Category: Poems and Lyrics

SHAKEEL BADAYUNI – THE KING AMONGST LYRICISTS AND POETS – PART II

Part II of A Fifteen Days Tribute Leading Up To His Death Anniversary, 20 Apr 13

As I mentioned in the post ‘Shakeel Badayuni – The King Amongst Lyricists And Poets – Part I’, this tribute was done on both: a music group called ‘Dil Ki Nazar Se’ and on my page ‘Lyrical’ on Facebook. This tribute is not about his history or past, for example, being from the town Badayun in Uttar Pradesh, having been born on 3rd Aug 1916 and having completed his journey on earth on 20th April 1970. This post is about his poems, ghazals and songs that are erroneously referred to as Old Hindi Songs (probably because these were sung in Old Hindi Movies) but are actually Old Urdu Songs (Read ‘Urdu – A Language of the Heart’)

I thank everyone who have read the Part I. I was pleasantly surprised to see overwhelming response, which only goes to prove that I share my adoration of Shakeel Badayuni with many others.

Shakeel3

Day – 3

As usual lets start with a ghazal or nazm. This is one of those that when you reach the last couplet, you are fully soaked…

Enjoy: Once again it is King of Ghazals Talat Mehmood singing  a ghazal by the Emperor of Ghazals and Songs: Merii zindagii hai zaalim, tere Gam se aashkaaraa….

merii zi.ndagii hai zaalim tere Gam se aashakaaraa
teraa Gam hai dar haqiiqat mujhe zi.ndagii se pyaaraa

tuu agar buraa na maane to jahaan-e-ra.ng-o-buu me.n
mai.n sukuun-e-dil kii Kaatir ko_ii Dhuu.NDh luu.N sahaaraa

mai.n bataa_uu.N farq naaseh jo hai mujhame.n aur tujhame.n
merii zi.ndagii talaatum terii zi.ndagii kinaaraa

ko_ii ai ‘shakiil’ puuchhe ye junuu.N nahii.n to kyaa hai
ki usiike ho gaye ham jo na ho sakaa hamaaraa

Tonight I am in a mood for the melancholic songs of Dil Diya Dard Liya. On the screen, such songs of intoxication were sung best by Dev Anand; if you recall his songs in Sharabi (Kabhi na kabhi, kahin na kahin, koi na koi to aayega; Saawan ke mahine mein; and Mujhe le chalo phir aaj us gali mein), Manzil (Yaad aa gayin vo nasheeli nigaahen) and Guide (Din dhal jaaye, raat naa jaaye) and Hum Dono (Kabhi khud pe kabhi halaat pe rona aaya) etc. However, Dilip Kumar was no less (remember: mujhe duniya waalo sharaabi na samajho) and especially since Shakeel wrote songs for him, how would he do it? See for yourself in his songs for the 1966 movie Dil Diya Dard Liya (What a barter!). The movie was based on Emile Bronte’s Wuthering Heights, that was amongst the first of the novels that I read. I am going to give you several songs from the movie, all sung by Mohammad Rafi and all with Naushad‘s music.

The first one is Guzren hain aaj ishq mein hum us maqaam se, Nafrat si ho gayi hai mohabbat ke naam se..

Enjoy: guzare hai.n aaj ishq me.n ham us maqaam se…

guzare hai.n aaj ishq me.n ham us maqaam se
nafarat sii ho ga_ii hai muhabbat ke naam se

hamako na ye gumaan thaa, o sa.ngadil sanam
raah-e-vafaa se tere bahak jaae.nge qadam
chhalakegaa zahar bhii terii aa.Nkho.n ke jaam se

o bevafaa teraa bhii yuu.N hii TuuT jaae dil
tuu bhii ta.Dap-ta.Dap ke pukaare haay dil
teraa bhii saamanaa ho kabhii, Gam kii shaam se

ham vo nahii.n jo pyaar me.n rokar guzaar de.n
parachhaaI.n bhii ho terii to Thokar se maar de.n
vaaqif hai.n ham bhii Kuub har ek i.ntaqaam se

When you have unrequited love, liquor and wine don’t help. They only help to enhance your sadness. Shakeel has given a similar thought to this song whose lyrics reverberate in your mind long after you finish listening to the song. I am giving you the lyrics here so that you can enjoy even when the song is being loaded.

Enjoy: Koi saagar dil ko behlaata nahin…

koii saagar dil ko bahalaataa nahii.n – 2
bekhudii me.n bhii qaraar aataa nahii.n, koI saagar …

mai.n koI patthar nahii.n inasaan huu.N – 2
kaise kah duu.N Gam se ghabaraataa nahii.n
koI saagar …

kal to sab the kaaravaa.N ke saath saath – 2
aaj koI raah dikhalaataa nahii.n
koI saagar …

zi.ndagii ke aa_ine ko to.D do – 2
isame.n ab kuchh bhii nazar aataa nahii.n
koI saagar …

Lets also hear the title song about this barter between giving someone your heart and getting heartache in return. To understand this barter, one has to know the story. In short it is: A kind-hearted, widowed landlord, Thakur, lives a wealthy lifestyle with his son, Ramesh; daughter, Roopa; and an adopted child, Shankar. Ramesh hates Shankar and often abuses him.Years pass by. Thakur dies, and all three children have grown up. Ramesh (Pran) frequents a beautiful courtesan, drinks alcohol, and continues to abuse and mercilessly beat Shankar (Dilip Kumar), who bears this in silence, as he and Roopa (Waheeda Rehman) are in love with each other. When Ramesh finds out that Roopa wants to wed Shankar, he has him severely beaten and thrown off a cliff. Ramesh then arranges Roopa’s marriage to another wealthy man, Satish (Rehman), while he continues to romance Tarabai (Rani) and even signs over his entire estate and home to her.

A few years later, Shankar returns as the wealthy Raja of Belapur. He is fully prepared to compromise with Ramesh and propose to Roopa. He finds out that nothing has changed, however. Ramesh, though rendered penniless by Tara, still hates Shankar. Satish is engaged to Roopa and a marriage date has been fixed. Shankar’s love is now replaced by vengeance and hate, and all he can think of is destroying the lives of Ramesh, Roopa, Satish and his sister, Mala (Shyama), and he devises several plans to destroy his opponents’ lives. He abuses and insults Roopa, attempting to avenge himself upon her for her apparent unfaithfulness by romancing Mala, but love conquers all in the end.

Anyway, we are not at the end of the story but at the title song.

Enjoy: Dlruba maine tere pyaar mein kya kya na kiya, Dil diya dard liya….

dilarubaa maine tere pyaar me.n kyaa-kyaa naa kiyaa
dil diyaa dard liyaa -2
kabhii phuulo.n me.n guzaarii kabhii kaa.NTo.n pe jiyaa
dil diyaa dard liyaa -2

zindagii aaj bhii hai bekhudii aaj bhii hai
pyaar kahate hai.n jise vo Kushii aaj bhii hai
maine din-raat mohabbat kaa terii jaam piyaa
dil diyaa dard liyaa -2
dilarubaa maine tere …

kyaa kahuu.N tere li_e maine aa.Nsuu bhii pi_e
kabhii Kaamosh rahaa kabhii shikave bhii ki_e
kar liyaa chaaq garebaa.n kabhii daaman ko siyaa
dil diyaa dard liyaa -2
dilarubaa maine tere …

pyaar kii aan hai tuu dil kaa aramaan hai tuu
kaun duniyaa se Dare jab nigehabaan hai tuu
apanii kashtii ko sahaare pe tere chho.D diyaa
dil diyaa dard liyaa -2
dilarubaa maine tere …

One of my friends wants me to put up songs from Bees Saal Baad and here they are. The movie is extremely close to my heart because of several reasons:Shakeel Badayuni was given the Best Lyricist award for Kahin deep jale kahin dil.
Hemant Kumar produced the movie.
Hemant Kumar composed the music.
Hemant Kumar sang some of the songs.
It was based on Sherlock Holmes’ The Hound of Baskerville and as a boy these used to be my favourite stories.
Bees Saal Baad also belonged to Lata Mangeshkar and has some of her finest songs. Lets start with this song for which Shakeel received the Best Lyricist Award for 1962.Enjoy: Kahin deep jale kahin dil…a piano number

kahii.n diip jale kahii.n dil
zaraa dekh le aa kar paravaane
terii kaun sii hai ma.nzil
kahii.n diip jale kahii.n dil

meraa giit tere dil kii pukaar hai
jahaa.N mai.n huu.N vahii.n teraa pyaar hai
meraa dil hai terii mahafil
zaraa dekh le aa kar paravaane
terii kaun sii hai ma.nzil
kahii.n diip jale kahii.n dil

naa mai.n sapanaa huu.N naa ko_ii raaz huu.N
ek dard bharii aavaaz huu.N
piyaa der na kar, aa mil
zaraa dekh le aa kar paravaane
terii kaun sii hai ma.nzil
kahii.n diip jale kahii.n dil

dushman hai.n hazaaro.n yahaa.N jaan ke
zaraa milanaa nazar pahachaan ke
ka_ii ruup me.n hai.n qaatil
zaraa dekh le aa kar paravaane
terii kaun sii hai ma.nzil
kahii.n diip jale kahii.n dil

https://www.youtube.com/watch?v=NHNb5uypKvA
Even though Shakeel Badayuni got the Best Lyricst award for Kahin deep jale kahin dil, the song or ghazal close to my heart is this and Lata Mangeshkar has sung this rather well.

Enjoy: Ai mohabbat meri duniya mein tera kaam na tha…

ai mohabbat merii duniyaa me.n teraa kaam na thaa
tuu naa aa_ii thii to Gam kaa bhii kahii.n naam na thaa
ai mohabbat merii duniyaa …

jaane kyuu.N aaj hai shikavaa mujhe duniyaa bhar se
isase pahale to kisii par ko_ii ilzaam na thaa
ai mohabbat merii duniyaa …

merii qismat ki mujhe ashq hii piine ko mile
mere hisse me.n mohabbat kaa ko_ii jaam na thaa
ai mohabbat merii duniyaa …

dene vaale mujhe kyo.n tuune mohabbat de dii
kyaa mujhe ishq se pahale ko_ii aaraam na thaa
ai mohabbat merii duniyaa …

https://www.youtube.com/watch?v=jPf9T1O8aEI
To end tonight, I leave you with a promise for more Shakeel songs and ghazals tomorrow. To depict this theme is this lovable song from the 1968 movie Aadmi starring Waheeda Rehman and Dilip Kumar and Manoj Kumar. Music is by Naushad.

