आज फिर तसव्वर में उनका दीदार हो गया
खुदा की रहनुमाई पे फिर से ऐतबार हो गया
ना मेरे करीब हैं वो ना मुझसे दूर रहते हैं
फिर से दिल की अफरा तफरी का आसार हो गया
ज़िन्दगी सेहरा बनी थी उनकी अलैहदगी में
उनके मिलते ही आलम गुलज़ार हो गया
हमने माना करामात-ऐ- ख्याल ही था लेकिन
चंद लम्हों के लिए दिल खुशगवार हो गया
मुझे यकीन है तग़ाफ़ुल मुझे वह नहीं करते
उनकी खामोशी से ही इश्क़ का इज़हार हो गया
हैरत तो उनको खूब होगी मेरे अंदाज़-ऐ-वफ़ा पे
अब मुझे अपनी तन्हाई से भी प्यार हो गया
(Pic courtesy: www.flickr.com)
Aaj phir tasuvvar mein unaka deedaar ho gaya
Khuda ki rehnumaai pe phir pe phir se aitbaar ho gaya
Naa mere kareeb hain vo naa mere door rehate hain
Phir se dil ki afraa tafri kaa aasaar ho gaya.
Zindagi sehra bani thi unaki alahaidgi mein
Unake milate hi aalam gulzar ho gaya
Hamane maana ke karaamaat-e-khayaal hi tha lekin
Chand lamhon ke liye dil khushgavaar ho gaya.
Mujhe yakeen hai taghaful mujhako woh nahin karate
Unaki khaamoshi se hi ishq kaa izhaar ho gaya
Hairat to unako khoob hogi mere andaaz-e-wafa se
Ab mujhe apni tanhaayi se bhi pyaar ho gaya.
मेरी आरज़ू-ऐ- मोहब्बत के जनाज़े पे वो भी उदास थे
कहीं मरने वाला उनका कोई हबीब तो नहीं?
यह हालात-ऐ-वफ़ा का ही कोई अंजाम लगता है
वरना ज़ालिम तो वह हैं पर कोई रकीब तो नहीं
क्या खून-ऐ-जिगर के बाद कोई अफ़साना बाकी है?
इस बद नसीब के कहीं ऐसे नसीब तो नहीं?
उनके नक्श-ऐ-कदम से कहीं ये फिर ना धड़कने लगे
इतना तो यह बेचारा नजीब तो नहीं
लटके हुए थे आज तक उनकी उल्फत के फंदे से
वह फिर भी कहते थे कोई सलीब तो नहीं
हमने दो जहां उनके किये एक कर दिए
उन्होंने फरमाया आम है, कोई अजीब तो नहीं
जलते गए, सहते गए, बहते रहे यह अश्क़
फिर भी तेरे रुखसार के करीब तो नहीं
तेरे दौलत-ऐ-ग़म मेरी बज़्म में ही तो रहते हैं
दिल तेरे बाजार-ऐ-इश्क़ में इतना गरीब तो नहीं
(Pic courtesy: www.galleryhip.com)
Meri aarzoo-e-mohabbat ke janaaze pe who bhi udaas the
Kahin marne waala unaka koi habeeb to nahin?
Yeh halaat-e-wafa ka hi koi anjaam lagata hai
Warna zaalim to who hain, par koi rakeeb to nahin.
Kyaa khoon-e-jigar ke baad bhi koi afsaana baaki hai?
Is badnaseeb ke kahin aise naseeb to nahin?
Unake nakshe-e-kadam se kahin who phir naa dhadakane lage?
Itana to yeh bechaara najeeb to nahin.
Latake huye the aaj taq unaki ulfat ke fande se
Who phir bhi kehate the koi saleeb to nahin
Hamane do jahan unake liye ek kar diye
Unhone farmaata aam hai ajeeb to nahin.
Jalate rahe, sehate rahe, behate rahe yeh ashq
Phir bhi tere rukhsaar ke kareeb to nahin
Tere daulat-e-gham meri bazm mein hi to rehate hain
Dil tere bazaar-e-ishq mein itana gareeb to nahin.
A few days after our 68th Independence Day, last year, I gave you a compendium of The Best Azaadi (Independence) Poems, together with their translations. A large number of people have messaged to me that it is the finest compendium available on the Internet.
Now, a few days after our 66th Republic Day, I give you – what I consider as – the best patriotic songs. Sometimes, we are filled with anxiety about our country; at others, we are downright cynical. I myself took a reality check four years back with How Proud Should We Be Of Indian Republic At 62? However, we do recognise the fact that it is better to be free, independent and a sovereign republic than to be under a foreign yoke. With all our problems, there won’t be too many of us who don’t love our country India, both as a geographical entity and as an idea or concept. These songs, therefore, not only reflect our history but how and why we love India, that is, Bharat.
The very first song that comes to mind is of course Vande Mataram. It translates into ‘I praise thee, Mother’; wherein Mother is Bharat Mata. The poem was penned by Bankim Chandra Chatterjee in his 1882 classic Anand Math, which was later (in 1952) made into a movie by the same name by Hemen Gupta who was private secretary to Netaji Subhash Chandra Bose and who, in 1961, directed Kabuliwala based on a story by Nobel Laureate Rabindra Nath Tagore. The music of the movie was given by my favourite singer and music director Hemant Kumar. Vande Mataram had many versions sung by many; the latest being on music composed by Oscar winner AR Rehman. However, my favourite is naturally the one sung by Hemant da, even though the movie itself had another version sung by Lata Mangeshkar, widely regarded as one of the best.
Lets now turn to Tarana-e-Hind (Anthem of the People of Hindostan) or the National Song of India: Saare Jahan Se Achha or Better Than The Whole World. It was penned by the Urdu poet Muhammad Iqbal and was published in the weekly journal Ittehad on 16th Aug 1904. It was the leading poem/song of our opposition to the British rule. In the 1950s, the Sitar Maestro Pandit Ravi Shankar composed the music of the national song and Melody Queen Lata Mangeshkar sang it. It also became the marching tune of the Indian Armed Forces. India’s astronaut, in 1984, in an interview with the Indian Prime Minister Indira Gandhi, in answer to a question by her as to how India appeared from the outer space promptly replied (and gladdened the hearts of millions of Indians): “Saare jahan se achchha”!
Please enjoy our national song Saare Jahan Se Achchha sung by Lata Mangeshkar on the music of Pandit Ravi Shankar:
saare jahaa.N se achchhaa, hindostaa.n hamaaraa
ham bulabule hai.n isakii, vo gulasitaa.n hamaaraa
gurabat me.n ho.n agar ham, rahataa hai dil vatan me.n
samajho vahii.n hame.n bhii, dil ho jahaa.N hamaaraa, saare …
parvat ho sabase uu.Nchaa, hamasaayaa aasamaa.N kaa
vo sa.ntarii hamaaraa, vo paasavaa.n hamaaraa, saare …
godii me.n khelatii hai.n, jisakii hazaaro.n nadiyaa.n
gulashan hai jisake dam se, rashk-e-jinaa.n hamaaraa
saare …
ai aab-e-rau.nd-e-ga.ngaa! vo din hai yaad tujhako
utaraa tere kinaare, jab kaaravaa.n hamaaraa, saare …
majahab nahii.n sikhaataa, aapas me.n bair rakhanaa
hindii hai.n ham vatan hai.n, hindostaa.n hamaaraa, saare …
yuunaan, misr, romaa.n, sab miT gae jahaa.N se
ab tak magar hai baakii, naam-o-nishaa.n hamaaraa,
saare …
kuchh baat hai kii hastii, miTatii nahii.n hamaarii
sadiyo.n rahaa hai dushman, daur-e-jahaa.N hamaaraa, saare …
Kadam kadam badhaye jaa was the regimental quick march of Netaji Subhash Chandra Bose. Written by Pt. Vanshidhar Shukla. Composed by Ram Singh Thakur who served in Netaji’s Indian National Army and was of Nepali origin. The song is also currently the regimental quickmarch of the Indian Army.
Please enjoy: Kadam kadam badhaye jaa, khushi ke geet gaaye jaa….
( kadam-kadam ba.Dhaaye jaa
Kushii ke giit gaaye jaa
ye zi.ndagii hai qaum kii
tuu qaum pe luTaaye jaa ) -2
( tuu sher-e-hind aage ba.Dh
marane se phir bhii tuu na Dar
u.Daa ke dushmano.n kaa sar
ju.D-e-watan ba.Dhaaye jaa ) -2
kadam-kadam ba.Dhaaye jaa
Kushii ke giit gaaye jaa
ye zi.ndagii hai qaum kii
tuu qaum pe luTaaye jaa
( chalo chale.n pukaar ke
Gam-e-nishaa.N sa.mbhaal ke
laa qile pe gaa.D ke
laharaaye jaa laharaaye jaa ) -2
( kadam-kadam ba.Dhaaye jaa
Kushii ke giit gaaye jaa
ye zi.ndagii hai qaum kii
tuu qaum pe luTaaye jaa ) -2
https://youtube.com/watch?v=bQcBNutX4GY%3F
This song sung by Lata Mangeshkar on a day after Republic Day in 1963, immediately after the Sino-Indian War of 1962, in Ramlila Maidan, New Delhi, brought the Indian Prime Minister Pandit Jawahar Lal Nehru to tears. In 2013 when the song turned its glorious 50 years, it was sung by Lata ji at Mahalaxmi Race Course in Mumbai whereat the Armed Forces personnel with gallantry medals were re-honoured.
The lyrics of the song were written by Kavi Pradeep, the national poet; and the music was composed by C Ramchandra.
