GOOD MORNING MESSAGE #201

If only we could hold time….

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

The last such message was:’Good Morning Message #200‘.

Good morning Friends,

It appears to be running down faster in old age,
The grains of sand in our life’s hourglass;
At one stage when we were in our teenage,
It didn’t look like it’d come to this impasse.
Wasted hours were as important then as now,
But we thought these won’t matter somehow.

How nice it’d be if we could go through life,
With the wisdom of today and energy of the past;
We could have avoided all the unwanted strife,
And could have loads of satisfaction in contrast.
Wasted hours were as important then as now,
But we thought these won’t matter somehow.

Wisdom doesn’t have to visit us when we are old,
We can call it our friend even when we are young;
But most of us don’t like ourselves to be controlled,
And remain in our youth reckless and highly strung.
Wasted hours were as important then as now,
But we thought these won’t matter somehow.

Wisdom lies in not relearning those things,
That have been passed on by those before;
The wasp of wasted time actually stings,
When there is not much time left in store.
Wasted hours were as important then as now,
But we thought these won’t matter somehow.

….but we can’t and must learn to make use of it.


GOOD MORNING MESSAGE #200

A double century today….

A double century today and still batting,
Since we took up crease on the first of June;
I have enjoyed, with you, my daily chatting,
I hope you’ll, from this station, never untune.
Thank you for your encouraging reception,
That brought me to this stage since inception.

From light ditties to God and philosophy,
It was a journey we enjoyed together;
Forgive me if inadvertently or consciously,
I made you pass through some heavy weather.
I assure you we have a long way to go,
Before the final bugle I decide to blow.

I thank God for making me write about,
So many diverse subjects under the sun;
Of new ideas there has been no drought,
Hence, we’ve had, together, lots of fun.
Each one would’ve had varied gain,
I hope the exercise wan’t totally in vain.

For future, if you want some specific subjects,
Please don’t hesitate to write in the comments;
I shall try my best to make these less complex,
We shall collectively make of these some sense.
Let me hear from you once in a while,
I assure you that would make me smile.

….You and I are still at the crease!

GOOD MORNING MESSAGE #199

If God is indeed infinite….

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

The last such message was:’Good Morning Message #198‘.

Good Morning Friends,

You and I together for the last few days,
Are looking at various attributes of God;
We know we haven’t explored all the ways,
All or some of our theories may be flawed.

All we know is that all of us put together,
Can’t imagine how large is the divinity;
And that’s the time we start thinking whether,
We should actually imagine God as Infinity.

Now lets give our imagination wings to fly,
And think of Infinite in infinite dimensions;
Oh, now we have already reached sky high,
And still not gone far in all possible directions.

Now imagine Him with infinite virtues and powers,
Lets just take two (since we are finite): mercy and love;
And now lets imagine Him beyond years, days and hours,
We shall probably get to a minuscule part of God above.

How often we deal with Infinity in our routine?
I would say the answer is “close to never”;
It is, truly, not even the realm of the foreseen,
To imagine someone who goes on forever.

Hence, each one of us only ends up defining,
What we can imagine with our finite mind;
In our own constraints we end up confining,
Him and us and remain to both almost blind.

….we need to go beyond our finite thinking to see Him.


GOOD MORNING MESSAGE #198

Mitr piyaare nu haal mureedan da kehna…..

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

The last such message was:’Good Morning Message #197‘.

Good Morning Friends,

From 4th Jan 19 I started doing something different. In addition to my own inspirational poems everyday, I started giving you, on every Friday, a song or poem that has inspired me. Today is the second one and it is a hymn in Punjabi.

This hymn was written, composed and sung by the tenth guru of the Sikhs: Guru Gobind Singh.

Guru Gobind Singh was the finest example of scholar-warrior in the Indian history. The Gurus were spiritual leaders but, when a war was imposed on them by the cruelties of the mughals, they took up sword to fight for the just cause. When he was told that the mughals outnumbered the Guru’s warriors, he came up with the slogan that each one of his warriors is equivalent to ‘sawa lakh‘ (1.25 lakhs). A few years later, in the Battle of Saragarhi (acknowledged by the UN as one of the bravest battles ever fought in the world (see Wikipedia), his disciples, just 21 in number fought against 10000 Afghans without accepting defeat).

How was this leadership possible? Simple, by setting a personal and familial example. Guru ji let go of all his personal comforts and fought like any of his other warriors, accepting hardships, accepting despondency and moving on (this is not mythological; this is recorded history). He sacrificed his four sons at tender ages: Jujhar Singh (b. 1691), Zorawar Singh (b. 1696) and Fateh Singh (b. 1699) and Ajit Singh ((b. 1687) in the battle. They were so young when they achieved martyrdom that when I was small, I used to listen to this poem:

“Nanhe nanhe bachche chine’ gaye deewaron mein,
Muskraahat bhi na jinaki chheen paaya tha zamaana,
Laal aise hi hamaari veer mitti ne jamen hain,
Sar kataana theek hai jinake liye galat gardan jhukaana.”
(Small, tender children were paved in the walls,
The world had not yet stolen their smiles,
Lads like that our brave soil had produced,
For them it was right to get their heads severed but wrong to bend the neck (in slavery).

And when their mother (an equal partner in this leadership) was told about their sacrifice, she had this to say:

“Chaar muye to kyaa huya
Jeevat kayi hazaar
“
(So what I lost four sons,
I have thousands more)

The martyrdom of Guru Gobind Singh’s youngest sons (Image courtesy: https://epilogue.in/2018/12/27/country-cannot-forget-martyrdom-of-guru-gobind-singhs-sons/)

I am inspired by this hymn because suddenly whilst listening to this I am raised to that level whence I realise that God as a friend is beyond despondency, beyond all worldly pleasures. He calls you to do your duty (as Lord Krishna directed Arjuna in the Battle of Mahabharat) and not to worry about the results since He would take care of them. Interim trials and tribulations should never shake your faith.

This beautiful hymn by Guru Gobind Singh, was recited in the Machhivara forest when he was separated from everyone after leading them in the Battle of Chamkaur; not everyone because the connection to the Lord remained strong as always.

Here is my small introduction followed by the hymn in Punjabi, its transliteration in English and finally its translation in English:

Guru Gobind’s faith in God was resolute,
Even when he was rendered alone in battle,
His fortitude and praise of God did not dilute,
Even after his sons were martyred like cattle.

ਮਿੱਤਰ ਪਿਆਰੇ ਨੂੰ ਹਾਲ ਮੁਰੀਦਾ ਦਾ ਕਹਿਣਾ ॥
ਤੁਧੁ ਬਿਨੁ ਰੋਗੁ ਰਜਾਈਆ ਦਾ ਓਢਣ ਨਾਗ ਨਿਵਾਸਾ ਦੇ ਹਹਿਣਾ ॥
ਸੂਲ ਸੁਰਾਹੀ ਖੰਜਰ ਪਿਆਲਾ ਬਿੰਗ ਕਸਾਈਆਂ ਦਾ ਸਹਿਣਾ ॥
ਯਾਰੜੇ ਦਾ ਸਾਨੂੰ ਸੱਥਰੁ ਚੰਗਾ ਭਠ ਖੇੜਿਆ ਦਾ ਰਹਿਣਾ ॥

Mitr piyaare nu haal mureeda da kehnaa ॥
Tudh bin rog rajaaeeaan da oudhan naag nivaasa de rehna ॥
Sool suraahi khanjar piyaala bing kasaaeeaan da sehna ॥
Yaararre da saanoo saathhar changaa bhathh khaerriaa da rehna ॥

Tell the beloved friend (the Lord) the plight of his disciples.
Without You rich blankets are a disease and the comfort of the house is like living with snakes.
Our water pitchers are like stakes of torture and our cups have edges like daggers.
Without You we are like animals at the hands of butchers.
Our Beloved Lord’s straw bed is more pleasing to us than living in costly mansions.

EK OMKAR

रोज़ करते हैं हम साफ इस तन को,
कब करेंगे हम साफ इस मन को?

बुझ जाती है आसान होंठों की प्यास,
कैसे बुझाएं अपने अंदर की अग्न को?

प्रभु का नाम वो औषधी है यारो,
सब दुख भूल जाते हैं उसमें मग्न हो।

हर किसी को हासिल है ये तोहफा,
जिसको दिल से प्रभु की लग्न हो।

बाहर और अंदर का अंधेरा मिटा दे,
नमन कीजिये इस कुदरती किरण को।

दुख सुख में कभी न भूलिये, दोस्तो,
जगाओ अपने मन में उस परम पिता भगवन को।

“एक ओमकार सतनाम करता पुरख निरभौ निरवैर अकाल मूरत अजूनी सैभं गुर प्रसाद जप,
आद सच, जुगाद सच, है भी सच, नानक होसी भी सच।”

GOOD MORNING MESSAGE #119

Sweetness in words is more important than in food.