Enjoy: Lata Mangeshkar singing Kal ke sapne aaj bhi aana,
Pritam ko bhi saath mein laana…

It was sung by the Queen of Melody, Lata Mangeshkar, on K Mahavir’s music.

kal ke sapane aaj bhii aanaa
priitam ko bhii saath me.n laanaa
kal ke sapane …

aaj bhii din hai madhur suhaanaa baaj rahii hai man kii baa.Nsuriyaa
naino.n ke taT pe prem ke path pe lauT ke ab to aajaa saa.Nvariyaa
mai.n bhii sunaa_uu.N dil kaa taraanaa -2
kal ke sapane …

jhuumate baadal gaate jharane aaj kisii ko Dhuu.NDh rahe hai.n
mai.n to ye jaanuu.N saare nazaare sajanaa tumako Dhuu.NDh rahe hai.n
aaj mujhe bhii daras dikhaanaa -2
kal ke sapane …

merii nagariyaa aa more rasiyaa Dagar-Dagar mai.n a.Nkhiyaa.N bichhaa_uu.N
dil me.n biThaa ke nain milaa ke janam-janam kii pyaas bujhaa_uu.N
tohe sikhaa_uu.N priit nibhaanaa -2
kal ke sapane …

Day – 4

Lets start with our usual ghazal: Aankh se aankh milata hai koi…

aa.Nkh se aa.Nkh milaataa hai koii
dil ko khii.nche liye jaataa hai koii

hai ye hairat ki bharii mahafil me.n
mujhako tanhaa nazar aataa hai koii

chaahiye Kud pe yaqiin-e-qaamil
hausalaa kisakaa ba.Dhaataa hai koii

sab karishmaat-e-tasavvur hai shaqiil
van.raa aataa hai na jaataa hai koii

Shakeel Badayuni had a long association with the Music Director Naushad, Mohammad Rafi – the singer, and Dilip Kumar the actor. The 1950 movie Babul had all of them together.Those were the days when movies usually had six to eight songs. But, Babul had as many as thirteen and all of them great hits! You can gauge the success of the movie from the fact that the movie became the second highest grosser of the year with 1.25 Crore Rupees of earnings!

Here are the songs:

Bachapan yaad aaye (dha.Dake meraa dil, mujhako)
Chhod babul kaa ghar mohe pii ke nagar.
Duniyaa badal gayi.
Husn vaalon ko na dil do ye miTaa dete hain.
Huve majabuur ham … kisii ke dil me.n rahanaa thaa.
Jaadu bhare naino.n me.n Dole jiyaa, terii qasam.
Lagan more man kii balam nahii.n jaane.
Meraa jiivan saathii bichha.D gayaa.
Milate hii aa.nkhe.n dil huaa diivaanaa kisiikaa.
Na sochaa thaa ye dil lagaane ke pahale.
Nadiyaa me.n uThaa hai shor … shaam suhaanii aa_ii.
Nadi kinaare.
pa.nchhii ban me.n piyaa\-piyaa gaane lagaa.

As you can see from the list, all of them have been penned beautifully. Lets take one tonight as I want to turn in early.

The song that I have selected is the duet sung between Talat Mahmood and Shamshad Begum.

Enjoy: Milate hi aankhen dil hua deewaana kis ka,
Afsaana mera ban gaya afsaana kisi ka…

This too is a piano number!

ta: milate hii aa.Nkhe.n dil huaa diivaanaa kisiikaa
sh: milate hii aa.Nkhe.n dil huaa diivaanaa kisiikaa
ta: afasaanaa meraa ban gayaa, afasaanaa kisiikaa
sh: afasaanaa meraa ban gayaa, afasaanaa kisiikaa

ta: puuchho naa mohabbat kaa asara, haay na puuchho
haay naa puuchho
sh: puuchho naa mohabbat kaa asara, haay na puuchho
haay naa puuchho
ta: dam bhara me.n koI ho gayaa, paravaanaa kisiikaa
sh: dam bhara me.n koI ho gayaa, paravaanaa kisiikaa
dono: afasaanaa meraa ban gayaa, afasaanaa kisiikaa
milate hii aa.Nkhe.n dil huaa diivaanaa kisiikaa

ta: ha.nsate hii naa aa jaaye.n kahii.n, aa.Nkho.n me.n aa.Nsuu
aa.Nkho.n me.n aa.Nsuu
sh: ha.nste hii naa aa jaaye.n kahii.n, aa.Nkho.n me.n aa.Nsuu
aa.Nkho.n me.n aa.Nsuu
ta: bharate hii chhalaka jaaye naa, paimaanaa kisiikaa
sh: bharate hii chhalaka jaaye naa, paimaanaa kisiikaa
dono: afasaanaa meraa ban gayaa, afasaanaa kisiikA

https://www.youtube.com/watch?v=GXFURlgbMF0

Alright, just one more number since two is hardly anything to keep you all going. Here is a Lata Mangeshkar number from Babul in 1950. Marvel at the beauty of her voice even then, 63 years back!Enjoy: Lagan mere man ki balam nahin jaane…

It is picturised on Nargis who acted opposite Dilip Kumar.

lagan more man kii balam nahii.n jaane -2
balam nahii.n jaane sajan nahii.n jaane
lagan more man kii balam nahii.n jaane

laaj kii maarii mai.n to mu.Nh se naa boluu.N
mu.Nh se naa boluu.N
bhed kisii se kabhii dil ke na kholuu.N
dil ke na kholuu.N
Thes jiyaa pe laage -2
chhup-chhup ro luu.N -2
ta.Dap birahan kii balam nahii.n jaane
balam nahii.n jaane sajan nahii.n jaane
lagan more man kii balam nahii.n jaane

Duub na jaaye.n kahii.n aashaa ke taare
aashaa ke taare
nain churaa ke haay saiyaa.N hamaare
saiyaa.N hamaare
nehaa lagaane gaye -2
sautan dwaare -2
kadar mere dhan kii balam nahii.n jaane
balam nahii.n jaane sajan nahii.n jaane
lagan more man kii balam nahii.n jaane

Day – 5

Let me do something different today; let me not start with his ghazal but with a song. Yesterday, we talked about the 1952 movie Babul and how the film had thirteen songs and all of them hit. We shall come to that later. Lets talk about another super hit movie of my times: Aan starring Dilip Kumar, Nimmi, Nadira and Premnath. It was directed by Mehboob Khan, who later became famous for setting up Mehboob Studios in Bandra; as also for his 1957 movie Mother India.

Aan was the highest grosser of that year and all its ten songs became popular. Music Director was Naushad. Here is the list of songs:

1.”Maan Mera Ehsan” — Mohammed Rafi
2.”Dil Mein Chhupake Pyar Ka” — Mohammed Rafi
3.”Tujhe Kho Diya Hamne” — Lata Mangeshkar
4.”Aaj Mere Man Mein” — Lata Mangeshkar, Chorus
5.”Mohabbat Choome Jinke Haath” — Mohammed Rafi
6.”Gao Tarane Man Ke” — Mohammed Rafi, Lata Mangeshkar, Shamshad Begum
7.”Takra Gaya Tumse” — Mohammed Rafi
8.”Khelo Raang Hamare Sang” — Shamshad Begum, Lata Mangeshkar
9.”Aag Lagi Tan Man Mein” — Shamshad Begum
10.”Mein Raani Hoon Raja Ki” — Shamshad Begum

One doesn’t know where to start!

Anyway, let me start with one of my favourite Shakeel Badayuni number.

Enjoy: Dil mein chhupa ke pyaar ka toofan le chale…

dil me.n chhupaa ke pyaar kaa tuufaan le chale
ham aaj apanii maut kaa saamaan le chale
maut kaa saamaan le chale
dil me.n chhupaa ke pyaar kaa tuufaan le chale

ha ha haa a aa
miTataa hai kaun dekhiye ulafat kii raah me.n
he
ulafat kii raah me.n
miTataa hai kaun dekhiye ulafat kii raah me.n
wo le chale hai.n aan to ham jaan le chale
maut kaa saamaan le chale
dil me.n chhupaa ke pyaar kaa tuufaan le chale

ha ha haa a aa
manzil pe hogaa faisalaa qisamat ke khel kaa
aa
qisamat ke khel kaa
manzil pe hogaa faisalaa qisamat ke khel kaa
kar de jo dil kaa Kuun wo mehamaan le chale
maut kaa saamaan le chale
dil me.n chhupaa ke pyaar kaa tuufaan le chale

https://www.youtube.com/watch?v=Dua-vIwaNQ4

Lets take one more song from the 1952 movie Aan. During those days, it was common for a woman to think of her lover as Krishna whilst thinking of herself as Radha. Needless to say Shakeel excelled in such songs. This one is a very enchanting number.

Enjoy: Aaj mere man mein sakhi baansuri bajaae koi
Pyaar bhare geet sakhi baar-baar gaaye koi

la: aa haa haa…
aaj mere man me.n sakhii baa.Nsurii bajaae koii
aaj mere man me.n…
aaj mere man me.n sakhii baa.Nsurii bajaae koii
pyaar bhare giit sakhii baar-baar gaa_e koii
baa.Nsurii bajaae…
baa.Nsurii bajaae, sakhii gaa_e sakhii re, koii chhailavaa ho
ko: koii alabelavaa ho, koii chhailavaa ho
la: ra.Ng merii javaanii kaa ki_e jhuumataa ghar aayaa hai saavan
ko: ra.Ng merii javaanii kaa ki_e jhuumataa ghar aayaa hai saavan
la: aa haa haa…
ho sakhii, ho re sakhii, aayaa hai saavan
ko: mere naino.n me.n hai saajan

la: in uu.Ndii ghaTaao.n me.n, havaao.n me.n sakhii, naache meraa man
ho sakhii, naache meraa man
ko: ho aa.Ngan me.n saavan man-bhaavan ho jii
la: ho, in uu.Ndii ghaTaao.n me.n, havaao.n me.n sakhii, naache meraa man
ko: lallaa laalaa laa laalaa
la: dil ke hi.nDole pe mohe jhuule na jhulaae koii
ko: pyaar bhare giit sakhii, baar-baar gaa_e koii
la: baa.Nsurii bajaae sakhii gaae sakhii re
koii chhailavaa ho
ko: koii alabelavaa ho, koii chhailavaa ho

la: kahataa hai ishaaro.n me.n koii
aa mohe ambu_aa ke tale mil
ko: bhalaa vo kaun hai ghaayal
kahataa hai ishaaro.n me.n koii
aa mohe ambu_aa ke tale mil
la: mai.n naam na luu.N
aaj lage laaj sakhii dha.Dake meraa dil ho sakhii dha.Dake meraa dil
ko: ho aa.Ngan me.n saavan man-bhaavan ho jii
la: ho, mai.n naam na luu.N
aaj lage laaj sakhii dha.Dake meraa dil ho sakhii dha.Dake meraa dil
ko: lallaa laalaa laa laalaa
la: taar pe jiivan ke madhur raaginii sunaae koii
ko: pyaar bhare giit sakhii baar-baar gaa_e koii
la: baa.Nsurii bajaae sakhii gaae sakhii re
la: koii chhailavaa ho
ko: koii alabelavaa ho, koii chhailavaa ho

Will they ever make songs like this again? This is from the 1950 movie Babul with Dilip Kumar and Nargis making it a great movie to watch. It is a Shakeel – Naushad song but look at the number of singers who put this together: Mohammad Rafi, Talat Mahmood, Shamshad Begum and Chorus.