Please enjoy: Aye mere watan ke logo….
ai mere vatan ke logo
tum khuub lagaa lo naaraa
ye shubh din hai ham sab kaa
laharaa lo tira.ngaa pyaaraa
par mat bhuulo siimaa par
viiro.n ne hai praaN ga.Nvaae
kuchh yaad unhe.n bhii kar lo -2
jo lauT ke ghar na aaye -2
ai mere vatan ke logo.n
zaraa aa.Nkh me.n bhar lo paanii
jo shahiid hue hai.n unakii
zaraa yaad karo qurabaanii
jab ghaayal huaa himaalay
khatare me.n pa.Dii aazaadii
jab tak thii saa.Ns la.De vo
phir apanii laash bichhaa dii
sa.ngiin pe dhar kar maathaa
so gaye amar balidaanii
jo shahiid…
jab desh me.n thii dIvaalii
vo khel rahe the holI
jab ham baiThe the gharo.n me.n
vo jhel rahe the golii
the dhanya javaan vo aapane
thii dhanya vo unakii javaanii
jo shahiid…
koii sikh koii jaaT maraaThaa
koii gurakhaa koii madaraasii
sarahad par maranevaalaa
har viir thaa bhaaratavaasii
jo khuun giraa pav.rat par
vo khuun thaa hi.ndustaanii
jo shahiid…
thii khuun se lath-path kaayaa
phir bhii banduuk uThaake
das-das ko ek ne maaraa
phir gir gaye hosh ga.Nvaa ke
jab ant-samay aayaa to
kah gaye ke ab marate hai.n
khush rahanaa desh ke pyaaro.n
ab ham to safar karate hai.n
kyaa log the vo dIvaane
kyaa log the vo abhimaanii
jo shahiid…
tum bhuul na jaao unako
is liye kahii ye kahaanii
jo shahiid…
jay hind… jay hind kii senaa -2
jay hind, jay hind, jay hind
After the success of 1957 Mother India, in 1962 Mehboob Khan made Son of India. As compared to the big cast of Mother India including Nargis, Khan took lesser known Simi Grewal, Kamaljith, Jayant and Kumkum in the lead roles. However, he retained the team of my favourite lyricist Shakeel Badayuni and music director Naushad Ali for the songs of the movie. For a young and newly independent nation, the voice of Shanti Mathur singing Nanha Munna Rahi Hoon was just what India wanted. It became a super-hit song instantly and is reflective of a resurgent India.
Please enjoy: Nanha munna raahi hoon…
nanhaa munnaa raahii huu.N, desh kaa sipaahii huu.N
bolo mere sa.ng, jay hi.nd, jay hi.nd, jay hi.nd …
raste pe chaluu.ngaa na Dar-Dar ke
chaahe mujhe jiinaa pa.De mar-mar ke
ma.nzil se pahale naa luu.ngaa kahii.n dam
aage hii aage ba.Dhaau.ngaa kadam
daahine baae.n daahine baae.n, tham! nanhaa …
dhuup me.n pasiinaa bahaau.ngaa jahaa.N
hare-bhare khet laharaae.nge vahaa.N
dharatii pe faake na paae.nge janam
aage hii aage …
nayaa hai zamaanaa merii na_ii hai Dagar
desh ko banaau.ngaa mashiino.n kaa nagar
bhaarat kisii se na rahegaa kam
aage hii aage …
ba.Daa ho ke desh kaa sitaaraa banuu.ngaa
duniyaa kii aa.Nkho.n kaa taaraa banuu.ngaa
rakhuu.Ngaa uu.nchaa tira.ngaa haradam
aage hii aage …
shaa.nti ki nagarii hai meraa ye vatan
sabako sikhaauu.ngaa pyaar kaa chalan
duniyaa me.n girane na duu.ngaa kahii.n bam
aage hii aage …
This song from the 1965 movie Shaheed on the lives and sacrifices of Shaheed Bhagat Singh, Rajguru and Sukhdev still makes my hair stand on end. The lyricist was Prem Dhawan and music was also composed by him. It was sung by Mohammad Rafi. The version that gives you goose pimples is when Bhagat Singh’s mother visits him in the jail before he and his two friends are taken to the gallows. There is promise in the song that ‘O, mother, your son will not die even after he is hanged and is fortunate to be wedded to the nation’.
Please enjoy: Ai watan, ai watan hamako teri kasam….
tuu nA ronA, ke tU hai bhagat si.nh kii maa.N
mar ke bhI laal terA maregaa nahii.n
Dolii cha.Dhake to laate hai dulhan sabhii
ha.Nsake har koI phaa.Nsii cha.Dhegaa nahii.n
jalate bhii gaye kahate bhii gaye
aazaadii ke paravaane
jiinaa to usiikaa jiinaa hai
jo maranaa desh par jaane
jab shahiido.n kii Dolii uThe dhuum se
deshavaalo.n tum aa.Nsuu bahaanaa nahii.n
par manaao jab aazaad bhaarat kA din
us gha.Dii tum hame.n bhuul jaanaa nahii.n
ai vatan ai vatan hamako terii qasam
terii rAho.n mai.n jaa.n tak luTaa jaaye.nge
phuul kyaa chiiz hai tere kadamo.n pe ham
bhe.nT apane saro.n kii cha.Dhaa jaaye.nge
ai vatan ai vatan
koii pa.njaab se, koii mahaarAshhTr se
koii yuu pii se hai, koii ba.ngaal se
terii puujaa kii thaalii me.n laaye hai.n ham
phuul har ra.ng ke, aaj har Daal se
naam kuchh bhii sahii par lagan ek hai
jot se jot dil kii jagaa jaaye.nge
ai vatan ai vatan …
terii jaanib uThii jo kahar kii nazar
us nazar ko jhukaa ke hii dam le.nge ham
terii dharatii pe hai jo kadam Gair kaa
us kadam kaa nishaa.N tak miTaa de.nge ham
jo bhii diivaar aayegii ab saamane
Thokaro.n se use ham giraa jaaye.nge
When it comes to a patriotic song that still gives you goose pimples, there is nothing to beat this one from Chetan Anand’s 1964 movie Haqeeqat (Reality) that sought to recreate the reality of 1962 Sino Indian War. The movie starred Dharmendra and Priya Rajvansh besides Balraj Sajni, Vijay Anand, Jayant and Sanjay Khan.
This song was penned by Kaifi Azmi who had mastered the art of writing simple words powerfully. Music was composed by Madan Mohan and the song was sung by Mohammad Rafi.
Please enjoy: Kar chale hum fida jaano tan saathiyo….
(kar chale ham fidaa jaan-o-tan saathiyo.n
ab tumhaare havaale vatan saathiyo.n ) – (2)
saa.Ns thamatii ga_ii nabz jamatii ga_ii
phir bhii ba.Dhate kadam ko na rukane diyaa
kaT gaye sar hamaare to kuchh Gam nahii.n
sar himaalay kaa hamane na jhukane diyaa
marate marate rahaa baa.Nkaapan saathiyo.n, ab tumhaare …
zi.ndaa rahane ke mausam bahut hai.n magar
jaan dene kii rut roz aatii nahii.n
husn aur ishq dono.n ko rusavaa kare
vo javaanii jo khuu.N me.n nahaatii nahii.n
baa.Ndh lo apane sar par kafan saathiyo.n, ab tumhaare …
raah qurbaaniyo.n kii na viiraan ho
tum sajaate hii rahanaa naye qaafile
fatah kaa jashn is jashn ke baad hai
zi.ndagii maut se mil rahii hai gale
aaj dharatii banii hai dulhan saathiyo.n, ab tumhaare …
khii.nch do apane khuu.N se zamii.n par lakiir
is taraf aane paaye na raavaN koii
to.D do haath agar haath uThane lage
chhuune paaye na siitaa kaa daaman koii
raam bhii tum tumhii.n lakshmaN saathiyo.n, ab tumhaare …
Lets turn to a little more modern movie and little more modern song. I love this song for its pathos and quiet resolve in the face of unequal war perpetrated on India by the terrorists from across the border. It brought national acclaim to two people: the story-writer and director of the movie Mani Ratnam and its music director AR Rehman. The 1992 movie Roja was first made in Tamil starring Arvind Swamy and Madhoo who nearly received the National Best Actress Award until she was beaten by Dimple Kapadia. The music got the Best Movie on National Integration Award and Best Music Director award for AR Rehman in his debut movie. The soundtrack of the movie by Rehman was declared by Time magazine in 2005 as one of the ten best sound tracks.
The song has the lyrics by PK Mishra and sung by Hariharan.
Please enjoy: Bharat hamako jaan se pyaara hai….
Bhaarat hamako jaan se pyaaraa hai
sabase nyaaraa gulistaa.n hamaaraa hai
sadiyo.n se bhaarat bhuumi duniyaa kii shaan hai
bhaarat maa.n kii rakshaa me.n jiivan qurbaan hai
bhaarat hamako jaan se …
uja.De nahii.n apanaa chaman, TUTe nahii.n apanaa vatan
duniyaa dhar dharatii korI, barabaad naa karade koii
mandir yahaa.N, masjid vahaa.N, hinduu yahaa.N muslim vahaa.N
milate rahe ham pyaar se
jaago …
hindustaanii naam hamaaraa hai, sabase pyaaraa desh hamaaraa hai
janmabhuumi hai hamaarii shaan se kahe.nge ham
sabhii to bhaaI-bhaaI pyaar se rahe.nge ham
hindustaanii naam hamaaraa hai
aasaam se gujaraat tak, ba.ngaal se mahaaraashhTr tak
jhanakii sahii gun ek hai, bhaashhaa alag sur ek hai
kashmiir se madraas tak, kah do sabhii ham ek hai.n
aavaaz do ham ek hai.n
jAgo …
https://youtube.com/watch?v=Wqb4HIcZ-Gc%3F
Talking about AR Rehman, one can never forget his Maa Tujhe Salaam that has been sung by him on his own music. Its lyrics are by Mehboob. AR Rehman has a way of reaching to the hearts of our countrymen with his music and this song really assumed iconic proportions.
