Category: Poems and Lyrics

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #38 – Kahan jaa raha hai tu aye jaane wale in Zindagi or Jeevan Songs series. Let’s start with Song #39.

Song #39
Duniya mein agar aaye hain to jeena hi padhega
Theme-word: Jeevan hai agar zehar to peena hi padhega

Remembering Naushad on His Birth Anniversary 26 Dec

Shakeel and Naushad managed to make not just the best but the most memorable songs in Hindi movies. Each one is full of meaning. Each one carries forward the story of the movie.

This one from the 1957 Mehboob Khan’s iconic movie Mother India that nearly (lost by one vote) won the Oscar.

Romantically, the best remembered picture of Nargis is with Raj Kapoor under the umbrella in the song: Pyar hua iqraar hua. However, as far as her most iconic image is concerned, there are no two opinions about it; it is her carrying a plough in the poster of Mother India.

And this is the song of that image! This song describes what Mehboob Khan wanted to project as the image of Indian Woman as opposed to what Katherine Mayo did in her 1927 book Mother India that vilified her. Mehboob Khan wanted to project her as an intrepid woman who’d stand firm against all odds and circumstances.

I totally agree with this image since after my dad’s death by accident in 1984, my mother fought bravely against her circumstances (by herself in Kandaghat). At her death on 09 Aug 2017, they compared her to a Sherni (Lioness) who feared only God.

Shakeel Badayuni, Naushad, Lata Mangeshkar and Her Sister Usha

I think what Mehboob Khan wanted to achieve with Nargis as Mother India, he did very ably. Two others who helped him in this were Shakeel and Naushad; their songs are still as fresh as they were 63 years ago. This was sung by Lata Mangeshkar for Nargis and Usha Mangeshkar as chorus for the two of her boys in the film. In addition to the exquisite composition, I think the lyrics too contributed towards this song finding a place in the Hall of Fame and Greatness:

दुनिया में हम आये हैं तो जीना ही पड़ेगा
जीवन है अगर ज़हर तो पीना ही पड़ेगा
दुनिया …

गिर गिर के मुसीबत में सम्भलते ही रहेंगे
जल जाएं मगर आग पे चलते ही रगेंगे
ग़म जिसने दिये हैं बही ग़म दूर करेगा
दुनिया …

औरत है वही औरत जिसे दुनिया की शर्म है
संसार में बस लाज ही नारी का धर्म है
ज़िन्दा है जो इज़्ज़त से वही इज़्ज़त से मरेगा
दुनिया …

मालिक है तेरे साथ न डर ग़म से तू ये दिल
मेहनत करे इन्सान तो क्या काम है मुश्किल
जैसा जो करेगा यहाँ वैसा ही भरेगा
दुनिया …

The Song

Hats off to you, Naushad; hats off to you, Shakeel.
Ladies and gentlemen, please enjoy: Duniya mein hum aaye hain to jeena hi padhega….

I hope you enjoyed my choice for Song #39 in the series.

Please await Song #40 –  Zindagi kuchh to bata.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #39 in the series. I hope you liked Song #38 – Tum pukaar lo.

Song #39
Raaton ko chori chori bole mera kangana
Theme-word:In the mukhada itself

SH Bihari – OP Nayyar – Asha Bhosle

It is rare for me to give you a song that has the theme-word in the mukhada itself. However, I have been meaning to put up this song for some time now.

I have liked all the lyrics of Shamsul Huda Bihari; particularly those that have been composed by OP Nayyar. One straightway thinks of Kashmir Ki Kali, Ek Mussafir Ek Hasina, Sawan Ki Ghata, and Yeh Raat Phir Na Aayegi.

OP Nayyar, of course, is best remembered for his songs with horse-trot beat such as Maang ke saath tumhara, Laakhon hain yahan dilwale and Phir wohi dil laya hoon. His movies had the largest number of hit and super hit songs. He claimed not to know much about raagas and the like and yet some of his songs were very well composed in raagas; his favourite being Raag Peelu or Pilu and next favourite being Pahadi.

He refused to have Lata sing any of his songs and hence Asha Bhosle was the hot favourite with him together with Geeta Dutt and Shamshad Begum.

Mohabbat Zindagi Hai – 1966 Movie

This movie was directed by Jagdish Nirula and starred Dharmendra, Rajshree, Chand Usmani and Mehmood.

The story was very interesting indeed. Rajshree’s father passes away and it is revealed in his will that Rajshree would inherit his property if she’d marry within three months of his dying.

She has a quick way out. She selects Dharmendra as an opportune husband because he is on the death row and would die and she would enjoy the riches of her dad without being encumbered by her spouse.

However, Dharmendra is pardoned and is free to go and that makes the background of the story to follow.

I have not been able to make out anywhere (since I didn’t see the movie) as to how Chand Usmani is singing this song at one end and on the other end Rajshree is in her bed. If any of you have seen the movie, please thrown some light on it.

The Song

I have always been fond of OP Nayyar’s compositions. He has done an exceedingly good job here to make it into a memorable song, Of course, SH Bihari’s lyrics are extraordinary:

रातो को चोरी चोरी बोले
मोरा कगना…
अब के जो बरखा आयी आएगे
सजना…
रातो को चोरी चोरी बोले
मोरा कगना…

कैसी अनोखी प्यारी होगी
वो राते
जबकि पिया से होगीे
मनवा की बाते…
दो चॉद चमकेगे मोरी
अटरिया …-२
एक तो कबर मे होगा दुजा
मोरे अगना
रातो को चोरी चोरी बोले
मोरा कगना…

विरहा अगन बैरी मन को
जलाय-२
बरखा की रिमझिम आग
लगाये
बदरो से केहदे कोइ अब के
बरसिया…-२
आ जाये सइया घर तो जम के
बरसना
रातो को चोरी चोरी बोले
मोरा कगना…
अब के जो बरखा आयी आएगे
सजना…

My Own Poetry

Raat Se Nahin Badalte Haalaat

कसम है तुम्हारी ऐसा लगा कल रात,
जैसे हमारे प्यार में कुछ बने यूँ हालात;

चांद से तुम उतरी, मैं ज़मीन से उठा,
फलक पे हमारी हो गयी मुलाकात।

दिल धड़कने की आवाज़ बनी शहनाई,
साथ में थी हसीं चांदनी की बारात,

फरिश्तों ने बरसाए फूल कई रंग के,
दुल्हन की तरह सजी थी सारी कायनात।

दिल की उमंगे कुछ इस कदर थी बुलंद,
लब खुले पर हो न पाई कोई बात;

बादल गरजे, बिजली चमकी और ऐसा लगा,
थमेगी न कभी इश्क़ की बरसात।

और फिर….

बिखर गए ख्वाब, टूट गए सपने,
तन्हाई की फिर से हो गयी शुरुआत;

हम वहीं खड़े थे जहां तुमने फना किये थे,
रफ्ता रफ्ता गुंचा-ए-दिल-ए-जज़्बात।

Ladies and gentlemen, please enjoy: Raaton ko chori chori bole mera kangana…

I hope you liked my choice of Raat or Din Song #39.

Please await Raat or Din Song #40- Ek woh bhi diwali thi.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #37 – Ek haseen shaam ko dil mera kho gaya in Zindagi or Jeevan Songs series. Let’s start with Song #38.

Song #38
Kahan jaa raha hai tu ai jaane wale
Theme-word: Ye jeevan safar ek andha safar hai

Remembering Mohammad Rafi on His Birth Anniversary 24 Dec

End of the year is the time of the year for retrospection. We were so keen to usher in New Year. But, did we do anything new at all? Did we get rid of old habits and adopted new virtues? Did we think of new ways to solve life’s problems? Or, we were just puppets at the hands of Time and drifted aimlessly?

As with everyone, I too get philosophical at the end of the year. In the end of the Year 2015 and beginning of the Year 2016 I wrote two important essays on philosophies. I am giving you the second one since it has the link of the first one in it:
Philosophies That May Help You 

Whither Goest Thou?