Enjoy: Chhod babul ka ghar, mohe pi ke nagar aaj jaana pada…

Part I

sha : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa
o
aaj jaanaa pa.Daa
ko : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa

sha : yaad mayake kii tan se bhulaaye chalii
ko : haa.N bhulaaye chalii
sha : priit saajan kii man me.n basaaye chalii
ko : haa.N basaaye chalii
sha : yaad kar ke ye ghar, ro_ii.n aa.Nkhe.n magar
muskuraanaa pa.Daa
o
aaj jaanaa pa.Daa

ko : ( chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa ) -2

Part II

ta : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa

sha : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa
o
aaj jaanaa pa.Daa
ko : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa

sha : sa.ng sakhiyo.n ke bachapan bitaatii thii mai.n
ko : haa.N bitaatii thii mai.n
sha : byaah gu.Diyo.n kaa ha.Ns-ha.Ns rachaatii thii mai.n
ko : haa.N rachaatii thii mai.n
sha : sab se mu.Nh mo.D kar, kyaa bataa_uu.N kidhar
dil lagaanaa pa.Daa
o
aaj jaanaa pa.Daa

ko : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa

Part III

ta : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa
ho
aaj jaanaa pa.Daa

pahan ulafat kaa gahanaa dulhan mai.n banii
Dolaa aayaa piyaa kaa sakhii mai.n chalii
ye thaa jhuuThaa nagar, isaliye chho.D kar,
mohe jaanaa pa.Daa
o
aaj jaanaa pa.Daa

ko : aa

ra : aa_o saajan kha.De hai.n duwaar
lene ko aaye kahaar
Dolii me.n ho jaa sawaar

Male Voice?

Kushii ke saath duniyaa me.n hazaaro.n Gam bhii hote hai.n
jahaa.N bajatii hai.n shanaa_ii wahaa.N maatam bhii hote hai.n

sha : ye thaa jhuuThaa nagar, isaliye chho.D kar,
mohe jaanaa pa.Daa
o
aaj jaanaa pa.Daa

ko : chho.D baabul kaa ghar, mohe pii ke nagar
aaj jaanaa pa.Daa

Since I had earlier claimed that Shakeel was the best for describing husn (a la Chaudhvinh Ka Chand), here is yet another song to depict this. This is from the 1961 movie Gharana. Ravi composed the music just as he did in CKC. However, once gain Rafi sang it, this time for Rajendra Kumar singing in praise of Asha Parekh.Enjoy: Husn waale tera jawaab nahin
Koi tujhasa nahin hazaron mein…

husn vaale teraa javaab nahii.n
koI tujh-saa nahii.n hazaaro.n me.n

tuu hai aisii kalii jo gulashan me.n
saath apane bahaar laayii ho
tuu hai aisii kiraN jo raat Dhale
chaa.Ndanii me.n nahaa ke aayii ho
ye teraa nuur ye tere jalave
jis tarah chaa.Nd ho sitaaro.n me.n
husn vaale …

terI aa.Nkho.n me.n aisii mastii hai
jaise chhalake hue ho.n paimaane
tere ho.nTho.n pe vo khaamoshii hai
jaise bikhare hue ho.n afasaane
terii zulfo.n kii aisii ra.ngat hai
jaise kaalii ghaTaa bahaaro.n me.n
husn vaale …

terii suurat jo dekh le shaayar
apane shero.n me.n taazagii bhar le
ek musavvir jo tujh ko paa jaae
apane Kvaabo.n me.n zi.ndagii bhar le
naGamaagar Dhuu.NDh le agar tujh ko
dard bhar le vo dil ke taaro.n me.n
husn vaale teraa javaab nahii.n …

https://www.youtube.com/watch?v=1Pn81ApIsfs

Tonight, lets end with a ghazal of his:

ruuh ko ta.Dapaa rahii hai un kii yaad
dard ban kar chhaa rahii hai un kii yaad
[ruuh=soul]

ishq se ghabaraa rahii hai un kii yaad
rukate rukate aa rahii hai un kii yaad

vo ha.Nse vo zer-e-lab kuchh kah uThe
Khvaab se dikhalaa rahii hai un kii yaad
[zer-e-lab=in a whisper/undertone]

mai.n to Khuddaarii kaa qaa_il huu.N magar
kyaa karuu.N phir aa rahii hai un kii yaad
[Khuddaarii=self-respect; qaa_il=in favour of/have faith in]

ab Khayaal-e-tark-e-rabt zabt hii se hai
Khud ba Khud sharmaa rahii hai un kii yaad
[Khayaal-e-tark=Thought of giving up; rabt=affinity]
[zabt=tolerance; Khud-ba-Khud=by itself (apane aap)]

Day – 6

Shakeel started taking part in mushairas at the age of twenty. It was only 8 years later that he moved to Bombay from Aligarh to write songs for movies. His friendship with music directors Naushad and Ravi is well known. Naushad gave him his break after asking him to describe his skill in just one line. This is what Shakeel wrote:

Hum dard Ka Afsana Duniya Ko Suna Denge,
Har Dil Main Mohabbat Ki Ek aag Laga Denge.

Shakeel, therefore, is all about dard and mohabbat. Here is one of his famous ghazals:

[lineate][/lineate]Kaise kah duu.N ki mulaaqaat nahii.n hotii hai[lineate][/lineate][lineate][/lineate]roz milate hai.n magar baat nahii.n hotii hai[lineate][/lineate]

[lineate][/lineate]aap lillaah na dekhaa kare.n aaiinaa kabhii[lineate][/lineate][lineate][/lineate]dil kaa aa jaanaa ba.Dii baat nahii.n hotii hai[lineate][/lineate]

[lineate][/lineate]chhup ke rotaa huu.N terii yaad me.n duniyaa bhar se[lineate][/lineate][lineate][/lineate]kab merii aa.Nkh se barasaat nahii.n hotii hai[lineate][/lineate]

[lineate][/lineate]haal-e-dil puuchhane vaale terii duniyaa me.n kabhii[lineate][/lineate][lineate][/lineate]din to hotaa hai magar raat nahii.n hotii hai[lineate][/lineate]

[lineate][/lineate]Jab bhii milate hai.n to kahate hai.n kaise ho “Shakeel”[lineate][/lineate]is se aage to koii baat nahii.n hotii hai[lineate][/lineate]

The name of this 1964 movie is Kaise Kahoon, a question that Shakeel Badayuni never would have asked; since he knew precisely how to express himself through words.

Unrequited love…but Shakeel made the heroine say:

tum hame.n pyaar karo yaa na karo
ham tumhe.n pyaar ki_e jaa_e.Nge
chaahe qismat me.n Kushii ho ke na ho
Gam uThaakar hii ji_e jaa_e.Nge
tum hame.n pyaar …

ham nahii.n vo jo Gam-e-ishq se ghabaraa jaa_e.N
ho ke maayuus zubaa.N par ko_ii shikavaa laa_e.N
chaahe kitanaa hii ba.Dhe dard-e-jigar
apane ho.nTho.n ko si_e jaa_e.Nge
tum hame.n pyaar …

tum salaamat ho to ham chain bhii paa hii le.nge
kisii suurat se lagii dil kii bujhaa hii le.nge
pyaar kaa jaam mile yaa na mile
ham to aa.Nsuu bhii pi_e jaa_e.Nge
tum hame.n pyaar …

to.D dii aas to phir itanaa hii ehasaan karo
dil me.n rahanaa jo na chaaho to nazar hii me.n raho
Thes lagatii jo hai dil par to lage
Gam uThaakar hii ji_e jaa_e.Nge
tum hame.n pyaar …

Day – 7

Many of my friends know that I am emotional about the title song of the 1963 movie Mere Mehboob. For reasons that I can’t share, I can never share this song; it is too sacred because of the emotions expressed in the song. However, I can take you through some of the other songs that Shakeel Badayuni crafted. Other than the title songs, there were seven songs in the movie that starred Rajendra Kumar and Sadhana in the lead roles:

“Mere Mehboob Tujhe” Mohammad Rafi
“Tere Pyar Mein Dildar” Lata Mangeshkar
“E – Husn Jara Jaag” Mohammad Rafi
“Mere Mehboob Mein Kya Nahin” Lata Mangeshkar and Asha Bhosle
“Tumse Izhar – E -Haal Kar Baithe” Mohammad Rafi
“Janeman Ek Nazar Dekh Le” Lata Mangeshkar and Asha Bhosle
“Yaad Mein Teri” Lata Mangeshkar and Mohammad Rafi
“Allah Bachaye Naujawano Se” Lata Mangeshkar
“Mere Mehboob Tujhe (Female)” – Lata Mangeshkar

What a treat! Lets start with Yaad Mein Teri jag jag ke ham raat bhar karvaten badalate hain….Mere Mehboob has music by Naushad and this song is a duet between Rafi and Lata.

Enjoy: yaad me.n terI jaag-jaag ke ham
raat bhar karavaTe.n badalate hai.n

yaad me.n terI jaag-jaag ke ham
raat bhar karavaTe.n badalate hai.n
har gha.Dii dil me.n terI ulfat ke
dhiime dhiime chiraaG jalate hai.n

jabase tUne nigaah pherii hai
din hai suunaa to raat a.ndherii hai
chaa.Nd bhI ab najar nahii.n AtA
ab sitaare bhI kam nikalate hai.n
yaad me.n terI jaag-jaag ke ham …

luT gayii vo bahaar kI mahafil
chhuT gayii hamase pyaar kI ma.nzil
zi.ndagii kI udaas rAho.n me.n
terI yaado.n ke sAth chalate hai.n
yaad me.n terI jaag-jaag ke ham …

tujhako paakar hame.n bahaar milii
tujhase chhuTakar magar ye baat khulii
baaGabaan hii chaman ke phuulo.n ko
apane pairo.n se khud masalate hai.n
yaad me.n terI jaag-jaag ke ham …

kyA kahe.n tujhase kyuu.n huii duurii
ham samajhate hai.n apanii majabuurii
tujhako maaluum kyA ke tere liye
dil ke gam aa.Nsuo.n me.n Dhalate hai.n
yaad me.n terI jaag-jaag ke ham …

Shall we run a parallel between Mere Mehboob of 1963 and Mughal-e-Azam of 1960 since the profile picture of this group shows a song each from the two movies on wither side of the picture of the greatest Lyricist of all times: Shakeel Badayuni?