Please enjoy: Maa tujhe salaam….
maa.N
(mother)
va.nde maataram
(I pray to you, o mother)
yahaa.N-vahaa.N saaraa jahaa.N dekh liyaa hai
(here and there, i have seen the entire world)
kahii.n bhii tere jaisaa ko_ii nahii.n hai
(but, there is no one anywhere like you)
assii nahii.n sau din duniyaa ghuumaa huu.N
(I have travelled across the world, not for eighty, but for a hundred days)
nahii.n kahii.n tere jaisaa ko_ii nahii.n hai
(no one anywhere, like you no one is there)
mai.n gayaa jahaa.N bhii bas terii yaad thii
(wherever i went, only your memories were there)
jo mere saath thii mujh ko ta.Dapaatii-rulaatii
(that had accompanied me, torturing me, making me weep)
sab se pyaarii terii suurat pyaar hai bas teraa pyaar hii
(your face is the loveliest of them all, your affection is the only love)
maa.N tujhe salaam
(oh mother! i salute to you)
ammaa tujhe salaam
jahaa.N tuu hai vahaa.N mai.n teraa huu.N divaanaa mai.n
(wherever you are, i am there, i am mad after you)
jhuumuu.N naachu.n gaa_uu.N tere pyaar kaa taraanaa mai.n
( i swing, i dance, i sing, the song of your love)
cha.ndaa nahii.n suuraj nahii.n duiyaa kii daulat nahii.n
(i don’t want the moon, nor the sun, nor the wealth of this world)
bas luuTuu.Ngaa tere pyaar kaa khazaanaa
(i will only loot the treasure of your love)
ek nazar jab terii
(one glance of yours)
hotii hai pyaar kii
(you cast on me, filled with love)
duniyaa tab to merii chamake damake mahake re
(then my world shines, glitters, smells)
teraa cheharaa suuraj jaisaa chaa.Nd sii ThaND hai pyaar me.n
(you face is like the sun, the coolness of the moon is in your love)
tere paas hii mai.n aa rahaa huu.N apanii baa.Nhe.n khol de
(i am going to come near you, you please spread your arms)
jor se mujhako gale lagaa le mujhako phir vo pyaar de
(and hug me enthusiatically, grant me again that love of yours)
tuu hii zi.ndagii hai tuu hii merii mohabbat hai
(only your are the life, only you are my love)
tere hii pairo.n me.n jannat hai tuu hii dil tuu jaa.N maa.N
(the paradise lies only in your feet, you are my heart, you are my life, oh mother!)
https://youtube.com/watch?v=jDn2bn7_YSM%3F
Lets now turn to a song that has been filmed in the National Defence Academy at Khadakvasala, near Pune (Maharashtra). It is from the 1970 film Aadmi Aur Insaan. Lyrics of this vivacious song were penned by Sahir Ludhianvi and music composed by Ravi. The song was sung by Mahendra Kapoor, S Balbir and Joginder.
Please enjoy: Yaara dildaara mera dil karta…..
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
aisa kuch kar paye yado me bas jaye
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
ho sadiyo jahan me ho charcha hamara
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
jalti mashale leke milni ki raato me
milni ki rato me
aage aage hum chale yaro ki baraato me
yaro ki baraato me
fanse koi bholi bhali apni bhi baato me
apni bhi baato me
kisi ki kalaayi aaye apne bhi haatho me
apne bhi haatho me
ho sadiyo jahan me ho charcha hamara
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
aisa kuch kar paye yado me bas jaye
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
nit naye dhundhe mujhe nit naye mile ho
nit naye mile ho
pariyo me ghire rahe kabhi na akele ho
kabhi na akele ho
gum ki ghataaye ho ki khushiyo ke rele ho
khushiyo ke rele ho
dono se nibhaane wale hum albele ho
hum albele ho
ho sadiyo jahan me ho charcha hamara
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
aisa kuch kar paye yado me bas jaye
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
humsa jiyala koi mile na hajaro me
mile na hajaro me
mare chahe jiye rahe agli kataro me
agli kataro me
jhalke hamara lahu kal ki baharo me
kal ki baharo me
ashqo ka tauhafa hoke bant jaye yaaro me
bant jaye yaaro me
ho sadiyo jahan me ho charcha hamara
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
aisa kuch kar paye yado me bas jaye
dil karta o yara dildara mera dil karta
o yara dildara mera dil karta
o yara dildara mera dil karta
o yara dildara mera dil karta
o yara dildara mera dil karta
o yara dildara mera dil karta
https://youtube.com/watch?v=3adU-Pg7g-o%3F
Lets get back to 1954 movie Jagriti (Awakening) directed by Satyen Bose. It won the Filmfare Best Movie Award and brought for its lead actor Abhi Bhattacharya the Best Supporting Actor Award. This songs lyrics, once again, are by Kavi Pradeep who has excelled in writing patriotic songs. Music is by Hemant Kumar and the song has been sung by Mohammad Rafi.
Please enjoy: Ham laayen hain toofaan se kishati nikaal ke….
paase sabhii ulaT gae dushman kii chaal ke
akshar sabhii palaT gae bhaarat ke bhaal ke
ma.nzil pe aayaa mulk har balaa ko Taal ke
sadiyo.n ke baad phir u.De bAdal gulaal ke
ham laae hai.n tuufaan se kashtii nikaal ke
is desh ko rakhanaa mere bachcho.n sambhaal ke
tum hii bhavishhy ho mere bhaarat vishaal ke
is desh ko rakhanaa mere bachcho.n sambhaal ke
dekho kahii.n barabaad nA hoe ye bagiichaa
isako hR^iday ke khuun se baapuu ne hai sii.nchaa
rakkhaa hai ye chiraaG shahiido.n ne baal ke, is desh ko…
duniyaa ke daa.nv pe.nch se rakhanaa nA vaastaa
ma.nzil tumhaarii dUr hai lambaa hai raastaa
bhaTakaa nA de koii tumhe.n dhokhe me.n Daal ke, is desh ko…
aiTam bamo.n ke jor pe ai.nThii hai ye duniyaa
baaruud ke ik Dher pe baiThii hai ye duniyaa
tum har kadam uThaanaa zaraa dekha bhaal ke, is desh ko…
aaraam kii tum bhuul bhulayyaa me.n nA bhuulo
sapano.n ke hi.nDolo.n pe magan hoke nA jhuulo
ab vaqt aa gayaa hai mere ha.Nsate hue phuulo.n
uTho chhalaa.Ng maar ke aakaash ko chhuu lo
tum gaa.D do gagan pe tira.ngaa uchhaal ke, is desh ko…
https://youtube.com/watch?v=ddrx8288qwA%3F
What can you say about this song? You can only marvel at its lyrics that represents how India was known for the nation with Sone Ki Chidhiya. Rajinder Krishan, its lyricist needs to be congratulated for the words that became immortal, a cherished dream in later years. Music is by Hansraj Behl who has not only given music for several Punjabi movies but also for Hindi movies. It has been sung by Mohammad Rafi. The song is from the 1965 movie Sikander-e-Azam.
Please enjoy: Jahan daal daal par sone ki chidhiyan karti hain basera….
jahaa.N Daal-Daal par
sone kii chi.Diyaa.n karatii hai baseraa
vo bhaarat desh hai meraa
jahaa.N satya, ahi.nsaa aur dharm kaa
pag-pag lagataa Deraa
vo bhaarat desh hai meraa
ye dharatii vo jahaa.N R^ishhi muni
japate prabhu naam kii maalaa
jahaa.N har baalak ek mohan hai
aur raadhaa har ek baalaa
jahaa.N suuraj sabase pahale aa kar
Daale apanaa pheraa
vo bhaarat desh hai meraa
alabelo.n kii is dharatii ke
tyohaar bhii hai alabele
kahii.n diivaalii kii jagamag hai
kahii.n hai.n holii ke mele
jahaa.N raag ra.ng aur ha.Nsii khushii kaa
chaaro aur hai gheraa
vo bhaarat desh hai meraa
jahaa.N aasamaan se baate karate
ma.ndir aur shivaale
jahaa.N kisii nagar me kisii dvaar par
koii na taalaa Daale
prem kii ba.nsii jahaa.N bajaataa
hai ye shaam saveraa
vo bhaarat desh hai meraa …
https://youtube.com/watch?v=-0kPkqkrHPk%3F
Lastly, I give you a song from Manoj Kumar’s 1967 movie Upkaar in which for the first time the villain Pran shifted to good roles. Manoj Kumar was an artificial stereo-typed actor but he excelled in making movies on patriotic themes. The movie Upkaar was also known for Kalyanji Anandji’s music and Indeevar’s lyrics. This very popular song has been sung in the silk-smooth voice of Mahendra Kapoor.
