I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.
Last time, I gave you Beautiful Duet #41 – Dil dhoondta hai phir wohi. So here, then, is the next one:
Song #42
Phool ahista phenko
Satire
We have explored various genre’s of duets but I am sure we haven’t explored satire or sarcasm. This was brought about by excellent lyrics from Anand Bakshi, super composition by Laxmikant Pyarlelal and great singing by Mukesh for Rajesh Khanna and Lata Mangeshkar for Mumtaz. At the first instance, please look at the cleverness of the lyrics:
फूल आहिस्ता फेंको, फूल बड़े नाज़ुक होते हैं
वैसे भी तो ये बद्-क़िसमत नोक पे कांटों की सोते हैं
फूल आहिस्ता …
बड़ी खूब्सूरत शिक़ायत है ये
मगर सोचिये क्या शराफ़त है ये
जो औरों का दिल तोड़ते रहते हैं
लगी चोट उनको तो ये कहते हैं
कि फूल आहिस्ता फेंको, फूल बड़े नाज़ुक होते हैं
जो रुलाते हैं लोगों को एक दिन खुद भी रोते हैं
फूल आहिस्ता …
किसी शोख़ को बाग़ की सैर में
जो लग जाये कांटा कोई पैर में
ख़फ़ा हुस्न वालों से हो किस लिये
ये मासूम है बहकता इस लिये
कि फूल आहिस्ता फेंको, फूल बड़े नाज़ुक होते हैं
ये करेंगे कैसे घायल ये तो खुद घायल होते हैं
फूल आहिस्ता …
गुलों के बड़े आप हमदर्द हैं
भला क्यों न हो आप भी मर्द हैं
हज़ारों सवाल.ओं का है इक जवाब
फ़रेब-ए-नज़र ये न हो ऐ जनाब
कि फूल आहिस्ता फेंको फूल बड़े नाज़ुक होते हैं
सब जिसे कहते हैं शबनम, फूल के आँसू होते हैं
फूल आहिस्ता …
Prem Kahani – 1975 Movie

It was a Raj Khosla movie; yes, ladies and gentlemen, the same director who ushered in the career of Waheeda Rehman in C.I,D. and made a trilogy of movies on Sadhana that became very popular: Bees Saal Baad, Mera Saya and Anita. Here, he is trying out a difficult situation between Rajesh Khanna, Mumtaz and Shashi Kapoor.
Rajesh Khanna and Mumtaz did a number of movies together: Roti, Aap Ki Kasam, Sacha Jhoota, Dushman, Do Raaste, Bandhan, Aayina and Apna Desh.
In this, he is Rajesh and she is Kamini. He is an apolitical poet and brother of a freedom fighter. After finishing his M.A. he returns to his beloved Kamini but her father doesn’t approve of the match as he is working for the British government and Reajesh is Gandhinian. Rajesh’s bosom pal is Dheeraj (Shashi Kapoor) who is a superintendent of police.
When Rajesh’s brother is shot dead by the British in a demponstration, Rajesh too joins the freedom struggle. He sacrifices his love for Kamini.
He plots to kill the British and is running away from them and seeks shelter with Dheeraj, only to find that Kamini is now married to Dheeraj and that’s how this song comes about.
My Own Poem
Waqt Gaya Baat Gayi
बातों बातों में बात निकल जाती है,
वह मिलते नहीं, मुलाकात निकल जाती है।
इंतज़ार करते करते आंख कुछ ऐसे लगे,
खुलते ही देखा हैयात निकल जाती है।
सदियों से पड़े हैं तन्हा और बेकसी में,
लोग क्यूं कहते हैं मजबूरी ए हालात निकल जाती है?
घर के सामने खड़े थे उनकी उम्मीद में हम,
वह नहीं निकले पर बारात निकल जाती है।
सामने होंगें तो ज़रूर पूछूंगा ऐ खुदा,
मुझे अकेला छोड़ के कहां कायनात निकल जाती है?
जब भी भीगने की ख्वाहिश उठी, रवि,
उसी वक़्त देखा बरसात निकल जाती है।
The Duet
Ladies and gentlemen, please enjoy: Phool ahista phenko…
I hope you liked my choice of Beautiful Duet #42.
Please await Beautiful Duet #43- Ichak dana bichak dana.