Mughal-E-Azam (English: The Greatest of the Mughals) is a 1960 Indian period epic film directed by K. Asif and produced by Shapoorji Pallonji. The film featured Prithviraj Kapoor, Dilip Kumar, Madhubala and Durga Khote in pivotal roles. Dilip Kumar was Prince Salim to Akbar the Great and Madhubala was Anarkali, a court dancer. Both fell in love.Whilst I can never put up the right hand side song from Mere Mehboob sung in the Aligarh Muslim University, I can at least put up the song depicted by the picture on the left hand side. Once gain Naushad is the music director and the song is sung by Lata Mangeshkar for Madhubala (as Anarkali) and Shamshad Begum for Nigar Sulatana as Bahar.
Enjoy: Teri mehfil mein kismet aazma kar ham bhi dekhenge…

(aalaap)
s: terI mahafil me.n kismat aazamaa kar ham bhI dekhe.nge
gha.Dii bhar ko tere nazadiik aakar ham bhI dekhe.nge – 2
ajii haa.n ham bhI dekhe.nge – 2

l: terI mahafil me.n kismat aazamaa kar ham bhI dekhe.nge
tere kadamo.n pe sar apanaa jhukaa kar ham bhI dekhe.nge – 2
ajii haa.n ham bhI dekhe.nge – 2

s: bahaare.n aaj paiGaam-e-mohabbat le ke aaii hai.n
ba.DI muddat me.n ummiido.n kii kaliyaa.n muskuraaI hai.n
ba.DI muddat me.n ajii haa.n
ba.DI muddat me.n ummiido.n kii kaliyaa.n muskuraaI hai.n
Gam-e-dil se jaraa daaman bachaakar ham bhI dekhe.nge – 2
ajii haa.n ham bhI dekhe.nge

l: agar dil Gam se khaalii ho to jiine kA mazaa kyA hai
nA ho khuun-e-jigar to ashq piine kA mazaa kyA hai
nA ho khuun-e-jigar haa.n haa.n
nA ho khuun-e-jigar to ashq piine kA mazaa kyA hai
mohabbat me.n jaraa aa.Nsuu bahaakar ham bhI dekhe.nge – 2
ajii haa.n ham bhI dekhe.nge

s: mohabbat karane vaalo kA hai bas itanaa hii afasaanaa
ta.Dapanaa chupake chupake aahe.n bharanaa ghuT ke mar jaanaa
ta.Dapanaa chupake chupake haa.n haa.n
ta.Dapanaa chupake chupake aahe.n bharanaa ghuT ke mar jaanaa
kisii din ye tamaashaa muskuraa kar ham bhI dekhe.nge – 2
terI mahafil me.n kismat aazamaa kar ham bhI dekhe.nge
ajii haa.n ham bhI dekhe.nge

l: mohabbat hamane maanaa zindagii barabaad karatii hai
ye kyA kam hai ke mar jaane se duniyA yaad karatii hai
ye kyA kam hai ajii haa.n haa.N
ye kyA kam hai ke mar jaane se duniyA yaad karatii hai
kisii ke ishq me.n duniyA luTaakar ham bhI dekhe.nge – 2
terI mahafil me.n kismat aazamaa kar ham bhI dekhe.nge

l: tere kadamo.n pe sar apanaa jhukaakar aa aa …
s: gha.Dii bhar ko tere nazadiik aakar aa aa …
dono.n: terI mahafil me.n kismat aazamaa kar ham bhI dekhe.nge
s: ajii haa.n ham bhI dekhe.nge
l: ajii haa.n ham bhI dekhe.nge

https://www.youtube.com/watch?v=TC7LyI1GVYw

Returning to Mere Mehboob; yes, it has Shakeel Badayuni’s trademark husn song…and what a song it was! Some of the most beautiful lines have been written by Shakeel for this song. Naushad has done well to give it appropriate music and once again the voice is that of Mohammad Rafi.I feel that the complete lyrics need to be reproduced here to assimilate their beauty.
Enjoy: Ai husn zara jag tujhe ishq jagaye…

ai husn zaraa jaag tujhe ishk jagaaye
badale merii takadIr jo tU hosh me.n aaye (2)

ye pyaara ke nagame ye muhabbat ke taraane
tujhako ba.De aramaan se laayaa huu.N sunaane
ummId mere dil kii kahii.n TUT na jaaye
ye husn …

saaz-e-dile khaamosh me.n ek soj jagaa de
tU bhii merii Avaaz me.n Avaaz milaa de
aayaa huu.N tere dar pe ba.Dii aas lagaaye
ye husn …

ai shammaa tU aajaa zaraa chilamanase nikalake
hasarat hai ki rahaa jaa_uu.n terii aag me.n jalake
paravaanaa vo kyaa tujhape jo miTakar naa dikhaa de
ye husn …

https://www.youtube.com/watch?v=pnFYfKahhdY

Mughal-e-Azam belonged to Lata Mangeshkar just as Mere Mehboob belonged to Mohammad Rafi. I have earlier put up Mohabbat ki jhooti kahani pe roye when Anarkali was thrown into the dungeon by the Emperor Akbar. Bekas pe karam kijiye was the second song in the cell and is the plaintive cry of Anarkali for mercy and justice. The lyrics are great.

Enjoy: Beqas pe karam kijiye sarkar-e madina….
ai mere mushkil-kushaa, fariyaad hai, fariyaad hai
aapake hote hue duniyaa merii barabaad haibekas pe karam kiijiye, sarkaar-e-madiinaa
bekas pe karam kiijiye
gardish me.n hai taqadiir bha.Nvar me.n hai safiina -2
bekas pe karam kiijiye, sarkaar-e-madiinaa
bekas pe karam kiijiyehai vaqt-e-madad aaii biga.Dii ko banaane
goshiidaa nahii.n aapase kuchh dil ke fasaane
zaKmo.n se bharaa hai kisii majabuur kaa siinaa
bekas pe karam kiijiye …chhaaii hai musiibat kii ghaTaa gesuo.n vaale, gesuo.n vaale
lillaah merii Duubatii kashtii ko bachaale
tuufaan ke aasaar hai.n, dushvaar hai jiinaa
bekas pe karam kiijiye …

gardish me.n hai taqadiir bha.Nvar me.n hai safiina
bekas pe karam kiijiye, sarkaar-e-madiinaa
bekas pe karam kiijiye

ai mere mushkil-kushaa, fariyaad hai, fariyaad hai

https://www.youtube.com/watch?v=DaeiwBG_DbE

Lets end tonight with a ghazal of Shakeel Badayuni:[lineate][/lineate]Terii mahafil se uThakar ishq ke maaro.n pe kyaa guzarii[lineate][/lineate][lineate][/lineate]muKhaalif ik jahaa.N thaa jaane bechaaro.n pe kyaa guzarii[lineate][/lineate]

[lineate][/lineate]sahar ko ruKhsat-e-biimaar-e-furqat dekhane vaalo kisii ne ye bhii dekhaa[lineate][/lineate][lineate][/lineate]raat bhar taaro.n pe kyaa guzarii[lineate][/lineate]

[lineate][/lineate]sunaa hai zindagii viiraaniyo.n ne luuT lii milakar[lineate][/lineate][lineate][/lineate]na jaane zindagii ke naaz_baradaaro.n pe kyaa guzarii[lineate][/lineate]

[lineate][/lineate]ha.Nsii aa_ii to hai bekaif sii lekin Khudaa jaane[lineate][/lineate][lineate][/lineate]mujhe masaruur paakar mere Gam_Khvaaro.n pe kyaa guzarii[lineate][/lineate]

[lineate][/lineate]asiir-e-Gam to jaa.N dekar rihaa_ii paa gayaa lekin[lineate][/lineate][lineate][/lineate]kisii ko kyaa Khabar zindaa.N kii divaaro.n pe kyaa guzarii[lineate][/lineate]

Ladies and gentlemen, I hope you enjoyed Part II of Shakeel Badayuni’s ghazals and songs. I shall get back to you with Part III soon.

Shabba khair.

SHAKEEL BADAYUNI – THE KING AMONGST LYRICISTS AND POETS – PART I

A Fifteen Days Tribute Leading Up To His Death Anniversary, 20 Apr 13

This tribute was done on both: a music group called ‘Dil Ki Nazar Se’ and on my page ‘Lyrical’ on Facebook. Why would I want to do that? Read on. In order to cut this to readable size, I shall be doing so in several parts. This tribute is not about his history or past, for example, being from the town Badayun in Uttar Pradesh, having been born on 3rd Aug 1916 and having completed his journey on earth on 20th April 1970. This post is about his poems, ghazals and songs that are erroneously referred to as Old Hindi Songs (probably because these were sung in Old Hindi Movies) but are actually Old Urdu Songs (Read ‘Urdu – A Language of the Heart’)

A rare picture of Rafi, Shakeel, Lata and Naushad

Day – 1

Shakeel Badayuni died 43 years ago….on the 20th of April was his death anniversary….but, the lyrics didn’t die…they would never. When you hear Begum Akhtar sing ‘Ai mohabbat tere anjaam pe rona aaya’, you know it is Shakeel; when you hear Mohammad Rafi sing ‘Mere mehboob tujhe meri mohabbat ki kasam’  (Arguably, the greatest song of Hindi movies), you know it is Shakeel, when you hear Dilip Kumar sing ‘Dil diya dard liya’, you don’t have a second guess to know it is Shakeel. What was so special about Shakeel that a nobody named Sunbyanyname is deewana (crazy) for his lyrics?

The answer is in his own words that came straight from his heart. Taste this:

       “Main Shakeel Dil Ka Hoon Tarjuman
       Keh Mohabbaton Ka Hoon Raazdaan
       Mujhe Fakhr Hai Meri Shayari
       Meri Zindagi Se Juda Nahin”

That’s really outstanding poetry; in one stroke it equates his poetry with his life.

Lets start the journey into Shakeel’s world by his 1960 Guru Dutt movie Chaudhvinh Ka Chand starring Waheeda Rehman opposite Guru Dutt.

This is by far the best song ever written describing the beauty of a woman. For this Shakeel got his first Filmfare Best Lyricist Award.

Please enjoy: Chaudhvinh ka chand ho ya aftaab ho
Jo bhi ho tum khuda ki kasam lajwaab ho…

zulfe.n hai.n jaise kaa.Ndhe pe baadal jhuke hue
aa.Nkhe.n hai.n jaise may ke payaale bhare hue
mastii hai jisame pyaar kii tum, vo sharaab ho
chaudahavii.n kaa …

cheharaa hai jaise jhiil me khilataa huaa ka.nval
yaa zi.ndagii ke saaj pe chhe.Dii huii gazal
jaane bahaar tum kisii shaayar kaa Kvaab ho
chaudahavii.n kaa …

ho.nTho.n pe khelatii hai.n tabassum kii bijaliyaa.N
sajade tumhaarii raah me.n karatii hai.n kaikashaa.N
duniyaa-e-husn-o-ishq kaa tum hii shabaab ho
chaudahavii.n kaa …

Didn’t it look like that each word was crafted and polished like a diamond? That’s what Shakeel did effortlessly. Lets hear Begum Akhtar sing ai mohabbat. I repeat the complete lyrics here so that you would see them, hear them and feel them…

Ai mohabbat tere a.njaam pe ronaa aayaa
jaane kyuu.N aaj tere naam pe ronaa aayaa

yuu.N to har shaam umiido.n me.n guzar jaatii thii
aaj kuchh baat hai jo shaam pe ronaa aayaa

kabhii taqadiir kaa maatam kabhii duniyaa kaa gilaa
ma.nzil-e-ishq me.n har gaam pe ronaa aayaa

jab hu_aa zikr zamaane me.n mohabbat kaa ‘shakiil’
mujhako apane dil-e-naakaam pe ronaa aayaa

 

What’s so special about 1963 movie Bin Badal Barsaat starring Biswajeet and Asha Parekh? It is the best combination – for me – of Lyricist, Music Director and Singer. You guessed it; Shakeel with Hemant Kumar.