Please enjoy: Mere desh ki dharti…..
mere desh kii dharatii sonaa ugale, ugale hiire motii
mere desh kii dharatii …
bailo.n ke gale me.n jab ghu.ngharuu jiivan kaa raag sunaate hai.n
Gam kos duur ho jaataa hai khushiyo.n ke ka.nval muskaate hai.n
sunake rahaT kii aavaaze.n yuu.N lage kahii.n shahanaaI baje
aate hii mast bahaaro.n ke dulhan kii tarah har khet saje,
mere desh …
jab chalate hai.n is dharatii pe hal mamataa a.nga.Daaiyaa.N letii hai
kyuu.N naa puuje is maaTii ko jo jiivan kaa sukh detii hai
is dharatii pe jisane janam liyaa, usane hii paayaa pyaar teraa
yahaa.N apanaa paraayaa koI nahii.n hai sab pe hai maa.N upakaar teraa,
mere desh …
ye baaG hai gautam naanak kaa khilate hai.n chaman ke phuul yahaa.N
gaa.ndhii, subhaashh, Taigor, tilak, aise hai.n aman ke phuul yahaa.N
ra.ng haraa harii si.nh nalave se ra.ng laal hai laal bahaadur se
ra.ng banaa basa.ntii bhagat si.nh ra.ng aman kaa viir javaahar se,
mere desh …
Before we say Jai Hind, lets recall the 1910 poem of Nobel Laureate Rabindra Nath Tagore and pray that India takes its rightful place in the great nations of the world:
Where The Mind Is Without Fear
by Rabindranath Tagore
Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.
मेरी शाम से उसकी तन्हाईयाँ ना चुराओ
इसके पास इसके इलावा और कुछ नहीं
मैं यहाँ खुश हूँ मुझे वहां ना बुलायो
ना शौक, ना ख्वाइश, और कुछ नहींI
बेकसी की चादर ओढ़े सो रहा हूँ मैं
बुझे अरमान तले राख है, और कुछ नहीं
ये दौलत कभी कम न हो रो रहा हूँ मैं
अश्क़ों का खज़ाना है, और कुछ नहींI
मेरा हसीन आशिआना मुझे अब भी है याद
अब बर्बादी का आलम है, और कुछ नहीं
अब कौन सुनेगा मुझ गरीब की फ़रियाद
फ़टे दामन में दाग है, और कुछ नहींI
बुझा दो शमा, तोड़ डालो शीशा-ऐ-दिल
उम्मीद-ऐ-गम की दुनिया में और कुछ नहीं
इस ज़िन्दगी की शाम में कुछ तो हो हासिल
मुझे ख़ाक में मिला दो, और कुछ नहींI
हसरतों के सहारे कब तक चलेंगे हम
गर्दिश-ऐ-सफर में अब और कुछ नहीं
एक ही चिंगारी से देखना खूब जलेंगे हम
सूखी हड्डियां हैं, यादें हैं, और कुछ नहींI
Meri sham se usaki tanhaayiyan na churaayo
Isske pass isske siwaye aur kuchh nahin
Main yahan khush hoon, mujhe wahan naa bulaayo
Naa shauk, naa khwaaish, aur kuchh nahin.
Bekasi ki chaadar ode so raha hoon main
Bujhe armaano tale raakh hai, aur kuchh nahin
Ye daulat kabhi kam naa ho, ro raha hoon main
Ashqon ke khazaane hain, aur kuchh nahin.
Mera hasin aashiyana mujhe ab bhi ha yaad
Ab barbaadi ka aalam hai, aur kuchh nahin
Ab kaun sunega iss gareeb ki fariyaad
Fate daaman mein daag hai, aur kuchh nahin.
Bujha do shamaa, tod daalo shisha-e-dil
Umeed-e-gam ki duniya mein aur kuchh nahin
Iss zindagi ki sham mein kuchh to ho haasil
Mujhe khaak mein mila do, aur kuchh nahin.
Hasraton ke sahaare kab tak challenge ham
Gardish-e-safar mein ab aur kuchh nahin
Ek hi chingaari se dekhana aise jalenge ham
Sookhi haddiyan hain, yaaden hain, aur kuchh nahin.
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तब नया सूरज उगा था
तब जलते चिरागों की लौ में
अँधेरे दूर भागते थे
अब रौशनी को तरसते रात के साये
बढ़ते ही जा रहे हैं
सबेरा दूर है, बहुत दूर
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
चमन में फूलों की खुशबु से
फ़िज़ाएं मदहोश थी तब
अब मुरझाये फूल गिरते हैं मज़ार पे
सूखे पत्तों के संग
लहर आई थी चले गयी
हम साहिल पे अब भी खड़े हैं इंतेज़्ज़ार में
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तेरे क़दमों की आहट से
बंधे थे मेरे दिल के तार
तेरी साँसों में तब था
मेरे ही प्यार का खुमार
अब खाली पैमानों की बज़्म में
हम प्यासे खड़े हैं
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
तब हम मुन्तज़िर थे
तेरे अहद-ओ-पैमान से
अब नींद से जागी हमारी आँख
मौत का नज़ारा ढूंडती है
काश उस ज़िन्दगी को रोक लेते वहीँ
जो अब हर कहीं जिन्दगी का सहारा ढूंडती है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
फरक सिर्फ इतना है:
तब सब कुछ हमारे आगे था
अब सब कुछ हमारे पीछे है
तब हम कहते थे, “यही है ज़िन्दगी”
और अब? अब सवाल ही सवाल है:
“बस यही है ज़िन्दगी, क्या?”
ज़िन्दगी तब भी थी
ज़िन्दगी अब भी है
Zindagi tab bhi thi
Zindagi ab bhi hai
Tab naya suraj uga tha
Tab jalate chiraagon ki lau mein
Andhere door bhaagte the
Ab raushni ko tarsate raat ke saaye
Badate hi ja rahe hain
Sabera door hai, bahut door
Zindagi tab bhi thi
Zindagi aaj bhi hai
Zindagi tab bhi thi
Zindagi aaj bhi hai
Chaman mein phoolon ki khushbu se
Fizayen madhosh thi tab
Ab murjhaye phool girte hain mazaar pe
Sukhe patton ke sang
Lehar aayi thi chale gayi
Hum saahil pe ab bhi khade hain intezzaar mein
Zindagi tab bhi thi
Zindagi aaj bhi hai
Zindagi tab bhi thi
Zindagi aaj bhi hai
Tere kadmon ki aahat se
Bandhe the mere dil ke taar
Teri saanson mein tab tha
Mere hi pyaar ka khumaar
Ab khaali paimaano ki bazm mein
Ham pyaase khade hain
Zindagi tab bhi thi
Zindagi aaj bhi hai
Zindagi tab bhi thi
Zindagi ab bhi hai
Tab ham muntazir the
Tere ahad-o-paimaan se
Ab neend se jaagi hamaari aankh
Maut ka nazaara dhoondati hai
Kaash us zindagi ko roke lete wahin
Jo ab har kahin zindagi ka sahaara dhoondati hai
Zindagi tab bhi thi
Zindagi aaj bhi hai.
Zindagi tab bhi thi
Zindagi ab bhi hai
Fark sirf itana hai:
Tab sab kuchh hamaare aage tha
Ab sab kuchh hamaare peechhe hai
Tab ham kehte the, “Yehi hai zindagi”.
Aur ab? Ab sawaal hi sawaal hai:
“Bus yehi hai zindagi, kyaa?”
Zindagi tab bhi thi
Zindagi ab bhi hai.
[lineate][/lineate]Lord Rama,[lineate][/lineate]How far we have come from[lineate][/lineate]That day,[lineate][/lineate]When Hanuman heralded yours,[lineate][/lineate]Sita’s, and Laxman’s re-entry into Ayodhaya[lineate][/lineate]After fourteen years of exile?[lineate][/lineate]People were ecstatic,[lineate][/lineate]And lit lamps to signify[lineate][/lineate]Victory of Light over Darkness[lineate][/lineate]Knowledge over Ignorance[lineate][/lineate]And, Good over Evil.[lineate][/lineate]
[lineate][/lineate]Do you think now they remember you[lineate][/lineate]When they light bombs or crackers[lineate][/lineate]Costing thousands of rupees[lineate][/lineate]In the middle of night?[lineate][/lineate]These intended to not just wake people[lineate][/lineate]From their slumber[lineate][/lineate]But, also to proclaim their new found riches,[lineate][/lineate]Power, influence, glory and arrogance.[lineate][/lineate]And all these whilst millions of poor[lineate][/lineate]Sleep on empty stomachs.[lineate][/lineate]
(Pic courtesy: www.thtimes.co.uk)
[lineate][/lineate]Even a General Eisenhower[lineate][/lineate]Talked about every bomb and rocket[lineate][/lineate]Being a theft from those who are hungry,[lineate][/lineate]Naked and homeless.[lineate][/lineate]But, we, the Indians,[lineate][/lineate]Peace-loving as we proudly call ourselves[lineate][/lineate]Still carry on the charade[lineate][/lineate]Of Ignorance leading Knowledge Darkness replacing Light[lineate][/lineate]And help Evil conquer over Good.[lineate][/lineate]
[lineate][/lineate]This noise, this unchecked noise[lineate][/lineate]Is already making us deaf[lineate][/lineate]And blind to the real challenges[lineate][/lineate]That India faces, Lord Rama’s India faces.[lineate][/lineate]This naked and shameless display of ostentation[lineate][/lineate]Has nothing to do with Humility[lineate][/lineate]Purity, Modesty and Self-sacrifice, that you embodied[lineate][/lineate]Making everyone wonder, in near and far lands,[lineate][/lineate]Whether we are really with you O Ram,[lineate][/lineate]Or are we got used to going the Raavan’s way?[lineate][/lineate]
There was a time
Not much time ago
When our two worlds met
Like day meets night, or
Sky meets the sea
Or the river seeks the banks.
Our two worlds formed
Not one but another two worlds:
One in which we existed, and
Another in which we lived.
The latter had life, laughter
Song and music and
The beating of our heartbeats as one.
I believe that we liked
Loved and adored
Our second world more.