This song was penned by Shailendra and composed by Shankar Jaikishan for the 1955 Amiya Chakravarty movie starring Nutan as Gauri who is running away from the life of oppression.
It was sung by Mohammad Rafi whose Birth Anniversary is tomorrow, 24 Dec.

As with all Lyricists of that era, Shailendra too was seeped in scriptures. He has relied, no doubt, on the following:

“Quō vādis? (Classical Latin: [kʷoː ˈwaːdɪs], Ecclesiastical Latin: [kwo ˈvadis]) is a Latin phrase meaning “Where are you marching?”. It is also commonly translated as “Where are you going?” or, poetically, “Whither goest thou?”.

It also may refer to a Christian tradition regarding Saint Peter. According to the apocryphal Acts of Peter (Vercelli Acts XXXV), Peter flees from crucifixion in Rome at the hands of the government, and along the road outside the city, he meets the risen Jesus. In the Latin translation, Peter asks Jesus, “Quō vādis?” He replies, “Rōmam eō iterum crucifīgī” (“I am going to Rome to be crucified again”). Peter then gains the courage to continue his ministry and returns to the city, where he is martyred by being crucified upside-down. The Church of Domine Quo Vadis in Rome is built where the meeting between Peter and Jesus allegedly took place.”

Please look at the extraordinarily beautiful lyrics penned by Shailendra:

कहाँ जा रहा है तू, ऐ जानेवाले
अँधेरा है मन का, दिया तो जला ले
कहाँ जा रहा है तू, ऐ जानेवाले
कहाँ जा रहा है

ये जीवन-सफ़र एक अँधा सफ़र है
बहकना है मुमकिन, भटकने का डर है
सँभलता नहीं दिल किसीके सँभाले
कहाँ जा रहा है तू, ऐ जानेवाले
कहाँ जा रहा है

जो ठोकर ना खाए, नहीं जीत उसकी
जो गिरके सँभल जा,ए है जीत उसकी
निशाँ मंज़िलों के ये पैरों के छाले
कहाँ जा रहा है तू, ऐ जानेवाले
कहाँ जा रहा है

My Own Poetry

I have many many poems on the subject. I have selected one for you about Life’s Lessons:

How many of us are able to read correctly,
When important lessons Life gives out?
Some are given directly but most are indirectly,
But we are still filled with unsurety and doubt.
These precious lessons then lie in vain,
Instead of learning we merely complain.

Life is the greatest teacher of them all,
There is so much to learn as we go along.
Some of us, not a single one, can recall,
Others by these have actually emerged strong.
These are provided by God totally free,
But we pretend to be blind and don’t see.

Many lessons are meant for a life’s phase,
You just can’t apply them later at will.
Some would last only for a few days,
Like the expiry date on a medicinal pill.
We can save ourselves grief if we act,
But we fail to gauge their impact.

We pray to God to give us various things,
And He often makes our prayers come true.
We never ask for ability to read what Life brings,
Most often than not we haven’t got a clue.
So, let’s ask God to gift us the blessing,
That Life’s lessons don’t find us guessing.

The Song

Ladies and gentlemen, please enjoy: Kahan ja raha hai tu ai jaane wale….

I hope you enjoyed my choice for Song #38 in the series.

Please await Song #39 –  Duniya mein agar aaye hain.

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #38 – O shama mujhe phoonk de. So here, then, is the next one:

Song #39
Ye kaali kaali aankhen

Happy Birthday Shah Rukh Khan and Anu Malik 02 Nov

Whether or not you believe it, it is a duet between Kumar Sanu and Anu Malik, the composer of this song. Anu Malik sings in the interludes of the song (just as Rahul Dev Burman as Music Director used to do sometimes) whilst the main song was sung by Kumar Sanu for Shah Rukh Khan.

Shah Rukh Khan is all of 55 years old today. He was 23 years old when he acted in his first movie, a Lekh Tandon movie called Dil Dariya.

In his early days in the movies, the role he loved doing was that of anti-hero and this he did in two consecutive movies Darr and Baazigar. The 1993 movie Baazigar is the movie from where I have taken this song. His complete role was vengeful. This is the first of the many movies that he did with Kajol.

Anu Malik is 60 years old today. He made his debut as composer in Hunterwali 77, a 1980 movie.

Whereas Shah Rukh Khan has won 14 Filmfare Awards, including for this movie Baazigar, Anu Malik won two: one for this movie and another for 2005 movie Main Hoon Na, which too was a Shah Rukh Khan starrer.

The Song

Kumar Sanu won his fourth consecutive Filmfare Award for singing Yeh kaali kaali aankhen. Anu Malik has composed many songs that are “inspired” (a milder word for plagiarised). This one was “inspired” by an African hit “yeke yeke”.

This song was penned by Rani Malik:

ये काली काली आँखें
ये गोरे गोरे गाल
ये तीखी तीखी नज़रें
यह हिरणी जैसी चाल

देखा जो तुझे जानम
हुआ है बुरा हाल

मैं मिला
है तू मिली
तू मिली तू मिली

दुनिया जले तो जले
प्यार करेंगे
धक् धक् दिल यह करे
उफ़ तेरी दिल्लगी दिल को जलाने लगी
दिलरुबा तू मुझे नखरें दिखाने लगी
गैरो की बाहों में इठलाके जाने लगी
ये तेरी पैरों की मुझको सताने लगी
छोडो जी छोडो सनम
ज़िद अपनी छोडो सनम
नाज़ुक है दिल यह मेरा
दिल को न तोड़ो सनम

ये लम्बी लम्बी रातें
आखिर ले मुलाक़ातें
जाने क्यों दिल यह मेरा
तेरा ही होना चाहे
उसे मैला ना कर
ये गोरे गोरे गाल

न तू कर हाथ पैट
कर ब्याह जातपात
मेरी आ जा तू दिक़्क़त
करते प्यार का टिकट
न तू जुल्फें झटक
न तू पैर पटक
अरे ऐसा न मतक
दिल गया है बीटा
चहरे पे तेरे सनम
लैला की हैं शोखियाँ
हीर से बढ़के है
आँखों की ये मस्तियाँ
जूलिएट की तरह होठों
पे हैं सुर्खियां
देख ले खुद को
तू नज़र से मेरी जान-इ-जा
देखि जो तेरी अदा
मैं फिदा हो गया
सीने से लग जा ज़रा
जीने का आये मज़ा

ये बिखरे बिखरे ज़ुल्फ़ें
ये झुकी झुकी पलके
ये गोरी गोरी बाँहें
हम क्यों न तुम्हें चाहे
ऐसा तो हम ने पहले
देखा नहीं कमाल

ये काली काली आँखें…..

Ladies and gentlemen, please enjoy (I just made it one minute before the day ended): Yeh kaali kaali aankhen

I hope you liked my choice of Beautiful Duet #39.

Please await Beautiful Duet #40- Aaja re ab mera dil pukara.

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

Hence this series shifted to my page Lyrical.

I hope you liked RRR Song #18: Mujhe le chalo aaj us gali. Here is the next song:

Song #19
Tumhen zindagi ke ujaale mubarak

Dharmendra – Meena Kumari

This handsome young man from Phagwara in Punjab joined Hindi movies as an actor so that he would act opposite Meena Kumari.

He made his debut with 1960 Arjun Hingorani movie Dil Bhi Tera Hum Bhi Tere, when he was not yet 25 years old. However, he had to wait for another four years before he could act opposite Meena Kumari in the 1964 AC Tirulokchander movie Main Bhi Ladki Hoon. That they jelled very well together can be made out from the success of the movie and particularly the song: Chanda se hoga woh pyaara in which Lata sang for Meena Kumari and PB Srinivas sang for Dharmendra; a beautiful duet indeed.

Purnima – 1964 Movie

Purnima, from where I have taken this song, was only their second movie together. It was a Narendra Suri movie in which he was Prakash and she was Purnima.