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

The last such message was: ‘Good Morning Message #118‘.

Good morning Friends,

We are so particular about food we serve and eat,
It should really have good aroma and taste;
It should be soft, it should be sweet,
And nothing of it should ever go waste.

It shouldn’t be pungent, it shouldn’t be bitter,
It should never make our eyes cry;
It shouldn’t make one unintended spitter,
It should be pleasant to tongue and eye.

Alas, none of these apply to words we use,
And we use them without a thought;
We don’t mind if these are hot and loose,
Or make our listeners completely distraught.

Blessed are those who have the fine art,
Of conveying disagreements with a smile,
Their utterances are never taken to heart,
Carrying everyone with them is their style.

May you be blessed with such a nature,
So that sweetness and smiles you spread;
May your speech add to your stature,
As a person of warm heart and level head.

May your day be nice and pleasant,
Even with those who don’t agree with you;
May peace and sanity be always present,
In everything you decide to say or do.

Choose Sweetness over Bitterness.

GOOD MORNING MESSAGE #115

Take a break before you break down.

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

The last such message was: ‘Good Morning Message #114‘.

Good morning Friends,

If you live in a crowded city or a town,
And you rarely allow Nature to come near;
Chances are that from sunrise to sundown,
You live a life of constant anxiety and fear.

“Will I reach my office on time today?”
“Will my boss be annoyed or happy?”
“I hope friends will let me have my way,
Rather than telling me to make it snappy.”

“The traffic is killing, the noise is a roar,
Everywhere I go I am never alone;
This one is annoying, that one is a bore,
What really have I got of my own?”

Take a trip to the green hills or plains,
And let Nature work its magic on you,
Walk in the clear air, be drenched by the rains,
Look at the flowers red, white, yellow and blue.

Enjoy your own company for a change,
Or share it with your partner, birds and butterflies,
Lo and behold you can, your life, rearrange,
Happiness soars and anxiety dies.

Believe me it doesn’t cost much to be rejuvenated,
It’s not money, you’ve got to spare time,
But, do it before you’re completely saturated,
With daily chores for which no one gives a dime.

Let me wish you a day and life today,
Wherein you do things for your own sake,
Where you allow Nature to have its say,
And tell yourself, “I deserve a break.”

PRANAM TO MY BIGGEST GURU ON THIS GURU PURNIMA

Today is Guru Purnima, the day to pay homage to one’s teacher or Guru.

I was born a Sikh. Hence, as commanded by our tenth Guru Gobind Singh ji, we have the living body of Guru in the form of Sri Guru Granth Sahib ji at home. That is obvious. As I go along, I shall mention how it helped me to be guided by SGGS ji.

Another obvious ones are my parents. Both my dad and my mom taught by their example. As I go along I shall mention these too. Their influence in making the person I became is immeasurable.

However, today, on Guru Purnima day, I have chosen to pay homage to my biggest Guru: Scarcity. No, not Adversity but Scarcity. Adversity is a state of mind; scarcity is only a physical condition. In doing so I am paying homage to my parents too.

Like most Sikhs, I read from the SGGS ji daily. When I was small, my dad insisted that we as a family sit together, once a day, to pray. I learnt that being poor at heart was a virtue. We didn’t have to adapt this principle. We were poor and not just at heart. One reason for it was that my dad and mom didn’t expect and accept anything from anyone. My dad worked in the horticulture department in Himachal (a North Indian hilly state). After he died, I discovered that he had paid for everything that he received from the department: fruits, canned and bottled stuff. And yet, dad was the richest person that I ever came across. He gave freely.

In my first ever class in a school (Government Primary School, Kandaghat, Himachal), one day (as told by my mom) I returned home and apologetically asked my mom if we had any money. Mom was fearful that I fancied some toy or sweet. She asked: “Bubble (for some reason I was nicknamed this by my dad), kaade waaste paise chahide ne?” (Bubble, what do you require money for?) And I replied fearfully, “Fees deni hai.” (To pay (school) fees).

Dad and mom gave us the best education, schooling and life possible. Our style of living and my dad’s passion for giving freely to people belied the scarcity we felt at home. He was a great follower of ‘Atithi devo bhava‘ (The guest is akin to God). The best at home was always given to the guests. My mom was publicly embarrassed by my dad in case she neglected to give the guests something she felt would add to perennial scarcity. For example, lets say, dad had got some sweets and she thought of not serving to the guests, dad would say in front of the guests, “Kyun mithai nahin khilani ehna nu?” (Why are you not serving the sweets to them?)

I sincerely believe God loved my parents. He always gave them enough; I don’t know how and where from it came, but it was always there. In my later life, I felt, God loved my wife and I too for we too had enough. Just a few years before retiring from the Indian Navy, I gave us an Archie’s plaque on our anniversary, which read: ‘We don’t have much but we have each other.”

Dad and mom worked very hard. Before, they could have even the remotest semblance to plenty, my dad died in a jeep accident. The kind of scarcity that we were driven into was to be seen to be believed. As an example, mom and I sold empty bottles, newspapers and other junk at home to pay off a creditor. Then, I have brought a cooking gas cylinder from 16 Kms away by bicycle so as to save the bus-fare.

My parents and scarcity taught me some invaluable lessons. Today, on Guru Purnima day I shall try to put these down:

  • Unshakable Belief in God. Sri Guru Grant Sahib ji has this thought on numerous occasions. In the very early part of SGGS one comes across this one from our fifth Guru Arjan Dev ji in Raag Goojari:”Kahe Re Man Chitweh Udham Ja Aahar Har Jio Dharia
    (O my mind, why you keep on worrying about livelihood, when God Himself is taking care of it.
    (this does not mean that one should not work for a livelihood. What this means is that one should make the honest effort but not worry about the results).Sael Pathar Meh Jant Upaye Ta Ka Rijak Aage Kar Dharia”
    (Look, even for those creatures He created in rocks and stones (tiny worms), He provided their livelihood in advance (even before they were born).

    There is repeated mention in SGGS ji about the uselessness of worrying. At the end of the SGGS ji, the ninth Guru says this in one of the Slokas:

    Chinta  – Taki    keejiye   jo    anhoni    hoei,
    (You should worry if something unexpected or impossible is going to happen. The true meaning of this is that everything is as ordained by God and we are His children. Why should we worry when He would have thought of the best for us).

    And look at what he (Gur Tegh Bahadur ji) says in the next line of the sloka:

    Eh  marg  sansar  ka,  Nanak  thir  nahin   koei”
    (The world has been created in such a way that nothing is forever)

    My maternal grandparents have great faith in their Hari Babaji (a devotee of Lord Krishna). Once when they approached him in adversity for advice, he wrote:

    “Achhe din bhi nahin rehate, bure din bhi nahin rehate. Sainyam rakhiye. Sab theek hoga.” (Good days don’t last, bad days don’t last. Keep self-restraint. Everything would work out right)

    My dad went several steps ahead; he had done an akhand paath (continuous reading from start to end) of SGGS ji almost entirely on his own. He believed that God and he existed for each other. His favourite hymn was:

    “Jo maange thakur apne te soii soii deve,
    (Whatever you ask from Him, He gives)

    Nanak, das mukh se jo bole eehaan uhaan sach hove.”
    (Whatever God’s servant speaks (in prayer), one way or the other it becomes true)

    What about my mom? Well, in my entire life with her I never saw her ask for anything because she felt that Waheguru already knew her needs more than her and would provide without asking.

    What about me? I believe my dad and mom were God. Actually, it is not right to use the past tense for God; they are God. And I believe they are still teaching me.