And now that the physical distances
Are closer than
The miles between our hearts,
Can we just look back and see
How our worlds moved apart?
Shouldn’t we have sensed
The fading smiles
The elongated silences
The songs that went sad
The shadows that lengthened
The sunsets that lasted
Many times more than the sunrises
The wetting of the eyes
The drying of the hearts?
We are the predators
Who killed our world
Where we lived beyond the world.
Egoes and anxieties
Suspicions and rigidities
Competed to win
And we both lost.
Worlds apart
I can barely see you
Can you see me?
Worlds apart
Death didn’t do it to us
Life did.
We could have known
We should have known.
These historical poems and poets contributed not just towards India’s independence but also filled us with sense of pride and awe at the task ahead to make India the best nation on earth.
I provide you these poems in their original language, in Hindi, their transliteration and finally their meaning in English.
#1 Poem: I start with our National Song or Geet: Saare Jahan Se Achha…
Let me begin with what is known as Taranah-e-Hind or Anthem of the People of Hindustan. Forty three years before independence, it was written by the poet Muhammad Iqbal and published in the Ittehad, a weekly journal.
The next year, it was read by him in Government College Lahore (then in India) and it soon became the manifestation of our opposition to the British rule. He was, of course, a lecturer in the same college.
There is no Indian, whose chest doesn’t swell with pride at the recitation of this poem/song.
In parades all over the country, men and women march to the tune of this song.
I am giving you the poem in all three languages: Urdu, Hindi and English and its meaning in English:
Urdu
سارے جہاں سے اچھا ہندوستاں ہمارا
ہم بلبلیں ہیں اس کی، یہ گلستاں ہمارا
غربت میں ہوں اگر ہم، رہتا ہے دل وطن میں
سمجھو وہیں ہمیں بھی دل ہو جہاں ہمارا
پربت وہ سب سے اونچا، ہمسایہ آسماں کا
وہ سنتری ہمارا، وہ پاسباں ہمارا
گودی میں کھیلتی ہیں اس کی ہزاروں ندیاں
گلشن ہے جن کے دم سے رشکِ جناں ہمارا
اے آبِ رودِ گنگا! وہ دن ہیں یاد تجھ کو؟
اترا ترے کنارے جب کارواں ہمارا
مذہب نہیں سکھاتا آپس میں بیر رکھنا
ہندی ہیں ہم، وطن ہے ہندوستاں ہمارا
یونان و مصر و روما سب مٹ گئے جہاں سے
اب تک مگر ہے باقی نام و نشاں ہمارا
کچھ بات ہے کہ ہستی مٹتی نہیں ہماری
صدیوں رہا ہے دشمن دورِ زماں ہمارا
اقبال! کوئی محرم اپنا نہيں جہاں میں
معلوم کیا کسی کو دردِ نہاں ہمارا!
Hindi
सारे जहाँ से अच्छा हिन्दोसिताँ हमारा
हम बुलबुलें हैं इसकी यह गुलसिताँ हमारा
ग़ुर्बत में हों अगर हम, रहता है दिल वतन में
समझो वहीं हमें भी दिल हो जहाँ हमारा
परबत वह सबसे ऊँचा, हम्साया आसमाँ का
वह संतरी हमारा, वह पासबाँ हमारा
गोदी में खेलती हैं इसकी हज़ारों नदियाँ
गुल्शन है जिनके दम से रश्क-ए-जनाँ हमारा
ऐ आब-ए-रूद-ए-गंगा! वह दिन हैं याद तुझको?
उतरा तिरे किनारे जब कारवाँ हमारा
मज़्हब नहीं सिखाता आपस में बैर रखना
हिन्दी हैं हम, वतन है हिन्दोसिताँ हमारा
यूनान-व-मिस्र-व-रूमा सब मिट गए जहाँ से
अब तक मगर है बाक़ी नाम-व-निशाँ हमारा
कुछ बात है कि हस्ती मिटती नहीं हमारी
सदियों रहा है दुश्मन दौर-ए-ज़माँ हमारा
इक़्बाल! कोई महरम अपना नहीं जहाँ में
मालूम क्या किसी को दर्द-ए-निहाँ हमारा!
English
Sāre jahāṉ se acchā, Hindositāṉ hamārā
Ham bulbuleṉ haiṉ is kī, yih gulsitāṉ hamārā
G̱ẖurbat meṉ hoṉ agar ham, rahtā hai dil wat̤an meṉ
Samjho wuhīṉ hameṉ bhī dil ho jahāṉ hamārā
Parbat wuh sab se ūṉcā, hamsāyah āsmāṉ kā
Wuh santarī hamārā, wuh pāsbāṉ hamārā
Godī meṉ kheltī haiṉ is kī hazāroṉ nadiyāṉ
Guls̱ẖan hai jin ke dam se ras̱ẖk-i janāṉ hamārā
Ai āb-i rūd-i Gangā! wuh din haiṉ yād tujh ko?
Utrā tire kināre jab kārwāṉ hamārā
Maẕhab nahīṉ sikhātā āpas meṉ bair rakhnā
Hindī haiṉ ham, wat̤an hai Hindositāṉ hamārā
Yūnān o-Miṣr o-Rūmā, sab miṭ ga’e jahāṉ se
Ab tak magar hai bāqī, nām o-nis̱ẖaṉ hamārā
Kuch bāt hai kih hastī, miṭtī nahīṉ hamārī
Ṣadiyoṉ rahā hai dus̱ẖman daur-i zamāṉ hamārā
Better than the entire world, is our Hindustan,
We are its nightingales, and it (is) our garden abode
If we are in an alien place, the heart remains in the homeland,
Know us to be only there where our heart is.
That tallest mountain, that shade-sharer of the sky,
It (is) our sentry, it (is) our watchman
In its lap frolic where thousands of ponds,
Whose vitality makes our garden the envy of Paradise.
O the flowing waters of the Ganges, do you remember that day
When our caravan first disembarked on your waterfront?
Religion does not teach us to bear ill-will among ourselves
We are of Hind, our homeland is Hindustan.
In a world in which ancient Greece, Egypt, and Rome have all vanished without trace
Our own attributes (name and sign) live on today.
Such is our existence that it cannot be erased
Even though, for centuries, the cycle of time has been our enemy.
Iqbal! We have no confidante in this world
What does any one know of our hidden pain?
(Pic courtesy: www.friendskorner.com)
#2 Poem: Sarfroshi ki tamanna…..
An Urdu poem written by an Arya Samaji? Well, that was the strength of my Bharat or India before politicians on both sides of the border divided us along religious and casteist lines for their …vested interests.
Ram Prasad Bismil was born on 11th June 1897 in Shajahanpur. He was merely 30 when he was hanged to death by the British at Gorakhpur Jail. His crime? Well, he, along with a few others such as Ashfaqulla Khan, Roshan Singh and Rajendra Nath Lahiri sought to break the shackles of slavery for India and let its people live in Freedom.
He was one of the founding members of Hindustan Republican Association. The association and his writings later became the inspiration for Shaheed Bhagat Singh.
Bismil wrote about many poems and Ghazals (both in Hindi and Urdu) inspiring people to revolt against the British. This Urdu Ghazal (his most famous) is written in Beher-E-Ramal/Mazahif Musamman. This type of Beher in Urdu poetry was the favourite meter of Ram Prasad Bismil. He had written almost 35 ghazals in this meter.
As with Saare Jahan Se Achha, I give you the poem in Urdu, Hindi and English and then give its English translation. Let me see if your blood boils to read the poem, as it did for Bhahat Singh, Rajguru and Sukhdev.
Urdu
سرفروشی کی تمنا اب ہمارے دل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
دیکھنا ہے زور کتنا بازوئے قاتل میں ہے
کرتا نہیں کیوں دوسرا کچھ بات چیت
دیکھتا ھوں میں جسے وہ چپ تیری محفل میں ہے
اے شہید ملک و ملت میں تیرے اوپر نثار
اب تیری ہمت کا چرچہ غیر کی محفل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
وقت آنے دے بتا دیں گے تجہے اے آسمان
ہم ابھی سے کیا بتائیں کیا ہمارے دل میں ہے
کھینج کر لائی ہے سب کو قتل ہونے کی امید
عاشقوں کا آج جمگھٹ کوچئہ قاتل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
ہے لئے ہتھیار دشمن تاک میں بیٹھا ادھر
اور ہم تیار ھیں سینہ لئے اپنا ادھر
خون سے کھیلیں گے ہولی گر وطن مشکل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
ہاتھ جن میں ہو جنون کٹتے نہیں تلوار سے
سر جو اٹھ جاتے ہیں وہ جھکتے نہیں للکا ر سے
اور بھڑکے گا جو شعلہ سا ہمارے دل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
ہم جو گھر سے نکلے ہی تھے باندہ کے سر پہ کفن
جان ہتھیلی پر لئے لو، لے چلے ہیں یہ قدم
زندگی تو اپنی مہمان موت کی محفل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
یوں کھڑا مقتل میں قاتل کہہ رہا ہے بار بار
کیا تمناِ شہادت بھی کِسی کے دِل میں ہے
دل میں طوفانوں کی تولی اور نسوں میں انقلاب
ھوش دشمن کے اڑا دیں گے ھمیں روکو نہ آج
دور رہ پائے جو ہم سے دم کہاں منزل میں ہے
وہ جِسم بھی کیا جِسم ہے جس میں نہ ہو خونِ جنون
طوفانوں سے کیا لڑے جو کشتیِ ساحل میں ہے
سرفروشی کی تمنا اب ہمارے دل میں ہے
دیکھنا ہے زور کتنا بازوئے قاتل میں ہے
Hindi
सरफ़रोशी की तमन्ना अब हमारे दिल में है
देखना है ज़ोर कितना बाज़ू-ए-क़ातिल में है
(ऐ वतन,) करता नहीं क्यूँ दूसरा कुछ बातचीत,
देखता हूँ मैं जिसे वो चुप तेरी महफ़िल में है
ऐ शहीद-ए-मुल्क-ओ-मिल्लत, मैं तेरे ऊपर निसार,
अब तेरी हिम्मत का चरचः ग़ैर की महफ़िल में है
सरफ़रोशी की तमन्ना अब हमारे दिल में है
वक़्त आने पर बता देंगे तुझे, ए आसमान,
हम अभी से क्या बताएँ क्या हमारे दिल में है
खेँच कर लाई है सब को क़त्ल होने की उमीद,
आशिक़ोँ का आज जमघट कूचः-ए-क़ातिल में है
सरफ़रोशी की तमन्ना अब हमारे दिल में है
है लिए हथियार दुशमन ताक में बैठा उधर,
और हम तय्यार हैं सीना लिये अपना इधर.