OP Nayyar was born on 16 Jan 1926 in Lahore (now in Pakistan). At the age of 23, OP Nayyar composed the background score for the movie Kaneez. Three years later, in 1952, he was a full fledged music director for the movie Aasman. OP Nayyar perfected songs whose beats (often horse-trot beat such as in 1957 movie Naya Daur’s song Maang ke saath tumhaara) became so popular that people were often heard humming these everywhere. He also delved into raaga based songs although, in all humility, he claimed that he had no knowledge of classical music. Raag Peelu or Pilu, followed by Pahadi, were his favourite raagas in songs.
Shamsul Huda Bihari, born in Arrah, Bihar, must rank amongst the most underrated lyricist in the Hindi films industry. And yet, it is pleasantly surprising to see the range and popularity of his songs. As far as OP Nayyar is concerned, he made all hit songs that include Bahut Shukriya Badi Meherbani, and Mujhe Dekhkar Aapka Muskurana (Ek Mussafir Ek Haseena, 1962); Diwana Huwa Badal, Hai Duniya Usi Ki, Isharon Isharon Mein Dil Lene Waale, Meri Jaan Balle, Phir Thes Lagi Dil Pe, Subhan Allah, Tarif Karun Kya Uski, Kisi Na Kisise Kabhi Na Kabhi, and Balamaa Khulii Havaa Mein (Kashmir Ki Kali, 1964); “Yehi Woh Jagah Hai, Phir Miloge Kabhi, Is Baat Ka Wada Karlo, Aap Se Maine Meri Jaan Mohabbat Ki Hai, Main Shayad Tumhare Liye Ajnabi Hoon, and Mera Pyar Woh Hai Ke (Yeh Raat Phir Na Aayegi, 1966); Zara Haulle Haulle Challo Mere Sajna, Zulfon Ko Hata Le Chehre Se, Aaj Koi Pyar Se, Meri Jaan Tum Pe Sadhke, Jo Dil Ki Tadap Na Jane, and Khuda Huzoor Ko Meri Bhi Zindagi De De (Sawan Ki Ghata, 1966); Raaton Ko Chori Chori, Na Jaane Kyon, Mehfil Mein, Tumhari Mulaqat Se, Yeh Purnoor Chehra, Nazar Nazar Se Milaao, Tum Sab Se Haseen Ho and Kyar Cheez Ho Zaalim (Mohabbat Zindagi Hai, 1966); Chain Se Hamko Kabhi Aapne Jeene Na Diya, and Ek Tu Hai Piya Jis Pe Dil Aa Gaya (Praan Jaaye Par Vachan Na Jaaye, 1974); Badan Gora Haseen Jalwe Tumko Deewaana Meri Jaan,Ghar Apna Bangaal Aur Bambai Mein Hai Sasuraal, Gham Yateemon Ke Jaisa Bhi Sansaar Main Koi Bachcha, Kisko Gale Lagaaye Dil Kiska Todiye, Pyaar Bhara Kajara Aankhiyon Mein Daal Ke, Saaqi Ki Nigaahon Seae Jee Hoga Kya Aage and Zulf Lehraayi To Saawan Ka Mahina Aa Gaya (Khoon Ka Badla Khoon, 1978).

What Suhani raat dhal chuki is to Mohammad Rafi, this song is to Lata Mangeshkar; in that, if you join a new group on songs and music and you want to impress people with your excellent taste, you’d, as quickly as possible, put up Suhani raat dhal chuki and O sajana barkha bahar aayi.
Parakh was produced and directed by Bimal Roy on a satire or farcical story penned by Salil Chowdhury who also composed the songs including this one.
The song was penned by Shailendra who also penned Madhumati songs for Salil da.


For quite some time he was the only Lyricist winner of Dadasaheb Phalke Award and see how much he deserved it.

After having done his first lead role in 1988 Sooraj Barjatya movie Maine Pyar Kiya, there was no looking back for Salman Khan; one of the three Khans who was always in demand and who made more money than the other two.
My dad loved parties; both attending and organising. I recall sing-song sessions were always essential parts of those parties. My dad’s younger brother is the only surviving sibling of my dad. When dad organised a party to receive him and his American wife Connie, she sang Ye raat ye chandni phir kahan!
Many of Bimal Roy’s films had the female as the main protagonist and so was the 1958 film Madhumati that was produced and directed by him.
alil Chowdhury composed the song in Raag Darabari Kanada and it was sung by Mohammad Rafi.

And this is the song of that image! This song describes what Mehboob Khan wanted to project as the image of Indian Woman as opposed to what Katherine Mayo did in her 1927 book Mother India that vilified her. Mehboob Khan wanted to project her as an intrepid woman who’d stand firm against all odds and circumstances.
This movie was directed by Jagdish Nirula and starred Dharmendra, Rajshree, Chand Usmani and Mehmood.
End of the year is the time of the year for retrospection. We were so keen to usher in New Year. But, did we do anything new at all? Did we get rid of old habits and adopted new virtues? Did we think of new ways to solve life’s problems? Or, we were just puppets at the hands of Time and drifted aimlessly?



This handsome young man from Phagwara in Punjab joined Hindi movies as an actor so that he would act opposite Meena Kumari.