  • Value of Things.  When you have plenty, you take many things for granted. However, scarcity teaches you to value whatever you have. More than anything, you learn the value of enough. Suddenly you become very very rich. You preserve. You don’t waste. Just three days before my mom went to the hospital for the last time last year she went to the kitchen (almost crawled there because she was barely able to walk) and taught our maidservant how to make ghee from the milk-cream so that it wasn’t wasted.
  • Scarcity Makes One Stronger. The most beautiful aspect of scarcity is that instead of making one weaker, it actually makes one stronger. Imagine that someone is trying to hurt or punish you by depriving you of something. However, you already have come through deprivation and you know how to go through it. The scheming guy is made to look small and like an idiot. When I was in school I read through a book called ‘Lights Along The Shore’. It was about a Christian priest in Stalinist Russia, sent to a concentration camp in Siberia. In order to humiliate him and break his will, he was asked to clean ten latrines everyday. In the night he thought and thought how to get out of the imposed humiliation. By the morning he had the solution: he started cleaning twenty of his own free will.
  • Character. I believe dealing with scarcity made me a charactered person, ethical and disciplined. For example, I never owe anything to anyone; I repay as soon as possible. In the month of April this year we had a get-together of my music group Yaad Kiya Dil Ne. Everyone was to contribute his/her share. There is a person five times richer than me. Despite dozens of reminders he didn’t pay even though he had the maximum guests. I won’t ever call upon myself such dishonour.
  • There is Always a Way Out. Scarcity teaches you that nothing is impossible. If you look at it the right way, with a calm mind, there is always a solution. A person who has dealt with scarcity is unlikely to get defeated by a situation.
  • Empathy. A person who has dealt with scarcity learns to have empathy for others who are going through bad situations even after he himself has got out of it. My father had this habit of feeling for others and give to them; it has percolated down to all three of us children.
  • Humility and Modesty. It also follows that even after one gets out of scarcity (for example now I have), one is never haughty or arrogant about it. One learns to be humble, modest and grateful: “God, you put me in a situation to give me some valuable lessons and tools how to get out of it. Now, God, with your help, I am out of it. Make me humble enough to realise that without your help I couldn’t have managed even a fraction of it.

In the end, I can say with adequate pride and confidence that Scarcity taught me more than Plenty would have. God and my parents (there is, like I said, no difference between the two) facilitated this learning. Sri Guru Granth Sahib ji, as ordained, has always been the trigger to such learning.

At my bedside there is a copy of a book ‘Miracles of Ardas*’ written by the Himalayan Legend, Padma Bhushan and Arjuna Award winner mountaineer Captain (of the Indian Navy) MS Kohli. It too keeps reminding of my dad’s favourite hymn from Sri Guru Granth Sahib ji:

Jo maange thakur apne te soii soii deve.

*Ardas = Prayer

 

GOOD MORNING MESSAGE #2

From the first of June, 2018, I started writing Good Morning messages in the form of poems (Please read: ‘Good Morning Message #1‘).

This was done when a course mate, Viru, suggested that people sharing memes as WhatsApp forwards had become passé and impersonal. He suggested that we should be as personal and unique as possible.

Here is my second attempt (pics have been added only in the blog and not in the original message on WhatsApp):

An awesome day is at your doorstep.

There is good in every day,
It’s not difficult to find;
For everyone of us in some way,
Is good at heart and kind.

Despite all the things that’re wrong,
If you look for something right;
It won’t really take you long,
To find across the tunnel light.

God made the world in such a way,
That good would always prevail;
Yes, people and things do go astray,
But good? Well, it would never fail.

DHAN DHAN SRI GURU ARJAN DEV JI

ਅਕਬਰ ਦਾ ਸ਼ਹਿਜ਼ਾਦਾ ਕਹਿਲਾਂਦਾ ਸੀ ਜਹਾਂਗੀਰ,
ਸਿੱਖਾਂ ਨਾਲ ਕਰਦਾ ਸੀ ਨਫਰਤ, ਮਾੜਾ ਸੀ ਉਸਦਾ ਜ਼ਮੀਰ।
“ਮੈਂ ਨਹੀਂ ਮੰਨਦਾ ਇੱਕ ਓਅੰਕਾਰ ਤੇ ਵਾਹਿਗੁਰੂ ਨੂੰ”, ਉਸਨੇ ਕਿਹਾ,
“ਫੜ੍ਹ ਕੇ ਲੈ ਆਓ ਅਰਜਨ ਦੇਵ ਨੂੰ, ਪੈਰਾਂ ਚ ਪਾਓ ਜ਼ੰਜੀਰ”।

“ਮੇਰੇ ਸ਼ਹਿਜ਼ਾਦੇ ਖੁਸਰੋ ਨੂੰ ਵੀ ਇਸਨੇ ਕੀਤਾ ਹੈ ਖ਼ਰਾਬ,
ਵਾਹਿਗੁਰੂ ਦੀ ਉਹ ਕਦਰ ਕਰਦਾ ਹੈ, ਨਹੀਂ ਪੀਂਦਾ ਹੈ ਸ਼ਰਾਬ।
ਉਸਦੀਆਂ ਵੀ ਮੈਂ ਅੱਖਾਂ ਨੋਚ ਲਵਾਂਗਾਂ ਜਿਹੜੀਆਂ ਗੁਰੂ ਨੂੰ ਵੇਖਣ,
ਮੇਰਾ ਹੀ ਖੂਨ ਮੇਰੀ ਗੱਦੀ ਦੇ ਬੈਠਣ ਦੇ ਦੇਖਦਾ ਹੈ ਖਵਾਬ”।

ਇਕ ਆਖਰੀ ਮੌਕਾ ਦਿੰਦੇ ਹਾਂ, ਜਹਾਂਗੀਰ ਨੇ ਕੀਤਾ ਐਲਾਨ,
ਗੁਰੂ ਨੂੰ ਕਹੋ ਵਾਹਿਗੁਰੂ ਨੂੰ ਭੁੱਲ ਕੇ ਅਲਾਹ ਦਾ ਰੱਖੇ ਮਾਣ,
ਗੁਰੂ ਜੀ ਨੇ ਕਿਹਾ, ਦੁਨੀਆ ਫਤਿਹ ਕਰਨ ਦਾ ਤੇਰਾ ਸ਼ੌਕ ਹੈ,
ਪਰ ਕਦੇ ਨਾ ਭੁੱਲੀਂ ਜਹਾਂਗੀਰ ਤੂੰ ਵੀ ਵਾਹਿਗੁਰੂ ਦੀ ਹੀ ਹੈਂ ਸੰਤਾਨ।

ਇਹ ਸੁਣਕੇ ਜਹਾਂਗੀਰ ਨੂੰ ਰੱਜ ਕੇ ਗੁੱਸਾ ਆਇਆ,
ਤੱਤੇ ਤਵੇ ਤੇ ਉਸਨੇ ਗੁਰੂ ਅਰਜਨ ਦੇਵ ਜੀ ਨੂੰ ਬਿਠਾਯਾ,
ਜੇ ਇਹ ਜ਼ੁਲਮ ਕੁਛ ਘਟ ਸੀ, ਫੇਰ ਉਸ ਜ਼ਾਲਿਮ ਨੇ,
ਜਲਦੀ ਰੇਤ ਨੂੰ ਗੁਰੂ ਸਾਹਿਬ ਦੇ ਸ਼ਰੀਰ ਤੇ ਪਾਇਆ।

ਪੰਜ ਦਿਨ ਪੰਜਵੀ ਪਾਤਸ਼ਾਹੀ ਤੇ ਬਰਸਤੀ ਰਹੀ ਦਹਿਸ਼ਤ,
ਇਕ ਮਿੰਟ ਵੀ ਜ਼ੁਲਮਾਂ ਤੋਂਹ ਜਹਾਂਗੀਰ ਨੇ ਨਾ ਲਈ ਫੁਰਸਤ,
ਰੱਬ ਦੇ ਓਹ ਬੰਦੇ ਸੀ, ਰੱਬ ਦਾ ਹੀ ਅਸਲੀ ਰੂਪ ਸਨ,
ਨਦੀ ਚ ਜਦ ਨਲਹਾਨ ਗਏ, ਗੁਰੂ ਜੀ ਹੋ ਗਏ ਰੁਖਸਤ।

ਗੁਰੂ ਜੀ ਰੱਬ ਦਾ ਨੂਰ ਸੀ, ਅਜੇ ਵੀ ਉਹੀ ਨੂਰ ਹੈ,
ਜਹਾਂਗੀਰ ਦਾ ਉਸਤੋਂ ਬਾਅਦ ਕਿਥੇ ਕੋਈ ਗਰੂਰ ਹੈ?
ਉਸ ਹੀ ਲਾਹੌਰ ਚ ਜਿਥੇ ਗੁਰੂ ਸਾਹਿਬ ਹੋਏ ਸੀ ਸ਼ਹੀਦ,
ਗੁਰਦੁਆਰਾ ਦੇਹਰਾ ਸਾਹਿਬ ਅਜੇ ਵੀ ਮਸ਼ਹੂਰ ਹੈ।

ਕਦੀ ਨਹੀਂ ਭੁਲ ਸਕਦੇ ਗੁਰੂ ਜੀ ਦੇ ਤਿਆਗ ਤੇ ਕੁਰਬਾਨੀਆਂ,
ਸੁਨਹਿਰੇ ਇਤਿਹਾਸ ਚ ਰਹਿਣ ਗੀਆਂ ਗੁਰੂ ਅਰਜਨ ਦੇਵ ਦੀਆਂ ਕਹਾਣੀਆਂ,
ਸਿੱਖ ਉਹ ਹੈ ਜਿਹੜਾ ਗੁਰੂ ਜੀ ਦੇ ਦਿਖਾਏ ਰਸਤੇ ਤੇ ਚਲੇ,
ਬਾਕੀ ਚਾਹੇ ਸਿੱਖ ਹੋਣ ਦੀਆਂ ਹੋਰ ਵੀ ਹੋਣ ਨਿਸ਼ਾਨੀਆਂ।

(Pic courtesy: Palatine Gurudwara)

Akbar da shehzada kehlaanda si Jehangir,
Sikhan naal karda si nafrat, maadha si usda zameer.
Main nahin manada Ik OmKar nu” usne keha,
“Phad ke lai aao Arjun Dev nu, pairan ch paao zanjeer.”