ख़ून से खेलेंगे होली गर वतन मुश्किल में है,
सरफ़रोशी की तमन्ना अब हमारे दिल में है
हाथ, जिन में हो जुनून, कटते नही तलवार से,
सर जो उठ जाते हैं वो झुकते नहीं ललकार से.
और भड़केगा जो शोलः सा हमारे दिल में है,
सरफ़रोशी की तमन्ना अब हमारे दिल में है
हम तो घर से ही थे निकले बाँधकर सर पर कफ़न,
जाँ हथेली पर लिये लो बढ चले हैं ये कदम.
जिन्दगी तो अपनी मॆहमाँ मौत की महफ़िल में है,
सरफ़रोशी की तमन्ना अब हमारे दिल में है
यूँ खड़ा मक़्तल में क़ातिल कह रहा है बार-बार,
क्या तमन्ना-ए-शहादत भी किसी के दिल में है?
दिल में तूफ़ानों की टोली और नसों में इन्क़िलाब,
होश दुश्मन के उड़ा देंगे हमें रोको न आज.
दूर रह पाए जो हमसे दम कहाँ मंज़िल में है,
जिस्म भी क्या जिस्म है जिसमें न हो ख़ून-ए-जुनून
क्या लढ़े तूफ़ान से जो कश्ती-ए-साहिल में है
सरफ़रोशी की तमन्ना अब हमारे दिल में है
देखना है ज़ोर कितना बाज़ू-ए-क़ातिल में है
English
Sarfaroshi ki tamanna ab hamaare dil mein hai
Dekhna hai zor kitna baazu-e-qaatil mein hai
aye watan Karta nahin kyun doosra kuch baat-cheet
Dekhta hun main jise woh chup teri mehfil mein hai
Aye shaheed-e-mulk-o-millat main tere oopar nisaar
Ab teri himmat ka charcha ghair ki mehfil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Waqt aanay dey bata denge tujhe aye aasman
Hum abhi se kya batayen kya hamare dil mein hai
Khainch kar layee hai sab ko qatl hone ki ummeed
Aashiqon ka aaj jumghat koocha-e-qaatil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Hai liye hathiyaar dushman taak mein baitha udhar
Aur hum taiyyaar hain seena liye apna idhar
Khoon se khelenge holi gar vatan muskhil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Haath jin mein ho junoon katt te nahi talvaar se
Sar jo uth jaate hain voh jhukte nahi lalkaar se
Aur bhadkega jo shola-sa humaare dil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Hum to ghar se nikle hi the baandhkar sar pe kafan
Jaan hatheli par liye lo barh chale hain ye qadam
Zindagi to apni mehmaan maut ki mehfil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai
Yuun khadaa maqtal mein qaatil kah rahaa hai baar baar
Kya tamannaa-e-shahaadat bhi kisee ke dil mein hai
Dil mein tuufaanon ki toli aur nason mein inqilaab
Hosh dushman ke udaa denge humein roko na aaj
Duur reh paaye jo humse dam kahaan manzil mein hai
Wo jism bhi kya jism hai jismein na ho khoon-e-junoon
Toofaanon se kya lade jo kashti-e-saahil mein hai
Sarfaroshi ki tamanna ab hamaare dil mein hai.
Dekhna hai zor kitna baazuay qaatil mein hai.
English Translation
The desire for revolution is in our hearts
Let us see what strength there is in the arms of our executioner
Why do you remain silent thus?
Whoever I see, is gathered quiet so…
O martyr of country, of nation, I submit myself to thee
For yet even the enemy speaks of thy courage
The desire for struggle is in our hearts…
When the time comes, we shall show thee, O heaven
For why should we tell thee now, what lurks in our hearts?
We have been dragged to service, by the hope of blood, of vengeance
Yea, by our love for nation divine, we go to the streets of the enemy
The desire for struggle is in our hearts…
Armed does the enemy sit, ready to open fire
Ready too are we, our bosoms thrust out to him
With blood we shall play Holi, if our nation need us
The desire for struggle is in our hearts…
No sword can sever hands that have the heat of battle within,
No threat can bow heads that have risen so…
Yea, for in our insides has risen a flame,
and the desire for struggle is in our hearts…
Set we out from our homes, our heads shrouded with cloth,
Taking our lives in our hands, do we march so…
In our assembly of death, life is now but a guest
The desire for struggle is in our hearts…
Stands the enemy in the gallows thus, asking,
Does anyone wish to bear testimony?…
With a host of storms in our heart, and with revolution in our breath,
We shall knock the enemy cold, and no one shall stop us…
What is that body that does not have hot blood in it,
How can a person conquer a Typhoon while sitting in a boat near the shore.
The desire for struggle is in our hearts,
We shall now see what strength there is in the boughs of the enemy.
(Pic courtesy: www.snapdeal.com)
#3 Poem: Vande Mataram (I Praise Thee, Mother)
Bankim Chandra Chattopadhayay, the great Bengali litterateur wrote his classic Anandmath in the year 1882. It was one of the most important pieces of literature ever written by …an Indian in Bengali or English. The poem, that was to later become India’s national song was written for the first time in this novel.
The poem, originally a Bengali and Sanskrit stotra, for the first time, personified India as a mother goddess. It became the most important poem in the context of India’s struggle for Independence and was sung in the political context, for the first time, by Rabindra Nath Tagore at the 1896 session of Indian National Congress.
In 1950, the first two stanzas of the song were given the status of India’s National Song, as distinct from India’s National Anthem Jana Gana Mana.
First, let me give you the original song in Bengali:
Mother, I salute thee!
Rich with thy hurrying streams,
bright with orchard gleams,
Cool with thy winds of delight,
Dark fields waving Mother of might,
Mother free.
Glory of moonlight dreams,
Over thy branches and lordly streams,
Clad in thy blossoming trees,
Mother, giver of ease
Laughing low and sweet!
Mother I kiss thy feet,
Speaker sweet and low!
Mother, to thee I salute.
Who hath said thou art weak in thy lands
When the swords flash out in seventy million hands
And seventy million voices roar
Thy dreadful name from shore to shore?
With many strengths who art mighty and stored,
To thee I call Mother and Lord!
Though who savest, arise and save!
To her I cry who ever her foeman drove
Back from plain and Sea
And shook herself free.
Thou art wisdom, thou art law,
Thou art heart, our soul, our breath
Though art love divine, the awe
In our hearts that conquers death.
Thine the strength that nerves the arm,
Thine the beauty, thine the charm.
Every image made divine
In our temples is but thine.
Thou art Durga, Lady and Queen,
With her hands that strike and her
swords of sheen,
Thou art Lakshmi lotus-throned,
And the Muse a hundred-toned,
Pure and perfect without peer,
Mother lend thine ear,
Rich with thy hurrying streams,
Bright with thy orchard gleems,
Dark of hue O candid-fair
In thy soul, with bejeweled hair
And thy glorious smile divine,
Loveliest of all earthly lands,
Showering wealth from well-stored hands!
Mother, mother mine!
Mother sweet, I salute thee,
Mother great and free!
(Pic courtesy: www.karsewak.blogspot.com)
#4 Poem: Pushp Ki Abhilasha (A Flower’s Desire)
Pandit Makhanlal Chaturvedi (April 4, 1889 – January 30, 1968), also called Panditji, was an Indian poet, writer, essayist, playwright and a journalist who is particularly reme…mbered for his participation in India’s national struggle for independence and his contribution to Chhayavaad, the Neo-romanticism movement of Hindi literature. He was awarded the first Sahitya Akademi Award in Hindi for his work Him Taringini in 1955.
His poem Pushp Ki Abhilasha is considered one of the finest works in patriotic poetry.
I give you its Hindi version, English transliteration and the meaning in English:
Here is it in Hindi:
चाह नहीं मैं सुरबाला के
गहनों में गूँथा जाऊँ
चाह नहीं, प्रेमी-माला में
बिंध प्यारी को ललचाऊँ
चाह नहीं, सम्राटों के शव
पर हे हरि, डाला जाऊँ
चाह नहीं, देवों के सिर पर
चढ़ूँ भाग्य पर इठलाऊँ
मुझे तोड़ लेना वनमाली
उस पथ पर देना तुम फेंक
मातृभूमि पर शीश चढ़ाने
जिस पर जावें वीर अनेक ।।
Its transliteration in English:
Chah Nahin Mai Surbala Ke
Gehnon Mein Guntha Jaaon.
Chah Nahin Premi Mala Mein
Bindh, Pyari Ko Lalchaon.
Chah Nahin Samraton Ke Shav Par,
He Hari Dala Jaaon.