Gulzar

There were eight songs in the movie that were composed by Kalyanji Anandji. Gulzar had written two of these. These were the two in the movie that became super hits: Tumhen zindagi ke ujale mubarak sung by Mukesh for Dharmendra and Hamsafar mere hamsafar sung by Lata for Meena Kumari and Mukesh for Dharmendra.

What is this about Gulzar that makes his songs so popular?

He made his debut in the 1963 Bimal Roy movie Bandini when SD Burman and lyricist Shailendra had a tiff and SD Buman latched on to Sampooran Singh Kalra (Gulzar) to have another option. Gulzar wrote Mora gora rang lai le and there was no looking back for Gulzar.

Presently, he is the man who has won more awards than any other; as lyricist, producer, director, writer, dialogue writer etc.

NDTV selected him as one of the four Lyricists that would have the Best in them: Sahir, Shakeel, Gulzar and Majrooh. He has that kind of imagination and is fully deserving of the highest award: Dadasaheb Phalke Award, something that Majrooh had got before him.

The Lyrics

Please have a look at the most beautiful lyrics:

तुम्हे ज़िन्दगी के उजले मुबारक
अँधेरे हमे आज रास आ गए है
तुम्हे पके हम खुद से दूर हो गए थे
तुम्हे छोड़ कर अपने पास आ गए है
तुम्हे ज़िन्दगी के उजले मुबारक
अँधेरे हमें आज रास आ गए है

तुम्हारी वफ़ा से शिकायत नहीं है
निभाना तो कोई रवायात नहीं है
तुम्हारी वफ़ा से शिकायत नहीं है
निभाना तो कोई रवायात नहीं है
जहां तक कदम आ सके आ गए है
अँधेरे हमें आज रास आ गए है

चमन से चले है ये इलज़ाम लेकर
बहुत जी लिए हम तेरा नाम लेकर
चमन से चले है ये इलज़ाम लेकर
बहुत जी लिए हम तेरा नाम लेकर
मुरादों की मंजिल से दूर आ गए है
अँधेरे हमें आज रास आ गए है

तुम्हे ज़िन्दगी के उजले मुबारक
अँधेरे हमें आज रास आ गए है
तुम्हे पके हम खुद से दूर हो गए थे
तुम्हे छोड़ कर अपने पास आ गए है.

My Own Poetry

ZINDAGI AB BHI HAI LEKIN…

ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तब नया सूरज उगा था
तब जलते चिरागों की लौ में
अँधेरे दूर भागते थे
अब रौशनी को तरसते रात के साये
बढ़ते ही जा रहे हैं
सबेरा दूर है, बहुत दूर
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है

ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
चमन में फूलों की खुशबु से
फ़िज़ाएं मदहोश थी तब
अब मुरझाये फूल गिरते हैं मज़ार पे
सूखे पत्तों के संग
लहर आई थी चले गयी
हम साहिल पे अब भी खड़े हैं इंतेज़्ज़ार में
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है

ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तेरे क़दमों की आहट से
बंधे थे मेरे दिल के तार
तेरी साँसों में तब था
मेरे ही प्यार का खुमार
अब खाली पैमानों की बज़्म में
हम प्यासे खड़े हैं
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है

ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तब हम मुन्तज़िर थे
तेरे अहद-ओ-पैमान से
अब नींद से जागी हमारी आँख
मौत का नज़ारा ढूंडती है
काश उस ज़िन्दगी को रोक लेते वहीँ
जो अब हर कहीं जिन्दगी का सहारा ढूंडती है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है

ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
फरक सिर्फ इतना है:
तब सब कुछ हमारे आगे था
अब सब कुछ हमारे पीछे है
तब हम कहते थे, “यही है ज़िन्दगी”
और अब? अब सवाल ही सवाल है:
“बस यही है ज़िन्दगी, क्या?”
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है

This Song

Ladies and gentlemen, please enjoy: Tumhen zindagi ke ujale mubarak…

I hope you liked Song #19 in this series.

Please await Song #20: Toote huye khwabon ne.

 

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #38 in the series. I hope you liked Song #37 – Gumsum nisha aayi.

Song #38
Tum pukaar lo
Theme-word: Khwab chun rahi hai raat, Beqraar hai

Hemant Kumar

Hemant Kumar has been my favourite singer since my boyhood days and yet I am often very shy writing about him; just like I am writing about Mere Mehboob Tujhe.

Anyway, you will probably agree with me that some of the best songs sung by Hemant Kumar are on his compositions. This is one of them. What is more is that the movie Khamoshi of 1970 was also produced by him. He commissioned Asit Sen (not the comedian) to direct it for him.

Many of Hemant Kumar songs are to do with Khamoshi, Chup, Sannata and the like; Bus ye chup si lagi hai comes to your mind straightway and so does Chup hai dharti chup hai chand sitaare.

The fact is that for someone trained in Rabindra Sangeet (there is never a jarring note), Silence and Tranquillity come easily to Hemant Kumar. Picture this, for example:

पेड़ों की शाखों पे सोई सोई चाँदनी
तेरे खयालों में खोई खोई चाँदनी
और थोड़ी देर में थक के लौट जाएगी
रात ये बहार की फिर कभी न आएगी

Do you get the impression that there would be loud music? Or do you get the impression that the song in Raag Kafi would descend upon you like dew does in the night?

So, I think you have got the point: that’s Hemant Kumar for you; not only fond of Silence but asking of you to find your song (and hence your soul) in this Khamoshi. At this stage, I am often inspired to give you Wordsworth:

“The stars of midnight shall be so dear,
For her and she shall lean her ear,
In many a secret place;
Where rivulets dance their wayward round,
And beauty born of murmuring sound,
Shall pass into her face.”

Wordsworth could have written this about Hemant Kumar songs!

Khamoshi – 1970 Movie

This Asit Sen movie starred Rajesh Khanna as the man who has lost his noodles after being cheated in Love. Waheeda Rehman is a nurse at a mental asylum. Whereas, other nurses have found it beyond them to handle such cases, Waheeda Rehman has been the nurse of choice because of her empathy and sensitive handling.

Here the only problem is that closeness to Rajesh Khanna makes her dream too and then in the end, there is…..well….Khamoshi!

This is the main song of the theme of the movie. It was penned with great sensitivity by Gulzar and sung by Hemant Kumar as if playing gently with your own emotions:

तुम पुकार लो, तुम्हारा इन्तज़ार है,
तुम पुकार लो
ख़्वाब चुन रही है रात, बेक़रार है
तुम्हारा इन्तज़ार है, तुम पुकार लो

होंठ पे लिये हुए दिल की बात हम
जागते रहेंगे और कितनी रात हम
मुक़्तसर सी बात है तुम से प्यार है
तुम्हारा इन्तज़ार है, तुम पुकार लो

दिल बहल तो जायेगा इस ख़याल से
हाल मिल गया तुम्हारा अपने हाल से
रात ये क़रार की बेक़रार है
तुम्हारा इन्तज़ार है, तुम पुकार लो

My Own Poetry

I simply called it:
Sound of Silence

शोर ओ गुल में रूह की आवाज़ को भी सुन,
नूर ओ रंग में इस दबे राज़ को भी सुन।

बहुत दिलकश हैं ज़िन्दगी के हसीन नग़मे,
पर दूर कहीं बज रही है यह हल्की सी धुन।

फरेब-ऐ-नज़र है, सराब है, महज़ ग़ुबार है दुनिया,
जागते सोते चंद रोज़ के खवाइश-ऐ-ख्वाब न बुन।

रिश्ते, मुहबतें, याराने सब दिल ओ दिमाग की हैं बातें,
शहनाई की मुबारक धुन, घुंघरू की यह रूण झुन।

हमसफर रहे हैं अभी तक लालच, अना और खुद गर्ज़ी,
दौरान-ए-हयात में अब रहमत ओ रूहानियत भी चुन।

हंगामा-ए-जंगल में आवाज़ें बहुत रही हैं बुलंद,
गौर से, रवि, अब इस नन्हे परिंदे की भी सुन।

The Song

Ladies and gentlemen, please enjoy: Tum pukaar lo, Tumhara intezzaar hai…

I hope you liked my choice of Raat or Din Song #38.