“Mere shehzade Khusro nu wi isne keeta hai khraab,
Waheguru di oh kadr karda hai, nahin peenda hai shraab.
Usdiyan wi main akhan noch lawanga jehdiyan Guru nu wekhan,
Mera hi khoon meri gaddi de baithan de dekhda hai khwaab.”

Ik aakhri mauka dinde haan, Jehangir ne keeta ailaan,
Guru nu kaho Waheguru nu bhul ke Allah da rakhe maan.
Guru ji ne keha, duniya fateh karan da tera shauk hai,
Par kade na bhulin Jehangir tu wi Waheguru di hai santaan.

Eh sun ke Jehangir nu rajj ke gussa aayiya,
Tatte tawe te usne Guru Arjun Dev ji nu bithayiya,
Je eh zulm kuchh ghat si, pher us zaalim ne,
Jaladi ret nu Guru Sahib de shareer te paayiya.

Panj din panjavin paatshahi te barasti rehi dehshat,
Ik minute wi julman tonh Jehangir ne na layi fursat,
Rabb de oh bande si, Rabb da hi noor san,
Nadi ch jadd nalhaan gaye Guru sahib ho gaye rukhsat.

Guru ji Rabb da noor si, aje wi ohi noor hai,
Jehangir da usdo baad kithe koi garoor hai,
Us hi Lahore ch jithe Guru Sahib hoye si shaheed,
Gurudwara Dehra Sahib aje wi mashhoor hai.

Kade nahin bhul sakde Guru ji de tyaag te kurbaniyan,
Sunehre itihaas ch rehan giyan Guru Arjan Dev diyan kahaniya,
Sikh oh hai jehda Guru ji de dikhaye raste te chale,
Baaki chahe Sikh hon diyan hore wi hon nishaniyan.

Akbar’s prince was known as Jehangir,
He had hatred for Sikhs, his heart and mind were corrupted,
“I don’t agree with Ek Omkar”, he said,
Capture Arjan Dev and bring him to me with chained feet.”

“My prince Khusro too is spoiled under his influence,
(He too) respects Waheguru, he doesn’t drink,
I will gouge his eyes too that look for this Guru,
My own blood dreams of overthrowing me to become the king.”

“I’ll give him (Guru) one last chance, Jehangir proclaimed,
“Tell the Guru to forget Waheguru and respect only Allah.”
Guru ji told him, “To conquer the world appears to be your desire,
But, never forget Jehangir that you too are a child of Waheguru.”

Upon hearing this Jehangir became very angry,
He ordered Guru Arjan Dev ji to be seated on hot plate;
If this torture wasn’t enough, then this tyrant,
Poured burning sand on Guru Sahib’s (bare) body.

This type of terror was unleashed on our Fifth Guru for five consecutive days,
Not even for a minute Jehangir took a break from this torture. na layi fursat,
(Guru ji) was a man of God, indeed he was the Likeness of God,
(At the end of the torture) when he was taken to Ravi river for bath, he departed (to be with God).

Guru ji was the Light of God, even now that Light prevails,
However, where is Jehangir’s arrogance after he has gone?
In the same Lahore, where Guru Sahib was martyred,
Gurudwara Dehra Sahib is situated even now.

Never can we forget Guru ji’s sacrifices,
In golden letters of History would remain the saga of Guru Arjan Dev,
Sikh is the one who treads the way of the Guru,
Even though there are many other symbols of becoming a Sikh.

DHARAM SE AZAADI KABHI TO MILEGI

मज़हब के मुग़लिबों की क्या दे हम दुहाई,
इन्सान को बना देते हैं मुसलमान, हिन्दू और ईसाई।
दुनिया को तक़सीम करके ये करते हैं राज,
पैदा तो हुए थे सब बहन और भाई।

मज़हब नहीं कहता पर ये कहते हैं,
माजूदा वक़्त छोड़ के ये माज़ी में रहते हैं,
डराते हैं हमें मौत से, गुनाह से, बुराई से,
खुदा से ज़्यादह हम इनके ज़ुल्म सहते हैं।

ईष्वर एक है यह ये भी मानते हैं,
पर अपने वाले को सबसे बेहतरीन जानते हैं,
कहते तो हैं वाइज़ आपस में बैर न करो,
पर करते हैं वही जो मन में ठानते हैं।

सबसे बड़ी लड़ाईयां दीन ओ धर्म की हैं,
बात तो दोस्तो यह बहुत शर्म की है।
धर्म के मतलब इनसे क्यूं सीखे हम,
अपनी अपनी सोच और अपने कर्म की है।

हे खुदा, दुनिया को कर दे मज़हब से आज़ाद,
सबसे बढ़ कर इसी ने किया इंसानियत की बर्बाद,
यह अब महज़ पैसा और ताक़त पाने का है ज़रिया,
हर मुग़लिब बढ़ाना चाहता है चाहने वालों की तादाद।

मेरे तस्स्वुर में आया है एक बहुत प्यारा ख्वाब,
जात पात और धर्म से लोग नहीं हो रहे ख़राब,
इस खयाल का भी वक़्त अब आने को है, रवि
शायद न करना पड़े इसके लिए कोई इन्कलाब।

SOUND OF SILENCE

शोर ओ गुल में रूह की आवाज़ को भी सुन,
नूर ओ रंग में इस दबे राज़ को भी सुन।

बहुत दिलकश हैं ज़िन्दगी के हसीन नग़मे,
पर दूर कहीं बज रही है यह हल्की सी धुन।

फरेब-ऐ-नज़र है, सराब है, महज़ ग़ुबार है दुनिया,
जागते सोते चंद रोज़ के खवाइश-ऐ-ख्वाब न बुन।

रिश्ते, मुहबतें, याराने सब दिल ओ दिमाग की हैं बातें,
शहनाई की मुबारक धुन, घुंघरू की यह रूण झुन।

हमसफर रहे हैं अभी तक लालच, अना और खुद गर्ज़ी,
दौरान-ए-हयात में अब रहमत ओ रूहानियत भी चुन।

हंगामा-ए-जंगल में आवाज़ें बहुत रही हैं बुलंद,
गौर से, रवि, अब इस नन्हे परिंदे की भी सुन।

Shor o gul mein rooh ki awaaz ko bhi sun,
Noor o rang mein is dabe raaz ko bhi sun.

Bahut dilkash hain zindagi ke haseen nagmein,
Par door kahin baj rahi hai yeh halki si dhun.

Fareeb-e-nazar hai, saraab hai, mehz gubaar hai duniya,
Jaagte sote chand roz ke khwaish-e-khwaab na bun.

Rushtey, muhabattein, yaarane sab dil o dimaag ki hain baaten,
Shehnayi ki mubaaraq dhun, ghungroo ki yeh run jhun.

Humsafar rahe hain abhi taq laalach, anaa aur khud garzi,
Dauran-e-haiyaat mein ab rehmat o ruhaniyat bhi chun.

Hungama-e-jungle mein awaazen bahut rahi hain buland,
Gaur se, Ravi, ab is nanhe parinde ki bhi sun.

HAPPY NEW YEAR – LOOKING AT THE PAST WITH THE WISDOM AND CAPABILITIES OF TODAY

As Time moves on, there are instances when we would love to have frozen a past event or even a moment for posterity. On the other hand, we just let it go without (at that time) realising its true value. Lets say some sixth sense would tell us that a particular moment that we are uncomfortable about or even find detestable would bring us the greatest happiness in future, won’t we preserve it with more wistfulness than the attitude of get-it-over-with-ASAP that we often have?

