GUNNERS TOO ARE HUMAN – PART IV – FREE-LOADING GUNS

So you have finished reading Parts I to III of this serialised post (If not, read ‘Gunners Too Are Human – Part I’, ‘Gunners Too Are Human – Part II’ and ‘Gunners Too Are Human – Part III’) and are now ready for Part IV? Well, fasten your seat belts; here goes:

I don’t know if it has changed now; but, during our times, Gunnery Officers also used to be responsible for ceremonials. Hence, somehow, ceremonies used to get into their veins. Everything was to be done with great pomp and show. C-in-C West was retiring and the Fleet was to sail for giving him a befitting farewell. A mass briefing was held at the Fleet Office and FGO was given the responsibility of explaining the finer points of all the ceremonies and accompanying manoeuvres. He and his team had prepared one chart after the other and all these were being explained with a large pointer. All of these were also parts of WFXP or Western Fleet Exercise Programme (as annexures). I hadn’t understood some of the stuff. As I mentioned in one of my earlier posts about Gunners, clarity at either end is what the Gunner likes the most. But, now, as I looked around, I noticed that one entire end wasn’t clear at all. Finally, one of the senior COs could not resist blurting out, “FGO, if you have finished making us totally confused about these manoeuvres, may we now go back to the ships and try to figure these out by ourselves?”

My Officer-in-Charge in Trials Team for acceptance of weapons and sensors in the Navy, however, was very clear about a few things: One was that he never diluted the role of his team, ie, WATT (B). He was very quick on the uptake and quickly grasped the crux of most problems without wasting much time brooding over these. Two, he enjoyed life like a true Gunner and here too he was quick on the uptake of a different kind. So whilst late Lieutenant Joy Banerjee (Trials Officer (Gunnery)) busied himself with trials of guns and associated radars and fire-control systems, our OiC looked forward to taking direct charge of these trials on Make-and-Mend days (Wednesdays and Saturdays when the navy used to have half days in a six days week). And, he made sure that his direct intervention would be just before 12:30 P.M. when most wardrooms would have PLD or Pre Lunch Drinks (PLD is a naval invention for which the Army and the Air Force do not have equivalents).

Indeed, under his active leadership as a true gunner, there was hardly any occasion of a gin-pennant being hoisted by any ship, craft or submarine in harbour, that we hadn’t made use of. (When an officer gets promoted or obtains an honour, he hoists a gin pennant on the mast to hurriedly invite all those who can see it; once again a naval tradition). The gin pennant looks like this:

In the Indian Navy, the gin goblet or glass is missing and we merely hoist the Stbd (starboard) pennant, ie, Gin Pennant without the glass.
In the Indian Navy, the gin goblet or glass is missing and we merely hoist the Stbd (starboard) pennant, ie, Gin Pennant without the glass.

One day, Joy reported to the Officer-in-Charge the result of his trials on the 4.5 inch twin gun of a Leander class frigate. The OiC said to remind him on Saturday morning. Meanwhile, I had done trials of their Electronic Warfare equipment and I too reported to him. He told me the same as he told Joy.

We reported the deficiencies to him on Saturday morning and he said we must visit the ship and help her get over these deficiencies. That afternoon, Joy (even though a Gunner himself) and I had made up our minds that we would be the road block in our OiC’s pathway to happiness at someone’s expense. Anyway, first we visited the EW compartment and then all the gun positions and Joy and I kept suggesting the ways to get over the anomalies. Suddenly when the OiC suggested that we could go somewhere where we could sit across the table (!) for better comprehension of the GO and EWO of the Leander, we knew it was time for us to intervene. Now, everybody would know that he was suggesting the wardroom where Heineken would soon start flowing. So, Joy and I pretended that we had left our Trial Diaries, by mistake (!) in the office and that we would visit the ship later to brief and counsel them.

The OiC, therefore, had no choice but to follow us to the gangway to beat a hasty retreat. However, here like Jeffrey Archer’s famous book, there was a twist in the tale. As we reached the gangway, we found that the brow had been removed for crane movement to load missiles on a Durg. Enquiry from the OOD revealed that it would be quite some time before the brow would be put back.

We announced for the GO and had no choice but to descend to the wardroom. The sweet click sounds of Heineken cans opening was music to our OiC’s ears. The ship’s Gunnery Officer learnt a lot that afternoon about not just 4.5 inch gun but all his weapons including small arms. The Gunnery Trials Officer, Joy Banerjee was much sobered after guzzling each can of the brew. And, your truly learnt a lesson for life: there is no such thing as an unlucky Gunner. Much before Paulo Coelho came on the scene, Gunners knew that if you are determined to get your heart’s desire, the elements conspire to make it happen.

P.S. I met him after a span of nearly 30 years recently and found that he had given up drinking altogether.

MY EXPERIENCES WITH THE ARMY – PART IV

I was undergoing the 25th Higher Command course at the College of Combat, Mhow (Madhya Pradesh). I admired and was stunned with the Army’s outstanding capability to provide logistics at the most remote and hostile places in terms of weather, terrain and connectivity. After returning from a Northern tour to J&K, Thoise, Leh and Siachin, I was oozing with overwhelming respect for the Army, its dedication and commitment. I felt that it was the Army that was keeping Kashmir with India through its commitment and strategic sense.

One day, I was sitting with a few Army course mates at the bar (even though I don’t drink) and enjoying their conversation. I told them that I am very fond of old Hindi songs and a particular song: Aa laut ke aaja mere meet, which I used to hear at my nana and nani’s place on Murphy radio, and which was Binaca #1 song in the year had me captivated. I told them that it would be nice to visit Rani Roopmati’s palace or pavilion, at Mandu, about 75 kms from Mhow.

(Pic courtesy: www.bcmtouring.com )
(Pic courtesy: www.bcmtouring.com )

I had intended it as a casual visit with a few of us going there on a sunday forenoon in a leisurely sort of way.  So often, in the Navy, we have undertaken such visits to Lonavala,  or Hamla at the spur of the moment.

Three days later, a thick document landed in my locker.  It was titled: ‘Orders for the Visit of HC 25 Officers to Rani Roopmati’s Palace’. It had various appendices and annexures. I noticed from the long list of addresses that it wasn’t addressed to the President of the United States and Secretary General of the UN. Most others had been taken care off.  Amongst other things, the orders covered:

1. Recce.
2. Advance party and complete logistics (spelled ‘lgs’ in the orders) the men of this party had to carry. This included such small items as ash trays, saunf and tooth-picks to such big items as kitchen-tent, portable urinals, lamps, serving trays, wash basins etc.
3. A complete appendix and annexures on transport (tpt); who to report to at what time; fuel and lubricants to carry.
4. Medical contingencies.
5. Other contingencies and alternate plans with a map of the area with route chart and alternate route.
6. A list of telephone numbers that may be of use.
7. Reports to be submitted.
8. Detailed (as if this was not detailed enough) briefing would be held at….etc.

Suddenly, the casual visit was no more casual. As the lyrics of the 1959 movie Rani Roopmati starring Bharat Bhushan and Nirupa Roy, reverberated in my ears, I didn’t think of Rani Roopmati or her Pavilion in Mandu from where she could gaze at the palace of her love Baaz Bahadur. I didn’t think of Bharat Vyas, SN Tripathi and Mukesh who put the enigmatic song together that haunted me for years. Curiously, I thought of Naidus of Coimbatore, Tamilnadu (where I was posted in 1978-79). Whenever they got the urge to rough it out in the hills on an annual adventure picnic, their advance party carried air-conditioned tents for them and all the necessities of life that they were used to. And then, they would arrive to be one with Nature.

Late in the night, after reading the detailed orders, I switched on my cassette-deck and listened to Aa laut ke aa ja mere meet. Laut ke aa? Well, we hadn’t even started yet; and the song had already lost its enigma, nostalgia and fascination.

(Pic courtesy: hindikaraokesongs.com)
(Pic courtesy: hindikaraokesongs.com)

IN DEFENCE OF BEER OR BEER IN DEFENCE

During my drinking days, the one drink that I really relished was Beer. I used to love ads and jokes about the virtues of this ale; the only sparkling drink I could afford at all times, whether posted aboard or ashore or even abroad. For example: ‘Beer drinkers make better lovers’; or, ‘Beer drinkers live longer’.

The one joke that I detested was:

When I drink wine, the music of heavens plays softly in my ears; a slow warmth envelops me like mist in the mountains; and magical elation uplifts my mood. I can hear the jingle of distant bells……Beer, on the other hand, makes me burp.”

I, on the other hand, felt completely at home with beer and could drink it in gallons. My idea of ecstasy was to have beer on a beach in the afternoon and then sleep on the warm sand under a tree.

My home station is Kandaghat in Shimla Hills, exactly ten kms from the famous and country’s earliest Mohan Meakin’s Brewery. Golden Eagle is their brand of beer; the only beer made with spring water in India as opposed to ground water used for all the other beers. Mohan Meakin’s Brewery actually came up in 1855 at Kasauli and brewed Lion Beer. But, it soon shifted to Solan near my hometown and it is still there. Every time we pass the place, whether by road or by train, the strong smell of the brew overpowers us.

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And then, one day, we visited the Brewery. It was an experience to taste the brew at its various stages. Also, the posters from the British days filled us with nostalgia. When we left the brewery, we were high on both counts.

After I joined the Navy, we could have foreign beers such as Carlsberg and Heineken. But, the first beer that I actually had abroad was the Russian Peeva during the visit of my ship Himgiri to the Black Sea port of Odessa in 1976. Ugh, what a taste it was as compared to the light ale that we were used to. Some of the officers from the ship suggested that it was perhaps recirculated beer. Most people stuck to Vodka after that; the popular drink of the Russians.

I always liked Ian Fleming’s James Bond novels having been made into movies. However, the only thing that cheesed me off was his trade-mark Martini in all the movies. Last to last year in April, I rejoiced, when I heard the news that Daniel Craig, as James Bond, in the next Bond movie would be swigging a beer. Cheers (Read: ‘Bond With The Brand’) I haven’t seen Skyfall; but, those who have seen it can tell me if he actually turns out to be a better lover because of Heineken?

Of all the incidents that I remember about my beer-drinking days, the one in Coimbatore, whereat I was posted as a young Lieutenant takes the cake. Being the junior most officer posted in Navy’s Leadership School named Agrani (to be pronounced as agranhi or Leading; however, most people have come to pronounce it as Aggraani, making it Fire Queen), I was made in-charge of producing a play to be staged in the Southern Naval Command Annual Dramatic Competition at Cochin. I made the trials and tribulations of looking for a drama and the potential actors into a play called ‘Hamara Drama’. To cut a long story short, we bagged the Best Play award and I got the Best Actor.

We were already in high spirits. However, after driving back from Cochin to Coimbatore on my co-actor Amarjeet Bajwa’s Bullet, the celebrations started in real earnest. Those days a 750 ml bottle of beer used to cost all of Five Rupees. Bajwa and I finished 95 Rupees worth of beer that night; this we came to know next morning. This makes roughly two gallons of beer in each tummy.

What do we do with this much beer? Yes, some of it goes out the Peeva way. However, we still had enough to put us in seventh heaven. That’s the time when sleep doesn’t come easily. So, against all sane warning, we went for a drunken drive and landed up in an army styled camp at Madhukarai firing range. This range is next to a hill. I looked at the nearest end of the hill with steep rocks and thorny bushes and in my drunken stupor declared to Bajwa that I felt like climbing the hill as nostalgia about my home station in Shimla Hills had overpowered me. He looked at the steep climb and concluded that it was like inviting sure death. Anyway, before he could talk me out of the idiotic idea, I had already started climbing. Looking back, we now think that one small slip and we won’t have been here to tell the story. It took us nearly an hour and a half to reach the hill-top. It was three in the morning when we reached the temple door-step.

I was about to enter the temple when Bajwa reminded me that the correct way to enter the temple was after ringing the brass bell hanging from a chain. On his orders, I went about ringing the bell in great earnestness. Suddenly we had the temple pujari, running down the hill shouting something in Tamil that we knew was: “Ghost, ghost”.

Running down the hill? Well, at this stage we discovered that on that side of the hill, there were steps from the foothill all the way up and that the steps were lit with tube-lights. And to think we nearly lost our lives climbing over slippery and steep rocks. But, then that’s the effect of beer for you.

Then there was another time when I got sozzled with beer. And this time it was not after drinking more than a gallon of it. I was undergoing the higher command course with the army and we were visiting the North East. At Kalimpong, there was an evening party for us. By this time, I had given up drinking; however, my course mates insisted I have some. I accepted. It came out that after just two mugs of it, I was already feeling high. So when the next time the steward came to serve me, I took out the white serviette and saw the bottle. It was a bottle of one He Man beer and it was 8 % strong whereas the normal lager is about 5 %. It was then revealed to me that in that part of the world, it was difficult for bar owners to obtain hard liquor permits. So, they obtained what could be easily obtained; that is, beer permit. And, since the locals wanted their money’s worth or literally bang for their buck, they preferred to go to the maximum strength permissible.

(Pic courtesy: www.travellers-content.co.uk)
(Pic courtesy: www.travellers-content.co.uk)

Later, of course, I discovered that there are other equally strong beers such as Khajuraho, Kalyani Black Label and Haywards 5000; however, I always preferred the light variety so that one could spend hours devouring it and feel nice about it.

When I went to Spain, I discovered that their beer Cerveza is really light beer both in alcohol content and in colour. I also came to know that after Germany, Spain is the second most beer-guzzling country in Europe. On the evenings of the weekends, any bar would have about a hundred young people inside and another three to five hundred outside drinking beer. I felt totally at home there and guzzled beer in large quantities.

Urdu poets can write voluminous tributes to grape wines and even have songs and ghazals about them; but, to me, my loveliest piece of poetry is a sign at a roadside bar in my part of the world: CHILD BEAR SERVED HEAR. I still freak out on that.

Child Bear

THE LURE OF THE SEA

You breathe the air, you value it, but, rarely are you in love with it; for example when you go to the hills. You sail over the sea and you can’t help falling in love with it. It is around you; but, soon, you have it in your veins. It lends a distinct touch of romanticism by itself and to all objects around it: the sun, the moon, the stars, land, hills, rocks and beaches.

The lure of the sea becomes so strong that you can’t resist it. It is that strange enigma that draws you closer, serenades you, bewitches you, overpowers you and makes you a willing slave to be taken by it wherever it wants you to go.