Please enjoy: Jab jag uthe armaan to kaise neend aaye
Ho ghar mein haseen mehmaan to kaise neend aaye?

https://youtube.com/watch?v=dtXj_AbLKPM

Here is a great ghazal from Shakeel:

Bana bana ke tamanna mita-ee jati hai
Terah terah se wafa aazma-ee jati hai

Jub unko meri mohabbat ka aitbar nahi
To jhuka jhuka ke nazar kyon mila-e jati hai

Humaare dil ka pata vo hume nahi dete
Humaree cheez humee say chupa-e jati hai

Shakeel door munzil se na-umeed na ho
Ab aa he jati hai munzil ab aa he jati hai

Here is another famous one:

Ye aish-o-tarab ke matavale bekar ke baten karte hain
payal ke gamon ka ilm nahi jhankar ke baten karte hain

nahak hai havas ke bandon ko nazzara-e-fitarat ka dawa
aankhon mein nahi hai betabi didar ke baten karte hain

kahate hain unhin ko dushman-e-dil naam unhin ka naseh bhi
wo log jo reh kar sahil par majhadhar ke baten karte hain

pahunche hain jo apni manzil par un ko to nahi kuch naz-e-safar
chalne ka jinhen maqadur nahi raftar ke baten karte hain

This is a famous ghazal of Shakeel for the 1954 movie Amar starring Dilip Kumar and his heart throb Madhubala. However, the ghazal is picturised on Nimmi who acted as a village girl in the movie, whom Dilip had got pregnant in one of his wayward moods. In ironical satire, if you can ever find anything better, do let me know.

Taste this:

Tumhi ne gham ki daulat di hai bada ehsaan farmaya,
Zamaane bhar ke aage haath failaane kaahan jaate?
Na milata gham to barbaadi ke afsaane kahan jaate?
Agar duniya chaman hoti to veeraane kahan jaate?

Lata has sung this on Naushad‘s music…

https://www.youtube.com/watch?v=0BKLe-L6Dtg

Talking about Shakeel, Naushad combine, who can ever forget this great number from the 1949 movie Dulari? It is amongst the best of Mohammad Rafi too.

Please enjoy: Suhaani raat dhal chuki naa jaane tum kab aayoge…

Shakeel was not just our best in melancholic numbers but also was versatile enough to take into his stride light hearted numbers. He wrote some of his best lyrics for the 1961 movie Ganga Jamuna starring Dilip Kumar and Vyjayantimala that became a super hit. Naushad, once gain was the music director.

Please enjoy: the super hit: Dhundo dhundo re saajana, more kaan ka baala….(this is during the era when women, in the movies, were routinely losing their jewellery, eg, jhumaka gira re bareilley ke bazaar mein)

Baiju Bawra was a 1952 movie starring Bharat Bhushan and Meena Kumari. It had some of Shakeel’s best lyrics such as Tu Ganga ki mauj mein Jamuna ka dhara ragega Milan, mohe bhool gaye saanwariya, O duniya ke rakhwaale, Door koi gaaye dhun ye sunaaye, and Bachpan ki mohabbat ko dil se na bhula dena.

But, in order to showcase the versatility of Shakeel, here is the best Bhajan ever in Hindi movies: Man tadpat Hari darshsan ko aaj. Lots of credit also goes to Naushad and Rafi to have adorned it with the best possible music and voice.

Please enjoy: Man tadpat Hari darshan ko aaj…

What else can you expect from a Lyricist who has made the best ever song in Hindi movies: Mere Mehboob, best song on husn of a woman, best melancholic and ironic ghazals, best raat number, best bhajan, and best light-hearted romantic numbers?

Of course you want to know if he could write the best children’s song too?

Well, as a matter of fact, Shakeel could do that!

This is from the 1962 movie Son of India and even though it is old there is hardly anyone who hasn’t heard of it. Once again, music is by Naushad. Singing is by Shanti Mathur.

Please enjoy: Nanha munna raahi hoon,
Desh ka sipaahi hoon,
Bolo mere sang, Jai Hind…

https://www.youtube.com/watch?v=rszFSH6z4Us

Look at the Award List of 1962 Guru Dutt Movie Sahib Bibi Aur Ghulam:

1962: President’s Silver Medal for Best Feature Film in Hindi
1963: Berlin Film Festival: Golden Bear (Best Motion Picture): nominated
1962: Indian submission for the Academy Award for Best Foreign Language Film
Filmfare Award for Best Movie – Guru Dutt
Filmfare Award for Best Director – Abrar Alvi
Filmfare Award for Best Cinematographer – V. K. Murthy
Filmfare Award for Best Actress – Meena Kumari
Filmfare Nomination for Best Actor – Guru Dutt
Filmfare Nomination for Best Supporting Actor – Rehman
Filmfare Nomination for Best Supporting Actress – Waheeda Rehman
Filmfare Nomination for Best Story -Bimal Mitra
Bengal Film Journalists’ Association Awards – Film of The Year.

Notice something? There is not even nomination for Best Lyricist Shakeel Badayuni and Best Music by Hemant Kumar. And yet, the movie is remembered best for its songs! See the following:

  1. Bhanwara bada nadaan haay.
  2. Koi door se awaaz de chale aayo.
  3. Saakia aaj mujhe neend nahin aayegi.
  4. Meri baat rahi mere dil mein.
  5. Na jaayo sainyan chhuda ke bainyan.
  6. Piya aiso jiya mein samayi gayo re.
  7. Meri jaan o meri jaan achha nahin itana sitam.

What do you say now? It must be lopsided Filmfare Awards. No guys and gals….Shakeel continuously got the Best Lyricist Award for 1961, 1962 and 1963 but for other songs. At the same time when Sahib Bibi Aur Ghulam got its various awards, Shakeel got the Best Lyricst Award for Husn waale tera jawaab nahin from Gharana.

Anyway, please enjoy the beauty of the lyrics of Na jaayo sainyan chhuda ke bainyan…

Shakeel was most lyrical when it came to describing husn. For both his songs Chaudhvinh ka Chand ho, and Husn Waale tera jawab nahin, he got the best lyricist awards. And yet there are many other husn songs written by him that are equally good.

Please enjoy this: Husn se chand bhi sharmaya hai…

Ravi’s music, Rafi’s singing.

I gave you a song from Son of India; what about Mother India? It had some of his best numbers:

  1. Duniya mein ham aaye hain to jeena hi padega.
  2. Dukh bhare din beete re bhaiya.
  3. Gaadi waale gaadi dheere hank re.
  4. Ghunghat nahin kholungi sainyaan tere aage.
  5. Matwaala jiya dole piya.
  6. Na main bhagwaan hoon, na main shaitaan hoon.
  7. Nagari nagari dwaare dwaare dhundo re saanwariya.
  8. Pi ke ghar aaj pyaari dulhaniya chali.

By this time you must be already thinking that Sunbyanyname is not crazy for nothing when he talks about Shakeel….he was head and shoulders above the others.

Lets look at the exquisiteness of just one of the songs of Mother India:

Na mai.n bhagavaan huu.N na mai.n shaitaan huu.N
duniyaa jo chaahe samajhe mai.n to inasaan huu.N

mujh me.n bhalaaii bhii mujh me.n buraaii bhii
laakho.n hai.n mail dil me.n tho.Dii safaaii bhii

tho.Daa saa nek huu.N tho.Daa beiimaan huu.N
duniyaa jo chaahe samajhe mai.n to inasaan huu.N

na koii raaj hai na sar par taaj hai
phir bhii hamaare dam se dharatii kii laaj hai

tan kaa Gariib huu.N man kaa dhanavaan huu.N
duniyaa jo chaahe samajhe mai.n to inasaan huu.N

jiivan kaa giit hai sur me.n na taal me.n
ulajhii hai saarii duniyaa roTii ke jaal me.n

kaisaa a.Ndher hai mai.n bhii hairaan huu.N
duniyaa jo chaahe samajhe mai.n to inasaan huu.N

Please enjoy: Na main bhagwaan hoon, na main shaitan hoon….

https://youtube.com/watch?v=-MD4bGAbEug

And yet, fairly early in his career Shakeel was humble enough to pen:

Ye zindagi ke mele duniya mein kam na honge
Afsos ham na honge…

This is another movie Mela with Naushad’s music and Rafi’s singing. Some of the best lyrics ever written are in this song:

(ye zi.ndagii ke mele – 2), duniyaa me.n kam na ho.nge
afasos ham na ho.nge

ik din pa.Degaa jaanaa, kyaa vaqt, kyaa zamaanaa
koii na saath degaa, sab kuchh yahii.n rahegaa
jaae.nge ham akele, ye zi.ndagii …

duniyaa hai mauj-e-dariyaa, qatare kii zi.ndagii kyaa
paanii me.n mil ke paanii, a.njaam ye ke paanii
dam bhar ko saa.ns le le, ye zi.ndagii …

ho.ngii yahii bahaare.n, ulfat kii yaadagaare.n
biga.Degii aur chalegii, duniyaa yahii rahegii
ho.nge yahii jhamele, ye zi.ndagii …

Okay, guys and gals, I have barely re-introduced the beauty of the lyrics of Shakeel Badayuni to you. Please add to this and feel elated just as the poet Kabir had written:

Kabira sangat sadhu ki,
Jyun gandhii ki baas,
Je kuchh gandhii de nahin,
Phir bhi baas subaas….

The fragrance of the songs of Shakeel Badayuni would always be there.