Let me give you an example. We are sitting in the classroom. The teacher is going on and on whilst we look outside the window. Everything else outside appears more interesting. We want to complete our schooling as quickly as we can so as to get over the boring stuff and get on with some real stuff that makes life worth living. Now, if someone was to tell us that 90 percent of the people when asked about nostalgic moments of their lives mention school-time as the number one, won’t we have enjoyed those moments more?

Here is what a mother told her son who was making faces at her cooking: “Relish it, son. Years later you would be telling your wife how good it was in comparison to her cooking.”

When I was a young officer in the Navy, I remember having seen this movie called The Final Countdown. It was in the year 1980. The movie was directed by Don Taylor and starred Kirk Douglas as Captain Matthew Yelland, Commanding Officer of USS Nimitz, which had sailed from Pearl Harbour, in 1980, for a training sortie in the Pacific. The ship had a civilian observer on board: Warren Lasky, played by Martin Sheen. The ship passed through a strange storm-like vortex and suddenly went back in time to 6th Dec 1941, a day before the Pearl Harbour Attack by the Japanese Fleet. Even though the ship had gone back in time, it had all its armament, sensors and aircraft on board as in the present day (1980). Gradually, as the events unfolded, the ship and its crew realised that they had been transported back in time and that with the modern facilities available on board, just one ship, USS Nimitz, was enough to take on the entire Japanese Fleet that had wreaked havoc in Pearl Harbour on that fateful day. Captain Yelland had to decide whether to destroy the Japanese fleet and alter the course of history, or to stand by and allow history to proceed as normal. Nimitz launched a massive strike force against the incoming Japanese forces, but before it could reach the enemy armada, the time – storm returned. After a futile attempt to outrun the storm, Yelland recalled the strike force, and the ship and the aircraft returned to 1980 safely. History was unaltered.

(Poster courtesy: boredanddangerousblog.files.wordpress.com)

The movie was a fine example of how we can’t alter the past with the wisdom and capabilities of today. Every moment that we live has actually gone forever and there is no way one can alter it.

Many people have this fantasy about seeing their own funeral by traveling back in time even after death and seeing people cry and miss them and pour out their love that they never got the feel of when alive. Urdu poets have written volumes about consoling the love of their lives after death. Why just Urdu poets? Even the great Punjabi singer (greatest?) Asa Singh Mastana sang this ghazal about seeing mourners after his death: Jadon meri arthi utha ke chalange, mere yaar sab gunguna ke chalange (When they carry me in my funeral procession, all my friends would walk humming in sadness).

That’s why the New Year is so attractive; it, and every passing year, allows us to look at the past with the wisdom and capabilities of today. We rejoice in the nostalgia of our childhood and schooling, even forgetting those times when we wanted to fast-forward and get-it-over-with.

Even a person with average intelligence can make out that there is nothing really new in the new year. Each day is a new day caused by the rotation of the earth around its axis. This rotation, completed in 24 hours, makes the Sun appears on the horizon in the East and makes it set in the West, Who made the New Year? We made it. Who made Time? We made it; imagine your landing on some other planet or star that doesn’t rotate around its axis in 24 hours of the earth. What do you call this new Time? Does it have a relationship with Time on Earth? Just like Time varies around the earth (if it is New Year in Japan, it would be another six and half hours before it is New Year in India), now imagine it in the universe. Is it the same time of the day, or even day or year or century in, say, Venus?

Why should we worry about the universe? Ain’t we content about living on earth without having to worry about what happens elsewhere? The short answer is No, we ain’t. Just as Columbus sailed to discover India, we have ventured out to other celestial bodies to see if they are like us. When a mountain climber was asked, “Why did you climb this mountain?” his response made a lot of sense to me, at least: “Because, it is there.”

Imagine a scenario, say 500 years (Earth Years, that is) from now, when the following announcement is made on the Radio Station in Space: “We wish our listeners on Earth a Happy New 2518, on Mercury the continuation of unendable long winter, on Jupiter…….”

The scriptures are very fond of saying that God made Man in His own likeness. He gave the best to Man except, it appears, the ability to alter his past. But, hey, look again and you will know that even that is possible! Have I gone mad? Or madder than I normally am? Well, here goes:

The scriptures erred in one significant point and that is that we must live the present moment and not to live in the past (Please read: ‘Debatable Philosophies Of Life’). Actually, there is no present moment, you can’t live it. By the time you can even think of living it, it becomes past. Your past is, therefore, the most significant period of your life. However old the past is – one moment to several years – we always look at the past with the wisdom and capability of today or the next moment.

Hence, if your past is indeed the most significant period of your life, why not make it more beautiful, more memorable? You know you have to live with your memories more than with your hopes and aspirations (which too are indeed children of your past!). Dissipate all your energies and – hold your breath – time in making it beautiful and memorable. It is in your hands.

Once you make your past beautiful, it is attractive and welcome to recall it.

If you have done so, you would rue burning the effigy of the passing year. You would automatically say: Yes, 2018 would be very beautiful but 2017 was also beautiful; I didn’t want it to end.

And I am saying it despite my having lost my mother – the most precious part of my life – in 2017. She and I made exceedingly rich memories that would never die.

Lastly, ladies and gentlemen, if in the so called new year you are going to do nothing new, isn’t it wasted exactly in the same manner as the past year? Hence, just think of at least one thing new that you would do in the new year that you hadn’t ever done before. Good luck.

Think………………..that’s the biggest gift that God has given us. The second biggest being that He made every moment new and not just the new year.

Raaga Based Song Of The Day #57 – Final Tribute To My Late Mother

Raaga Based Song of the Day: Tumhi ho mata pita tumhi ho….
Raag Bhairavi, Tal Kaherava

I am in awe of Raag Bhairavi and its variations. On the eleventh day’s value added learning, I had told you about why Bhairavi is the first raag to be taught to beginners and why it is generally the last in a performance (Please read: ‘Raaga Based Song Of The Day #11‘). On that day, if you recall, I gave you the finest song composed in Raag Bhairavi in the Hindi movies: Baabul mora, naihar chhooto hi jaaye… in Raag Bhairavi, Tal Kaherava. In the 1938 Phani Majumdar movie Street Singer, having Kundan Lal Saigal in the title role, this song was performed live on camera by him since playback singing hadn’t yet become popular. The song had been penned by Nawab Wajid Ali Khan, the Nawab of Awadh when the British exiled him from his favourite city of Lucknow. Rai Chand Boral had composed the song for the movie.

I gave you another song in Ahir Bhairavi on the 22nd day: Poochho na kaise maine rain bitayi and even that would be a fine tribute to my mother who went to reside with God on the morning of Wednesday, the 9th Aug 17.

Today’s song is a final tribute to her in the current series. By now you know why Bhairavi is so well suited for it. Raag Bhairavi is often regarded as the Queen of Melodies. It is a Sampurna – Sampurna (Heptatonic) raaga both in ascent (Aaroha) and descent (Avaroha). This simply means that it uses all seven notes (swar). The komal (soft) swar make for a sobering devotional atmosphere which is full of love and piety and makes one closer to one’s Creator.

My Creator, my mother, the incarnation of God on Earth for me, lived with me for six decades and four years and Bhairavi shall always connect me to her; I am sure of that. Praying to her, for me, is praying to God. Particularly, after the untimely demise of my father on 01 May 1984 in a jeep accident, she has been Mata, Pita, Bandhu, Sakha; in short, everything to me. Hence, once again, the lyrics are so appropriate for me.

Bhairavi is a raaga that is normally sung in the wee hours of the morning. The reason is that since it is usually the last piece in a night long performance, the performance concludes in the morning. The reason why it is kept in the end is because in a night long concert, it is left to Bhairavi to cure the mistakes in the earlier performances. The devotional and peaceful bhaav of Bhairavi also makes it suitable as a concluding piece.

We have completed fifty-six days of Raaga Based Songs of the Day. Our first post in the series was titled ‘Raaga Based Song Of The Day #1’ and the song was a Mohammad Rafi and Lata Mangeshkar song from the 1970 Shakti Samanta movie Pagla Kahin Ka: Tum mujhe youn bhula na paoge (It is in Raag Jhinjhoti, Tal Kaherava).

Our fifty-sixth post or the last post was titled ‘Raaga Based Song Of The Day #56‘ and the song was a Lata Mangeshkar song from the 1957 Nandlal Jaswantlal movie Champakali starring Bharat Bhushan and Suchitra Sen: Chhup gaya koi re door se pukaar ke. It is in Raag Jhinjhoti, Tal Kaherava.