Ever since the time Man discovered that seas connect lands, man have ventured into the sea to discover brave new world. Folklore, fiction and recorded history have lent adequate sentimentality to the discoveries beyond the seas; from Stevenson’s Treasure Island to Hemingway’s The Old Man And The Sea, from Columbus’s discovery of America to Nicholas Monsarrat’s The Cruel Sea. The fact is that even pirates have added to the romanticism of the seas.

(Courtesy: www.facebook.com/MakeYourOwnQuotes)
(Courtesy: www.facebook.com/MakeYourOwnQuotes)

You read, you hear, you see and then you join the Navy; to fight against visible and invisible enemies. Soon, the sea becomes your life; you can’t live without it. The way you do things at sea, your language, your conduct, indeed your very being becomes different from those of land-lubbers. The more they look at you with awe, the more you want to be at sea, your home. The days and months spent away from the sea are considered wasted and you start to rue the moment you are posted ashore. How nice it would be – you day-dream – if you could spend your life at sea without having to go ashore?

(Courtesy: www.facebook.com/MakeYourOwnQuotes)
(Courtesy: www.facebook.com/MakeYourOwnQuotes)

The serene, dark-blue, slate-grey or even black sea tempts you. On a moonlit night, it provides a most inviting picture. Sea-gulls waft over it to break the monotony of looking at its rugged vastness; dolphins tell of approaching land; and, sea horses when the winds are strong, present another beautiful picture. Indeed, looking at every mood of the sea, you realise you can never get bored. Even from ashore as you sit, reclining against a rock, you wistfully read Byron: ‘Roll on thou dark blue ocean’. You can’t help observing that sea and its surroundings are virtual heaven on earth.

(Courtesy: www.facebook.com/MakeYourOwnQuotes)
(Courtesy: www.facebook.com/MakeYourOwnQuotes)

Lets cut to the time when the sea gets rough. You can’t believe it is the same tranquil sea lulling you into a siesta on a  hot summer afternoon. Its transformation is as if your pet-dog, nestling against your feet and lovingly caressing you with its warm and soft fur, suddenly decides to get charged-up and bite you in your calf, drawing blood and enormous pain. Whilst earlier you used to get conscious of its serene beauty, now its might and truculence impinge on your senses. Whilst the sea churns itself in response to weather it churns your innards too if you are sailing over it.

It makes the ship roll from side to side or pitch from end to end and sometimes apply a sadistic motion called the cork-screw-motion; which is a combination of roll and pitch. Anywhere you are on the ship, for example, standing your watch on the Bridge, there are many occasions when you are airborne (one of the many reasons why Navy is called a truly three-dimensional service!) you hold on to the nearest support and pray that your sea-legs that you developed over years would be strong and steady enough to steady you. You pray that at least you won’t puke all over and let people around you know that you aren’t as much of a sea-man as you pretended to be.

You go down to the mess and don’t feel like eating anything. It is because there is rising matter in your food-pipe and the food that you eat can only go down if it competes against the rising matter. There must be some way, you tell yourself,  to calm the sea within even when the one without is roaring. Nothing helps. In any case, on the dining table, the crockery sways and slides from side to side and you have to synchronise all the moving parts including the spoon in your hand to help the food inside the mouth.

At moments like these, you ask yourself: why do men go to sea? To discover the brave new world, to conquer, to control? Oh God, you tell yourself, teach me to be brave.

It would have been alright if you had to just be at sea. But, you have to close-up on watch and conduct exercises and evolutions. In one of these, I had a Leander (Giri class) frigate engaged with me on the tanker Aditya in RAS or Replenishment At Sea. At one moment, I saw that on the Leander, half the forecastle (pronounced foxle) dipped into the sea and came back with an exploding wash. I closed my eyes and prayed that the six sailors on their foxle would be still there when it emerges out of the sea. I could count only five and I was about to raise alarm. But, after the wash cleared I noticed the sixth one clinging for dear life to the breakwater ahead of the 4.5 inch gun-mounting. It was touch and go. It is frequently so at sea.

Leander7

I have never puked at sea though once I came very close to it on a Petya because of the sickening GT (Gas Turbines) exhaust fumes within the ship. I was one of the fortunate ones who are at home in any sea conditions. But, I have seen people wrenching their guts out until there is nothing left to throw up.

So, finally, after days and nights of the wretchedness, you return to harbour. As you step ashore you are still dazed from the experience. The steady land doesn’t respond like the rhythmic roll and pitch that you got used to and now, it is over land, that you tend to stumble; somewhat similar to Sandra Bullock’s landing from a space capsule on a Hawaiian island in the movie  Gravity.

Two days in harbour…and, you start going for morning jogs, evening clubs, tennis, swimming, movies and meeting friends. It doesn’t sound real at all. It sounds listless, lifeless, dull and devoid of interest. It is crazy but you long to be at sea again…tossing about, wind bringing damp salt to your face, battling against elements and be counted as a man. You say to yourself without pretence, without rancour: Sea is where I like to be; sea is me.

Sea2

THREE THINGS I’D LIKE TO CHANGE IF I WERE TO JOIN THE ARMED FORCES AGAIN – PART I

The Three Things that I would like to change, if I were to join armed forces again are:

1. Bureaucratic Red-Tapism.

2. Cronyism.

3. Hyper Protocol Consciousness.

In this Part I, I shall deal with BRT or Babugiri. On commissioning of a ship, we hoist, on the main mast, a pennant or pendant called the Commissioning Pennant or Pendant. When the ship is decommissioned, it hoists a Decommissioning Pennant whose length is proportional to the number of years of service the ship has done. I wish, at the time of decommissioning, they’d hoist the Bureaucratic Red-Tape too that the ship had to suffer. This goes on becoming longer and longer with every year spent in service. On second thought, I think the only reason the BRT is not hoisted at decommissioning of a ship is because it doesn’t cease there. Like Tennyson’s Brook, it goes on forever.

An Indian Naval Ship being decommissioned displays the Decommissioning Pennant (Pic courtesy: www.thehindu.com)
An Indian Naval Ship being decommissioned displays the Decommissioning Pennant (Pic courtesy: www.thehindu.com)

Here is an anecdote I remember. I was Commander Work-up in Warship Work-up Organisation in Vizag. During those days WWO wasn’t an independent entity under FOST but was considered as an appendage to the Fleet Staff. Hence, I was privileged to attend meetings of Commanding Officers chaired by the Fleet Commander. Commander NS Rawat (Chhotu Rawat) joined the Eastern Fleet as CO of the newly commissioned corvette INS Khanjar. For one of these meets he had given an agenda point that the number of written records and returns that a ship had to render was abnormally high. This not only kept the ship’s staff from attending to their operational tasks but also, small ships like corvettes had very limited secretarial staff and with just one Writer (a navy term for secretarial staff) on board it was well-nigh impossible to produce the plethora of records and returns on every conceivable subject.

This point, like all points for which the authorities don’t have ready answers to, was hotly debated for the next one hour. Highly sharp naval operational minds churned the grey matter from one side of the brain to the other and lo and behold they had the solution ready. Rawat was told to send an analysis in four parts: Part I containing those Returns and Records that were considered necessary; Part II containing those Returns and Records that could be done away with; Part III containing those Returns and Records that, with little modification, could be subsumed in Part I; and finally Part IV containing those Records and Returns that didn’t exist earlier but had now become necessary. “And” the Fleet Commander added with satisfaction at having dexterously solved a complex problem, “You better send this in sextuplicate so that five Fleet Staff officers can simultaneously peruse the document and arrive at a quick decision.”

I looked at Chhotu Rawat’s face. Very soon he’d had enough and he left the Navy. That class of ships were given to the Navy’s most outstanding officers to command and he was the commissioning CO at that. Here is another real tale from HQ ENC (no marks to me for creativity and innovation) In a Half Yearly Command Staff Meeting, I, as Director of Tactical Trainer in Vizag gave an agenda point that ships and units were always on the receiving end of Bureaucratic Red-Tapism and that NMS (New Management System that gave financial powers to officers at various hierarchical levels) had virtually failed. NMS was the Navy’s effort to take over Management of its own finances from the bureaucrats in the government. My point was that NMS only replaced one set of bureaucrats with another. First of all, it required guts (on my part) to give this as an agenda point. The staff officers at HQENC by-passed it but it was selected by C-in-C personally. The decision given was that if an issue/sanction was given within one month it would be referred to as a Green issue (parallel to Green Customs channel at the airports). However, if it was more than three months old, it would be referred to as Red issue. For the in-between period, it would be called an Amber issue. Did this cut down BRT and increase efficiency? You betcha! A few months later, I received an urgent letter from HQENC to this effect: “Your Return of Red, Amber, Green issues at HQENC for the month of March 1998 still awaited. Request expedite”.

Armed forces all over the world detest bureaucracy. However, there is nothing like a bureaucrat in white uniform. Outwardly, he/she would like us to believe that that he/she wants to put great distances between he/she and babus; but, some of them behave worse than babus “just to be on safe side”. Many such white uniformed babus become sticklers to regulations and rules and they know every rule in the world that can deny you what you have asked for. Many a times, you may not have asked for anything to improve quality of life; but, indeed, in your estimate it would be an operational and critical requirement. Its criticality and operational emergency, however, starts resting as soon as it reaches the sanctioning or recommending authority.

(Pic courtesy: articles.thetimesofindia.indiatimes.com)
(Pic courtesy: articles.thetimesofindia.indiatimes.com)

The highest forum in which such things are discussed is the Quarterly Command Staff Meeting wherein the C-in-C is face to face with all operational heads and Commanding Officers. In babugiri there is no other meeting that beats its approach. For a point to come up in the QCM, it would have started at the ship’s level about three to six months in advance. After that the concerned staff officer at HQ would have selected only that point for which he has some sort of answer. Once, CO of a Missile Boat in Mumbai put up a point that unlike big ships, Missile Boats don’t have any transport given to them (their COs are too junior (LtCdr only) to deserve transport. However, in harbour, many times they have to take their machinery parts, pumps and motors to dockyard centres for repairs. Hence, could the dockyard lighter be requisitioned by them to facilitate this?

The entire Command staff had (serious and well-thought of) views on this. CO of MB was asked such highly pertinent questions as to how many times in the last two years did he actually require such lighter? The poor chap didn’t have this data. He kept saying “very often” but, the Command staff desired exact number to be able to take (intelligent) decision. Finally, the decision given was, “CSO (P&A) to study the problem together with ND (MB) and come up with recommendations in the next QCM.

The CO of missile boat must have been thrilled that his ship would start receiving the services of the dockyard lighter before the next general elections or the next five-year plan.

If a defect occurs on a ship which affects its operational role, it has to report this defect as OPDEF (Operational Defect). This procedure was started a few decades back so that adequate pressure could be brought on the shore authorities to urgently attend to such defects, either in the Fleet Maintenance Unit or in the Naval Dockyard. However, this opened a Pandora’s box. In the morning meetings, C-in-C would keep on seeing such OPDEFs but after days and weeks nothing done. So, the smarter ships’ COs found a smart way out to get over CinC seeing these on regular basis and thereby earning the wrath of Command staff officers. They simply would negotiate with HQ and Dockyard so that such OPDEFs wherein nothing could be done weren’t reported. With this curious shortcut, if a ship had to be sailed on an operational mission, the CSO (Ops) or COO would frantically start phoning ships to find their real status. Eventually, they came up with a new term (bureaucrats or babus are good at devising great sounding new terms). Hold your breath; this new term is called STA or Ship Tied Alongside or in other word: By-God-OPDEF. However, soon people found newer means to cheat on this too.

I have given you BRT only in operational matters so far. Can you imagine the BRT in administrative and Logistic matters? Smart COs, through their “excellent liaison and inter personal relations” manage to get the moon for their ships. Others become good at writing letters and replies and have a great future as blog writers after leaving the Navy.

What about the gargantuan bureaucratic organisation that we have in the Navy called the Controller of Defence Accounts? Once again, I am steering clear from babugiri in our own transfer and temporary duty claims and I am giving you one of the several operational examples that I have.

In the year 1995-6, after my tenure as Commander Viraat, I was appointed to Viraat Project Team to oversee the Short Refit of Viraat at CSL, Kochi. We, in VPT were very conscious of the need for Viraat to complete its SR in time. For this we had to run around making PERT charts, critical paths, alternates and so on. One of the items of SR was the overhauling of one of the three Turbo Alternators. Whereas for most of the other overhauls, spares were to be contracted by the Yard, ie, CSL; for the TAs, the spares were to be ‘Navy Supply’. Navy was to contract some of these from the Pune based firm Alfa Laval. They refused to ship these to Kochi until, as per the contract, they would receive 90 percent of the payment post factory inspection. The ball lay in CDA (Navy)’s court. I spoke to the concerned Account Officers at CDA and then made a Fax to Alfa Laval: HAVE SPOKEN TO CDA. THEY PROMISES TO RELEASE PAYMENTS. KINDLY SHIP THE VALVES AT MY ASSURANCE.

Next day, I received the following Fax from them, “GRATEFUL TO YOU FOR YOUR PROMISE. IT IS FOR YOUR INFORMATION THAT DESPITE SIMILAR PROMISES IN THE PAST, PAYMENTS NOT RECEIVED FOR OUR FOLLOWING BILLS”. This list ran into two pages of Bills of the past four years.

Before I finish, I want to give you three good examples too; two of my own and one of Commander Ponappa (a Logistic Officer who was different). I discontinued most ship’s returns and records when I took over as Flotilla Commander in Vizag. I encouraged Commanding Officers (in numbers, I had more ships under me than the Fleet Commander) to report things only by exception; otherwise, I would take for granted that everything was ops. In Vizag, as Command Communication Officer I authorised all officers to book calls on Naval Trunks when I found out that the usability and efficiency of leased telephone lines from P&T were merely 20 to 30 percent. Commander Ponappa became SLOGO in HQWNC. He had set up for himself personal standards for according sanctions. Once I went to him to get a sanction for I&M (Incidental and Miscellaneous) Grant. I handed over an advance copy of our request to him and told him formal copy would arrive by mail. He took action on that itself and by the time I left his office, he handed over the typed and signed sanction to me.

For the most of the Navy, such examples are very rare. Enormous time and energy is dissipated on such babugiri. People are given awards and honours depending upon how fast they have been able to get sanctions and approvals on “personal liaison and inter personal relations”. Yet, ask any Navy officer; he lets you know that he hates BRT or babugiri and that it is this babugiri that has kept our country from becoming a great power. However, the truth is that as soon as he reaches a position of authority, he is as bad, if not more, as a babu on the civvie street.

This is first of the three things that I would like to change if I were to join armed forces again. The other two follow.