Here is one of his ghazals from the 1952 movie Deewana. It has some of his best lyrics describing the husn of a woman. Naushad’s music and Rafi’s singing made it immortal…

tasaviir banaataa huu.N terii Kuun-e-jigar se
Kuun-e-jigar se
dekhaa hai tujhe mai.n ne muhabbat kii nazar se
are, muhabbat kii nazar se

jitane bhii mile ra.ng vo sabhii bhar diye tujh me.n
haay, bhar diye tujh me.n
ik ra.ng-e-vafaa aur hai, laa_uu.N vo kidhar se
are laa_uu.N vo kidhar se
tasaviir banaataa huu.N terii …

saavan terii zulfo.n se ghaTaa maa.Ng ke laayaa
haay, maa.Ng ke laayaa
bijalii ne churaa_ii hai ta.Dap terii nazar se
are, ta.Dap terii nazar se
tasaviir banaataa huu.N terii …

mai.n dil me.n biThaa kar tujhe ruKsat na karuu.Ngaa
haay, ruKsat na karuu.Ngaa
mushkil hai teraa lauT ke jaanaa mere ghar se
are jaanaa mere ghar se
tasaviir banaataa huu.N terii …

In every art form, there is a creator and then there are others who adorn and add to his work by their own skill. For example, Mere Mehboob shall always be thought of Mohammad Rafi’s best or Gam-e aashiqui se keh do as Talat Magmood’s best. But, who is the creator? Who is the guy who conceives the thought? That’s the lyricist. He imagines, he dreams, he steps into the shoes of the actor and lives his life and love. I have heard many and I maintain Shakeel did that outstandingly. Read them and hear them and then see where his imagination takes you. Read the lyrics of the songs of Dil Diya Dard Liya and you can have a good initiation into the marvellous world of Shakeel. Yes, music is to be enjoyed but lyrics are the starting point. As Shakeel himself wrote: “Aur phir raah mein bikhare the hazaron nagme; main vo nagme teri aawaaz ko de aaya thai. Aa mujhe phir unhi geeton ka sahara de de. Mera khoya hua rangeen nazaara de de”. Welcome to the world of words, poems, lyrics. From now onwards you will notice the words of the song that carry the jazbaat (emotion).

Day 2

One of the most famous ghazals of Shakeel Badayuni was:

Gam-e-aashiqii se kah do raah-e-aam tak na pahu.Nche
mujhe Khauf hai ye tohamat mere naam tak na pahu.Nche

mai.n nazar se pee rahaa thaa to ye dil ne bad-duaa dii
teraa haath zindagii bhar kabhii jaam tak na pahu.Nche

naii subah par nazar hai magar aah ye bhii Dar hai
ye sahar bhii raftaa raftaa kahii.n shaam tak na pahu.Nche

vo navaa-e-muzamahil kyaa na ho jis me.n dil kii dha.Dakan
vo sadaa-e-ahale-dil kyaa jo avaam tak na pahu.Nche

u.nhe.n apane dil kii Khabare.n mere dil se mil rahii hai.n
mai.n jo unase ruuTh jaauu.N to payaam tak na pahu.Nche

ye adaa-e-beniaazii tujhe bevafaa mubaarak
magar aisii beruKhii kyaa ke salaam tak na pahu.Nche

jo naqaab-e-ruKh uThaa dii to ye qaid bhii lagaa dii
uThe har nigaah lekin koii baam tak na pahu.Nche

vahii ik Khamosh naGmaa hai “Shakeel” jaan-e-hastii
jo zubaa.N tak na aaye jo qalaam tak na pahu.Nche

Great meets Great. Who else to sing this ghazal than the King of Ghazals: Talat Mahmood?

My father was very fond of get-togethers, parties and fests. In my boyhood days, I attended quite a few of these and sing-song sessions invariably were part of these. This was a famous Shakeel Badayuni song (though I didn’t know at that time that it was Shakeel who wrote it) that was often heard at those parties.

It is from the 1954 movie Shabab starring Nutan and Bharat Bhushan. The movie had a Hemant Kumar number that too became my favourite in later years: Chandan ka palna resham ki dori. Anyway, this was sung by Mohammad Rafi on Naushad’s music.

Please Enjoy:

Aaye na baalam vaadaa kar ke
aaye na baalam vaadaa kar ke
thak gaye nainaa dhiiraj dhar ke
aaye na baalam …

chhup gayaa chandaa luT gayii jyoti
taare ban gaye jhuuThe motii
pa.D gaye phiike ra.ng najar ke
aaye na baalam …

aao ki tum bin aa.Nkho.n me.n dam hai
raat hai lambii jiivan kam hai
dekh luu.N tum ko mai.n jii bhar ke
aaye na baalam …

Please forgive me but I can’t resist putting up a Hemant da number at this stage that was penned by Shakeel Badayuni for the same movie Shabab starring Nutan and Bharat Bhushan. We have already established that Hemant da – as singer and music director – has more Chand numbers to his credit than any other. This too has Naushad‘s music.

Please enjoy: Chandan ka palna resham ki dori….and see if you can close your eyes and be transported to another world!

Yesterday, I wrote about the versatility of Shakeel Badayuni: ghazals, songs of melancholy, romantic numbers, bhajans in shudh Hindi, children’s songs and now let me add to his repertoire by giving you a song that Mohammad Rafi sang for the comedian Johnny Walker in the 1964 movie Door Ki Awaz. Music is by my namesake.

Please enjoy the light-hearted naughty number:

Ik mussafir ko duniya mein kya chaahiye,
Sirf thodi si dil mein jagah chahiye…

https://youtube.com/watch?v=W6ZW2vcdF7Y

How are you enjoying the journey into Shakeel Badayuni’s world? He was named Shakeel when he was born on 3rd of Aug 1916 and like poets and lyricists of that era, since he was born in the village Badayun of Uttar Pradesh, he became known as Shakeel Badayuni just as Majrooh got the name Majrooh Sultanpuri, Sahir as Sahir Ludhianvi and Hasrat as Hasrat Jaipuri and many others.

Talking about Shakeel Badayuni – Ravi combination, the best was for the 1960 movie Chaudhvinh Ka Chand that starred Guru Dutt and Waheeda Rehman. We have already heard and seen the Best Husn song in the world, the title song of this movie.

Curiously, the movie also had a really despondent song sung so well by Mohammad Rafi that it leaves people gaping.

Please enjoy: Mili khaak mein mohabbat jala dil ka aashiana,
Jo thi aaj taq haqeeqat wohi ban gayi fasaana…

https://youtube.com/watch?v=qy3BnqbJifM

What about Shakeel Badayuni on the subject or theme of ‘Muhabbat’? Let me bring out different strokes. In the 1955 movie Udan Khatola starring Dilip Kumar and Nimmi, he gives an advice to everyone to tread carefully on the paths of Muhabbat. Music is by Naushad.

Please enjoy: Muhabbat ki raahon mein chalna sambhal ke,
Yahan jo bhi aaya gaya haath mal ke…

https://youtube.com/watch?v=3uiOL6y-kjo

The second song on the theme of Muhabbat penned by Shakeel is from the 1960’s epic film Mughal-e-Azam (The Greatest of the Mughals). Salim (Dilip Kumar) is Akbar’s (Prithviraj Kapoor’s) son and he falls in love with the court dancer Anarkali (Madhubala). This earns the ire of Akbar who has her thrown into the dungeon for the ‘crime’ of loving a prince. This song, like all songs of Mughal-e-Azam became super hit and you are left marvelling at how beautifully Shakeel has brought out the irony, the pain, the despondency.

Please enjoy: Muhabbat ki jhooti kahani pe roye…

Lets end tonight moving away from the melancholy, despondency and sadness and move into the sunnier side of Love also depicted by Shakeel. In this genre too he has many numbers. One of the best was sung by Mahendra Kapoor in the 1965 movie Zindagi Aur Maut. It has C Ramachandra’s music and I won’t be surprised if you too start believing that Shakeel wrote as if direct from the heart.

Please enjoy: Dil lagakar ham ye samajhe zindagi kya cheez hai,
Ishq kehte hain kise aur aashiqui kya cheez hai…

I hope you liked the Part I of the peep into the lyrical world of Shakeel Badayuni. Prepare yourself for Part II that I shall put up shortly.

GAREEB AUR ABLA KAUN?

मेरे जज़्बात मेरे दिल के आँगन में खेलते हैं,
मुझे अकेला पा के वह खूब मुझे छेड़ते हैं,
“पैदा ही ऐसे हुई थी या बन गयी हालात में?
क्या पाया तूने अपने बचपन के हसीन ख्वाब में?”

“एक तू औरत है, और वह भी गरीब है,
दोनों का पैदा होना इस मुल्क में बदनसीब है,
कभी भी कोई भी तेरी इज्ज़त का हो सकता है खरीद-दार,
इधर खड़ा है दरोगा, उधर बैठा है ज़मींदार”

ऐसा लगता है बारूद के मैदान से गुज़रना है तुझे,
या हर रोज़ केले के छिलके पे फिसलना है तुझे,
हैवान ही हैवान हैं, शैतान ही शैतान हैं,
ईमान के रखवाले भी दिखते यहाँ बेइमान हैंI

इक छोटे मेमने को जैसे जंगले पार जाना हो,
खूंखार भेड़ियों ने उसे जिंदा या मार खाना हो,
खेलना उछलना क्या मेमने का हक नहीं है?
Jungle Rule सिर्फ जंगल तक नहीं है?

अबला हूँ, गरीब हूँ, नादान हूँ, मजबूर हूँ,
फिर भी मैं अपने माँ बाप की आँख का नूर हूँ,
क्या वह गरीब नहीं जिन्हें नहीं मिली इंसानियत की दौलत?
क्या वह अबला नहीं जिनकी मर्दानगी बन गयी है वेह्शत?

वह जो हर दम अपनी हबस के रहते हैं गुलाम,
कौन करेगा उनकी ताक़त को सलाम?
वह असल में कमज़ोर और गरीब हैं,
हमारे मुल्क, सोहबत और रिवायत के रकीब हैंI

मेरे जैसी औरतें लक्ष्मी, सीता, दुर्गा और सरस्वती बनी,
पर समाज के हाथों में वह सती बनी,
इक नया सूरज निकलेगा बदलेगा हमारा नसीब,
फिर देखेंगा कौन रहेगा अबला और गरीब?

दौर बदलेगा मेरी नाज़ुक रगें कहती हैं,
सदियों से बुजदिल मर्दों का दिया ये सहती हैं;
जल्द ही इक ऐसा तूफ़ान आएगा,
उनकी झूटी ताक़त और शान बहा ले जाएगा I

मेरा इक रूप है महाकाली,
जिसका कोई वार ना जाए खली;
शिव भी शव हैं शक्ति के बगैर,
जनमा है तुम्हें मैंने अब मौत की मनाओ खैर I

MAHAKALI

Mere jazbaat mere dil ke aangan mein khelte hain,
Mujhe akela paa ke woh khoob mujhe chhedte hain,
“Paida hi aise hui thi yaa ban gayi halaat se?
Kya payaa toone apne bachpan ke hasin khwaab mein?”

“Ek tu aurat hai woh bhi gareeb hai,
Dono kaa paida hona is mulk mein badnaseeb hai,
Kabhi bhi koi bhi teri izzat ka ho sakta hai khareed-daar,
Idhar khada hai daroga, udhar baitha hai zamindaar.”