This blog has a number of posts on Raaga based songs in Hindi movies titled similarly; for example: ‘The Best Raaga Based Songs in Hindi Movies – Raaga Yaman – Part III‘.

In the last fifty-six days of sharing Raaga based songs of the day, I have given you songs based on Raag Jhinjhoti, Gara, Bhimpalasi, Madhuvanti, Shivaranjani, Bihag, Pahadi, Sarang, Pilu, Bhairavi, Khammaj, Charukesi, Kalyan or Yaman, Desh, Malgunji, Kirwani, Kedar, Bageshri, Megh Malhar, Bhupali, Ahir Bhairav, Malkaush, Mand, Adana, Kafi, Rageshri, Jaunpuri, Tilang, Janasammohini, Chayanat, Shuddha Kalyan, Gaur Sarang, Jogiya, Asavari, Maru Bihag, Durga, Lalit, Puria Dhanashri, Bhinna Sahdja, Sohani, Multani, Patdeep, Jaijaiwanti, Tilak Kamod, Hemant, Basant Mukhari, Gujri Todi, Kalavati and Hamir. The only four raag that have been repeated so far are Pahadi, the raaga of my home place in the Himalayas, Maru Bihag, Raag Kirwani and Jhinjhoti. That makes a total of 49 raagas so far; today’s one too I am repeating: Raag Bhairavi.

Today, I give you a bhajan, one of my favourites, in Raag Bhairavi, Tal Kaherava, sung by Lata Mangeshkar.

However, first, lets take up the value added learning of today. Today, we shall learn about Swarmandal.

Swarmandal is a drone instrument like Tanpura and Shruti Box. Swarmandal is a combination of two words: Swar (Notes) and Mandal (Group). Therefore, Swarmandal has the ability to produce a large number of notes. It is also called Surmandal.

Swarmandals are 24 to 30 inches in length and 12 to 15 inches in width. The number of strings employed by the singer vary between 21 to 36. If you have a look at the accompanying picture, you will see that the strings are hooked in a nail lodged in the right edge of the swarmandal and on the left are wound around rectangular pegs which can be tightened with a special key. Wooden pegs were used instead of metal ones in the medieval period. A sharp 1⁄2-inch (13 mm) ridge on both sides of the swarmandal stands a little apart from the nails on which the strings are tightened. This ridge functions as a bridge on both sides. The swarmandal is similar to the autoharp or zither in many respects.

Some of the vocalists who have used this instrument extensively are Ustad Bade Ghulam Ali Khan (1902–1968), Ustad Salamat Ali Khan (1934–2003), Pandit Jasraj (b 1930), Kishori Amonkar (1932-2017), Ustad Rashid Khan (b. 1966) and Pandit Shyam Sundar Goswami.

The Beatles’ 1967 single “Strawberry Fields Forever” features a swarmandal, played by George Harrison, as does “Within You Without You”, from the band’s Sgt. Pepper’s Lonely Hearts Club Band album.

As I mentioned, today’s song is composed in Raag Bhairavi, Tal Kaherava.

Some of the songs composed in this raaga are:

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
Baat Chalat Nayi Chunri
Kaisay Jaaoon Jamuna Kay Teer
Chod Gaye Baalam
Sudh Bisar Gayee
Baat Chalat Nayi
Saanwaray Saanwaray
Phul Gendwa Na Maaro
Laga Chunari Mein Daag
Hato Kaahe Ko
Jo Tum Todo Piya
Meray Aey Dil Bata
Mori Cham Cham Bajay
Tu Ganga Ki Mauj
Sun Neel Kamal
Madhukar Shyam Hamaray
Babul Mora Naihar
Mat Ja Jogi
Bhagwan Do Ghadi
Ab Teray Siva Kaun
Dheeray Dheeray Aaray
Piu Piu Bol
Aaee Diwali
Hamein To Shamein Gam
Akeli Mat Jaeeyo
Kya Mil Gaya Bhagwan
Main To Girdhar
Saiyan Ho Tose
Bujhti Hui Is Jot
Bajuband Khul Khul
Tu Pyar Kare Ya
Armaan Bhare Dil
Shri Ram Bhajo Such Mein
Piya Ji Main To
Karam Gati Tare
Dekho Ji Bahar Aayi
Aaya Hai Mujhe Phir
Dil Ka Khilona Haye Toot Gaya
Kaise Samjhaoon
Duniya Bananewalay
Jiya Jale Jaan Jale
Na Tufan Say Khelo
Jai Bolo Beimaan
Tumharay Sang Main Bhi
Khamosh Hai Khewanhar
Do Hanso Ka Joda
Main Pyar Se Teray
Tumhee Ho Mata, Pita Tumheen Ho
Main Dekhoon Jis Or Sakhi
Insaaf Ka Mandir
Main Zindagi Mein
Jot Se Jot Jagaatay Chalo
Sajna Kahe Nahin
Babul Mora
Shyam Mohe Chakar
Aaja Sawariya
Ladki
Devta
Barsaat
Sangeet Samrat Tansen
Rani Roopmati
Anuradha
Dooj Ka Chand
Dil Hi To Hai
Manzil
Jhanak Jhanak Payal Baje
Jhanak Jhanak Payal Baje
Ghoonghat
Baiju Bawara
Chitralekha
Bhakt Surdas
Street Singer
Jogan
Bahar
Kismat
Kismat
Bandhan
Ratan
Jugnu
Lalat
Anmol Ghadi
Jogan
Nai Raahein
Lajawab
Bajuband
Dekh Kabira Roya
Ambar
–
Milan
Milan
Azaad
Devar
Goonj Uthi Shehnai
Suraj
Teesri Kasam
Dil Se
Udan Khatola
Beimaan
Sohni Mahiwal
Amar
Ganga Jamuna
Saathi
Main Chup Rahoongi
Anita
Amar
Barsaat
Sant Gyaneshwar
Badnam Basti
Avishkar
Meera
Gaman
Geeta Roy
Lata Mangeshkar
Mukesh, Lata
Manna Dey
Krishnrao, Mohd.Rafi
Lata
Manna Dey
Manna Dey
Manna Dey
Lata Mangeshkar
Lata, Manna Dey
Lata Mangeshkar
Rafi, Lata
Ram Dulari
K. L. Saigal
K. L. Saigal
Geeta Roy
Geeta Roy
Amirbai Karnataki
Arun, Amir
Pradeep
Zohrabai Ambalawali
Noorjahan
Heerabai Barodkar
Noorjahan
Geeta Roy
Rafi , Asha
Geeta Roy
Lata Mangeshkar
Lata Mangeshkar
Geeta Dutt, Talat Mehmood
K. C. Dey
Lata Mangeshkar
Manna Dey
Lata Mangeshkar
Mukesh
Lata Mangeshkar
Rafi, Lata
Mukesh
Lata
Mohd. Rafi
Mukesh
Lata
Lata
Lata
Lata
Lata
Lata
Mohd. Rafi, chorus
Mohd. Rafi
Lata & Mukesh
Ghulam Mustafa
Jagjit & Chitra Singh
Vani Jayaram
Hiradevi Mishra
56.
57.
58.
59.
60.
61.
62.
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101.
102.
103.
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105.
106.
107.
108.
109.
110.
Aapki Yaad Aati Rahi Raat Bhar
O Bansi Bajaiya
Ho Gori Tori Baanki
Jara Man Ki
Satyam Shivam Sundaram
Jo Tum Todo
Rang Mahal Kay
Kanha Re Peed Sahi Na Jaye
Meri Jaan
Aey Ji O Dekha Pyar
Hai Re Main To
Jo Bhajay Hari Tero Naam
Dil Ka Na Karna Aitbar
Mehndi Lagi Mere Haath
Suno Choti Si Gudiya Ki
Sar Pay Kadam Ki Chaiya
Sun Le Baapu Ye Paigam
Meray Man Ki Ganga
Mujhko Is Raat Ki
Chhaliya Mera Naam
Ek Paisa Day Day
Main Chali Main Chali
Garib Jaan Kay
Chahe Koi Mujhay
Sur Badle Kaisay
Piya Te Kahan Gayo
Ye Zindagi Kay Melay
Aey Dil Ab Kahin
Yahi Hai Vo Sanjh Aur Savera
Dil Apna Aur Preet Parayee
Shisha-e-dil Itna Na
Mera Naam Raju
Hothon Pe Sacchai Rehti Hai
Hai Aag Hamare Seene Mein
Sab Kuch Seekha Hamne
Tu Hindu Banega Na
Dil-e-betaab Ko
Tera Jaadu Na Chalega
Waqt Se Din Aur Raat
Mera Rang De Basanti
Raja Ki Aayegi Baraat
Ek Dil Aur Sau Afsane
O Shama Mujhe Phook De
Main Aashiq Hoon
Barsaat Mein
Kehta Hai Joker
Mera vichada yaar milaaday
Mera Joota Hai Japani
Ramaiya Vasta Vaiya
Pyar Hua Ikrar Hua Hai
Teri Nigahon Pe
Bane To Ban Jao
Jis Dil Mein Basa
Ae Mere Dost Ae Mere
Pagdi Samhal
Gaman
Sapne Suhane
Aadhi Raat Ke Baad
Kohinoor
Satyam Shivam Sundaram
Silsila
Satyam Shivam Sundaram
Aakrosh
Anubhav
Dekha Pyar Tumhara
Bedag
Taqdir Ka Badshah
Halaku
Mehndi Lagi Mere Haath
Seema
Bhakt Surdas
Balak
Sangam
Dil Bhi Tera Hum Bhi Tere
Chhaliya
Vachan
Professor
Chhoo Mantar
Junglee
Barkha
Toofan Aur Diya
Mela
Bluff Master
Sanjh Aur Savera
Dil Apna Aur Preet Paraee
Dil Apna Aur Preet Paraee
Jis Des Mein Ganga Behti Hai
Jis Des Mein Ganga Behti Hai
Jis Des Mein Ganga Behti Hai
Anari
Dhool Ka Phool
Palki
Guest House
Waqt
Shaheed
Aah
Ek Dil Aur Sau Afsane
Aashiq
Aashiq
Barsaat
Mera Naam Joker
Sohni Mehiwaal
Shri 420
Shri 420
Shri 420
Shabnam
Dulha-Dulhan
Saheli
Meherbaan
Shaheed
Chhaya Ganguli
Suman Kalyanpur
Manna Dey
Mohd. Rafi
Lata
Lata
Lata , Nitin
Vandana Purandare
Geeta Dutt
Suman Kalyanpur
Manna Dey
Lata
Lata
Lata
Lata
Sehgal, Rajan
Hemlata
Mukesh
Mukesh
Mukesh
Asha Bhosle
Lata, Rafi
Mohd. Rafi, Geeta Dutt
Mohd. Rafi
Lata
Lata
Rafi
Hemant Kumar
Asha , Rafi
Lata
Lata
Mukesh
Mukesh
Manna Dey, Mukesh, Geeta, Lata
Mukesh
Rafi
Rafi, Suman Kalyanpur
Lata
Rafi
Rafi
Lata
Lata
Lata, Mukesh
Mukesh
Lata
Mukesh
Lata
Mukesh
Rafi, Lata, Mukesh
Manna Dey, Lata
Mukesh
Lata, Mukesh
Mukesh
Rafi
Rafi
111.
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148.
149.
150.
151.
152.
April Fool Banaya
O Jane Wale Jao
Aa Asmaan Wale
Mera Rang De Basanti Chola
Manzil Ki Dhun Mein
Mehtaab Tera Chehra
Dhanya Bhagya Sewa Ka
Chali Pee Ke Nagar
Nain Mile Chain Kahan
Dhire Dhire Chal Chand
Mile Jo Kadi Kadi Ek
Matwala Jiya
Aana Hai To Aa
Tumko Hamari Umar lag
Ae Qaatibe Taqdir
Jab Dil Hi Toot Gaya
Ek Tara Bole
Bacchhe Man Ke Sacchhe
Reshmi Salwar Kurta
Tu Pyar Kahe
Khushiyon Ke Phool
Suno Chhoti Se Gudiya
Kisi Ne Apna
Main Piya Teri
Jaise Radha Ne Maala Japi
Ae Dil Tujhe Kasam
Jeet Hi Lenge Baazi
Main Piya Teri Tu
Dil Ka Khilona
Ja Re Ud Ja Re
Baki Kuch Bachaa
Doli Chadte Hi
Beshak Mandir
Chal Chal Ae Dil
Garibon Ki Suno
Yeh Pyar Vyar Kya Hai
Chingari Koi Bhadke
Dil Aaj Shayar Hai
Kisi Baat Par Main
Ae Mere Dil Kahin
Ae Mere Dost
Bhor Bhaye Panghat Pe
April Fool
Mother India
Pardes
Shaheed
Anokhi Ada
Aashiq
Sur Sangam
Sardari Begum
Basant Bahar
Love Marriage
Kasme-Vaade
Mother India
Naya Daur
Aayee Milan Ki Bela
My Sister
Shahjahan
Yaadgaar
Do Kaliyan
Naya Daur
Dekh Kabira Roya
Mayurpankh
Seema
Patita
Basant Bahar
Tere Mere Sapne
Dulari
Shola Aur Shabnam
Basant Bahar
Goonj Uthi Shehnai
Maya
Roti Kapda Aur Makaan
Heer Ranjha
Bobby
Jheel Ke Us Paar
Dus Lakh
Darar
Amar Prem
Gambler
Bemisal
Daag
Meherbaan
Satyam Shivam Sundaram
Rafi
Lata
Lata
Rafi, Mukesh
Mukesh
Mukesh, Lata
Kavita Krishnamurti
Aarti Anklikar
Lata, Manna Dey
Lata, Rafi
Kishore
Rafi, Lata
Rafi
Lata
K. L. Saigal
K. L. Saigal
Mahendra Kapoor
Lata
Asha, Shamshad Begum
Lata
Lata
Lata
Lata
Lata
Lata
Lata
Rafi, Lata
Lata
Lata
Lata
Mukesh
Lata
Narendra Chanchal
Lata
Rafi, Asha
Abhijeet,Alka Yagnik
Kishore
Kishore
Kishore
Talat Mehmood
Rafi
Lata

As far as Tal Kaherava is concerned, I have already told you enough about this most popular Tal.

Once again, I have made use of the song in memory of my late mother. The song, originally, is from the 1962 A Bhimsingh movie Main Chup Rahungi starring Meena Kumari and Sunil Dutt. The song was penned by Shimla man Rajinder or Rajindra (he used both spellings) Krishan that has my mom’s name in part (Harkrishan). Rajinder Krishan was the richest lyricist in Hindi movies and my mom was thje richest person at heart that I know of. The song was composed by Chitragupta. As a coincidence, the song is pictured, in the movie, on Babloo and my nickname during my childhood days was Bubble.

Please enjoy in Raag Bhairavi, Tal Kaherava: Tumhi ho mata pita tumhi ho….

Tumhi ho mata pita tumhi ho
Tumhi ho bandhu sakha tumhi ho
Tumhi ho mata pita tumhi ho
Tumhi ho bandhu sakha tumhi ho

Tumhi ho saathi tumhi sahare
Koi na apna siwa tumhaare
Tumhi ho saathi tumhi sahare
Koi na apna siwa tumhaare
Tumhi ho naiyya tumhi khewayya
Tumhi ho bandhu sakha tumhi ho
Tumhi ho mata pita tumhi ho
Tumhi ho bandhu sakha tumhi ho

Jo khil sake na wo phool ham hain
Tumhaare charno ki dhool ham hain
Jo khil sake na wo phool ham hain
Tumhaare charno ki dhool ham hain
Daya ki drishti sada hi rakhna
Tumhi ho bandhu sakha tumhi ho
Tumhi ho mata pita tumhi ho
Tumhi ho bandhu sakha tumhi ho.