ENTER COCHIN AT YOUR OWN RISK

Southern Naval Command has had some really nice gentlemen as C-in-C’s. Also, it had some toughies: Vice Admiral Ronnie Pereira was the Area Commander or FOCSOUTH before it became a command. And then there was Vice Admiral Oscar Stanley Dawson. When he died on the 23rd Oct 2011 in Bangalore at the age of 87, we were all saddened. The reason was that Dawson represented the last of the Admirals of the Indian Navy who had Navy as their first and last love. In his case it was true in another manner too since he died a bachelor. Dawson also represented that breed of senior officers who carried a very hard exterior but a heart of gold. He was simply consistent about his first and only love: the Indian Navy.

The thing with people like Dawson was that they assumed that everyone else was a bachelor too and had nothing else to do but to live for the Indian Navy 24/7 and all hours of day and night. As C-in-C South in Cochin, for example, he had a Commanding Officer report to him in Dress No 2s (ceremonial) for his maid-servant not knowing where saab was when C-in-C phoned his house. His reasoning went like this: “What’s the point in giving you residential phones if I cannot contact you when I want to?”

Even though it had been a few years since the dacoit movie Sholay had been released, people affectionately compared him as C-in-C South with Gabbar Singh of Sholay and often repeated the memorable dialogue of the movie by replacing Gabbar with Dawson, viz, “Dawson se tumhen ek hi aadmi bacha sakta hai, vo hai Dawson.” And I can vouch for many hard boiled commanding officers wetting their pants, at a distance of Pachaas, pachaas kos door from Cochin at the mere mention of his name.

Dawson was convinced that people go to sea to have a “jolly good time”. Hence, his logic went, their lives should be made miserable when they return to harbour for the erroneously worded R&R (Rest and Recreation). Anyone entering Cochin during his tenure as C-in-C knew that it would have been centuries (probably Before Christ) when anyone in Dawson family ever had rest and recreation.

Most often than not R&R was translated by Admiral Dawson as Ragraa and more Ragraa. Many wanted to avoid Cochin and sail directly for Bombay whilst crossing from East to West coast and vice-versa. But, Dawson quickly got them out of such vain fantasies and to reality of having to enter his command.

Admiral Oscar Stanley Dawson as the Chief of the Naval Staff
Admiral Oscar Stanley Dawson as the Chief of the Naval Staff

If you were a ship entering Cochin after days of sailing under tough conditions, your misery would start from the evening before entering Cochin harbour. First the Alizes would come and buzz you from INS Garuda, India’s First Naval Air Station commissioned in May 1953, eight years before the Navy acquired its first aircraft carrier INS Vikrant.  Coinciding with the acquisition of INS Vikrant, the Indian Navy acquired ASW aircraft Alizes from the French, which were formed into 310 Cobra squadron. One year earlier, the Indian Navy also acquired the British Sea Hawks Fighter aircraft which constituted the 300 White Tiger squadron.

The Alizes were largely used for ASW (Anti Submarine Warfare) role but could also be used for reconnaissance and bombing (68mm) and AS 12 Anti-ship missiles. In the 1961 Liberation of Goa from the Portuguese, Alizes were used for reconnaissance and patrol and during the 1971 Indo-Pakistan war, they were used for both ASW patrols and in anti-surface role.

Alize aircraft on INS Vikrant
Alize aircraft on INS Vikrant

In case you survived attack by the Alizes, Dawson would have the helicopters based at Garuda to slam the daylights (or night-lights depending upon the time) out of you.

And then, no sooner that you would have secured alongside (it wasn’t easy coming alongside in Cochin due to currents and winds) that the underwater saboteurs and craft would be ready to make you feel welcome by attacking you from underwater and attaching such lovely contraptions to your underwater hull as limpet mines.

After finishing my Long Communications course at Cochin, I took over as the Signal Communication Officer of INS Talwar at Vizag. Within a day of my taking over from Deepak Agarwal, we sailed for Bombay, touching the Sri Lanka port of Trincomalee on the way. We had a lot of fun at Trinco with official reception on Himgiri and other unofficial engagements including visit to Colombo.

But, now, we were to enter Cochin and reckon with Alizes and underwater saboteurs. Talwar had the latest Electronic Warfare equipment ELT116 from Elettronica company of Italy and a multi-band radio interceptor RS160 from USA. I remained closed up in the Electronic Warfare Room throughout.

In the afternoon, under CO’s instructions, LtCdr Guha, the Electrical Officer had converted the ship to look like a merchant ship (basically altering the position of side lights (Red and Green). In a warship, these bow lights are seen ahead of the main steaming lights (White) on the foremast and the mainmast whereas a merchant ship has them aft. Similarly, warships have their Bridge ahead below the foremast whereas merchant ships have it right aft. One more difference is there in that the warships normally don’t show any lights other than these navigation lights whereas the merchant ships aren’t so careful. Guha did a very good job of the camouflage and we were sure the Alizes won’t be able to find us.

At about 2 AM, we found the Alizes though! How? First their CSF radar was intercepted on ELT 116. Then their unrestricted natter was being picked up on RS 160 clearly. I must add here that time and again in exercises it has been proved that the air boys are not very discreet with their communications assuming that since they are alone in the sky in silent hours, no one can eavesdrop on them. They also speak in PL (Plain Language) to obtain reassurance from each other.

I reported the fact of their interception to CO Cdr AR Dabir and gave him snippets of their natter. He told me to record it.

On entering Cochin at I.N. Jetty, within an hour we were called for the debrief of last night’s Exercise Hamla. This was the C-in-C’s opportunity to chew our balls for having slept over when the Alizes attacked us.

Now, I have noticed that the debriefs of exercises are often much more impressive than the exercises; especially when the debrief is being held in the hallowed premises of SMWT (School for Maritime Warfare and Tactics; which I had the privilege to command many years later). The plans are displayed and you don’t find a flaw in those. Then SMWT gives out the conduct the exercise and lessons learnt and then the concerned forces are asked to speak just for five minutes each. SMWT must have been very faithful to Dawson because they ripped us apart. The buzz in the auditorium was that Dawson would have us for lunch.

In the end, AR Dabir got up to speak. I had already given the cassette of the Alize recording to the SMWT staff. As soon as he took the podium, the natter was loud and clear in the auditorium.

Cobra One to Cobra Leader: We have a contact on the horizon; do you have it too?
Cobra Leader to Cobra One: Affirmative; I have it too. What does it look like?
Cobra One: To me it looks like solidified salt at this hour of the night.
Cobra Leader: Yes, its lights are clearly visible now; some merchant ship.
Cobra One: But where is that damned Talwar?
Cobra Leader: I won’t be surprised if the sea has devoured it for keeping us awake at this hour of night.
Cobra One: Request instructions.
Cobra Leader: Return to base. We did our best trying to find it.

There was total silence in the auditorium. But, we could clearly hear the heartbeat of the CO of the Cobra Squadron!

Balls got chewed, that day too, by Admiral Dawson. Fortunately, ours were intact.

IN WATT (B) WE WERE BULL HEADED

During our days (sorry to begin with a cliché), an appointment at the Weapon Acceptance Trials Team was considered the most professional appointment for an executive officer of the rank of Lieutenant or Lieutenant Commander, during a break between sea tenures.

Ships of the Godavari class (modified Leander class) were ready for trials and commissioning when I joined WATT (B) after my tenures on Talwar and Himgiri as Signal Communication Officer and waiting for being the commissioning SCO of Ganga.

Those were heady days. Every week, at Mazagon Docks, some trial or the other was scheduled. Godavari class of ships were, in case of weapons and sensors (the area of focus of WATT), hybrids of a motley of western, Indian and Russian technologies. The challenges lay in ensuring that all these not only worked but worked optimally and without interference.

Now WATT is not an extension of your designing efforts. It has been rightly placed on the other side of the designers and installers of ships and equipment. It means business. I am aware that strong lobbying efforts by vested interests have now taken out the fangs from WATT. But, at that time, we were the ultimate Acceptance Authority of weapons and sensors. Our signals were made direct to Naval Headquarters with copy to Command Headquarters, Warship Overseeing Team (WOT), the ship and various other concerned authorities.

The Bible of WATT was British Book of Reference (BR 4050) and it was clear to us that it wasn’t our job to somehow meet acceptance standards or to produce a complete list of defects. We were the acceptance trials authority and our job was to recommend whether the concerned compartment or equipment met acceptance standards or not. A recommendation from us to NHQ during those days was never challenged with due regard to our professional expertise.

Godavari class of ships was a feather in the cap of naval designers. But, as seen by us at WATT, Godavari was a nightmare for trials of electronic compartments and equipment. I am sure that the professional directorates at NHQ including DND learnt a lot through our trial reports.

INS Godavari - a feather in the cap of naval designers
INS Godavari – a feather in the cap of naval designers

Take the case of Electronic Warfare trials. As a young Lieutenant, I walked into the EW Compartment of Godavari, carved out of the aft portion of the Operations Room, and declared that it didn’t meet the Installation Inspection trials. DND personally intervened but I held my ground that a Water Tight door leading to the EW compartment interfered with the electronic continuity of the compartment; and that it had to be a screen door. Later design of EW compartment if Ganga was changed because of my “bull headedness”.

Allow me to mention as to what happens if you ain’t “bull-headed”. One day, we were conducting Sea Acceptance Trials of Godavari. The EW compartment reported to the bridge an intercept on V/UHF Intercept Receiver. Bridge naturally asked EWO to analyse. Lo and behold, the intercept would come on and go off and then come on loud and clear. Such intermittent intercepts are hallmarks of submarine transmissions. After observing for sometime, EWO told the Bridge that it was a possible submarine intercept. The entire fleet went into a tizzy since it was not uncommon for our “north-western friendly neighbour” to send one of their subs to monitor our Fleet movements.

Sitting there in the EWO, I noticed that an EW operator was fiddling with one of the panel push buttons of the main Electronic equipment we had obtained from the Italians. I also noticed that everytime he pressed a particular push button, it caused an intercept to appear on the V/UHF Intercept Receiver. I confirmed it by ordering the operator to press and release the push button a number of times. When I reported this to Bridge, the excitement of looking for a Paki intruding submarine was suddenly abated.

I have given you just one example of hundreds why it was a nightmare to conduct Godavari’s trials

Now, we come to the other angle. The Commanding Officer of a ship quickly wants to get over with the trials so that he can “join the Fleet as soon as possible” and do what the other Fleet COs are doing;  ie, brightening their prospects of becoming Flag Officers. Keki Pestonji was no different. He had to make a balance between having healthy equipment on board for the rest of the life of Godavari and exhibiting the professional skills of his team.

One day, with the endless trials, he got thoroughly fed up and asked as to what were the holdups. He was told that there was a young Lieut named Ravi who was taking Communication and EW trials rather too seriously. He called me to his cabin and said, “Youngster I want you to complete all trials by day after tomorrow. Is that understood?” I took out my notebook and ventured to respond that my trials would take about a month!

Anyway, we finished all the Harbour Acceptance Trials within the next 45 days and then started sailing for SATs, ie, Sea Acceptance Trials.

One day at sea, he called me for dinner together with DD (EW) who had been sent from NHQ to oversee the trials. Keki Sir had laid it nice and thick for us: three course dinner with all the finery, pomp and show. He opened a bottle of Riesling wine from his personal collection over dinner.

During pre dinner drinks and during the dinner, he came up with various theories on various subjects ranging from trials, sailors in the navy, life in the armed forces and books, movies and political leadership. On several occasions, I interjected with my, “I tend to disagree with you.” Most often than not, being a gracious host, he ignored my disagreement.

The dinner having got over, we sat nursing our liqueur. Keki Pestonji embarked on yet another subject. I was about to open my mouth with, “I disagree with you, Sir”; but, within no time he sharply looked at me. The look said it all: “Youngster; I have given you sumptuous dinner, best of drinks and a wonderful evening in Captain’s cabin as if you are a VIP. At the end of it you continue disagreeing with me even before I can finish my point. Tell me why shouldn’t you be launched into outer space?”

That night I bolted my cabin door from inside when I went to sleep. Keki P gave up on me as an officer without future.

As ACOP (HRD) he came to staff college to give out our appointments. He won’t have believed a good-for-nothing communicator actually won the Lentaigne Medal that year.

I am sure the Navy gained by our being bull-headed as acceptance authority of weapons and sensors. But, I am also sure we didn’t make many friends during those days. It wasn’t our job to win popularity-contests.

SHIP’S CANTEENS AND ARMY OFFICERS

Ships’ canteens have great fascination for army officers and their ladies. They forget the fact that officers and sailors in the navy salute with their palms inwards because they couldn’t have saluted the queen with dirty palms through cleaning and holy-stoning the decks; but, from their distance they see only glamour and star lights. Fortunately,  the air force officers and ladies are different; from their height they don’t see us at all.

What fauji rum is to civilians, navy canteen items is to army. When a Major’s wife flaunts Cobra perfume in the regimental mess party and lets it to be known to others that her brother got it from Viraat, it is now incumbent on the Colonel too to find a ‘brother’ in the Navy.

They don’t like our ribbons upside down but perfumes from ships’ canteens in any juxtaposition are welcome.

And lest you feel the fascination wears down over years, recently I carried loads of perfumes for my sister, after many years of her husband and me having retired from the fauj.

Thus, when my Higher Command course reached Mumbai on their Southern tour that included Hyderabad, Bangalore and Port Blair: suddenly the navy officers Anil Sharma and I were much in demand.

From the list obtained from the DSs, it turned out that most of the items were available on one of the Giris on Berth F. We trooped there en-masse. Unfortunately, the gangway had been removed because of some crane movement at that particular time. So I told the DSs that we could accomplish our given task after lunch on Viraat where we had all been invited. But, they all insisted that since the items were confirmed to be readily available there, we would be taking too much of a chance to let them go.

So, I shouted across to the gangway staff, got a jumping ladder lowered and we raided the ship’s canteen. On the return journey, the items had to be lowered down by a heaving line.

Over lunch, the only talk was as to who had managed to get what. We had some sad and long faces who had found that others had managed better.

Bye bye to ships after we left Mumbai. A few days later, we reached Port Blair and there, during the FORTAN reception, my DSs and course mates observed that I was surrounded by young LtCdrs and their ladies. I told them that they were all COs of LCUs and I had known them from my earlier tenures.

The first question they asked was, “LCUs, well, well, well….how well stocked are your ships’ canteens?”

The Mumbai stampede repeated there though we didn’t have to climb jumping ladders.