Please await Raat or Din Song #39- Raaton ko chori chori bole mora kangana.

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #37 – Main duniya bhula doonga. So here, then, is the next one:

Song #38
O shama mujhe phoonk de

Raag Bhairavi in 1962 Movie Aashiq

The favourite raag of Shankar Jaikishan again for the simple reason that there are dozens of beautiful songs composed by them in it and I haven’t given you anywhere close to enough. The 1962 movie Aashiq had something in common with the 1959 movie Anari in that both were directed by Hrishikesh Mukherjee. Both being Raj Kapoor starrers had no surprises in lyricists, composers and music directors, and singers. The songs of the movie were penned by Hasrat Jaipuri and Shailendra, composed by the greatest music duo in Hindi films: Shankar Jaikishan, and sung by Mukesh and Lata Mangeshkar.

If you were wondering as to why I brought the coincidence of Hrishikesh Mukherjee being the director of both the movies whose songs in Raag Bhairavi I have given in quick succession, then here is the main reason:
Hrishikesh Mukherjee and Raj Kapoor had a very close friendship. The most talked about movie of Hrishikesh Mukherjee was the 1971 movie Anand starring Rajesh Khanna in the title role and Amitabh Bachchan as his doctor Bhaskar Banerjee. Anand’s character was inspired by Raj Kapoor who was sick then. So fond was Hrishikesh Mukherjee of Raj Kapoor that he was fearful of losing him then. He said Raj Kapoor used to call him Babumoshai as Anand’s character calls the doctor in the film. Hence, we know that Amitabh Bachchan’s Bhaskar Banerjee is based on Hrishikesh Mukherjee himself, keeping the Bengali identity as a clue, and Rajesh Khanna was Anand Saigal, a Punjabi, like Raj Kapoor. That was the extent of their friendship.

Mukesh and Lata Mangeshkar

Mukesh and Lata Mangeshkar, the singers of the duet that I am giving you, made some of the most enchanting duets in Raj Kapoor movies. I had a Facebook group called Dil Ki Nazar Se based on the title of their duet in 1959 Hrishikesh Mukherjee movie Anari. Some of the other are: Aa ab laut chalen, Dum bhar jo udhar moonh phere, and Aaja re ab mera dil pukaara.

Raj Kapoor and Padmini

The song has been sung by Lata Mangeshkar and Mukesh on the lyrics of Shailendra and composition by Shankar Jaikishan. As I said, it is in Raag Bhairavi, Tal Kaherava. The song is picturised on Raj Kapoor and Padmini. A word about them at this stage:

Raj Kapoor acted with Nargis in as many as 17 movies, from 1947 movie Aag to 1956 movie Chori Chori. Once the Raj Kapoor-Nargis era got over, Raj Kapoor was looking for a replacement. During the shooting of Chori Chori in Madras, Raj and Padmini came close as she was working in the next studio. After that they met in Moscow where Raj Kapoor had gone to attend Karlovy Vary Award Function and she was there with her sister Ragini for a Youth Festival. After the sudden departure of Nargis from Moscow, when Raj Kapoor fell ill, it was Padmini who nursed him. Raj Kapoor told his friends that he made the 1960 movie Jis Desh Mein Ganga Behati Hai with Padmini to express his gratitude to her. Rumours started abounding that Raj Kapoor was besotted with her due to her ample physicial assets. A proof of that was that Raj Kapoor turned to display her sensuousness in the movies, something that he hadn’t done with Nargis; eg, the song Ho maine pyar kiya picturised on Padmini in Jis Desh Mein Ganga Behati Hai was done in a swim suit and focussed on her cleavage and sexuality. Padmini was pregnant when she acted with Raj Kapoor in 1962 Hrishikesh Mukherjee Aashiq that was produced by Bunny Reuben and VK Dubey. There were rumours galore when she delivered in the 8th month of her marriage though most of these were later proved to be unfounded.

The Lyrics

ओ शमा मुझे फूंक दे
मैं न मैं रहूँ, तू न तू रहे
यही इश्क़ का है दस्तूर
परवाने जा है अजब चलन
यहाँ जीते जी अपना मिलन
क़िस्मत को नहीं मंजूर

शाम से लेकर रोज़ सहर तक तेरे लिए मैं हर रात जली
मैंने तो हाय ये भी न जाना कब दिन डूबा कब रात ढली
फिर भी है मिलने से मजबूर
ओ शमा मुझे…

पत्थर दिल है ये जगवाले, जाने न कोई मेरे दिल की जलन
जबसे है जनमी प्यार की दुनिया, तुझको है मेरी मुझे तेरी लगन
तुझ बिन ये दुनिया है बेनूर
परवाने जा है…

हाय री क़िस्मत अंधी क़िस्मत, देख सकी न मेरी-तेरी ख़ुशी
हाय री उल्फ़त बेबस उल्फ़त, रो के थकी जल-जल के मरी
दिल जो मिले किसका था क़सूर
ओ शमा मुझे…
परवाने जा है…

Ladies and gentlemen, please enjoy: O shama mujhe phoonk de…

I hope you liked my choice of Beautiful Duet #38.

Please await Beautiful Duet #39- Ye kaali kaali aankhen.

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

Hence this series shifted to my page Lyrical.

I hope you liked RRR Song #17: Bhooli huyi yaadon mujhe. Here is the next song:

Song #18
Mujhe le chalo aaj phir us gali mein

Sharabi – 1964 Movie

When it came to women, the roles in which each one of them had to show their mettle were as courtesans and the ones in which they could dance in wet saree.

Men also had equally cliched roles. One of these was to act sharabi (intoxicated). One would feel that great actors did justice to this in many films: Raj Kapoor (eg, Ruk jaa o jaane wali ruk jaa, perhaps the only song that he addressed to a liquor bottle, Dilip Kumar (eg, Mujhe duniyawalo sharabi na samajho), Raaj Kumar (Chhu lene do naazuk honthon ko), Rajendra Kumar (eg, Chhalke teri aankhon se sharaab aur zyadah), Shammi Kapoor (eg, Ye duniya usi ki zamaana usi ka) and Dev Anand.

It appears that Dev Anand was particularly suited for this since he was asked to do it gain and again; whether in a put up drunkenness in Kaala Pani with the song: Hum bekhudi mein tumko pukare chale gaye or in Manzil Yaad aa gayin woh nasheeli nigaahen. Lets face it; he was good at it. In his own movie Guide, for example, when he sang Din dhal jaaye haay raat na jaaye, most people had their paisa wasool.

This 1964 Raj Rishi movie had the complete movie with him as Sharabi; obsessed with liquor. Though he tried to make amends, his love for Madhubala and liquor won over everything.

This Song

It is considered by me as the best song of the movie competing with other drunken songs such as Kabhi na kabhi, kahin na kahin, koi na koi to aayega and Sawan ke maheene mein.

First of all, it is a super slow song of Rafi in league with such slow numbers as Main ye soch kar uske dar se utha tha of Haqeeqat. Secondly, it talks about the first time when he fell in love and stumbled. Thirdly, the lyrics of Rajinder Krishan and composition of Madan Mohan have the requisite regret and repentance. You don’t know whether to hate him or love him for what he had become.