We have intended to learn about Raaga based music whilst we entertain ourselves with Raaga based songs. So, lets, once again, take stock of our collective learning so far:

  1. On the first day we learnt about the Raaga system devised by Pandit Vishnu Narayan Bhatkhande, which is the prevalent system in Hindustani Classical Music and based on ten Thaats.
  2. On the second day we learnt about Tal or Taal.
  3. On the third day we learnt about characteristics of Raagas that included Swar, Jati, Thaat, Arohana and Avarohana, Vadi, Samvadi and Pakad.
  4. On the fourth day, we learnt about Sargam.
  5. On the fifth day, we learnt about notations used in Indian classical music or simply Swar Lipi.
  6. On the sixth day, we learnt about the Ras (sentiments) that Raagas evoke.
  7. On the seventh day, we learnt about various types of Swar: Shuddha, Achal, Vikrut, Komal and Teevra.
  8. On the eighth day, we learnt the parts of a composition in Indian Classical Music.
  9. On the ninth day, we learnt the names of some of the popular instruments used in Indian Classical Music.
  10. On the tenth day, we learnt about the sources of names of Raagas.
  11. On the eleventh day, we learnt about why Bhairavi is the first raag to be taught to beginners and also why it is the last in a performance.
  12. On the twelfth day, we learnt about Khammaj Thaat.
  13. On the thirteenth day, we learnt about Tal Punjabi Theka or Sitarkhani.
  14. On the fourteenth day, we learnt about Alap.
  15. On the fifteenth day, we learnt about List of Raagas (Raagmala) in my favourite book: Sri Guru Granth Sahib.
  16. On the sixteenth day, we learnt about tips for raaga identification.
  17. On the seventeenth day, we learnt the basics of Gharana system.
  18. On the eighteenth day, we learnt about Filmi Sangeet.
  19. On the nineteenth day, we learnt about the commonest Tal in Raagas: Tintal.
  20. On the twentieth day, we learnt about the Kafi Thaat.
  21. On the twenty-first day, we learnt a little more in detail about the classification of Raagas.
  22. On the twenty-second day, we learnt the essential differences between Bhairavi and Bhairav.
  23. On the twenty-third day, we learnt a little more in detail about the Jati or Jaati of a raaga.
  24. On the twenty-fourth day, we learnt details of Thaat Bilawal, the most basic thaat in the Bhatkhande’s system of raagas.
  25. On the twenty-fifth day, we learnt about Tintal.
  26. On the twenty-sixth day, we learnt in detail about the Raaga – Samay linkage.
  27. On the twenty-seventh day, we learnt about Lehar.
  28. On the twenty-eighth day, we learnt about the history of the Hindustani Music.
  29. On the twenty-ninth day, we learnt about Dhrupad.
  30. On the thirtieth day, we learnt about Rupaktal that I was introduced to, a few months back, by my friend Anand Desai.
  31. On the thirty-first day, we learnt about Khayal.
  32. On the thirty-second day, we learnt about Thumri.
  33. On the thirty-third day, we learnt about Tappa.
  34. On the thirty-fourth day, we learnt about Tarana.
  35. On the thirty-fifth day, we learnt about Tal Dipchandi (Moghali).
  36. On the thirty-sixth day, we learnt about Tabla.
  37. On the thirty-seventh day, we learnt about Kirtan.
  38. On the thirty-eighth day, we learnt about Pakhawaj.
  39. On the thirty-ninth day, we learnt about Hori.
  40. On the fortieth day, we learnt about Dadra.
  41. On the forty-first day, we learnt about Kajri.
  42. On the forty-second day, we learnt about Chaiti.
  43. On the forty-third day, we learnt about Sarangi.
  44. On the forty-fourth day, we learnt about Shehnai.
  45. On the forty-fifth day, we learnt about Sarod.
  46. On the forty-sixth day, we learnt about Bansuri.
  47. On the forty-seventh day, we learnt about Ektal and Tanpura.
  48. On the forty-eighth day, we learnt about Veena.
  49. On the forty-ninth day, we repeated our learning of Veena with a small excitement added.
  50. On the fiftieth day, we learnt about Dilruba/Esraj.
  51. On the fifty-first day, we learnt about Jaltarang.
  52. On the fifty-second day we learnt about Qawwali.
  53. On the fifty-third day, we learnt about Sitar.
  54. On the fifty-fourth day, we learnt about Surbahar.
  55. On the fifty-fifth day, we learnt about Harmonium.
  56. On the fifty-sixth day, we learnt about Santoor.
  57. And today, on the fifty-seventh day, we learnt about Swarmandal.

There is much more still to be learnt and enjoyed.

Please stay tuned!

“Babumoshai, Zindagi Aur Maut Uparwale Ke Hath Hai Jahanpanah”

Recently, a number of friends and collegues have left us……

जाने कब सांस रुक जाए, गर्म खून हो जाए सर्द?
यह जो महल हमने बनाये हैं, कब हो जाएँ गर्द?
जाने कब फरमान आ जाए मौत के शेहन-शाह का?
कौन जाने कहाँ है मुकाम ज़िन्दगी की राह का?

तिनका तिनका बटोर कर बनाया है जो आशियां,
हमसफ़र ओ रहबरों का बढ़ता हुआ ये कारवां,
कठपुतलियां हैं सब, जाने किस को वह उठा ले?
आज, कल या परसों, कब, कैसे, कहाँ?

मजबूरी ओ उदासी ने बाँध दिए हैं हाथ,
दोस्तों और आशिकों का है पल दो पल का साथ;
अभी तो सुहाना दिन है, रंग है और नूर है,
जाने कब बन जाए यह सियाह अँधेरी रात?

आज हमारी बज़म से जाने कहाँ वह जाते हैं?
कल हम ज़ुबान थे, आँख अब चुराते हैं,
मेला है भाई, भीड़ में भी सब अकेले हैं,
दुनिया यूँ ही चलती है, लोग आते हैं, जाते हैं I

यही हकीकत है तो आता है ख्याल मन में,
क्यों ना खुशियों के बूटे उगाएं दिल के आँगन में?
दोस्ती हो सबसे दुश्मनी का नाम ही न हो,
सब ही खुश आमदीद हों अपने नशेमन में I

ज़िन्दगी मिल जुल के प्यारी ओ हसीन हो,
दोस्तों की यादें खूबसूरत और रंगीन हों,
ज़िन्दगी ज़िंदादिली से जियें हम ऐसे,
के मौत को भी हमारी ज़िन्दगी पर यकीन हों I

ज़ेहन में न रंजिश किसी के वास्ते हो,
“छोटी सी ये दुनिया, पहचाने रास्ते” हों,
वफायें हों, जफाओं से कोई नाता ही न हो,
दिल में गर्माहट हर किसी के वास्ते हो I

मौत के फ़रिश्ते को पुर उम्मीद मिलें हम,
वक़्त आने पे हमारे हँसते हुए निकले दम,
छोड़ जाएँ खुशियां सब अपनों के लिए,
न आंसू हों, न पशेमानी, न ख़ौफ हो, न ग़म I

ऐ खुदा, तेरा ‘रवि’ हर दम तैयार हो,
मुस्कराते ले जाना, न के जब बिमार हो,
जीते जी मेरे अपनों का हो घर संसार,
मेरे मरने पे भी उनकी ज़िन्दगी में बहार हो I

Jaane kab saans ruk jaaye, garm khoon ho jaaye sard?
Yeh jo mahal hamane banaaye hain, kab ho jaayen gard?
Jaane kab farmaan aa jaaye maut ke shehan-shah ka?
Kaun jaane kahan hai mukaam zindagi ki raah ka?

Tinaka tinaka batore kar banaaya hai jo aashiyaan,
Hamsafar o rehbaron ka badhata hua ye karvaan,
Kathhputliyan hain sab, jaane kis ko woh uthha le?
Aaj, kal ya parson, kab, kaise, kahan?

Majburi o udhasi ne baandh diye hain haath,
Dosto aur aashiqon ka hai pal do pal ka saath,
Abhi to suhaana din hai, rang hai aur noor hai,
Jaane kab ban jaaye yeh siyah andheri raat?

Aaj hamari bazm se jaane kahan woh jaate hain?
Kal hum zubaan the, aankh ab churaate hain,
Mela hai bhai, bheedh mein bhi sab akele hain,
Duniya youn hi chalti hai, log aate hain, jaate hain.

Yahi haqeeqat hai to aata hai khayaal man mein,
kyun na khushiyon ke boote ugaayen dil ke aangan mein?
Dosti ho sabse dushmani ka naam hi na ho,
sab hi khush amdeed hon apne nasheman mein.

Zindagi mil jul ke pyaari ho o haseen ho,
Doston ki yaadein khoobsurat aur rangeen hon,
Zindagi zindadili se jiyen ham aise,
Ke maut ko bhi hamaari zindagi pe yakeen ho.

Zehan mein na ranjish kisi ke vaaste ho,
“Chhoti si ye duniya, pehchaane raaste” hon.
Wafaayen hon, jafaayon se koi naata hi na ho,
Dil mein garmaahat har kisi ke vaaste ho.

Maut ke farishtay ko pur umeed milen ham,
Waqt aane pe hamaare hanste huye nikle dam,
Chhod jaaye khushiyan sab apno ke liye,
Na aansu hon, na pashemaani, na khauf ho, na gham.

Ai khuda, tera ‘Ravi’ har dam taiyyar ho,
Muskraate le jaana, na ke jab bimaar ho,
Jeete ji mere apno ka ho ghar sansaar,
Mere marne pe bhi unaki zindagi mein bahaar ho.

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