The AN32 that carried us back to Mhow via Vizag (lunch and refuelling halt) had lovely smell about it with some of us testing the perfume sprays for genuineness.

We like their piping hot samosas at 118 Hanif Brigade near Siachin. We return the favour to them by giving them Mayfairs at Kala Pani.

I was lucky to have done my higher command course with the army. I have written a number of articles in the then College of Combat about the army’s ops that I got glimpses of. I maintain that the nation has to be thankful to the Indian Army that Kashmir is still with India; and that’s not just because of their fighting spirit. When I last took the Naval Higher Command Course to J & K, I was impressed with Sadhbhavana and the strategic sense that has come to the Indian Army. I salute the Indian Army.

Most navy officers know the worth of our brave Army. Hence, anytime their army counterparts need ‘perfumes and powders’ they feel great obliging them. What is p&p in comparison to Kashmir and keeping this country intact?

I guess it would do a fine post to journey along various stages of an officer’s career in the navy together with the changing preferences of various canteen items.

The first few items that one is introduced to are Kraft Cheese and Luncheon Meat to go with the drinks such as Johnnie Walker and Teacher’s and even Chivas Regal. Then there are Rothman’s cigs to impress people ashore and to get movie tickets instantly.

Some of the popular Ship's Canteen items
Some of the popular Ship’s Canteen items



Then, as soon as you get a girlfriend,  you initially start buying chocolates and as intimacy builds up, you graduate to Yardleys and Toscas. At the same time you start investing in Brut for yourself; no point in her smelling sweet and you smelling like a pig.

As soon as you become a bundleman (navy’s slang for a married man; for, he takes a bundle home), first you interest her into all your bachelor days things; but, she is smarter. She soon knows what exactly she wants. She is the one who tells you what about Maggi Chicken soup and oils including olive oil. Kraft cheese, at this stage gives way to cheese spread. It is easy to make sandwiches with and those glasses she loves them. She also asks for Tabasco and Maggi sauce.

Once in a while when you get tempted to relive bachelor days, you take a few chocolates home and few packets of After Eight mints. But, she tells you it is wastage off money.

That’s the time when you truly start obliging army officers with all that bachelor days stuff.

You are a certified bundleman for the rest of your life.

TAKING CALLING ON RATHER SERIOUSLY – PART II

This one involves my dearest friend Ranjit Singh many years after the Ganga incident of KKK and NKM (Read; ‘We Take Callin On Rather Seriously’). Incidentally, Ranjit and I served on INS Ganga together.

But, the second one of the incidents is a second hand account by me.

I was posted as Commander Work-up in WWO (Warship Work-up Organisation) in Vizag after my Staff Course in Wellington. Ranjit was commanding a missile boat Prachand. My office was on the first floor of Fleet Office building overseeing the finger jetties whereat Ranjit’s ship was often berthed.

One afternoon, Ranjit sauntered into my office, his face flush and his usual ear-to-ear grin beaming like a lighthouse. I almost heard notes of Henry Mancini’s Baby Elephant Walk, much popular during our days.

He lowered himself into a chair opposite mine and said, “Don’t ask me what happened today.”

It was 4 post meridiem and the fumes of beer emanating from him were enough to make me too a part of Henry Mancini’s famous tune. In any case, Ranjit was swaying even in his chair.

So, I dutifully asked him, “What happened RB?”

“I called on CO Kirpan: HSB. In fact he asked me to call on him”!

Kirpan class of ships were given to really hot and upwardly mobile officers of the rank of Commander. They, therefore, felt obliged to stay in the upper stratosphere. So, for CO Kirpan to descend to ground level and ask a mere CO Prachand (the older class of Missile Boats that we obtained from Russia; they have been known as Killers since the famous attack successfully carried out by them on Karachi harbour on 4th December 1971) was a mystery to me. Until Ranjit explained, that is.

Before that, for the sake of our civilian friends I must describe a gunnery firing at sea.

You can’t always fire your ship’s guns on a towed target where you can actually see the results. This is rather a cumbersome exercise to tow a target all the way to sea and then fire on it. It is easier to carry out an off-set firing on a ship as a target with the target ship observing the fall-of shots and reporting to the firing ships the corrections. The target ship, therefore also becomes the rake reporting ship. The codes used for reporting the falls of shots are: Straddle, if it is Bull’s Eye and other combinations such as Up 200, Right 100 and so on.

The rake reporting ship doesn’t do it simply by eye-ball estimate. It has a scale instrument to observe the splash of shots and then report on the circuit. This circuit is controlled by the Fleet Commander and a number of Straddle reports would naturally invite a Bravo Zulu (Well Done) signal from him for the firing ship.

Now, with Ranjit’s beer laced narrative, it came out that in the next EFXP (Eastern Fleet Exercise Programme) , Kirpan would be one of the firing ships and Ranjit’s ship Prachand would be the rake reporting ship. HSB had therefore asked Ranjit to call on him so that all his shots would be automatically reported as Straddle by Ranjit.

If Ranjit is to be believed, and there is no reason not to, every time a new can of Heineken was opened for him, he fervently shouted “Straddle” as if his rake reporting task had already begun.

After Ranjit left, I asked my coxswain to fetch the room spray and liberally use it in my office to get rid of the fumes before my boss would get the impression I was pissed on duty.

Bull’s Eye achieved by mere calling-on!

WE TAKE CALLING ON RATHER SERIOUSLY

For the benefit of other-than-armed-forces readers, I must first explain what a Calling-on is; especially in the Navy. It is a ritual, a getting-to-know each other when a new officer joins a station. It can be done both formally when the officer calling on is received with a guard of honour in ceremonial rig. It is mandatory for those who take over as Commanding Officers and join in senior positions. The Call is made by the officer in junior position on the one in senior position; eg, when an officer takes over as Commanding Officer he calls-on the senior officers in station such as the Fleet Commander, the C-in-C, the ASD (Admiral Superintendent Dockyard) and many others authorities including Commanding Officers senior to him. If a senior authority such as C-in-C takes over, the others in station call-on him and for important people, he even returns calls.

Now, it is obvious that you can’t just barge into the office of a senior officer at your will and expect to call-on. So, you make a signal to him: ‘Requesting Time convenient to Call on you’. In the Navy, this signal is called an RTC (from the initials of the message) signal. The senior officer may just give you a time in his signal reply; in this case it would be a formal call-on in ceremonial rig complete with the guard of honour being paraded. On the other hand he may just signal: ‘Consider calls made and returned; Will be Delighted to See you informally at_____(date and time). As is easy to guess, this signal is called a WDS signal. On receiving the WDS signal, you informally call on the senior officer in working rig.

I hope you have understood the procedure and the signals and now we proceed with the incident:

One day, CO Ganga, was in one of his naughty moods (it wasn’t rare to find KKK in those moods). I was his SCO (Signal Communication Officer) and he asked me how could he go about having free drinks and lunch and fun at someone’s expense. During such times, as I had quickly learnt, it used to be prudent to feign ignorance and I dutifully feigned loads of it. “Ah” he quipped, “Communicators will never learn. I shall make an RTC signal to a senior officer and hopefully he’d invite me for PLD (Pre-Lunch Drinks) and lunch on a Make and Mend Day (Wednesdays and Saturdays when afternoons are free; a tradition from during the days of sail when sailors used to keep the afternoons of these two days for making and mending various riggings)….it is, dear SCO, as simple as that.”

I saw one serious flaw in this ‘plan‘ and I immediately voiced it: I told him that when he took over as CO, he had already called on all and sundry. “Ah” he dismissed my observation as a child would about going at 100 kmph on his new mobike, “There is Commodore NK Mukherjee who has taken over as CO of INS Angre (the depot establishment for Mumbai) and I haven’t called on him.”

I saw another serious flaw in it and, this time, gingerly voiced it, “But, Sir, he is your course mate; you can’t call-on your own course mate.”

“Says who?” KKK shot back, “In the Navy list his name occurs before mine and hence there is nothing wrong in calling-on him. Now, come on, no more of your ifs and buts; just make the RTC signal to COMBRAX (CO Angre is also referred to as Commodore Naval Barracks).”

There is only so far a communicator would go. Once a decision is taken, a communicator worth his salt does what he is told to do. I dutifully made the RTC signal from Ganga to Angre (on that Friday afternoon) and KKK expected a WDS from the latter with invitation for lunch. He even told me how he would do justice to the beer since with perpetual sailing he hadn’t gone on a binge for a long time.

Five times in the afternoon he called me to check up if the WDS reply had arrived. By late evening, I was able to confirm to him that a reply had indeed arrived. He was triumphant about having successfully (and cleverly) plotted to have free drinks etc and told me to read out the signal aloud.

I read: CONSIDER CALLS PAID AND RETURNED. WILL HAVE LUNCH ON YOUR SHIP AT 1245 HOURS TOMORROW, SATURDAY.

He took the signal from me and after staring at it for several minutes, he retorted, “Obviously CO Angre has a smarter SCO than I have”!!!

I told him I would try to do better next time!!!

THE OTHER SIDE OF A FAUJI’S WORTH

A ‘fauji‘ is the Hindi or more accurately Urdu word for an Indian military man. Most Indians hold the fauji in high esteem. However, most of them steer clear from emulating the “impossible and impractical” virtues of a fauji, the biggest being: Service before self.

Last year in the month of June I did a piece on Armed Forces And The Indian Society. I had brought out that except for sporadic incidents, like the spat the soldiers recently had with their superiors in Leh; or General VK Singh, the 24th Chief of the Army Staff, trying to sort out the civil-military relationship balance through the curious instrument of his dates of birth, by and large, the Indian public holds its armed forces in great esteem. Many of our countrymen privately fantasize about the armed forces taking over the governance of the country and instil some discipline and accountability in our civic life.

However, in the same article I had brought out the increasing chasm between the civil society and the armed forces due to the decline of values in the former and due to an all time low having achieved in civil military relations (Please also read: ‘Admiral And Mantriji’) Therefore, after more than six decades of independence, we are in a curious state whence the politicians require the armed forces not just to deter and protect the nation from foreign aggression, but also to sort out the mess that they have made of the internal situation. The army lost its cutting edge by being sucked into insurgencies and law and order situations. Post 26/11 Mumbai attacks, the GoI in a contorted wisdom made the Indian Navy responsible for coastal security; thus making it one of the only leading navies in the world so charged. Surprisingly, whilst making the faujis responsible for things that should have been sorted out by good governance, the politicians and bureaucracy have relentlessly desisted from conceding even an inch to the armed forces in matters of governance.

In August this year, reacting to the killing of five Indian soldiers by the Pakistanis, Bhim Singh, a Minister in Bihar government, commented that people join armed forces to be martyred. Was this an apt description of the worth of the armed forces or faujis as seen by our netas? The sad part is that majority in our country would answer that question in the affirmative.

Kargil War - An Uphill Task against all odds for the 'fauji' (Pic courtesy: defenceforumindia.com)
Kargil War – An Uphill Task against all odds for the ‘fauji’ (Pic courtesy: defenceforumindia.com)

The life of a fauji is tough both in peace and during war and LIC. Anytime he/she can get killed. Even when alive a fauji, more often than not, lives the life of deprivation. So, how does the country honour him? No one wants to give him anything but all are vying to get something from him. The industry employs a highly skilled jawan (he becomes highly skilled because of years of discipline, training and technology that he is brought face to face with) as a security guard on abysmally low wages so as to exploit his inherent loyalty and integrity. For the bureaucrat, he is a headache since they have to think ways and means of denying what is due to him, eg, OROP or One Rank One Pay, Rank Pay and other allowances. As far as inter se protocols are concerned, a fauji has been deliberately pushed down the ladder far below the police and the bureaucracy.

Whilst the civilians fantasize about a military rule to end corruption and inefficiency everywhere, the military too fantasizes about war when the worth of the fauji is felt by the civilians. As the English poet Francis Quarles wrote in 1632:

Our God and soldier we alike adore.
Even at the brink of danger; not before;
After deliverance, both alike requited.
Our God’s forgotten, and our soldiers slighted.

The society at large doesn’t comprehend the life of the fauji that is not visible to it, eg, on the border, at sea and when he is silently engaged in doing what he has pledged to do. However, it sees the fauji during parades, in the clubs and canteens and it appears to the civilians that the faujis are having a jolly good time in their pomp and glory.

Here is a light-hearted anecdote about the worth of a ‘fauji’. This is a thirty years old incident and hence indicates that it is not now that the rot has set in though now it is worsened considerably.

I was on temporary duty to Naval Headquarters from Mumbai where I was posted. I was a LtCdr then. I was going to stay in the SP Marg Officers Mess (at that time it was a common mess for Army and Navy officers; much before ‘jointmanship’ dictated that we have separate messes) (Read: ‘Anything But Jointmanship)

I alighted at the New Delhi Railway station having arrived there by fauji friendly Frontier Mail. (Read: Crossing Frontiers In The Frontier Mail)

Chugging my suitcase (no one had heard of trolleys at that time) I located an auto-rickshaw. Delhi auto-rickshaws were notorious for not going by the meter and for overcharging. So, I wanted to settle the fare with him before the journey.

“How much?” I asked the driver deliberately in Punjabi so that he would know I was from that part of the world and not easy to be deceived.

“Forty bucks” he too replied in Punjabi.

Now I knew that the fare would be only 25 bucks but considering the night-time, he could add another 5 bucks. But certainly 40 bucks was downright cheating.

I protested and haggled. But he won’t budge.

Finally, I told him that I was a fauji so that he would have a modicum of respect.

“Ah” he said joyously, “Then you just give me a bottle of rum.”

(Pic courtesy: trade.indiamart.com)
(Pic courtesy: trade.indiamart.com)

I had to give him all of Rupees forty since the bottle of rum (though much cheaper) had already been given by me to the TTE in the train for procuring reservation.

After joining the Indian Armed Forces, it doesn’t take a fauji much time to realise his true worth to the civilians and yet he continues to serve selflessly.

LORI (LULLABY) SONGS THAT I LOVE

Life is the biggest gift of God to us; the next biggest is sleep. It relaxes us and refreshes us and prepares us to face a new day. But, what about those who can’t sleep? If they are small children, then God has given them the gift of their parents, especially their mother, who sings for them lori or lullabies to them to make them sleep. And if they are older people? Well, they still need lullabies from their beloved to make them sleep.