Lets take the extraordinary lyrics:

मुझे ले चलो, आज फिर उस गली में
जहाँ पहले-पहले, ये दिल लड़खड़ाया
वो दुनिया, वो मेरी मोहब्बत की दुनिया
जहाँ से मैं बेताबियाँ लेके आया
मुझे ले चलो …

जहाँ सो रही है मेरी ज़िंदगानी
जहाँ छोड़ आया मैं अपनी जवानी
वहाँ आज भी एक चौखट तज़ा
मोहब्बत के सजादों की होगी निशानी -२
मुझे ले चलो …

वो दुनिया जहाँ उसके नक़्श-ए-कदम हैं
वहीं मेरी खुशियाँ, वहीं मेरे ग़म हैं
मैं ले आऊँगा खाक उस रहगुज़र की
के उस रहगुज़रा की, तो ज़र्रे सनम है -२
मुझे ले चलो …

वहाँ एक रँगेएं चिलमन के पीछे
चमकता हुआ उसका, रुख़सार होगा
बसा लूँगा आँखों में वो रोशनी मैं
यूँ ही कुछ इलाज-ए-दिल-ए-ज़ार होगा -२
मुझे ले चलो …

मुझे ले चलो, आज फिर उस गली में
जहाँ पहले-पहले, ये दिल लड़खड़ाया
वो दुनिया, वो मेरी मोहब्बत की दुनिया
जहाँ से मैं बेताबियाँ लेके आया
मुझे ले चलो …

My Own Poetry

Here is how to correct the mistake Dev Anand did with Madhubala in this movie:

Mujhe Peene Do

रुह कांप गयी उसे जब चला पता,
घर में आज शराब खत्म है;
कैसे हो गई यह शर्मनाक खता?
खता नहीं हक़ीक़त में सितम है।

पूरे घर को छान मारा,
कहीं न मिले गांधी वाले नोट,
सोचा आज करते हैं मय से किनारा,
हालांके दिल पे लगेगी चोट।

फिर देखा बीवी गयी है नहाने,
बाहर छोड़ गई है सोने की चेन,
बाद में उसके सुनेंगे ताने,
पहले हो जाये शराब का लेन देन।

बोतल गयी अंदर, झूम गया आलम,
बन गए कल्लू मियां तानसेन,
बीवी ने पूछा सुनते हो बालम,
कहाँ गयी मेरे सोने की चेन?

“भूल जाओ आज ज़िन्दगी के गम” वो गाये,
“चेन से तुम कई गुना हो हसीं”
बीवी चिल्लाई: “मैं मर गयी, हाय,
इसकी भी शराब तो न पी ली कहीं?”

रसोई से बीवी ने बेलन उठाया,
और दिया कल्लू के सर पर मार;
तानसेन झट हो गया पराया,
उतर गया फितूर ए खुमार I

भाईयो इसमें छुपी है एक गहरी सीख:
गरीबखाने में गर शान से जीना,
और मांगनी न पड़े किसी से भीख
तो बीवी को भी सिखा दो पीना।

गोल्ड चेन के सारे ख्वाब,
उसके चले जायेंगे दूर;
हसीं लगेगी उसको भी शराब,
चढ़ा रहेगा हरदम सरूर।

देर मत कीजिये, बीवी को है सिखाना,
आज ही शुरू करें online class,
Women empowerment का है ज़माना,
उसके लिए अलग बोतल और गिलास।

Ladies and gentlemen, please enjoy: Mujhe le chalo aaj phir us gali mein…

I hope you liked Song #18 in this series.

Please await Song #19: Tumhen zindagi ke ujaale mubarak.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #37 in the series. I hope you liked Song #36 – Toot gayi hai mala moti.

Song #37
Gum sum nisha aayi
Theme-word: Nisha (Raat) in the mukhada itself

Remembering Bhupen Hazarika on His Death Anniversary 05 Nov

We lost him on this day in the year 2011. He did Assam proud by having been awarded two of the highest awards by the government of India: the Bharat Ratna, eight years after his death and Padma Vibhushan, one year after his death.

Award numbers three and four, Padma Bhushan and Padma Shri were won by him much earlier in 1977 and 2001.

He was an Indian playback singer, lyricist, musician, poet and filmmaker. He earned the sobriquet of Sudhakantha (nectar throated).

One of the most popular songs of his was for the 1993 movie Rudaali directed by Kalpana Lajmi: Dil hoom hoom kare ghabraye.

Daman – 2001 Movie and Raveena Tandon

The other day I gave you, in the Beautiful Duets series a song that made Raveena Tandon the “Mast mast girl”. That was in the 1994 movie Mohra. Seven years later, her role in 2001 movie Daman, also a Kalpana Lajmi movie, won her the National Film Award for Best Actress. I am sure, she and us would value it even more than the “mast mast girl” title.

The film is about marital violence. When I acted in and directed in a private show (for the navy audience) Mahesh Dattani play ’30 Days of September’ about Incest, it came out from the mouth of Renuka Chaudhary, the Indian Minister for Women and Child Welfare that the incidence of incest in Indian families was as high as 51 percent! Well, the incidence of marital violence must be even higher. It has been, for ages, a male dominated society and you would have seen thousands of Hindi movies wherein the place of an Indian wife is shown at the feet of the husband (“Ab hamen aap ke kadmon mein hi rehna hoga”!)

Raveena Tandon as Durga is a poor girl and she is married to Sanjay (Sayaji Shinde), the son of a very wealthy Saikia family in Assam. He is very hot tempered and subjects Durga to both physical and mental torture.
To complicate things, she becomes pregnant and Sanjay accuses her that the father is his brother Sunil (Sanjay Suri). The child is also a daughter and Sanjay’s male supremacy is hurt to have a wife who would deliver “only a girl”.

You can see for yourself how this song fits in the plot.

Night, Raat, Nisha or Shab

These are all synonyms of Night. The other day I told you about how Shabnam literally means Night Dew.

Lyricist and Director

The lyricist of this song is Maya Govind, a lyricist who had earlier worked as lyricist for such movies as Haqeeqat (1995), Miss 420 (1998) and Yaraana (1995) and Inaamdaar (1987).

Kalpana Lajmi, as Director of the movie needs no introduction. She debuted in 1978 as Director of D.G. Movie Pioneer. However, her work in 1993 movie Rudaali really made her famous. She was the producer and director of 1997 Darmiyaan before taking up this movie that not only won Raveena Tandon the National Film Award but the Government of India decided to take it upon itself to distribute the movie.

The Song

It was sung by Kavitha Krishnamurthy and composed by Bhupen Hazarika.

Ladies and gentlemen, please enjoy: Gum sum nisha aayi…

Gum Sum Gum Sum Nisha Aayi
Maun Ke Dhago Se Bun Bun Kar
Chadar Nili Layi
Chadar Ki Komal Silwat Main
Sanso Ki Garmayi
Preet Jiwant Jiwant Chhayi
Gum Sum Gum Sum Nisha Aayi
Maun Ke Dhago Se Bun Bun Kar
Chadare Nili Layi
Kamna Ke Rang Me Range
Aaj Ke Gahre Garbh Me
Kamna Ke Rang Me Range
Aaj Ke Gahre Garbh Me
Niramarm Warsha Lekar
Sawan Bhado Barse
Badal Ki Bhige Aachal Me
Sanso Ki Garmayi
Preet Jiwant Jiwant Chhayi
Gum Sum Gum Sum Nisha Aayi
Maun Ke Dhagi Se Bun Bun Kar
Chadar Nili Layi
Prem Bhare Swar Tere
Ashk Uthe Ek Gunj Liye
Jharte Hai Jhar Jhar Preet
Jharte Hai Jhar Jhar
Par Vidhi Vihin Sangam
Ttaw Re Adhar
Kape Hai Thar Thar Priye
Kape Hai Thar Thar
Niyam Todne Ka Niyam
Niyam Todne Ka Niyam
Aakash Aakash Path Hai
Komal Aghar Parti Aghat
Komal Aghar Parti Aghat
Natak Nili Nisha Ka
Dur Artnad Ki Nadi
Dur Artnad Ki Nadi
Ghat Paranand Swar Kon Sone
Jab Paya Alingan Ka Sagar
Alingan Ka Sagar
Jiski Alingan Me Payi
Sanso Ki Garmayi
Jiwant Jiwant Chhayi
Gum Sum Gum Sum Nisha Aayi
Maun Ke Dhagi Se Bun Bun Kar
Chadar Nili Layi.