Chah Nahin Devon Ke Sar Par
Chadhon, Bhagya Par Itraoon.
Mujhey Tod Lena Banmali,
Us Path Par Tum Dena Phaink,
Matra Bhoomi Per Sheesh Chadhaney,
Jis Path Jaayen Veer Anek.
And finally, its translation in English:
It is not my desire to be weaved in the ornaments of a beautiful girl.
It is not my desire to be weaved into a Lover’s garland and tempt a beloved.
It is not my desire, O Hari, to adorn the funeral of a monarch.
It is not my desire to be presented as offering to a goddess and rejoice at my good luck.
O, Gardner, all I desire is
That you will pluck me and throw me on that path
On which our brave soldiers tread to sacrifice their lives for the motherland.
#5 Poem: Lohe Ke Mard (Iron Men or Men of Steel)
During my school days, I liked Hindi poets Maithili Sharan Gupt, Sumitra Nandan Pant, Subhadra Kumari Chauhan and Mahadevi Verma. But, each one of us have our favourites. Mine… was Ramdhari Singh Dinkar. Why? I was a young impressionable boy at that time and I liked Veer Ras. Ramdhari Singh Dinkar’s poems made my blood boil with their naked patriotism and resolve.
Just like Maithili Sharan Gupt, Dinkar was also given the title of National Poet and if you recall, in 2008, his statue was unveiled in the Parliament by the then Prime Minister Shri Manmohan Singh.
The Government of India went one step ahead and named Sahitya Ratna Awards after him: Rashtrakavi Ramdhari Singh Dinkar Sahitya Ratna Awards.
The poem Lohe Ke Mard was written by him on 01 November 1962. The war with China, if you recall, started on 20 Oct 1962.
As always, I give you the poem in Devanagiri script, transliteration in English and finally its translation in English. Share with me in the comments if you too got goose pimples whilst reading the poem.
Enjoy: Lohe Ke Mard by Ramdhari Singh Dinkar
पुरुष वीर बलवान,
देश की शान,
हमारे नौजवान
घायल होकर आये हैं।
कहते हैं, ये पुष्प, दीप,
अक्षत क्यों लाये हो?
हमें कामना नहीं सुयश-विस्तार की,
फूलों के हारों की, जय-जयकार की।
तड़प रही घायल स्वदेश की शान है।
सीमा पर संकट में हिन्दुस्तान है।
ले जाओ आरती, पुष्प, पल्लव हरे,
ले जाओ ये थाल मोदकों ले भरे।
तिलक चढ़ा मत और हृदय में हूक दो,
दे सकते हो तो गोली-बन्दूक दो।
Transliteration in English
Purush veer balwaan
Desh ki shaan
Hamare naujawan
Ghayal ho kar aaye hain.
Kehte hain, ye pushp, deep
Akshat kyon laaye ho?
Hammen kaamna nahin suyash-vistaar ki,
Phulon ke haaro ki, jai-jaikaar ki.
Tadap rahi ghayal, swadesh ki shaan hai,
Seema par sankat mein Hindustan hai.
Le jaayo aarti, pushp, pallav hare,
Le jaayo ye thaal modkon se bhare.
Tilak chada mat aur hriday mein hoonk do,
De sakte ho to goli bandook do.
Translation
Men, brave, strong
Are pride of the nation.
(But) these young soldiers
Have returned (from the border) wounded.
They ask: Flowers, lamps
Why have you brought them unhurt?
We don’t desire fame and glory
Garlands of flowers or praise.
Wounded, the nation’s pride lies in pain,
We have an emergency at the border.
Take away the aarti, flowers and green leaves,
Take away these trays full of modak sweets.
Don’t honour us with tilak, when heart is wounded,
If you want to give us anything, please give bullets and guns!
(Pic courtesy: www.begusaraionline.com)
#6 Poem: Azaadi Ka Geet (Song of Freedom)
Harivanshrai Bachchan (Amitabh Bachchan’s father) was born on 27 Nov 1907 in India that was slave. He died on 18th Jan 2003, having lived in independent India for 55 years. He was a major poet of the Chhayawad literary movement (Romanticism)
This is what he had to say on 15th August 1947:
आज़ादी का गीत
हम ऐसे आज़ाद हमारा झंडा है बादल।
चाँदी सोने हीरे मोती से सजती गुड़ियाँ।
इनसे आतंकित करने की बीत गई घड़ियाँ
इनसे सज धज बैठा करते जो हैं कठपुतले
हमने तोड़ अभी फेंकी हैं बेड़ी हथकड़ियाँ
परंपरा गत पुरखों की हमने जाग्रत की फिर से
उठा शीश पर रक्खा हमने हिम किरीट उज्जवल
हम ऐसे आज़ाद हमारा झंडा है बादल।
चाँदी सोने हीरे मोती से सजवा छाते
जो अपने सिर धरवाते थे वे अब शरमाते
फूलकली बरसाने वाली टूट गई दुनिया
वज्रों के वाहन अंबर में निर्भय घहराते
इंद्रायुध भी एक बार जो हिम्मत से ओटे
छत्र हमारा निर्मित करते साठ कोटि करतल
हम ऐसे आज़ाद हमारा झंडा है बादल।
– हरिवंश राय बच्चन
Aazaadi Ka Geet
Ham aise aazaad, hamara jhanda hai baadal,
Chandi, sone, here, moti se sajati gudiyan,
Inse aatankit karne ki beet gayi ghadiyan,
Inse saj dhaj baitha karte jo hain kathputle
Hamane tode abhi fainki hain bedhi hathkadiyan.
Parampara gat purkhon ki hamane jagrit ki phir se
Utha sheesh par rakha hamane him kireet ujjawal
Ham aise aazaad hamara jhanda hai baadal.
Chandi here moti se sajawa chhate,
Jo apne sir dharvaate the vo ab sharmate
Phoolkaari barsaane waali toot gayi duniya
Vajaron ke waahan ambar mein nirbhay gehraate.
Indrrayudh bhi ek baar himmat se ote’,
Chhatra hamara nirmit karte saath koti kartal,
Ham aise aazaad hamara jhanda hai baadal
– Harivanshrai Bachchan
We are free and our flag flies like clouds
Toy-girls are adorned with diamonds and pearls,
The time to paly with them is over now.
Only puppets sit adorned with them
We have broken and thrown away the shackles at our feet.
Tradition of past men, we have revived
With head held high, we have looked to snow laden mountains
We are free and our flag flies like clouds!
(Our rulers) Those with umbrellas of silver, gold, diamonds and pearls
Over their heads, are repentant now,
The world where they were greeted with flower petals is gone now
The chariots of Vajra now roam freely in the sky!
Us who have wrapped Indra Yudh around us with great courage
We now have a new umbrella, established with sound of sixty crore kartal,
We are free and our flag flies like clouds!
(Pic courtesy: www.todaytoptrends.com)
#7 Poem: Jhanda Ooncha Rahe Hamaara…
Shyamlal Gupta immortalised Indian Flag through his melodious lyrics “Vijayi Vishwa Tiranga Pyara, Zanda Ooncha Rahe Hamara.”…
After Gandhiji assumed the leadership of Indian freedom movement and tricolour became symbol of independence, Gupta thought of composing a motivating song eulogising the flag and born those immortal lines “ Vijayi Vishwa Tiranga Pyara, Zanda Ooncha Rahe Hamara.” Shyamlalji Gupta, was born on September 9, 1896 at Kanpur in a Dosar Vaishya family.
After the composition of Zanda Geet, a wave of patriotism got created in India. The song brought a passion among Indians to fight for making India free from the clutches of British. The atmosphere was charged so much so that it was felt that Indian Tri-colour might take place of Union Jack. People from every background and age, adored Zanda Geet and it became an integral and inseparable part of freedom movement. In the year 1934 at Haripur Congress, Zanda Geet was given a status of National Song. Sarojini Naidu presented it. The session was chaired by Pandit Jawaharlal Nehru.