Lori or lullabies send the child or beloved to a different world, a world of dreams. This one from the 1955 movie Vachan, penned by my namesake, and composed by him and sung by Asha Bhosle is the ultimate into this dream world. We are all familiar with it:

Chandamama door ke, puye pakaayen boor ke
Aap khaaen thaalii men, munne ko den pyaali men

PyaalI gai toot munna gaya rooth
Laaenge nayi pyaaliyaan bajaa bajaa ke taaliyaan
Munne ko manaaenge ham dudh malayi khaaenge

Chandamama …

Udan – khatole baith ke munna chanda ke ghar jaayega
Taaron ke sang aankh michauli khel ke dil behlaayega
Khel kood se jab mere munne ka dil bhar jaayega
Thumak thumak mera munna vaapas ghar ko aayega,
Chandamama …

(Boor = white cane sugar powder, puye = plural of ‘puaa’ or ‘malpuaa’, a sweet bread made from thick fluor (sooji / rava); thaali = a dinner plate pyaali = a small bowl to serve side dishes munna = a traditional name for a small child.

chanda_mama_door_ke

There are dozens of Lori songs in the Hindi movies. I was requested to do a post on Lori songs, when, a few months back, I did one on Neend (Sleep) songs (Please read: Neend Hamari Khwaab Tumhaare – Best Of (Lost) Neend Songs – A ‘Lyrical’ Special). I didn’t know it would be such a difficult task since I landed up with almost a hundred Lori songs. I wanted to select just ten for this post; but, finally I have ended up selecting a dozen. These are not in any particular order.

Lets begin with the first one. It is from the 1953 Bimal Roy classic ‘Do Bigha Zameen’ starring Balraj Sahni and Nirupa Roy in lead roles. The movie’s songs lyrics were by Shailendra Singh and the music director was Salil Choudhury who also wrote the story. A young Lata Mangeshkar has sung this so well that it must rank amongst her top 50.

Please enjoy: Aa ja re aa nindiya tu aa…

Aa jaa re aa ni.ndiyaa tuu aa
jhilamil sitaaro.n se utar aa.Nkho.n me.n aa sapane sajaa

SoI kalI soyaa chaman pIpal tale soI havaa
sab ra.ngaa ik ra.ng me.n tuune ye kyaa jaaduu kiyaa
aa jaa …

Sa.nsaar kii raanI hai tuu raa jaa hai meraa laaDalaa
duniyaa hai merii god me.n soyaa huaa sapanaa meraa,
aa jaa …

https://youtube.com/watch?v=oIh_6efSU1E%3F

The second is by my favourite singer: Hemant Kumar and Lata Mangeshkar. It is penned by my favourite lyricist Shakeel Badayuni (Please read: Shakeel Badayuni – the King Amongst Lyricists And Poets – Part I and Shakeel Badayuni – The King Amongst Lyricists and Poets – Part II) It has Naushad’s music.

Please enjoy: Chandan ka palana, resham ki dori….

ho~~
Chandan kaa palanaa resham kii Dorii
jhuulaa jhulaa_uu.N ni.ndiyaa ko torii
chandan kaa palanaa   …

So jaa tuu aise morii sajaniyaa
so jaa tuu aise morii sajaniyaa
sajiyaa pe soye jaise dulhaniyaa
chandaa kaa Tiikaa maathe lagaa_uu.N
taaro.n kii maalaa tujhako pahanaa_uu.N
taaro.n kii maalaa tujhako pahanaa_uu.N
tohe sulaa_uu.N gaa gaa ke lorii
jhuulaa jhuulaa_uu.N ni.ndiyaa ko torii
chandan kaa palanaa   …

In the duet version, Hemantda and Lata sing the following stanza together:

Uu.Nche gagan se koii bulaaye
laayii.n hai.n pariyaa.n Dolaa sajaaye
sajan se milane duur chalii jaa
u.Dake tuu ni.ndiyaa phur.r chalii jaa
u.Dake tuu ni.ndiyaa phur.r chalii jaa
chandaa pukaare aajaa chakorii
jhuulaa jhuulaa_uu.N ni.ndiyaa ko tori

https://youtube.com/watch?v=H0l1qQVTfHA%3F

Have you realised that the movies that we saw in our childhood and boyhood/girlhood have much more lasting effects on us than the latter day movies? One such movie for me was the 1963 movie Mujhe Jeene Do starring Sunil Dutt and Waheeda Rehman. The movie was about the rehabilitation of dacoits who want to live the lives of ordinary people with families and children. This song is sung by a mother (Waheeda) to her child as a Lori.  The dacoit father Sunil Dutt is on run from the police. Hence, the entire family is constantly in hiding, moving from place to place and hoping to remain undetected.   This song is a very touching song showing the anxiety of a young mother for her new-born child and the kind of life that he faces. Lata’s voice has made it a most touching lullaby. Sahir Ludhianvi’s lyrics are superb and Jaidev’s music is perfect for the emotions.

Please enjoy: Tere bachpan ko jawani ki dua deti hoon, aur dua deke preshaan si ho jaati hoon…

tere bachapan ko javaanii kii duaa detii huu.N
aur duaa deke pareshaan sii ho jaatii huu.N

mere munne mere gulazaar ke nanhe paudhe
tujhako haalat kii aa.ndhii se bachaane ke liye
aaj mai.n pyaar ke aa.nchal me.n chhupaa letii huu.N
kal ye kamazor sahaaraa bhii na haasil hogaa
kal tujhe kaa.nTo.n bharii raaho.n pe chalanaa hogaa
zi.ndagaanii kii ka.Dii dhuup me.n jalanaa hogaa
tere bachapan ko javaanii …

tere maathe pe sharaafat kii koI mohar nahii.n
cha.nd hote hai.n muhabbat ke sukuun hii kyaa hai.n
jaise maao.n kii muhabbat kaa koI mol nahii.n
mere maasuum farishte tuu abhii kyaa jaane
tujhako kis-kisakii gunaaho.n kii sazaa milanii hai
diin aur dharm ke maare hue i.nsaano.n kii
jo nazar milanii hai tujhako vo khafaa milanii hai
tere bachapan ko javaanii …

be.Diyaa.N leke lapakataa huaa kaanuun kaa haath
tere maa.N-baap se jab tujhako milii ye saugaat
kaun laaegaa tere vaaste khushiyo.n kii baaraat
mere bachche tere a.njaam se jii Darataa hai
terii dushman hii na saabit ho javaanii terii
khaak jaatii hai jise sochake mamataa merii
usii a.njaam ko pahu.nche na kahaanii terii
tere bachapan ko javaanii …

https://youtube.com/watch?v=P2D-Z7XM7aU%3F

The 1968 movie Brahmachari starring Shammi Kapoor, Rajshree, Pran and Mumtaz. Shammi Kapoor, the brahmachari, was an orphan who had taken upon himself to take care of orphan children in his home. The movie had many best awards: Best Movie, Best Actor: Shammi Kapoor, Best Singer: Mohammad Rafi, Best Lyricist: Shailendra, and Best Music Director: Shankar Jaikishan.

This Lori sung by Mohammad Rafi for Shammi Kapoor is touching indeed when Shammi Kapoor is forced to make the children sleep hungry.

Please enjoy: Main gaaun tum so jaao…

mai.n gaauu.N tum so jaao
sukh sapano.n me.n kho jaao
maanaa aaj kii raat hai lambii
maanaa din thaa bhaarii
par jag badalaa badalegii
ek din taqadiir hamaarii
us din ke khvaab sajaao

kal tum jab aa.Nkhe.n khologe
jab hogaa ujiyaaraa
khushiyo.n kaa sandeshaa lekar
aaegaa saveraa pyaaraa
mat aas ke diip bujhaao,
mai.n gaaU.N …

jii karataa hai jiite jii
mai.n yU.N hii gaataa jaaU.n
gardish me.n thake haatho.n kaa
maathaa sahalaataa jaauu.n
phir ik din tum doharaao,
sukh sapano.n …

At this stage let me take you to the era of the first super-star of the Hindi movies: KL Saigal; a singer par excellence. This Lori is for the old timers who like the lyrics of Kedar Sharma, the music of Pankaj Mullick and KL Saigal singing and acting. The movie is the 1940 movie Zindagi.

Please enjoy: So jaa raajkumari, so jaa….

so jA ##(slow)##
so jA rAjakumArI so jA
so jA mai.n balihArI so jA
so jA rAjakumArI so jA

so jA mIThe sapane Ae.N
sapano.n me.n pI daras dikhAe.N – 2
u.D kar rUpanagar me.n jAe.N – 2
rUpanagar kI sakhiyA.n Ae.N – 2
rAjAjI mAlA pahanAe.N – 2
chUme mA.ng tihArI so jA
so jA rAjakumArI so jA

https://youtube.com/watch?v=aNfuW2i4tLw%3F

This one is an extraordinary Lori sung by Lata Mangeshkar and C Ramachandra for the 1951 movie Albela starring Geeta Bali and Bhagwan. These absolutely enchanting lyrics are by Rajendra Krishan and the music is by C Ramachandra. The Lori is in two parts. The duet version is a sadder one. Chitalkar just sings the mukhada
and Lata sings the two antaraas. The tune is the same for both versions.

Please enjoy: Dheere se aaja ri ankhiyan mein, nindiya aaja ri aaja…

dhiire se aajaa rii a.Nkhiyan me.n
ni.ndiyaa aajaa rii aajaa, dhiire se aajaa
chhoTe se nainan kii bagiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa

o …
lekar suhaane sapano.n kii kaliyaa.N, sapano.n kii kaliyaa.N
aake basaa de palako.n kii galiyaa.N, palako.n kii galiyaa.N
palako.n kii chhoTii sii galiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …

o …
taaro.n se chhup kar taaro.n se chorii, taaro.n se chorii
detii hai rajanii cha.Ndaa ko lorii, cha.Ndaa ko lorii
ha.Nsataa hai cha.Ndaa bhii nindiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …

Sad / Duet version
dhiire se aajaa rii a.Nkhiyan me.n
ni.ndiyaa aajaa rii aajaa, dhiire se aajaa
chhoTe se nainan kii bagiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa

o …
aa.Nkhe.n to sab kii hai.n ik jaisii
jaisii amiiro.n kii, gariibo.n kii vaisii
palako.n kii suunii sii galiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …

o …
jagatii hai a.Nkhiyaa.N sotii hai qismat, sotii hai qismat
dushman gariibo.n kii hotii hai qismat, hotii hai qismat
dam bhar gariibo.n kii kuTiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …

https://youtube.com/watch?v=TEN1DkOiFuY%3F

Have you ever imagined cinematography that enhances the effect of a Lori? If you haven’t, you have to see this Lori sung by Sunil Dutt for Nutan in the 1967 movie Milan. The lyrics are by Anand Bakshi and music by Laxmikant Pyarelal and the singer is Mukesh.

Please enjoy: Raam kare aisa ho jaaye, meri nindiya tohe mil jaaye…

raam kare aisaa ho jaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …

(svapna chalaa aae koii chorii-chorii
mast pavan gaae lorii
cha.ndra kiraN banake Dorii)           -2
tere man ko jhuulaa jhulaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …

guzar jaae.n sukh se terii dukh bharii ratiyaa.N
badal luu.N mai.n tose a.Nkhiyaa.N
bas me.n agar ho.n ye batiyaa.N
maa.Nguu.N duaae.n haath uThaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …

mai.n hii nahii.n tuu hii nahii.n
saaraa zamaanaa dard kaa hai ek fasaanaa
aadamii ho jaae diivaanaa
yaad kare gar bhuul na jaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …

https://youtube.com/watch?v=P9qhPcwndP0%3F

Okay, time for a happy Lori now. This is from the 1977 movie Mukti starring Vidya Sinha and Shashi Kapoor. Once again, the lyrics are by Anand Bakshi but, this time, the music is by RD Burman. The Lori is a duet between Lata Mangeshkar and Mukesh.

Please enjoy: Lalla lalla lori, dudh ki katori…

lallaa lallaa lorii duudh kii kaTorii
duudh me.n bataashaa munnii kare tamaashaa

chhoTii-chhoTii pyaarii sundar pariyo.n jaisii hai
kisii kii nazar naa lage merii munnii aisii hai
shahad se bhii miiThii duudh se bhii gorii
chupake-chupake chorii-chorii chorii
lallaa lallaa lorii …

kaarii rainaa ke maathe pe chamake chaa.Nd sii bi.ndiyaa
munnii ke chhoTe-chhoTe naino.n me.n khele ni.ndiyaa
sapano.n kaa palanaa aashaa_o.n kii Dorii
chupake-chupake chorii-chorii chorii
lallaa lallaa lorii …

https://youtube.com/watch?v=s3iOMHOg7DI%3F

This one is another heart rending Lori from the 1964 movie Beti Bete starring Sunil Dutt with Saroja Devi and Jamuna. Shalendra as lyricist, Shankar Jaikishan as composers and Lata Mangeshkar as singer have put this together.

Please enjoy: Aaj kal mein dhal gaya din hua tamaam…

aaj kal me.n Dhal gayaa, din huaa tamaam
tuu bhii so jaa, so ga_ii, ra.ng bharii shaam

so gayaa chaman chaman, so ga_ii kalii-kalii
so gae hai.n sab nagar, so ga_ii galii-galii
nii.nd kah rahii hai chal, merii baa.Nh thaam, tuu bhii …

hai bujhaa-bujhaa saa dil, bojh saa.Ns-saa.Ns pe
jii rahe hai.n phir bhii ham, sirf kal kii aas pe
kah rahii hai chaa.Ndanii, leke teraa naam, tuu bhii …

kaun aaegaa idhar, kisakii raah dekhe.n ham
jinakii aahaTe.n sunii, jaane kisake ye kadam
apanaa koI bhii nahii.n, apane to hai.n raam, tuu bhii …

https://youtube.com/watch?v=eTh9WUbvkwE%3F

I don’t know about you but I am very fond of this Lori from the 1959 movie Chiraag Kahan Roshni Kahan starring Rajendra Kumar and Meena Kumari. Ravi is the lyricist as well as the music director. Singer is Lata Mangeshkar.