I hope you liked my choice of Raat or Din Song #37.

Please await Raat or Din Song #38- Tum pukar lo.

 

Today is the death anniversary of the greatest singer: Mohammad Rafi. I am going to reproduce three of his songs in each of the series that I am running. This was put up on 01 Jan 2021 as follows:

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #36 – Hawas naseeb nazar ko kahin in Zindagi or Jeevan Songs series. Let’s start with Song #37.

Song #70 (#42 of mine)
Ek haseen shaam ko dil mera kho gaya
Theme-word: Muddaton se aarzoo thi zindagi mein koi aaye

Happy New Year Sisters and Brothers

I am both excited and sad about the New Year 2021. This is the year that we look forward to that will end all the misery caused by the Corona virus of 2019 that continued to sicken and kill people throughout the year 2020.

I am sad because in this year on 08 March we shall finally say good-bye to the YKDN group, which I thought we cherished as a family but which was displayed as and proved to be an option for the majority. I kept the group alive only for Manik Lakhkar Chava to complete her posting of every second song of her favourite lyricist Sahir Ludhianvi as countdown to his Birth Centenary on 08 March, which also coincides with the International Women’s Day.

The Lyrics of This Song

These were penned by my second most favourite lyricist: Raja Mehdi Ali Khan. Almost all the sites giving lyrics don’t even mention this as Zindagi song since they have (they copy from one another all the time) shown the theme-word line as:

मुद्दतों से आरज़ू थी
मेरे दिल मे कोई आये

The correct line is Mudaaton se aarzu thi, Zindagi mein koi aaye. The fact is that when I call a Lyricist favourite, I recall most of his lyrics without having to rely on a site. From the time I saw this movie Dulhan Ek Raat Ki in 1966 with my parents in the hill town of Dalhousie I recall the lyrics as what I have written.

Here are, therefore, the corrected lyrics that you won’t find on the net:

इक हसीन शाम को दिल मेरा खो गया
पहले अपना हुआ करता था
अब किसीका हो गया

मुद्दतों से आरज़ू थी
ज़िन्दगी मे कोई आये
सूनी सूनी ज़िन्दगी में
एक शम्मा झिलमिलाये
वो जो आये तो रोशन ज़माना हो गया
इक हसीन …

मेरे दिल के कारवां को
ले चला है आज कोई
शबनमी सी जिसकी आँखें
थोड़ी जागी थोड़ी सोयी
उनको देखा तो मौसम सुहाना हो गया
इक हसीन …

Why This Song as My First One This Year?

I ended the last year with sad and poignant songs in keeping with the spirit of the year. This year (except for doing away with this group) would usher in Love and Joys for all of us. This song reflects that. It is a very gentle composition by the maestro Madan Mohan (some of the most memorable songs in Hindi movies were by this pair, particularly those sung by Lata Mangeshkar.

Mohammad Rafi for Dharmendra

He was the only playback singer who sang in the style of the actor he was providing playback for. Here, he sings for Dharmendra in the same Dharmendra style as he song many others such as Jeet hi lenge baazi hum tum.

Lets say you listened to this song and didn’t know the movie etc. Simply by listening to the song you’d be able to guess it is Rafi singing for Dharmendra.

My Own Poetry

Shaam is a very serious and soulful period for my poems. Here is the only light-hearted poem that I wrote with Shaam:

UNKE KHAYAAL DIL MEIN MEHMAAN BANKE REHATE HAIN

उनके ख़याल दिल में मेहमान बन के रहते हैं,
क्या क्या सितम हम उनके लिए सुबह ओ शाम सहते हैंI

मैंने तो घर खाली करने का notice भी दे दिया,
“दो रोज़ और रहेंगे” हर बार यही कहते हैंI

सूखी वीरान बस्ती की शिकायत वह करते हैं,
कैसे कहूँ के अश्क़ मेरे ज़ार ज़ार बहते हैं?

दिल के गरीबखाने पे ताला लगा दूँ मैं क्या?
पर उनहे कैसे बेदखल करूँ जो पहले ही से रहते हैं?

मेरे ही घर में मुझको अब पनाह नहीं कबूल,
मेरे ही दिल से मुझको जाने के लिए कहते हैंI

The Song

Ladies and gentlemen, please enjoy: Ek haseen shaam ko dil mera kho gaya…

I hope you enjoyed my choice for Song #37 in the series.

Please await Song #38 –  Kahan jaa raha hai tu.

I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

Last time, I gave you Beautiful Duet #36 – Teri mehfil mein kismat aajma kar. So here, then, is the next one:

Song #37
Main duniya bhula doonga

Rebellious Love Always Wins

Anarkali screamed in the court of Mughal e Azam, Emperor Akbar: Pyar kiya to darna kya. So what, if she was only a courtesan and the object of her love was Prince Salim. Prince Salim rebelled against his own father: Akbar, was defeated and sentenced to death. She saved his life by offering her own. It wasn’t a happy ending for the couple. It was a rare case.

However, most often than not rebellious Love wins, whether in Indian Love Story or that based on Eric Segal’s novelette.

In Mahesh Bhatt’s 1990 movie Aashiqui (He had to rely on this name since Love Story and Prem Kahani had been made too many times before), the rebellious couple were Rahul Roy and Anu Agarwal. He rebelled against his dad for marrying another when his mother was still alive. She ran away from an oppressive girls hostel run by Tom Alter who felt that his command was law.

Naturally, both meet and both fall in love. Naturally, all kinds of forces are working against their union, love or aashiqui. Naturally, in the end, they overcome all. However, until they do, there is scope for a few songs.

Sameer, Nadeem Shravan, Kumar Sanu and Anuradha Paudhwal
Sameer (son of Anjaan whose birth anniversary we celebrated yesterday) is in the Guinness Book of World Records for writing more songs than anyone else in the world ever did. Songs are to him what breathing is to any of us. He writes a song at the drop of a topi. He wrote this song when he was nowhere near the world record.

Nadeem Shravan composed his songs for the movie and came up with super hit songs for a super hit movie:

1. Main duniya bhula doonga, that I chose over:
2. Dheere dheere meri zindagi mein aana.
3. Bus ek sanam chahiye.
4. Nazar ke saamne.
5. Tuu meri zindagi hai.
6. Dil ka aalam.

This happens to be my most favourite and I chose it over Dheere dheere meri zindagi mein aana.

The Lyrics

मैं दुनिया भुला दूँगा तेरी चाहत में
मैं दुनिया भुला दूँगा तेरी चाहत में
हो, दुश्मन ज़माना, मुझे ना भुलाना
मैं खुद को मिटा दूँगा तेरी चाहत में
मैं दुनिया भुला दूँगी तेरी चाहत में
मैं दुनिया भुला दूँगी तेरी चाहत में
तेरा साथ छूटा, ये वादा जो टूटा
मैं खुदको मिटा दूँगी तेरी चाहत में
मैं दुनिया भुला दूँगा तेरी चाहत में

मेरी साँसें, तेरी खुशबू
मेरे दिल में तेरी धड़कन
मेरी महफ़िल, तेरी बातें
मेरी आँखें, तेरा दर्पण
बिन तेरे कुछ भी नहीं मैं
बिन तेरे कुछ भी नहीं मैं
मैं सब कुछ लुटा दूँगा तेरी चाहत में
हो, दुश्मन ज़माना, मुझे ना भुलाना
मैं खुदको मिटा दूँगा तेरी चाहत में
मैं दुनिया भुला दूँगी तेरी चाहत में

सीने से लग जा तू
मैं हूँ तेरा दीवाना
मुझे तुझसे मिलने से
रोकेगा क्या ज़माना
छोडूँगा ना साथ तेरा
छोडूँगा ना साथ तेरा
मैं हर ग़म उठा लूँगी तेरी चाहत में
तेरा साथ छूटा, ये वादा जो टूटा
मैं खुदको मिटा दूँगी तेरी चाहत में
मैं दुनिया भुला दूँगा तेरी चाहत में
मैं दुनिया भुला दूँगी तेरी चाहत में
हाँ, तेरी चाहत में, हो, तेरी चाहत में

Superb. Indeed, lines like Meri saanse, teri khushbu are the ones that give you goosebumps. The song and the movie had that effect.

