to compose them? Well, the maestro: Madan Mohan himself. Recall what he did to Kaifi’s Main ye soch kar uske dar se utha tha? He transformed already great lyrics into something totally sublime. He did the same here.
And now for the other relatively insignificant details. The song is from the 1958 Mahesh Kaul movie Aakhri Dao starring Nutan and Shekhar. He has been asked to sing in a picnic party and he sings, not to everyone, but only to her. She is uncomfortable with the revelation of his love for her in such intense words in front of everyone. You should see the way she looks and the way others, especially Shammi, looks at her.


This movie was directed by Prasad and starred Nanda in the title role, supported by Balraj Sahni, Rehman, Mehmood and Shobha Khote. I already talked about their duet: Main rangeela pyar ka rahi.
I have already given you a Raat song penned by this great lyricist. This one is a Raat, Chanda song as well as a beautiful duet. Please appreciate the lyrics penned by him:
They made a very popular pair of Lyricist and Music Director. Their 1954 movie Nagin is their most talked about association; each song is still talked about as if it was yesterday.
As I have said any number of times, some of the finest duets in the Hindi movies were sung by them. This duet has the standard format: He sings one stanza, she sings the next one and then they sing one together. Dil ki nazar se is in this format but sung by Mukesh and Lata Mangeshkar.
It happened in this song and the movie Aadmi. Yesterday, on Chitragupta’s Birth Anniversary, I gave you a song in Beautiful Duet Series: Chand jaane kahan kho gaya. It was, I mentioned, for the 1962 A Bhimsingh movie Main Chup Rahungi. I had given you a list of movies directed by A Bhimsingh and mentioned that Aadmi of the year 1968 was one of them.