Aisa lagta hai barood ke maidan se guzarna hai tujhe,
Yaa har roz kaile ke chhilke pe fisalana hai tujhe
Haiwaan hi haiwaan hain, shaitaan hi shaitaan hain,
Imaan ke rakhwaale bhi dikhate yahan beimaan hain.

Ik chhote memne ko jaise jungle paar jaana ho,
Khunkhaar bhediyon ne use zinda yaa maar khana ho,
Khelna uchhalna kya memne ka haq nahin hai?
Kya Jungle Rule sirf Jungle tak nahin hai?

Abla hoon, gareeb hoon, nadaan hoon, majboor hoon,
Phir bhi main apne maa baap ki aankh ka noor hoon.
Kya woh gareeb nahin jinhe nahin mili insaaniyat ki daulat?
Kya woh abla nahin jinaki mardaangi ban gayi hai vehshat?

Woh jo har dam apni habas ke rehte hain gulaam,
Kaun karega unaki taaqat ko salaam?
Woh asal mein kamzor aur gareeb hain,
Hamare mulk, sohbat aur rivaayat ke rakeeb hain.

Mere jaisi aurten Lakshmi, Sita, Durga aur Saraswati bani,
Per samaaj ke haathon mein woh sati bani.
Ik naya sooraj nikalega badlega hamaara neseeb,
Phir dekhenga kaun rahega abla aur gareeb.

Daur badlega meri naazuk ragein kehati hain,
Sadiyon se buzdil mardon ka diya ye sehati hain.
Jald hi ik aisa toofaan aayega,
Unaki jhooti taqat aur shaan baha le jaayega.

Meraa ik roop hai Mahakali,
Jisaka koi vaar naa jaaye khali.
Shiva bhi Shav hain Shakti ke bagair,
Janama hai tumhein maine ab maut ki manao khair.

A RECIPE CALLED LIFE

Everyone knows how to
Make it, bake it
Dress it, serve it
Relish it, taste it.
All have same ingredients; and yet
Some make a khichadi
A total mess of taste and aroma.
Others like it spicy and hot.
… And some manage that extra flavour
A unique mix.
Some like it on slow simmer
Others like it quick and fast.
Isn’t it amazing
That with the same ingredients
It comes out sweet for some
And salty, bitter, sour for others?
Is it in its parts?
Or is it in preparation?
Or is it in the serving?

My Life was sweet
Lovely, fabulous
Looked good
Tasted even better.
But, little did I know,
Even after being prepared
You could,
By a magic wand
Take Love away
And leave my Life
Dull, insipid, flat……
…………. And cold.
The same dish I admired
Tasted, enjoyed
I hate it now.
Please don’t ruin my favourite dish
By taking Love away.

Courtesy: bestclipartblog.com
Courtesy: bestclipartblog.com

SEASON’S GREETINGS – 2012

Dear Friends,

[lineate][/lineate]Christmas is always a welcome day,[lineate][/lineate]The coming amidst us of our Lord,[lineate][/lineate]At Midnight Mass we gather to pray:[lineate][/lineate]“Thank you, for being with us, O’ God”[lineate][/lineate]

christ-is-born

[lineate][/lineate]“Thank you for giving us great friends,[lineate][/lineate]Our loving family, near and dear ones,[lineate][/lineate]Thank you for giving us enough to meet ends,[lineate][/lineate]And yet have some for cakes and buns.”[lineate][/lineate]

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[lineate][/lineate]It is also time to pen a few words,[lineate][/lineate]About our life, family and home,[lineate][/lineate]We hope you’d find them better than forwards,[lineate][/lineate]And you’d be tempted to share your own.[lineate][/lineate]

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[lineate][/lineate]We are still at Kharghar, Navi Mumbai,[lineate][/lineate]Our abode after my retirement,[lineate][/lineate]It is not Paris, London or Shanghai,[lineate][/lineate]But it brings us great contentment.[lineate][/lineate]

IMG00297-20100725-1534

[lineate][/lineate]After all, it is a little nest of our own,[lineate][/lineate]So what if it is really very small?[lineate][/lineate]It never makes us feel alone,[lineate][/lineate]We are, as they say, ‘having a ball.’[lineate][/lineate]

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[lineate][/lineate]My mother lives with us here,[lineate][/lineate]She is now in better health,[lineate][/lineate]Her second childhood makes her doubly dear,[lineate][/lineate]Her blessings are our greatest wealth.[lineate][/lineate]

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[lineate][/lineate]Lyn keeps us all comfy and well fed,[lineate][/lineate]Whilst she battles through her ailment,[lineate][/lineate]She looks as lovely as the day we wed,[lineate][/lineate]Smilingly keeping many an engagement.[lineate][/lineate]

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[lineate][/lineate]Arjun is with OML, doing his stuff on NH7,[lineate][/lineate]He has merged indiecision with his new portal;[lineate][/lineate]With his girl Samira he is in seventh heaven,[lineate][/lineate]Though he is, like us, a mere mortal.[lineate][/lineate]

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[lineate][/lineate]Arun is happily with Rhythem and Hues,[lineate][/lineate]Doing his bit on producing animation,[lineate][/lineate]His band Riot Peddlers was recently in the news,[lineate][/lineate]Their performance in I-Rock won them admiration.[lineate][/lineate]

Riot Peddlers

[lineate][/lineate]Arun too has Kirti as his chosen one,[lineate][/lineate]They are happy to be together,[lineate][/lineate]They too joined us for Christmas fun,[lineate][/lineate]No what, why, where and whether.[lineate][/lineate]

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[lineate][/lineate]That leaves me, I am still with Reliance,[lineate][/lineate]Working six days in a week,[lineate][/lineate]Old age has somewhat subdued my defiance,[lineate][/lineate]And made my rebellion a little weak.[lineate][/lineate]

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[lineate][/lineate]However, I run a blog called sunbyanyname,[lineate][/lineate]My little window to my own world,[lineate][/lineate]I am not after money, applause or fame,[lineate][/lineate]I simply don’t belong to the herd.[lineate][/lineate]

sUNBYANYNAME

[lineate][/lineate]So that is about all of us,[lineate][/lineate]We hope to hear from you, dear,[lineate][/lineate]We wish you a very Merry Christmas[lineate][/lineate]And a Happy New Year.[lineate][/lineate]

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BEYOND THE MIRAGE – A FAIRY TALE

Hungry and thirsty
Wandering in “the dreary desert sand of dead habit”
He finally came across a pool
Different from most Indian pools
It had lucid water
He could clearly see the base
It was unlike other bottomless pits.

The man was fascinated
He longed to drink of it
Have a dip in it
And come out clean and quenched
All sins forgiven and forgotten
Darkness of past merging with future’s shine
Despite living in the filth and mire of present.

Courtesy: surprisinglyamazing.com
Courtesy: surprisinglyamzing.com

He removed his clothes
Including the last shred of false decency
And stood naked but proud
That finally he could swim in purity and openness
A great weight was about to be lifted
As soon as he’d take the plunge
Into the pond of purgation.

“Stop”, he heard a commanding voice
Though he couldn’t see anyone
He looked all around him for the speaker
But, he couldn’t find anyone
Defeated he was about to give up
But then he noticed in a tree near the pond
A parakeet.

“Who are you?” he asked
“You are an Indian, you won’t know me”
Replied the parakeet sadly, “I am named ‘Charitra‘”
“Strange name” said the man, “Never heard of you”
“Yes, nowadays I am rare” said the parakeet,
“But, I nested all over India before I became extinct”
“I am the last of my species.”

The man was happy he saw something rare.
“Why did you stop me from jumping in the pool?
“This is a pool of honesty” said the bird
“People come out changed and pure;
But become misfits to survive”
“I don’t want you to die;
You may jump if you want to, though”

‘Washing away sins is one thing’ thought the man
‘But, dying in the process is undesirable’
Suddenly, a thought occurred to him
And he spoke it out loud:
“What can I do to survive a dip in the Honest Pool?”
“Simple” replied Charitra, “Don’t let me become extinct,
Return me to live with people.”

“What do I have to do for that?”
Asked the man confused
“Simple” said Charitra, “Go to people and ask them to own me,
To have me back.”
“It will take ages” bemoaned the man,
“I will be dead before they accept you back.”
“Try” said the parakeet, “I will give you wings to fly.”

The man flew with Charitra
And went to all classes and conditions of people
Netas, babus, doctors, engineers
Religious leaders, sports people, industrialists
Even media people and
Sadly no one wanted Charitra back
Having bartered it for money and fame.

“What can Charitra do for us” many asked,
“Why should we want it back?”
To this the man gave his recently learnt reply:
“It can make you have a dip in Honest Pool,
“And make you survive the plunge.”
“Not good enough” they all crowed,
“We have the best dips that money can buy.”

He kept flying with Charitra on his side
Only to become disillusioned, defeated, frustrated
‘Not one person in my country’ he thought
‘Has any use for this dying parakeet’
He wanted to have a dive in the pool
But, alone, he didn’t want to die
What could he do, he was alone and weak?

Suddenly, his powers to fly were gone
And he was grounded again
And the parakeet flew towards a sunset
And total darkness engulfed the nation
With people groping helplessly
Looking eastwards wistfully
For a golden sunrise
Bringing back Charitra, the elusive parakeet.

GODS MUST BE CRAZY

[lineate]
She was black
And fast and feline
“Stop” I screamed,
“Don’t cross and spoil my day”.
She heard me
Looked at me innocently
And stopped as if rooted.
“Now what?” her shining eyes seemed to ask.
“Don’t you remember”, I asked her,
“The first time you cast your spell,
It augured ill for me
I nearly failed in my exam.”
[/lineate]
 
[lineate]
She cooed sweetly,
They always do.
‘Practised innocence’ I thought.
“And the second time”
I continued, and in response she only sweetly purred,
“I nearly got me killed.”
Her eyes shone
She looked lovely.
[/lineate]
 
[lineate]

Just then a huge dog came
And looked at her menacingly.
She gave me a look
And made a dash
Without sharing any more of her
Looks and thoughts with me.
The dog went after her
In determined chase.
[/lineate]
 
[lineate]
But, what she shared
Was enough for me.
Each one of us have
Survival instinct against all threats
If you ain’t clever, cunning, deceiving
Against the larger dog in your life
You are finished.
[/lineate]
 
[lineate]

A snake is born out of an egg
And left to fend for itself
Without the parents nurturing it even once.
Poison is all that it has to survive.
It is limbless
No hands to ward off danger
No legs to kick and run.
Human beings are born differently,
But, are we really so different?
It is a cat and mouse game:
The survival of the fittest.
[/lineate]
 
P.S. Three days back, a man in Nepal bit a snake to death; angry at having been bitten by the snake.