My Own Poetry

I am a person who has devoted Life to Love and hence it is alright for me to write such a poem:

Meri Duniya Hi Aur Hai

दुनिया उनके लिए नहीं जो दुनिया से डरते हैं,
दुनिया उनके लिए नहीं जो रह रह के मरते हैं,
दुनिया उनके लिए नहीं जो दुनिया का दम भरते हैं,
दुनिया उनके लिए नहीं जो यह करते हैं और वह करते हैं.
दुनिया उनके लिए नहीं जो दुनिया से दौड़ते हैं दूर
दुनिया उनके लिए नहीं जो जीने से हैं मजबूर
दुनिया उनके लिए नहीं जो अपने आप में हैं मग्रूर
दुनिया उनके लिए नहीं जिनका दुनिया नहीं है दस्तूर.
दुनिया उनके लिए नहीं जिन्हें दुनिया से है रंजिश
दुनिया उनके लिए नहीं जिन्हे दुनियादारी लगती है बंदिश
दुनिया उनके लिए नहीं जिन्हे हर बात में लगती है साजिश
दुनिया उनके लिए नहीं जो करते हैं दुनिया की गुज़ारिश
दुनिया तो सिर्फ बेखबर मत्वालों के लिए है,
हर इक लमहा शान में जीने वालों के लिए है
जो हर बात दिल पे न लें ऐसे दिल्वालों के लिए है
हर हाल में मुत्मैन रेहने वालों के लिए है
दुनिया उनकी है जो वक्त की रफ्तार समझते हैं
हर इन्कार को जो दुनिया का ईकरार समझते हैं
जंग – ओ – जदल को भी जो प्यार समझते हैं
बेकार कचरे को जो हुसन – ए – शिन्गार समझते हैं
दुनिया में रह के जो जानते हैं दुनिया का सबब
दुनिया उन्ही को करती है झुक झुक के अदब
हम तो हैरान हैं, ये कैसा है गज़ब :
हस्ती उन्ही की है जो दुनिया में हैं जज्ब

फिर भी:
क्या करेंगे दुनिया में दुनिया के हो के ?
जल जल के मर के, घुट घुट के रो के,
नंगे ज़खम अपने आंसुयों से धो के
टूटे हुए जज्बात नज्मों में पिरो के
देख लो ए दुनिया, हम दुनिया को नहीं मानते,
तुम्हारे बनाए कानून हम नहीं पहचानते
चढा दो हमें फाँसी, हम यह नहीं जानाते:
कयुं दुनिया वाले रब्ब ओ इमान को नहीं पहचानते?

The Song

Ladies and gentlemen, please enjoy a beautiful duet that reflects my own life: Main duniya bhula doonga teri chahat mein…

I hope you liked my choice of Beautiful Duet #37.

Please await Beautiful Duet #38- O shama mujhe phoonk de.

RRR Songs (Songs of Regret, Repentance and Ruefulness)

I started this new series on 17 Jan 21 on my Facebook Group Yaad Kiya Dil Ne. My efforts failed to involve people in writing their own stuff about songs and music rather than copying and pasting from here and there or worse, just sharing url of songs from YouTube. Hence, I had decided to give the group a burial that it deserved rather than making it like thousands of groups on Facebook about songs with nothing unique about them at all.

Hence this series shifted to my page Lyrical.

I hope you liked RRR Song #15: Muft huye badnaam. Here is the next song:

Song #16
Bhooli huyi yaadon mujhe itna na satayo

Rajinder Krishan with Madan Mohan

As luck would have it, the most RRR Songs that I have put up have been composed by Madan Mohan. Some of Madan Mohan’s best songs were penned by Rajinder Krishan and Raja Mehdi Ali Khan. This was penned by Rajinder Krishan for the 1961 movie Sanjog.

Sanjog

This was a Pramod Chakravorty movie starring Pradeep Kumar and Anita Guha.

Pramod Chakravorty started his career as Director with the 1958 movie 12 O’ Clock starring Guru Dutt and Waheeda Rehman. Sanjog was only his second movie. He went on to make such successful movies as Ziddi, Love In Tokyo, Tumse Achha Kaun Hai, Jugnu, Dream Girl, Azaad and Barood (twice).

This Song

As I said, it was penned by Rajinder Krishan and composed by Madan Mohan in Raag Kalyan. It was sung by Mukesh for Pradeep Kumar and is among his best.

Here are the lyrics:

भूली हुई यादों, मुझे इतना ना सताओ
अब चैन से रहने दो, मेरे पास न आओ
भूली हुई यादों …

दामन में लिये बैठा हूँ, (टूटे हुए तारे – २)
कब तक मैं जियूँगा यूँही, (ख्वाबों के सहारे – २)
दीवाना हूँ, अब और ना दीवाना बनाओ
अब चैन से रहने दो, मेरे पास न आओ
भूली हुई यादों …

लूटो ना मुझे इस तरह, (दोराहे पे लाके -२ )
आवाज़ न दो एक (नयी राह दिखाके – २)
संभला हूँ मैं गिर-गिरके मुझे, फिर ना गिराओ
अब चैन से रहने दो मेरे पास ना आओ
भूली हुई यादों, मुझे इतना ना सताओ
अब चैन से रहने दो, मेरे पास न आओ
भूली हुई यादों …

My Own Poetry

PHIR YAAD NE TADPAAYA

आज फिर तसव्वर में उनका दीदार हो गया
खुदा की रहनुमाई पे फिर से ऐतबार हो गया

ना मेरे करीब हैं वो ना मुझसे दूर रहते हैं
फिर से दिल की अफरा तफरी का आसार हो गया

ज़िन्दगी सेहरा बनी थी उनकी अलैहदगी में
उनके मिलते ही आलम गुलज़ार हो गया

हमने माना करामात-ऐ- ख्याल ही था लेकिन
चंद लम्हों के लिए दिल खुशगवार हो गया

मुझे यकीन है तग़ाफ़ुल मुझे वह नहीं करते
उनकी खामोशी से ही इश्क़ का इज़हार हो गया

हैरत तो उनको खूब होगी मेरे अंदाज़-ऐ-वफ़ा पे
अब मुझे अपनी तन्हाई से भी प्यार हो गया

Please enjoy: Bhooli huyi yaadon mujhe itna na satao…

I hope you liked Song #17 in this series.

Please await Song #18: Mujhe le chalo aaj us gali mein.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #35 – Aaj sajan mohe ang laga le in Zindagi or Jeevan Songs series. Let’s start with Song #36.

Song #36
Hawas-naseeb nazar ko kahin qaraar nahin
Theme-word: Occurs thrice in the ghazal, the first one in the misra: Abhi hayat ka mahaul khushgavar nahi

The Advantages I Gained in My Formative Years

I lived during my childhood and boyhood in Himachal since my father was posted there. After the primary school, we had to take up Urdu as the second language. This helped me a lot to understand the intricacies of this language that I call ‘The Language of the Heart‘ (If you have time, please go through two of my essays on it: 1. Urdu – A Language of the Heart  and 2. Hasya Panktiyan of the Day #48 – Zaalim Ustaad Urdu Ka

It doesn’t end there. Having been born in a Sikh family, I acquired the love for Sri Guru Granth Sahib from my parents. Among other things, this helped me gain a basic understanding of Raagas (there are sixty raagas in SGGS including the one devised by the ninth Guru: Guru Tegh Bahadur).

Most Hindi songs of the era were penned in Urdu or at least contained considerable Urdu words. Even typically Hindi poets and lyricists like Neeraj and Bharat Vyas too delved in Urdu. It wasn’t considered necessary to leave this indigenous language of India only to a particular community.