Please enjoy: Tim tim karte tare, kehate hain saare…

Tim-Tim karate taare ye kahate hai.n saare
so jaa tohe ni.ndiyaa pukaare
Tim-Tim karate …

sapano.n ke desh chandaa maamaa raajaa
bulaa rahaa hai bajaakar suro.n kaa baajaa
chorii-chorii khi.Dakii se karataa hai ishaare
Tim-Tim karate …

ra.ng-bira.ngii pariyaa.N tujhe jhuulaa jhulaa_e.Ngii
billii-totaa-mainaa kii kahaanii bhii sunaa_e.Ngii
achchhe-achchhe tujhe khilaune de.ngii pyaare-pyaare
Tim-Tim karate …

baadalo.n kii paalakii pe tujhako biThaa ke
chandaa maamaa saaraa jag laa_egaa ghumaa ke
lauT ke aa_e shaan se raajaa dvaare
Tim-Tim karate …

https://youtube.com/watch?v=vpLmlPLJkO8%3F

I hope you enjoyed all these Loris. We come to the last two now. The first one of these is from an outstanding movie of Kamal Hassan and Sridevi: the 1983 movie Sadma. This is the story of a girl: Sridevi who meets with an accident, loses her memory and is led into prostitution. Kamal Hassan rescues her and painstakingly works on her with love and understanding to make her recall her past. It takes him months of hard labour and many unpleasant situations. But, ironically, when she regains her memory, she can’t recognise Kamal Hassan.

This Lori is sung by Yesudas for Kamal Hassan trying to make Sridevi sleep. It has really outstanding lyrics by Gulzar and music by Illayaraaja.

Please enjoy: Surmayi akhiyon mein nanna munna ik sapna de jaa re…

suramaI akhiyo.n me.n nanhaa munnaa ek sapanaa de jaa re
nindiyaa ke udate paakhii re, a.Nkhiyo.n me.n aajaa sAthI re

raa rii raa ram o raarii ram

sachchaa koI sapanaa dejaa
mujhako koI apanA dejaa
anajaanaa saa magar kuchh pahachaanaa saa
halkaa phulkaa shabanamii
resham se bhI reshamii
suramaI …

raat ke rath par jaane vaale
nI.nd kA ras barasaane vaale
itanA kar de kI merI aa.Nkhe.n bhar de
aa.Nkho.n me.n basataa rahe, sapanA ye ha.Nsataa rahe
sapanaa yuu.N chalataa rahe
a.Nkhiyo.n me.n basataa rahe
suramaI …

https://youtube.com/watch?v=V5qMS-K8eYY%3F

Sadly, that brings us to the last one of the dozen best Lori songs that I selected for you. This is from the 1959 movie Sujata about the rehabilitation of untouchables. The movie starred Nutan as an untouchable and Sunil Dutt who falls in love with her. This outstanding Lori has been sung by Geeta Dutt on the lyrics of Majrooh Sultanpuri and music of Sachin Dev Burman.

Please enjoy: Nanhi kali sone chali hawa dheere aana…

havaa dhiire aanaa
nI.nd bhare pa.nkh liye jhuulaa jhuulaa jaanaa
nanhii kalii sone chalI havaa dhIre aanaa
nI.nd bhare pa.nkh liye jhuulaa jhuulaa jaanaa
nanhii kalii sone chalii

chaa.Nd kiran sii gu.Diyaa naajo.n kii hai palI – 2
aaj agar chaa.Ndaniyaa aanaa merii galii
gun gun gun gIt koI haule haule gaanaa
nI.nd bhare pa.nkh liye jhuulaa jhuulaa jaanaa

resham kii Dor agar pairo.n ko ulajhaae – 2
ghu.ngharuu kaa daanaa koI shor machaa jAe
daane mere jaage to phir ni.ndiyaa tU bahalaanaa
nI.nd bhare pa.nkh liye jhuulaa jhuulaa jaanaa
nanhii kalii sone chalI havaa dhIre aanaa

https://youtube.com/watch?v=l1rjhKLsi88%3F

In the end, anyone who has read Rudyard Kipling’s ‘The Jungle Book’ and/or has seen the movie, will be aware of the dream world of the lullaby. Here is Seal Lullaby for you from the children’s loved book and movie: The Jungle Book:

Seal Lullaby

[lineate][/lineate]Oh! hush thee, my baby, the night is behind us[lineate][/lineate]And black are the waters that sparkled so green.[lineate][/lineate]The moon, O’er the combers, looks downward to find us[lineate][/lineate]At rest in the hollows that rustle between.[lineate][/lineate]Where billow meets billow, there soft by the pillow.[lineate][/lineate]Oh, weary wee flipperling, curl at thy ease![lineate][/lineate]The storm shall not wake thee, no shark shall overtake thee[lineate][/lineate]Asleep in the storm of slow-swinging seas.[lineate][/lineate]

THE BEST PHOOL (FLOWER) SONGS

Phool or flowers are amongst the best of God’s creations, so much so, that we often compare our dear ones to flowers; we send flowers to people we like and we are convinced that there are as many colours of flowers as the colours that God made.

There are many poems on Flowers. One of the best is Pushp Ki Abhilasha by Makhanlal Chaturvedi. This is even more apt after the heartless remark of Bihar Rural Works and Panchayat Raj Minister Bhim Singh that soldiers are meant to die. He was responding to five Indian soldiers having been killed in cold blood by the Pakis.

पुष्प की अभिलाषा- माखनलाल चतुर्वेदी (Makhanlal Chaturvedi)

[lineate][/lineate]चाह नहीं मैं सुरबाला के गहनों में गूँथा जाऊँ[lineate][/lineate]चाह नहीं, प्रेमी-माला में बिंध प्यारी को ललचाऊँ[lineate][/lineate]चाह नहीं, सम्राटों के शवपर हे हरि, डाला जाऊँ[lineate][/lineate]चाह नहीं, देवों के सिर पर चढ़ूँ भाग्य पर इठलाऊँ[lineate][/lineate]मुझे तोड़ लेना वनमाली उस पथ पर देना तुम फेंक[lineate][/lineate]मातृभूमि पर शीश चढ़ाने जिस पर जावें वीर अनेक II[lineate][/lineate]

 

[lineate][/lineate]It is not my desire to be weaved in the ornaments of a beautiful girl.[lineate][/lineate]It is not my desire to be weaved into a Lover’s garland and tempt a beloved.[lineate][/lineate]It is not my desire, O Hari, to adorn the funeral of a monarch.[lineate][/lineate]It is not my desire to be presented as offering to a goddess and rejoice at my good luck.[lineate][/lineate]O, Gardner, all I desire is[lineate][/lineate]That you will pluck me and throw me on that path[lineate][/lineate]On which our brave soldiers tread to sacrifice their lives for the motherland.[lineate][/lineate]

(Photo Courtesy: photodivision.gov.in)
(Photo Courtesy: photodivision.gov.in)

P.S. Any guesses how many Flowers would like to adorn the funeral of the Bihar Minister Bhim Singh?

The first Phool song, the best Phool song ever in Hindi movies, therefore, I have taken from the 1965 movie Shaheed starring Manoj Kumar and Kamini Kaushal. Lyrics are by Prem Dhawan as also the music. Mohammad Rafi has sung it with his usual passion. ‘Phool’ occurs once in the mukhada and once in the antara. In the mukhada it signifies that Flowers are nothing; at your feet, O’ Nation, we are prepared to offer our heads too. In the antara it signifies that We are from different parts of this great nation. We thus are like flowers of different colours and plants in your pooja thali. Really, I cannot think of a better Phool song for an Indian.

Ai vatan ai vatan hamako terii qasam
terii rAho.n mai.n jaa.n tak luTaa jaaye.nge
phuul kyaa chiiz hai tere kadamo.n pe ham
bhe.nT apane saro.n kii cha.Dhaa jaaye.nge
ai vatan ai vatan

Koii Pa.njaab se, koii MahaarAshhTr se
koii yuu pii se hai, koii ba.ngaal se
terii puujaa kii thaalii me.n laaye hai.n ham
phuul har ra.ng ke, aaj har Daal se
naam kuchh bhii sahii par lagan ek hai
jot se jot dil kii jagaa jaaye.nge
ai vatan ai vatan …

Terii jaanib uThii jo kahar kii nazar
us nazar ko jhukaa ke hii dam le.nge ham
terii dharatii pe hai jo kadam Gair kaa
us kadam kaa nishaa.N tak miTaa de.nge ham
jo bhii diivaar aayegii ab saamane
Thokaro.n se use ham giraa jaaye.nge

https://www.youtube.com/watch?v=c_I2sU8k7Hk

The second song is from the 1968 movie Saraswati Chandra starring Nutan and Manish. The movie won the National Awards in the Best Cinematography and Best Music Director (Kalyanji Anandji) categories.

The lyrics are by Indeevar and singers are Lata Mangeshkar and Mukesh.

Please enjoy: Phool tumhen bheja hai khat mein, Phool nahin mera dil hai, Pritam mere tum bhi likhana Kya yeh tumhaaare kaabil hai?

https://youtube.com/watch?v=vlLL2YlcGUI%3F

Phool or flower is often compared to blossoming of Love. The last thing that the lovers want is that it should be called infatuation. This is exactly the theme of this Manna De song. Manna De left us on the 25th of Oct 13 and this ranks amongst his best. The song is from the 1971 movie Anubhav directed by Basu Bhattacharya and starring Sanjeev Kumar and Tanuja. Lyrics are by Kapil Kumar and music by Kanu Roy.

Please enjoy: Phir kahin koi phool khila, chahat naa kaho isako…

Phir kahii.n koI phuul khilaa, chaahat naa kaho usako – 2
phir kahii.n koI diip jalaa, ma.nzil naa kaho usako
phir kahii.n …

Man kaa samu.ndar pyaasaa huaa, kyuu.N kisii se maa.Nge duaa – 2
laharo.n kaa lagaa jo melaa, tuufaa.n naa kaho usako
phir kahii.n …

Dekhe.n sab vo sapane, khud hii sajaae jo hamane – 2
dil unase bahal jaae to, raahat naa kaho usako
phir kahii.n …

https://youtube.com/watch?v=i40o6DEdIy0%3F

What about a Phool song describing the beauty of the heroine? There are dozens of them. I plan to give you just three of them. The first one is from the 1964 movie Aarzoo starring Rajendra Kumar, Feroze Khan, and Sadhna. Hasrat-SJ-Rafi have put this together. It has phool all the way, in the mukhada and antaras.

Please enjoy: Ai phoolon ki rani, baharon ki malika…

[lineate][/lineate]Ai phoolon ki raani, baharon ki malika,[lineate][/lineate]Tera muskaraana ghazab ho gaya…[lineate][/lineate] ai phuulo.n kii raanii bahaaro.n kii malikaa[lineate][/lineate]teraa muskuraanaa gazab ho gayaa[lineate][/lineate]na dil hosh me.n hai na ham hosh me.n hai.n[lineate][/lineate]nazar kaa milaanaa gazab ho gayaa[lineate][/lineate]

[lineate][/lineate]Tere ho.nTh kyaa hai.n gulaabii ka.nval hai.n[lineate][/lineate]ye do pattiyaa.n pyaar kii ik gazal hai.n[lineate][/lineate]vo naazuk labo.n se muhabbat kii baate.n[lineate][/lineate] hamii.n ko sunaanaa gazab ho gayaa[lineate][/lineate]

[lineate][/lineate]Kabhii khul ke milanaa kabhii khud jhijhakanaa[lineate][/lineate]kabhii raasto.n pe bahakanaa machalanaa[lineate][/lineate]ye palako.n kii chilaman uThaakar giraanaa[lineate][/lineate]giraakar uThaanaa gazab ho gayaa[lineate][/lineate]

[lineate][/lineate]Fizaao.n me.n Tha.nDak ghaTaa bhar javaanii[lineate][/lineate]tere gesuo.n kii ba.Dii meharabaanii[lineate][/lineate]har ik pe.nch me.n saika.Do.n maikade hai.n[lineate][/lineate]teraa la.Dakha.Daanaa gazab ho gayaa[lineate][/lineate]

https://youtube.com/watch?v=zJd0ZZ-pezk%3F

We are on the sub-theme of phool songs describing the beauty of the heroine. This is from the 1962 movie Professor starring Shammi Kapoor and Kalpana. Hasrat Jaipuri, Shankar Jaikishan and Rafi have put this together.

 Please enjoy: Aye gulbadan, aye gulbadan…

[lineate][/lineate]Aye gulbadan, aye gulbadan,[lineate][/lineate]Phoolon ki mehak, kaanton ki chubhan…[lineate][/lineate]ai gulabadan, ai gulabadan, phuulo.n kii mahak kaa.NTo.n kii chubhan[lineate][/lineate]tujhe dekh ke kahataa hai meraa man[lineate][/lineate]kahii.n aaj kisii se muhabbat naa ho jaae[lineate][/lineate]

[lineate][/lineate]Kyaa hasiin mo.D par aa ga_ii zi.ndagaanii[lineate][/lineate]kii haqiiqat na ban jaae merii kahaanii[lineate][/lineate]jab aahe.n bhare ye Tha.nDii pavan[lineate][/lineate]siine me.n sulag uThatii hai agan[lineate][/lineate]tujhe dekh ke …[lineate][/lineate]

[lineate][/lineate]Kyaa ajiib ra.ng me.n saj rahii hai Kudaaii[lineate][/lineate]kii har ik chiiz maalik ne su.ndar banaaii[lineate][/lineate]nadiyaa kaa chamakataa hai darapan[lineate][/lineate]muKa.Daa dekhe.n sapano.n kii dulhan[lineate][/lineate]tujhe dekh ke …[lineate][/lineate]

[lineate][/lineate]Mai.n tumhii.n se yuu.N aa.Nkhe.n milaataa chalaa huu.N[lineate][/lineate]ki tumhii.n ko mai.n tumase churaataa chalaa huu.N[lineate][/lineate]mat puuchho meraa diivaanaapan[lineate][/lineate]aakaash se uu.Nchii dil kii u.Dan[lineate][/lineate]tujhe dekh ke …

https://www.youtube.com/watch?v=Bo3-uUPSAnc

We are on the sub-theme of Phool songs describing the beauty of the heroine. The third best song in this category (there are dozens of these) is from the 1963 movie Shikari. Lyrics by Farooq Qaisar and music by GS Kohli. It is a duet between Rafi and Lata.

Please enjoy: Chaman ke phool bhi tumako ghulab kehte hain…

[lineate][/lineate]Chaman ke phuul bhii tujh ko gulaab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]

[lineate][/lineate]Nazar milaa ke mere dil kii baat pahachaano[lineate][/lineate]sunaa hai chehare ko dil kii kitaab kahate hai.n[lineate][/lineate]

[lineate][/lineate]Saaz-e-dil chhe.D diyaa hai to ye naGamaa sun lo[lineate][/lineate]bikharii bikharii huii ye pyaar kii kiraNe.n chun lo[lineate][/lineate]isii kiraN ko sanam aafataab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hamii.n nahii.n[lineate][/lineate]hamii.n nahii.n hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]chaman ke phuul bhii tujhako[lineate][/lineate]

[lineate][/lineate]aaj tak dekhii nahii.n aisii dahakatii aa.Nkhe.n[lineate][/lineate]Daal do aa ke in aaNkho.n me.n chhalakatii aa.Nkhe.n[lineate][/lineate]sambhal ke piinaa ise sab sharaab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hamii.n nahii.n[lineate][/lineate]hamii.n nahii.n hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]

[lineate][/lineate]Chaman ke phuul bhii tujhako …[lineate][/lineate]

https://youtube.com/watch?v=4ZW0SXRZDr4%3F

Lets now look at the comical and satirical songs with phool.