HAPPY FRIENDSHIP DAY

दोस्ती सिर्फ तब ही नहीं जब फूल हैं
दोस्ती सिर्फ तब ही नहीं जब गले में  हार है
दोस्ती सीखने का कोई advanced स्कूल नहीं है
दोस्ती तो सिर्फ मोहब्बत है और प्यार है
दोस्ती में हम चाहे कुच्छ भी ना बोलें
दोस्ती में गुफ्तगू के ज़रिये हज़ार हैं
दोस्ती के गरम रहते हैं हरदम शोले
दोस्तों  को तो बस अपनी दोस्ती का खुमार है
आज Friendship Day का भी क्या हसीन  दिन है यारो
बारिश का दिन है और आज रविवार है
यानी  जैसे दोनों चंद्रमुखी और पारो
देवदास   पे  मर मिटने  को तैयार हैं
सब मेरे दोस्तों के लिए  लिखता हूँ अभिवादन
ये  sunbyanyname का अहम् इकरार है
सूरज के निकलने  का ना भी बने साधन
रवि  तो तुम पे जाने निसार है
हमारी दोस्ती रहे सलामत आज भी और हमेशा
दोस्तों के बिना जीना दुश्वार है
आज के दिन मेरे सब दोस्तों के नाम ये संदेशा:
आप हैं तो रौशन मेरा संसार है
खुदा  तुम्हें देदे अपनी सारी खुदाई
आपकी दोस्ती पर मुझे ऐतबार है
काश दोस्ती में ना लिखी हो कभी भी जुदाई
जब तक जान पे अपना इख्तियार है
Happy Friendship Day सब दोस्तों और यारो
आज के दिन तो दोस्ती की बहार है
इक नज़र हम पे दोस्ती की मारो
जहाँ तुम हो वहां ही करार है

LOVE AND A THREE LETTERED WORD

It sprang through woods and grass
Lively and playful
Now here, now there;
Through rains and clouds
Through sun and moon.
It braved rivulets and torrents
Birds and feral animals.
Everyone said:
How lovely it is
Like a new sprout
Like a young deer;
It looks so beautiful,
It looks so tender;
Lets call it Love.
She saw it too
In my eyes.
She heard it,
In my breathing.
Her eyes whispered to me:
“Love is all I wanted,
Thank you for giving it to me.”
We floated on clouds,
We swam in the sky
We walked on petals
And etched our names on the breeze.
We made melodies
We vowed, we cooed,
We laughed, we danced.Then one day
Just as unexpectedly as Love

A three lettered word came between us
And ruined our lives and us.
She was the first to utter it
She got obsessed with it
And I still rue its origin.
Courtesy: sat.collegeboard.org
I should have seen
The look in her eyes
When, through pouted lips
She uttered it for the first time
It hung between us
And I knew she’d want it more and more
She just relished its sound.I still remember the time

When she whispered it;
It was demanding, it was urgent
She couldn’t have waited.
How I long for our love before it,
Before she murmured it with a sigh
The three lettered word called, “Why?”

बीवी का नया नाम

हम बीवी को बुलाते थे जान, चाँद, सनम और रानी,
पर एक दिन सर के ऊपर से निकल गया पानी
नाम हमारे दिमाग में आये चार सौ अस्सी
और बीवी का नाम बड़े सोच के रखा “रस्सी”

“कया अजब नाम है?”  सोचा होगा आपने
आज तक ऐसा नाम नहीं रखा किसी के  बाप ने
“इसके क्या माईने हैं कुछ तो ससमझाईये
हमें  बुझारतों में इस तरह ना उलझायिये”

हमने कहा, “इसमें बुझारत की क्या बात है?
“रस्सी” का मतलब बिलकुल साक्षात है:
यह जल जाती है पेर बल नहीं जाता
हमारी मेहबूबा का भी कल नहीं जाता”

“वो कल जब माईके में उन्का राज था
भाई काम करते थे और इनको ना कोई काज था
अब पति करता है  दिन रात इनकी सेवा
और ये खाती हैं मखमल पर बैठ के मेवा”

“मेरी गरदन में बड़े प्यार से पड़ जाती है
अच्छे भले मुलाजिम की जान निकल जाती है
हुमने सोचा था यह बनेगीं प्यार की डोरी
पर इन्हों ने रस्सी बनके की जोरा  जोरी”

Courtesy: heysko.com
यारो अगर बीवी भी बन जाये गले में फंदा
और तुम रहना चाह्ते हो इस जहान में ज़िन्दा
डोरी को कभी ना बनने दो रस्सी या संगल
तभी रहेंगे तुम्हारे  दिन व रात मंगल

LOVE BEYOND THE PAIN

Don’t love me, O’ sweet, when we meet,
For there is less
Glee in achieving than in yearning.
From here it’s alluring,
The scent of your tress;
I get my joys in burning,
In pining, in longing
And in sorrow,
And waiting for each tomorrow.

I don’t want to strangle my dreams to death,
You, alone, sit in my dream castle
On an island in a grieving river;
And far below
In a dark dungeon I am thrown.
I reach out my hands without catching ye,
Ye outside smile at me.
And, lo! I wish not my hands were free.

Courtesy: sweet-tea-theology.com
I shall wait…wait till the pains are so much,
That they burn themselves in their own scars,
The waters of grieving river’d calm down,
The cell would break its own bars.
Then you and I’ll live away from town,
In a small hut by a joyous brook.
We’d work, we’d eat, we’d play the deep
Game of love,
And thus at last we’d sleep.

हर तरफ तेरा जलवा

फिर मुझे पुकारा है…..
तेरी चाहत ने, तेरी आहट ने
तेरी आवाज़ ने, दिल के साज़ ने
तेरी धड़कन ने, तेरी उलझन ने
तेरी साँसों ने, तेरे अश्कों ने
तेरी आँखों ने, तेरे होंठों ने
तेरे हाथों के गरम छूने ने
तेरी याद ने, तेरी हसरत ने
तेरे प्यार ने, तेरी उल्फत ने
तेरे दर्द ने, तेरे ज़ख़्म ने
तेरे हसीन ख्यालों के वहम ने
तेरी हंसी ने, तेरे रोने ने
मेरे ज़हन में तेरे होने ने
तेरी आँखों  की मधुर मुस्कान ने
तेरे दिल में उमढ़ते तूफ़ान ने
तेरी आहों ने, तेरी राहों ने,
मेरे आगोश में उलझी बाहों ने
तेरे लबों से थिरकते गीत ने,
जो मिल के बनाया उस अतीत ने
उन वादीयों ने जो हमारे संग बहकती थी
उस कोयल ने जो हमें देख चहकती थी
उन फूलों ने जिस में तेरे प्यार का रंग था
उन हवाओं ने जिनका हमें संग था
उन बातों ने जो कभी ना होती थी खत्म
उस अदा ने जिसने ढाया था मुझपे सितम
तेरी मस्ती ने, तेरी हस्ती ने,
तेरी गलियों ने, तेरी बसती ने
तेरी खुशबु ने, तेरे खवाब ने
ऐ मेरे चाँद, तेरी माहताब ने
हर तरफ शोर है, फुसफुसाहट है
हर तरफ  तेरे क़दमों की ही आहट है
मेरा बस एक ही सवाल तुझसे है रूबरू:
“किस की मैं सुनूँ और किस की ना सुनूँ?”

KILL ME, CARMEN

I stand still on a rock, my rock
And watch the roaring sea
Reaching out to me
To reclaim and drench my soul.
The sea is just the opposite of me:
Calm in its depths and clamorous outside.
I stare at the clouds
Both within and in the sky
As they change shapes and moods:
Now a king, then a horse
And finally a hatted witch
Alluring small kids
With her trickster candy floss.
I look at the light-house
Standing witness to and guiding
Ships and boats till miles
Through its white beams
Fading into barely discernible plumes.
I see the fishing boats
Returning from a crimson sunset
White gulls meandering around
Like bees on honey-pots.
I see the crabs camouflaged
And tentacled to the slippery rocks.
And then…
Through the salty atomized vapour
I see her; yes, her.
The hem of her long yellow dress
Playing wantonly with the wetness of the sea.
I see me, boyish and breathless
Walking beside her
To the small boat half buried in the sand.
We upright the boat
Drag it into the water
And whilst it still tosses, like my heart
I lift her up and put her on the seat
And yank me up to the seat opposite her
And row the boat
Into the fading evening twilight.
Resting my oars
I look into her eyes
Ah, those kohl eyes
Of the fiery gypsy

Pic courtesy: en.wikipedia.org

Who stole my heart and left me
To be with her affable Escamillo.
Like an oar less dingy
I pitch and am adrift at sea
Of my precocious desires;Wanting to live
And longing to die.
Kill me………Carmen.

CURTAIN CALL

End of a drama,
A comedy, a farce;
The nice cosy chats we used to have.
And bartering of Love with
Your own version of Love.
No sounds, no whispers, no murmurs.
Except you who can hear
Little children playing in the street,
The ring tone of your phone.
The cackle of your innumerable friends,
The honking of cars,
The chirping of birds
The call of the milk vendor
And the squish of the newspaper
As it lands in front of your door.
Bringing you news
From far places.
I can’t hear anything; nor do I try to
I have lost a few senses
I don’t know how many
Since I’ve lost the sense to know.
But, I have to hand it to you,
You really played your part well.
I wish….
I knew
Your lines too
So I won’t have mixed
Real life with acting.
I stand unmoving
Speechless and frozen
Waiting for…….
………..applause?

PRAYER OF THE MAROONED

[lineate][/lineate]How’d you feel,[lineate][/lineate][lineate][/lineate]If one morning you wake up,[lineate][/lineate]And look around;[lineate][/lineate]But, there is no one in sight[lineate][/lineate]You feel you are marooned[lineate][/lineate]And indeed you are shipwrecked[lineate][/lineate]On a remote island[lineate][/lineate]No sounds but the waves breaking[lineate][/lineate]Against the rocks[lineate][/lineate]Or of distant birds and crickets[lineate][/lineate]Dotting the eerie silence?[lineate][/lineate]

 

Pic courtesy: artcyclopedia.com

 

[lineate][/lineate]There is sweat on your brow[lineate][/lineate]And fear in your guts[lineate][/lineate]The sun is out now and it scorches your skin[lineate][/lineate]Soon your lips are parched[lineate][/lineate]Hunger and thirst invade you[lineate][/lineate]Like powerful and wicked aliens from Mars[lineate][/lineate]How long would you last?[lineate][/lineate]Will they find you alive?[lineate][/lineate]Or many years later as a skeleton of bones?[lineate][/lineate]Is there any hope of survival?[lineate][/lineate]

But……

[lineate][/lineate]You have grit,[lineate][/lineate]You have faith[lineate][/lineate]You can’t give up so easily[lineate][/lineate]God gave you precious life for a purpose[lineate][/lineate]And lifting your weary arms above you[lineate][/lineate]You reach out to God[lineate][/lineate]And pray to Him:[lineate][/lineate]”God, all that I need here[lineate][/lineate]Is Internet[lineate][/lineate]To connect to my friends again.”[lineate][/lineate]

 

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