These advantages, therefore, brought me closer to lyricists and poets who wrote beautifully in Urdu. Thanks to this love, my favourite continues being Shakeel Badayuni and others such as Sahir, Majrooh, Hasrat Jaipuri and Raja Mehdi Ali Khan continued to influence me throughout.

Ghazals of Sahir Ludhainvi

Sahir Ludhianvi
(08 Mar 1921 – 25 Oct 1980)

Sahir was his takhallus. If Shakeel means Handsome, Sahir means Magician. He was born as Abdul Hayee on 08 Mar 1921 in Ludhiana (Punjab). He emerged as one of the greatest poets and lyricists of his era. If his poetry and lyrics often favoured women and women’s causes, eg, his famous poem/song Aurat ne janam diya mardon ko; there was a strong reason for it. He was only 13 when his father married again. His mother, Sardar Begum, took the bold step of leaving his father renouncing all rights in the property. The father was not satisfied and wanted possession of young Abdul. As early as in 1935 in India, the mother won!

I know a number of anecdotes of his in Khalsa High School, Ludhiana. He was fined Rupees Five for sitting with a female in principal’s lawn. He took out ten rupees and said he would do it again! He was expelled and shifted to Lahore.

His most talked about love affair was with the writer Amrita Pritam who became an ardent fan of his poetry.

He has written some of the finest lyrics for Hindi movies such as Taj Mahal, Hum Dono, and Gumraah.
His non filmy ghazals and nazams are equally famous.

Here I give you a favourite of mine (I reckon it is his greatest).
As a Lyricist, your ambit is small (as dictated by the plot). However, as a Poet your writings often reflect the state of your mind and your own personal emotions. I would urge you to consider that whilst reading further.

HAWAS NASEEB NAZAR KO KAHIN QARAAR NAHIN

Havas-nasib nazar ko kaheen qarar nahi
Main muntazir hun magar tera intazar nahi
(Havas-nasib = destined for lust; qarar = rest, repose; muntazir = expectant)

Hamin se rang-e-gulistan hamin se rang-e-bahar
Hamin ko nazm-e-gulistan pe ikhtiyar nahi
(rang-e-gulistan = colour of garden; rang-e-bahaar = colour of spring; nazm-e-gulistan = poem of garden; ikhtiyaar = control)

Abhi na chhed mohabbat ke geet ae mutarib
Abhi hayat e mahaul khushgavar nahi
(mutarib = singer, minstrel; hayat = life; mahaul = atmosphere; khushgavar = agreeable, pleasant)

Tumhare ahd-e-wafa ko ahad main kya samajhun
Mujhe khud apni mohabbat ka aitabar nahi
(ahd-e-wafa = promise of fidelity; ahd = promise; aitbaar = belief)

Na jane kitne gile is mein muztarib hai nadim
Wo ek dil jo kisi ka gilagusar nahi
(Gile = complaints; muztarib = restless; nadim = favourite courtier of a king; gilagusar = complainant)

Gurez ka nahi qayal hayat se lekin
Jo sach kahun to mujhe maut nagavar nahi
(Gurez = escape, evasion; qayal = agree, consent; hayat = life; nagavar = unpleasanr)

Ye kis maqam pe pahuncha diya zamane ne
ki ab hayat pe tera bhi ikhtiyar nahi
(maqam = place, position; hayat = life; ikhtiyaar = control)

My Own Poetry

MERA WAFA PE SHAQ NA KARNA

अपनी ही ज़िन्दगी पर अब मुझे इख़्तियार नहीं,
इलाज ए मरीज़ मेरा हो, मुझे इंतजार नहीं ।

दिल की बेक़रारी जब मुझे समझ आने लगी,
देखता क्या हूँ मैं अब दिल – ए – बेक़रार नहीं ।

जाने क्या राख के ढेर में खोजते रहते हो,
इन खिज़ाओं में अब कहीं कोई बहार नहीं ।

मोहब्बत में बस यही रह गया था देखने को,
अपनी ही मुहब्बत पर मुझे ऐतबार नहीं I

जाम तेरा लब पे आने से पहले ही सूख गया,
फिर भी तेरे मैखाने से मैं बेज़ार नहीं I

मेरे मरने के बाद तुम्हे खुद एहसास होगा,
जुर्म हुआ ज़रूर है, पर मैं गुनहगार नहीं I

तमन्नाओं का किया खून, आरज़ूओं को जला डाला,
अपने किये का मैं फिर भी शर्मसार नहीं I

तू न समझे पर लोग समझ जायेंगे, रवि,
मैंने मर के भी निभाई है, मैं बेवफा दार नहीं I

The Ghazal

Ladies and gentlemen, for once I have tried not to give you Mohammad Rafi’s rendition of the greatest ghazal by this great poet and lyricist. I am giving you the one sung by Bharathi Vishwanathan.

Please enjoy: Hawas naseeb nazar ko kahin qaraar nahin…

I hope you enjoyed my choice for Song #36 in the series.

Please await Song #37 –  Ek haseen shaam ko dil mera kho gaya.

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the Song #36 in the series. I hope you liked Song #35 – Yashomati maiya se bole Nandlala.

Song #36
Toot gayi hai mala moti bikhar chale
Theme-word: Do din reh ke saath jaane kidhar chale

Remembering Prithviraj Kapoor on His Birth Anniversary 03 Nov

He was born on this day in 1906 in Tehsil Samundri, Lyallpur District of that part of Punjab, which is in Pakistan now.

He was a pioneer of Indian theatre and of Hindi Films Industry. He started as an actor during the silent era of films, in 1928. So fond was he of stage acting that. in 1944, he started Prithvi Theatre in Bombay.

He was the doyen of a family that has made the greatest contribution to Hindi cinema. He was honoured with Padma Bhushan and Dadasaheb Phalke Award, which was later awarded to two of this three sons too.
His eldest son Raj Kapoor was born in 1924 and three years later the family moved to Bombay.

Harishchandra Taramati

This 1963 movie was directed by BK Adarsh and starred Prithviraj as Harishchandra and Jayamala as Taramati, his wife.
I would have loved to give you the song Jagat bhar ki roshni ke liye Suraj re tu jalte rehna except for the need to have theme-word in the song.

Today, also happens to be the Birth Anniversary of Laxmikant. Laxmikant Pyarelal composed songs for this movie too in 1963, the same year that they composed songs for Parasmani whose song Woh jab yaad aaye bahut yaad aaye I have given you in Zindagi or Jeevan Songs today.

Except for one song that was penned by Bharat Vyas, all the other songs of the movie were written by Kavi Pradeep; this one too.

The Song

This song was sung too by Kavi Pradeep. Prithviraj didn’t go about singing and dancing in his movies. However, there are many songs picturised on him.

If you know the story of Harishchandra, the king of Ikshvaku dynasty, Harishchandra, in order to honour the word that he gave to Vishwamitra (He was known as Satyavadi), sold off his family, gave away his kingdom and agreed to be a slave.

This song depicts that transformation.

Ladies and gentlemen, please enjoy: Toot gayi hai mala moti bikhar chale…

टूट गयी है माला २
मोटी बिखर चले दो दिन रह कर
साथ जाने किधर चले टूट गयी है मालामिलन की दुनिया छोड़ चले
ये आज बिरह में सपने २
खोये खोये नैनों में हैं
उजड़े उजड़े सपने २व्याध की गठरी लिए झुकाये नज़र चले
दो दिन रह कर साथ जाने किधर चलेटूट गयी है माला अब तो ये
जग में जियेंगे आँसू पिटे पिटे २जैसी इनपे बीती वैसी और किसी पे न बीते २
कोई मत पूछो इन्हें के ये किस डगर चलेदो दिन रह कर साथ जाने किधर चले
टूट गयी है माला मोटी बिखर चले
दो दिन रह कर साथ जाने किधर

I hope you liked my choice of Raat or Din Song #36.

Please await Raat or Din Song #37- Gum sum nisha aayi.