The first song in this category is also by Mukesh for the 1975 movie Prem Kahani starring Rajesh Khanna and Mumtaz. Lyrics have a kind of indirect satire perfected by Anand Bakshi and the music is by Laxmikant Pyarelal.

Please enjoy: Phool ahista phenko phool bade naazuk hote hain…

[lineate][/lineate]Phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]vaise bhii to ye bad.h-qisamat nok pe kaa.nTo.n kii sote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]

[lineate][/lineate]ba.Dii khuubsuurat shiqaayat hai ye[lineate][/lineate]magar sochiye kyaa sharaafat hai ye[lineate][/lineate]jo auro.n kaa dil to.Date rahate hai.n[lineate][/lineate]lagii choT unako to ye kahate hai.n[lineate][/lineate]ki phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]jo rulaate hai.n logo.n ko ek din khud bhii rote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]

[lineate][/lineate]kisii shoK ko baaG kii sair me.n[lineate][/lineate]jo lag jaaye kaa.nTaa koii pair me.n[lineate][/lineate]Kafaa husn vaalo.n se ho kis liye[lineate][/lineate]ye maasuum hai bahakataa is liye[lineate][/lineate]ki phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]ye kare.nge kaise ghaayal ye to khud ghaayal hote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]

[lineate][/lineate]gulo.n ke ba.De aap hamadard hai.n[lineate][/lineate]bhalaa kyo.n na ho aap bhii mard hai.n[lineate][/lineate]hazaaro.n savaal.o.n kaa hai ik javaab[lineate][/lineate]fareb-e-nazar ye na ho ai janaab[lineate][/lineate]ki phuul aahistaa phe.nko phuul ba.De naazuk hote hai.n[lineate][/lineate]sab jise kahate hai.n shabanam, phuul ke aa.Nsuu hote hai.n[lineate][/lineate] phuul aahistaa …[lineate][/lineate]

https://youtube.com/watch?v=J_RLTi5ufCI%3F

The second one in this category is from the 1964 Raj Kapoor movie Sangam and everyone knows why it is a phool song: Sab jo laaye phool buddha gobhi le ke aa gaya….

Hasrat Jaipuri, Shankar Jaikishan and Lata Mangeshkar have put this together.

Please enjoy: Main kaa Karun Raam mujhe buddha mil gaya…

[lineate][/lineate]Mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa -2[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay, haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]

[lineate][/lineate]sab jo gaye baaG meraa buDDhaa bhii chalaa gayaa -2[lineate][/lineate]sab to laaye phuul buDDhaa gobhii le ke aa gayaa -2[lineate][/lineate]mai.n ho ga_ii badanaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]

[lineate][/lineate]mai.n gu.Diyaa hasiin merii moranii sii chaal hai -2[lineate][/lineate]sar pe.n safed[lineate][/lineate]sar me.n safed usake daadaa jii kaa baal hai -2[lineate][/lineate]ab kyaa hogaa a.njaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]

[lineate][/lineate]pariyo.n ke des mujhe buDDhaa le ke aa gayaa -2[lineate][/lineate]mai.nne jo uThaayaa ghuu.NghaT buDDhaa Gussaa khaa gayaa -2[lineate][/lineate]biga.De saare kaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate][lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]haay mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]

https://youtube.com/watch?v=m0k2wzIeNjo%3F

And the third one in this variety is an old favourite of mine sung by Manna Dey.

The song is from the 1964 movie Door Ka Chand starring Bharat Bhushan and B Saroja Devi. Sahir Ludhianvi was the lyricist and Roshan the music director. This song has typical Manna De classical singing.

Please enjoy: Phul gendwa naa maaro,…

[lineate][/lineate]haay[lineate][/lineate]ajii phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]phul gendawaa na maaro, na maaro (2)[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]

[lineate][/lineate]duu.Ngii mai.n duhaa_ii[lineate][/lineate]kaahe chatur banat chhichhorii karat harajaa_ii[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karej[lineate][/lineate]t karej (3)[lineate][/lineate]gat karejawaa me.n choT[lineate][/lineate]

[lineate][/lineate]he dahakaa hu_aa ye a.ngaaraa, a.ngaaraa haa.N[lineate][/lineate]dahakaa hu_aa ye a.ngaaraa[lineate][/lineate]jo gendawaa kahalaaye hai[lineate][/lineate] ajii tan par jahaa.N gire paapii[lineate][/lineate]wahii.n daaG pa.D jaaye hai[lineate][/lineate]a.ng-a.ng moraa piir kare aur kar ke kahe[lineate][/lineate]

[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]he phul gendawaa na maaro[lineate][/lineate]ajii phul gendawaa na maaro[lineate][/lineate]phul gendawaa na maaro -2[lineate][/lineate]ma_ika[lineate][/lineate]na maaro -3[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]

[lineate][/lineate]ruk jaa_o -5[lineate][/lineate]na sataa_o mohe julamii balam, o balam -2[lineate][/lineate]maan jaa_o, binatii abalaa kii[lineate][/lineate]dekho-dekho ab duu.Ngii mai.n duhaa_ii[lineate][/lineate]kaahe chatur banat chhichhorii karat harjaa_ii[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]na maaro na maaro na[lineate][/lineate]pa pa dha[lineate][/lineate]dha dha dha ni dha[lineate][/lineate]pa ma dha pa ma[lineate][/lineate]ga ma ga re sa[lineate][/lineate]sa sa sa sa sa sa[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]

[lineate][/lineate]na maaro (6)[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]karejawaa me.n choT (2)[lineate][/lineate]sa ga ga re re sa[lineate][/lineate]sa ma pa ma ga ga re sa sa ni[lineate][/lineate]sa dha dha dha sa pa pa pa sa pa sa pa sa[lineate][/lineate]pa ni ma[lineate][/lineate]phul gendawaa na -3[lineate][/lineate]na maaro -3[lineate][/lineate]

[lineate][/lineate]arre phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]

[lineate][/lineate]duu.Ngii mai.n duhaa_ii[lineate][/lineate]kaahe chatur banat chhichhorii karat harjaa_ii[lineate][/lineate]phul gend[lineate][/lineate]dawaa dawaa dawaa dawaa[lineate][/lineate]dawaa dawaa dawaa dawaa[lineate][/lineate]dawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]

https://youtube.com/watch?v=2rMz8fuVjhI%3F

Can a phool or flower be used for sad feelings or feelings of revenge? See it for yourself.

The name of this 1966 movie is ‘Aye Din Bahar Ke’ and hence one would expect that it would have happy phool songs. Well, it had: the title song and the song: Phoolon se mukhade waali. But, you have to give in to the lyrics of this revenge song too wherein the hero Dharmendra feels that he has been deceived by his beloved Asha Parekh. Amongst other things he curses her in the song that she should become a phool of patjhad (an autumn flower). The song has been put together by Anand Bakshi, Laxmant Pyarelal and Mohammad Rafi.

Please enjoy: Mere dushman tu meri dosti ko tarase…

mere dushman tuu merii dostii ko tarase
mujhe Gam dene vaale tuu khushii ko tarase

tuu phuul bane patajha.D kaa, tujh pe bahaar na aae kabhii
merii hii tarah tuu ta.Dape tujhako qaraar na aae kabhii
jiye tuu is tarah kii zi.ndagii ko tarase

itanaa to asar kar jaae.n merii vafaae.n o bevafaa
jab tujhe yaad aae.n apanii jafaae.n o bevafaa
pashemaan hoke roe, tuu ha.nsii ko tarase

tere gulashan se zyaadaa viiraan koI viiraanaa na ho
is duniyaa me.n teraa jo apanaa to kyaa, begaanaa na ho
kisii kaa pyaar kyaa tuu beruKii ko tarase

https://youtube.com/watch?v=9X0eenyBvvU%3F

This is not a filmy song but is dear to me. It has the same sentiments as in the Lyrical page picture of Rajesh Khanna holding a dried flower in his hand whilst singing: Kahin door jab din dhal jaaye.

This ghazal is from a favourite ghazal singer of mine: Mehdi Hasan. The ghazal was penned by Ahmed Faraz.

[lineate][/lineate]Please enjoy: Ab ke ham bichhade to shayad kabhi khwaabon mein milen,[lineate][/lineate]Jis tarah sookhe hue phool kitabon mein mile….

[lineate][/lineate]Ab ke ham bichha.De to shaayad kabhii Kaabo.n me.n mile.n[lineate][/lineate]jis tarah suukhe huye phuul kitaabo.n me.n mile.n[lineate][/lineate]

[lineate][/lineate]Dhuu.NDh uja.De huye logo.n me.n wafaa ke motii[lineate][/lineate]ye Kazaane tujhe mumkin hai Karaabo.n me.n mile.n[lineate][/lineate]

[lineate][/lineate]Tuu Kudaa hai na meraa ishq farishto.n jaisaa[lineate][/lineate]dono.n insaa.N hai.n to kyuu.N itane hijaabo.n me.n mile.n[lineate][/lineate]

[lineate][/lineate]Gam-e-duniyaa bhii Gam-e-yaar me.n shaamil kar lo[lineate][/lineate]nashaa ba.Dhataa hai sharaabe.n jo sharaabo.n me.n mile.n[lineate][/lineate]

[lineate][/lineate]ab na wo mai.n huu.N na wo tuu hai na wo maazii hai ‘faraaz'[lineate][/lineate]jaise do saaye tamannaa ke saraabo.n me.n mile.n[lineate][/lineate]

https://youtube.com/watch?v=hGUrNF9cdzU%3F

Another melancholic song in this category is depicting that if I don’t get phool (flowers) I shall live with the friendship of the thorns. It is from the 968 movie Anokhi Raat starring Parikshat Sahni and Zaheeda. Kaifi Azmi, Roshan and Rafi have put this together.

Please enjoy: Mile naa phool to kaanto se dosti kar li…

[lineate][/lineate]Mile na phuul to kaa.NTo.n se dostii kar lii[lineate][/lineate]isii tarah se basar hamane zi.ndagii kar lii[lineate][/lineate]

[lineate][/lineate]Ab aage jo bhii ho a.njaam, dekhaa jaaegaa[lineate][/lineate]Kudaa talaash liyaa aur ba.ndagii kar lii[lineate][/lineate]

[lineate][/lineate]Nazar milii bhii na thii aur unako dekh liyaa[lineate][/lineate]zabaa.n khulii bhii na thii aur baat bhii kar lii[lineate][/lineate]

[lineate][/lineate]Vo jinako pyaar hai chaa.ndii se, ishq sone se[lineate][/lineate]vahii kahe.nge kabhii hamane Kudakashii kar lii[lineate][/lineate]

https://youtube.com/watch?v=EdePhHHjHO0%3F

Okay, just one last sad phool song before I end with happy ones.

This one is from the 1964 movie Chandi Ki Deewar. The singer is Talat Mehmood on Sahir Ludhianvi’s lyrics and N Dutta’s music.

[lineate]Please enjoy: Ashqon mein jo paaya hai, vo geeton mein diya hai,[/lineate]Is par bhi sunaa hai ke zamaane ko gila hai…[lineate][/lineate]

[lineate][/lineate]PHOOL is in the second stanza…[lineate][/lineate]

[lineate][/lineate]Ashko.n ne jo paayaa hai vo giito.n me.n diyaa hai[lineate][/lineate]is par bhii sunaa hai ki zamaane ko gilaa hai[lineate][/lineate]

[lineate][/lineate]Jo taar se nikalii hai vo dhun sab ne sunii hai[lineate][/lineate]jo saaz pe guzarii hai vo kis dil ko pataa hai[lineate][/lineate]ashko.n ne jo paayaa hai …[lineate][/lineate]

[lineate][/lineate]Ham phuul hai.n auro.n ke liye laaye hai.n khushabuu[lineate][/lineate]apane liye le de ke bas ik daaG milaa hai[lineate][/lineate]ashko.n ne jo paayaa hai …

https://youtube.com/watch?v=flBfcMCgVe0%3F

Lets now take up some happy phool songs.

No ‘Special’ on Phool songs can be complete without this Prem Pujari song penned by Neeraj with music by Sachin Dev Burman (since Prem Pujari was a Dev Anand movie). Kishore Kumar sang it.

Please enjoy: Phoolon ke rang se, dil ki kalam se….

[lineate][/lineate]Phuulo.n ke ra.ng se, dil kii kalam se[lineate][/lineate]tujhako likhii roz paatii[lineate][/lineate]kaise bataauu.N, kis kis tarah se[lineate][/lineate]pal pal mujhe tuu sataatii[lineate][/lineate]tere hii sapane, lekar ke soyaa[lineate][/lineate]terii hii yaado.n me.n jaagaa[lineate][/lineate]tere khayaalo.n me.n ulajhaa rahaa yuu.N[lineate][/lineate]jaise ke maalaa me.n dhaagaa[lineate][/lineate]haa.N, baadal bijalii cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]haa.N, itanaa madir, itanaa madhur teraa meraa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]

[lineate][/lineate]saa.Nso.n kii saragam, dha.Dakan kii viinaa,[lineate][/lineate]sapano.n kii giitaa.Njalii tuu[lineate][/lineate]man kii galii me.n, mahake jo haradam,[lineate][/lineate]aisii juhii kii kalii tuu[lineate][/lineate]chhoTaa safar ho, lambaa safar ho,[lineate][/lineate]suunii Dagar ho yaa melaa[lineate][/lineate]yaad tuu aae, man ho jaae, bhii.D ke biich akelaa[lineate][/lineate]haa.N, baadal bijalii, cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]

[lineate][/lineate]puurab ho pachchhim, uttar ho dakkhin[lineate][/lineate]tuu har jagah muskuraae[lineate][/lineate]jitanaa bhii jaauu.N, mai.n duur tujhase,[lineate][/lineate]utanii hii tuu paas aae[lineate][/lineate][lineate][/lineate]aa.Ndhii ne rokaa, paanii ne Tokaa,[lineate][/lineate]duniyaa ne ha.Ns kar pukaaraa[lineate][/lineate]tasaviir terii, lekin liye mai.n, kar aayaa sabase kinaaraa[lineate][/lineate]haa.N, baadal bijalii, cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]

[lineate][/lineate]haa.N, itanaa madir, itanaa madhur teraa meraa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]ka_ii, ka_ii baar… ka_ii, ka_ii baar …[lineate][/lineate]

https://youtube.com/watch?v=TiLLMg3Q5AQ%3F

The 1966 movie Dil Ne Phir Yaad Kiya starred Dharmendra, Nutan and Rehman and some very nice numbers put together by GS Rawal and Sonik Omi. This one is particularly refreshing; sung by Mohammad Rafi.

[lineate][/lineate]Please enjoy: Kaliyon ne ghoonghat khole,[lineate][/lineate]Har phool pe banvara dole….[lineate][/lineate]

[lineate][/lineate]Kaliyo.n ne ghuu.NghaT khole har phuul pe bha.Nvaraa Dole[lineate][/lineate]lo aayaa pyaar kaa mausam gul-o-gulazaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]

[lineate][/lineate]O hoy jab tuu chaman me.n aa_e har gu.nchaa muskaraa_e -2[lineate][/lineate]hai behijaab teraa shabaab ham ho ga_e diivaane[lineate][/lineate]lo aayaa pyaar kaa mausam tere diidaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]

[lineate][/lineate]O hoy har-suu teraa nashaa hai har zarraa pii rahaa hai -2[lineate][/lineate]tuu aafataab jaam-e-shabaab roshan hu_e maiKaane[lineate][/lineate]lo aayaa pyaar kaa mausam visaal-e-yaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]

[lineate][/lineate]O haay jaan-e-bahaar aa jaa dil ke qaraar aa jaa -2[lineate][/lineate]ye shab ye Kvaab ye maahataaab ab to lage ta.Dapaane[lineate][/lineate]lo aayaa pyaar kaa mausam mere diladaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]

https://youtube.com/watch?v=TwLfCH6CL7A%3F

Since we are on the sub theme of happy phool songs, how can we forget this really enchanting duet from 1975 movie Chupke Chupke starring Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bahaduri? Anand Bakshi, SD Burman, Mukesh and Lata have put this together.

Please enjoy: Baagon meinm kaise ye phool khilate hain?

[lineate][/lineate]BaaGo.n me.n kaise ye phuul khilate hai.n[lineate][/lineate]khilate hai.n bha.Nvaro.n se jab phuul milate hai.n[lineate][/lineate]o~ baaGo.n me.n …[lineate][/lineate]

[lineate][/lineate]o~ a Haa~[lineate][/lineate]

[lineate][/lineate]Mausam bahaaro.n ke lagate hai.n kyo.n pyaare[lineate][/lineate]ha.Nsate hai.n rote hai.n kaliyo.n ke sa.ng saare[lineate][/lineate]kaliyo.n ke khilane se dil bhii khilate hai.n[lineate][/lineate]baaGo.n me.n …[lineate][/lineate]

[lineate][/lineate]Achchhaa ab tum bolo aisaa kab hotaa hai[lineate][/lineate]ba.De vo ho mat chhe.Do aisaa tab hotaa hai[lineate][/lineate]jab tere nayano.n se mere nain milate hai.n[lineate][/lineate]baaGo.n me.n …[lineate][/lineate]

https://youtube.com/watch?v=v2lxsXa_Nkk%3F

We haven’t exhausted all the sub-themes of phool songs. But I end up with the Yaad theme. Phool or flowers are beautiful creations of God. When you look at them, if you are away from your love, you think of him or her. There are many songs on this sub theme, eg, Rang rang ke phool khile mujhe bhaaye koi rang na..ab aan milo sajana; and Rajnigandha phool tumhaare mehake younhi jeevan mein. But my favourite is this from the 1967 movie Taqdeer. It is an Anand Bakshi – Laxmikant Pyarelal song sung by various singers.

Please enjoy: Jab jab bahar aayi aur phool muskaraye…

[lineate][/lineate]Jab jab bahaar aa_ii[lineate][/lineate]Aur phool muskuraaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]jab jab bhii chaa.Nd nikalaa[lineate][/lineate]aur taare jagamagaaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]

[lineate][/lineate](ik pyaar aur wafaa kii tasaviir maanataa huu.N) -2[lineate][/lineate]tasaviir kyaa, tumhe.n mai.n taqadiir jaanataa huu.N ho~~[lineate][/lineate]dekhii nazar ne Kushiyaa.N, yaa dekhe Gam ke saaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]

[lineate][/lineate](apanaa ko_ii taraanaa mai.n ne nahii.n banaayaa) -2[lineate][/lineate]tum ne mere labo.n pe har ek sur sajaayaa… o…[lineate][/lineate]jab jab mere taraane duniyaa ne gun_gunaaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]

[lineate][/lineate](mum_kin hai zi.ndagaanii kar jaaye bewafaa_ii) -2[lineate][/lineate]lekin ye pyaar vo hai jis me.n nahii.n judaa_ii… o…[lineate][/lineate]is pyaar ke fasaane jab jab zubaa.N pe aaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]

https://youtube.com/watch?v=mrY6FIQcbYY%3F

On second thoughts the best way to end with the best phool songs is with a bhajan – my favourite form of music.

This is a very beautiful bhajan from the 1954 movie Nastik starring Nalini Jaywant and Ajit. Lyrics are those of Pradeep and music is by C Ramachandra.

This is the only way to love God!

[lineate][/lineate]Tere phoolon se bhi pyaar,[lineate][/lineate]Tere kaanton se bhi pyaar…[lineate][/lineate]

[lineate][/lineate]AmR^it aur zahar dono.n hai.n saagar me.n ek saath[lineate][/lineate]manthan kaa adhikaar hai sab ko phal prabhu tere haath[lineate][/lineate]

[lineate][/lineate]Tere phuulo.n se bhii pyaar[lineate][/lineate]tere kaa.nTo.n se bhii pyaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar[lineate][/lineate]tere phuulo.n se bhii pyaar …[lineate][/lineate]

[lineate][/lineate]Chaahe sukh de yaa dukh, chaahe khushii de yaa Gam -2[lineate][/lineate]maalik jaise bhii rakhegaa vaise rah le.nge ham[lineate][/lineate]maalik rah le.nge ham[lineate][/lineate]chaahe ha.Nsii bharaa sa.nsaar de yaa aa.Nsuo.n kii dhaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar[lineate][/lineate]

[lineate][/lineate]Ham ko dono.n hai.n pasa.nd terii dhuup aur chhaa.Nv -2[lineate][/lineate]daataa kisii bhii dishaa me.n le chal zi.ndagii kii naav[lineate][/lineate]le chal zi.ndagii kii naav[lineate][/lineate]chaahe hame.n lagaa de paar Dubaa de chaahe hame.n ma.njhadhaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar …[lineate][/lineate]

https://youtube.com/watch?v=18CI719CKmQ%3F

I hope you liked my choice of phool songs under various sub-themes.

My next theme is the best of lori (lullaby) songs in Hindi movies. Please keep accessing this blog.

CROSSING FRONTIERS IN THE FRONTIER MAIL

When you join the armed forces, you are perpetually on the move: you are transferred every now and then so that like rolling stones you’d not gather moss as also to learn all the ropes at all the stations; you are also sent on temporary duties. Hence, you become as much familiar with railways as railways are with you.

Three years back I wrote a piece on The Great Indian Train Journey. Although I didn’t describe the armed forces part of it, the armed forces personnel are at home with the railways.

If one were to travel from Bombay to New Delhi and beyond, the one train that was ‘fauji‘ friendly was the Frontier Mail; you could find many armed forces personnel taking the plunge into the train at the last minute and the TTEs generally obliged the ‘faujis‘, not because of their love for the armed forces but because of the promise of unadulterated armed forces quota rum that accompanied the ‘faujis’ like faithful dogs.

The Frontier Mail, started in September 1928 derived its name from its run of more than 2000 kms from Bombay (Churchgate) to Peshawar, the city at India’s border or frontier with Afghanistan. It was the nation’s first high-speed train and did the journey of 2335 kms in 72 hours.

Frontier Mail (Pic courtesy: www.iaslic1955.org)
Frontier Mail (Pic courtesy: www.iaslic1955.org)

In 1930 the London Times had rated Frontier MaIl as the world’s best train. In 1996, its name was changed to Golden Temple Mail. However, it was still the Frontier Mail when I was to board it at Mumbai. And, this time I had a proper reservation and hence no need to exchange good rum for a berth.

When I was at Mumbai Central Railway station waiting for the train, I spotted at least two other fauji officers also waiting. How did I make out that they were fauji? Well, one had Ray Ban goggles in their cover on his belt. The second was a Sikh and his demeanour exuded army. One look at the reservation chart confirmed my inference.

Frontier-Mail

One of them, the one with Ray Ban introduced himself as Major Mehta. I wanted to avoid conversation as I had come to the last part of a James Hedley Chase book that I was reading after my boyhood days, just for fun, and the suspense was killing me.

But it was not to be. Mehta said, “So Ravi Sir, up to where are you going?”

“Delhi” I retorted sharply so that he’d get the hint and shut up.

Army ensures its officers are made of sterner stuff. Undeterred Mehta asked, “Proper Delhi or beyond that?”

How would Major Mehta know anything about my home station Kandaghat in Shimla Hills near Solan? (Read: ‘Home Is Where The Heart Is – Kandaghat In Shimla Hills’)

“Beyond that” I answered whilst turning the page.

“Up to where, Ravi Sir” he asked.

I suspected Mehta’s family were lawyers of repute and adept at cross-examining hardened criminals.

“I might take a bus from outside Ambala Cantt”, I told him irritably.

“Bus to where, Ravi Sir” he asked me ignoring my irritability.

“Bus to hell” I nearly blurted out but at the last minute replaced it with, “Bus to North.”

I had decided that even though Mark Woodward in the Chase novel was certain to face the music because of the dead body having been found behind the roses; but, I would kill Major Mehta if he were to ask me, “North? Where in North, Sir?” and then dispose of the body when the train would cross over a river.

He looked straight into my eyes and asked calmly, “North? Where in North, Sir?”

‘Should I be a Gandhian or should I become Bhagat Singh?’ was for me the equivalent of the Shakespearian ‘To be or not to be’. I had clenched my fists.

Major Mehta suddenly through chuckles asked me, “Ain’t you going to Kandaghat, Ravi bhaiyya?”

“What the hell. …..”, I started; but he continued, “I am going to Solan. I am a class mate of your younger brother JP. I have been to your house Whispering Winds several times.”

To hell with Mark Woodward and JH Chase. In any case I was trying to reread it after many many years.

We had a marvellous time together in the train and later bus. And we didn’t know how time flew. And yes, the rum bottle was opened not for the TTE but for two of us who had crossed several frontiers in the Frontier Mail.

SHE WASN’T MAID FOR US

Unlike our army counterparts who get ‘sahayaks‘ or flunkies to do their chores, the navy officers and ladies have to do everything at home on their own.

When I was undergoing my staff duties course the DSSC (Defence Services Staff College) in Wellington (Nilgiris) I was already of the rank of Commander (equivalent to Lt Col in the army and Wg Cdr in the air force). My wife and I unpacked and set up our house whereas our neighbouring army officers had men doing such jobs. On being posted out, we started packing two weeks in advance, whereas the army officers did the entire thing in two days with a battery of men attending to it. This contrast was also there when we invited people at home; we served on our own whereas they had their flunkies to do it.

I am tempted to relate this incident to you so as to further clear the air. Even our army counterparts are surprised that we don’t have “free” servants. And since we live in metropolitan cities, even the hired help in the form of maid servants is hard to obtain.

As a Cdr in the Navy I stayed opposite a Brigadier in SP Marg flats in New Delhi. One day, we were getting ready to go to an official party when there was a ring at the door. It was the lady next door, the Brigadier’s wife. Unfortunately my wife had opened the door whilst polishing my evening rig’s black shoes. The lady told my wife, “Look at the way the naval officers treat their wives; I mean, it is inhuman to make you polish his shoes. Call him, I will teach him some sense.”

All this was in mock anger because they had become good friends with us and knew our reality.

My wife’s reply, however, took the wind out of her mock anger, “Sorry, he can’t come now since he is ironing my saree.”

When our elder son was born in 1984, our need for a maid servant became the name of famous pictures in Hollywood: paramount. We had to get one since it was now becoming difficult for Lyn to manage especially when I went out sailing.

Our efforts to find one appeared to us more than our combined efforts in producing a son. We appeared to have everything: ‘A’ type accommodation in Meena building in NOFRA (Naval Officers Flats Residential Area) after 22 months of station seniority; a servant quarter and large hearts.

Finally,  after weeks of waiting, one maid servant came to interview us on a sunday. Our interview, in which we eventually failed, went like this:

Maid: Kitne log hain? (Possibly she had learnt this from Gabbar Singh in the movie ‘Sholay’) (How many of you are here?)
We: Do aur ek chhota bachcha. (Only two and an infant)
Maid: Theek hai. Guest kitana aata hai? (Good, how many guests you get?)
We assured her that we hardly get guests.
Maid: Annual leave poora lenge ke nahin? (Will you go on your full annual leave (60 days) or not?)

I told her that earlier we weren’t so particular but now, since my father died recently, I would be taking full leave to go to my home place to look after my widowed mother.
This was very satisfactory to our potential maid and I winked to my wife that so far we had done good.

We didn’t know what was to come. Somewhat similar of those who sleep in their homes oblivious of the fact that Tsunami is just around the corner from them.

Maid: TV hai naa? Mujhe Chitrahaar aur Sunday movie ka shauk hai. (I hope you have a television since I like watching the popular show Chitrahaar)

We had recently acquired a Dyanora Black and White portable TV, the only one I could afford. I proudly pointed towards our possession. The potential maid had one look at it and said, “Ye to chhota hai aur Black and White hai.” (This is small and black and white)

Maid Servant

I have seen many of these court cases in the movies wherein the prosecution, through relentless cross-examination, makes the accused accept his guilt. At this juncture, the accused just hangs his head in shame. A similar thing happened to my wife and I. We hung our heads in shame with the evidence of our poverty.

In the night, my wife whispered to me just before saying good night: “At least buy me a new Jhadoo”. (Broom)

“Don’t take this to heart”, I told her, “Marriages…..and maids are made in heaven and eventually we would get the maid God had made for us.”

And we did.

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