Here is the famous song, first in Devnagiri script:
विजयी विश्व तिरंगा प्यारा,
झंडा ऊँचा रहे हमारा।
सदा शक्ति बरसाने वाला,
प्रेम सुधा सरसाने वाला
वीरों को हरषाने वाला
मातृभूमि का तन-मन सारा,
झंडा ऊँचा रहे हमारा।
स्वतंत्रता के भीषण रण में,
लखकर जोश बढ़े क्षण-क्षण में,
काँपे शत्रु देखकर मन में,
मिट जावे भय संकट सारा,
झंडा ऊँचा रहे हमारा।
इस झंडे के नीचे निर्भय,
हो स्वराज जनता का निश्चय,
बोलो भारत माता की जय,
स्वतंत्रता ही ध्येय हमारा,
झंडा ऊँचा रहे हमारा।
आओ प्यारे वीरों आओ,
देश-जाति पर बलि-बलि जाओ,
एक साथ सब मिलकर गाओ,
प्यारा भारत देश हमारा,
झंडा ऊँचा रहे हमारा।
इसकी शान न जाने पावे,
चाहे जान भले ही जावे,
विश्व-विजय करके दिखलावे,
तब होवे प्रण-पूर्ण हमारा,
झंडा ऊँचा रहे हमारा।
Sada Shakti barsaane waala,
Prem sudha sursaane waala,
Veeron ko harshaane waala
Matribhumi ka tan man saara
Jhanda ooncha rahe hamaara
Swantrata ke bheeshan ran mein
Lakhkar josh badhe kshan kshan mein
Kaampe shatru dekhkar man mein
Mit jaave bhay sankat saara
Jhanda ooncha rahe hamaara
Is jhande ke neeche nirbhay
Ho swaraj janam ka nishchay
Bolo Bharat Mata ki jay
Swantrata hi dhyay hamara
Jhanda ooncha rahe hamara
Aao pyaaro veero aao
Desh jaati per bali bali jaao
Ek saath sab mil kar gaao
Pyaara Bharat desh hamara
Jhanda ooncha rahe hamara
Iski shaan na jaane pave
Chahe jaan bhale hi jaave
Vijay Vijay kar ke dikhlave
Sab hove pran poorn hamaara
Jhanda ooncha rahe hamaara
And finally the English translation:
The conqueror of the world, our tri-colour
Let our flag always fly high
It showers strength always
It oozes out love nectar
It gives pride to the brave
It is the heart and mind of Motherland
Let our flag always fly high
In the intense battle for independence
It gives josh to every moment
The enemy trembles after seeing it
(And for us) our fear and danger goes away
Let our flag always fly high
Under this flag we are fearless
And our intention is the birth of Swaraj
Shout Jay for Bharat Mata
Now our aim is independence
Let our flag always fly high
Come, beloved braves, come
Sacrifice everything for our nation
In one voice sing together
Beloved is our nation Bharat
Let our flag always fly high
Let its prestige never go away
Even if we give away our lives for that
Let Victory Victory be ours
Let our pledge be realised
Let our flag always fly high
(Pic courtesy: www.geeta-kavita.com)
#8 Poem: 15 August 1947
Girija Kumar Mathur was born on 22 Aug 1919 in Gunna, Madhya Pradesh. He emerged as an important Hindi poet and lyricist. Mathur was conferred the Vyas Samman by t…he K.K.Birla Foundation. He retired as the deputy director-general of Doordarshan in 1978 and was later appointed emeritus producer. His first collection of poems, Manjir, was published in 1941. He passed away on 10 Jan 1994.
The poem that he wrote on 15 Aug 1947 is still so relevant today, 67 years later.
In Devanagiri
१
आज जीत की रात
पहरुए! सावधान रहना
खुले देश के द्वार
अचल दीपक समान रहना
२
प्रथम चरण है नए स्वर्ग का
है मंज़िल का छोर
इस जनमंथन से उठ आई
पहली रत्न-हिलोर
अभी शेष है पूरी होना
जीवन-मुक्ता-डोर
क्योंकि नहीं मिट पाई दुख की
विगत साँवली कोर
ले युग की पतवार
बने अम्बुधि समान रहना।
३
विषम शृंखलाएँ टूटी हैं
खुली समस्त दिशाएँ
आज प्रभंजन बनकर चलतीं
युग-बंदिनी हवाएँ
प्रश्नचिह्न बन खड़ी हो गईं
यह सिमटी सीमाएँ
आज पुराने सिंहासन की
टूट रही प्रतिमाएँ
उठता है तूफ़ान, इन्दु! तुम
दीप्तिमान रहना।
४
ऊँची हुई मशाल हमारी
आगे कठिन डगर है
शत्रु हट गया, लेकिन उसकी
छायाओं का डर है
शोषण से है मृत समाज
कमज़ोर हमारा घर है
किन्तु आ रहा नई ज़िन्दगी
यह विश्वास अमर है
जन-गंगा में ज्वार,
लहर तुम प्रवहमान रहना
पहरुए! सावधान रहना।
In English transliteration
1
Aaj jeet ki raat
Pehruye! Savdhaan rehna
Khule desh ke dwaar
Achal deepak smaan rehna
2
Prathm charan hai naye swarg ka
Hai manzil ka chhor
Is janmanthan se uthh aayi
Pehli rattan hilore
Abhi shesh hai poori hona
Jeevan-mukta-dore
Kyunki nahin mit paayi dukh ki
Vigat saanwli kore
Le yug ki patwaar
Bane ambudhi smaan rehna.
3
Visham shrankhlaayen tooti hain
Khuli samast dishaayen
Aaaj prabhanjan banker chalti
Yug-Bandini hawaayen
Prashanchinh ban khadi ho gayi
Ye simati seemayen
Aaj puraane sinhaasan ki
Toot rahi pratimayen
Uthhata hai toofaan Indra! tum
Deeptiman rehana.
4
Oonchi hui mashaal hamari
Aage kathhin dahgar hai
Shatru hat gaya, lekin usaki
Chhayayon ka dar hai
Shoshan se hai mrit samaaj
Kamzore hamaara ghar hai
Kyunki aa raha nayi zindagi
Yeh vishwas amar hai
JanGanga mein jwaar
Lehar tum pravhamaan rehna
Pehruye! Saavdhaan rehna
Finally, the English translation
1
Tonight, is the night of victory,
O Sentinel! Remain alert
Gates of the country are open
Remain like a still lamp.
2
It is our first step into this new heaven
It is only the edge of the destination
With this mass churning we have
Our first wave as a jewel
Still it remains to be completed
The thread that sets us totally free
Because our miseries are not yet over
And the darkness of our past is still with us
You should be like a boatman
Guiding us through the ocean.
3
Odd chains have broken
All directions are open now
Like defeat they move
The winds that are hostage to the past
Like a question mark they stand
The limits of our borders
Today, the old thrones
Have broken their models
The typhoon rises, O Indra
Remain radiant.
4
Our torch remains high
Our path is difficult
Enemy has gone, but
His shadows threaten us
Our dead society is prone to exploitation
Our house is weak
But new Life is coming
This belief is eternal
In the tide of the Ganga of our people
O wave, remain observant of the stream
O sentinel, remain alert.
If it hadn’t been for people dying and getting seriously injured, War would be really very funny. I mean, just think, dropping bombs, firing missiles, and chucking grenades at someone or at other people just because they feel differently.
Bringing ‘democracy’ to people through Arab Spring; but with tanks, bombs and guns (Pic courtesy: www.theguardian.com)
“Wait a sec guys” you say with aplomb (since you are the mighty one), “Whilst we slam the daylights out of you for not recognizing that democracy is the best form of government. Next time be sure to vote for democracy so that you guys will be safe.”
The most ludicrous thing is that both the parties feel that they are fighting the Just War. In any case, each one of them knows, or at least used to know before social-media came in, that history can be re-written by the victorious.
Happy, smiling faces at Hiroshima in Oct 1945 after ‘good sense’ has been driven into them (Pic courtesy: www.mctv.ne.jp)
I also feel that when two grownups fight the others call them loco. However, when countries fight, and spend money, resources, time, and lives plotting against each other, it is called stratagem or grand strategy or some equally high-sounding names. This is so that when Life goes on, the business of ending others’ lives should also flourish; a kind of ‘Live-and-Let-Die’.
In peacetime, people are busy doing or not doing what they feel like. However, as soon as War starts, everyone is busy doing War; soldiers with shooting down erstwhile friends-turned-enemies, doctors in stitching up mutilated bodies, industrialists (especially defence industrialists) making themselves richer than they normally do, undertakers in burying and cremating and writers in having enough to write about; eg, stories with a ‘human (ha, ha) angle’, tales of heroism, love, romance and intrigue; singers, movie-makers, actors, lyricists, music makers in churning out films and songs on how the soldiers stood between us and annihilation. Indeed, that’s the time you realize that War keeps more people busy than the bally peace!
We always remember the origin of such wars and its unique vocabulary. Thus, however advanced the means of war may become, in our folklore we shall always keep using the expression ‘chucking stones at each other’. However, newer expressions originate and Oxford and Webster and hordes of other dictionary wallahs run up to the printing presses to bring out the latest vocabulary unleashed by War.
Indians have convinced themselves that they were never war-minded. It is because we decided not to do so in the battlefield with the enemies of the country (even Mahabharata was between brothers, cousins and uncles); but on the roads (traffic wars of gaining just a few inches more than the ones to your right or left), streets and other public arena. Wars may have been important to people abroad, but, we manage to kill more people on the roads than they do with their war machinery, nerve gas, and even nuclear bombs. We too are capitalists and we too know how to remain in business.
An everyday scene in India (Pic courtesy: www.instablogs.com)
We are the most self-sufficient nation in the world; we have our own enemy within and are never dependent upon nefarious forces outside (or as Indira Gandhi used to call: “Foreign Hand”) to do it to us what we can do to ourselves.
Patton’s famous quote ‘The more you sweat in peace; the less you bleed in war’ has been taken by us rather seriously. So, we sweat and bleed in peacetime in our country, so that there will be nothing left to do in War.
Lastly, most of us in my group Humour In And Out Of Uniform (HIAOOU for short) are eternally grateful to War or its Fear since that’s the raison d’être for us as soldiers, airmen and sailors; in short, people in uniform. No War or its Fear, No ‘R, K, and Makaan’ for us and our families.
‘No War, No Uniform’ also means that HIAOOU ceases to be a greeting between us all; one of the stupidest collateral damages!
So, lets keep our powder dry,
And preserve our platitudes;
In uniform, we fight, we sail, we fly,
To correct the enemies’ attitudes.
There is glory and there is honour,
In rubbing their noses to ground;
It also gives HIAOOU its humour,
That couldn’t otherwise be found.
War, we love you and adore you,
Avoiding you, we call as ‘deterrence’,
Thankfully there is nothing new,
No other meaning or inference.
Than to advance the concept,
Of Poly Ticks by other means,
And, in fighting-for-peace become adept,
With bombs, missiles, bullets and magazines.
कुछ नहीं भूला
कुछ नहीं खोया
कुछ था भी नहीं
कुछ है भी नहीं
ओस कि बूँद थी क्या
या उड़ता हुआ गुबार?
हवा के झोंके की
अपनी कोई हस्ती है क्या?
ख्वाब था
ख्वाब है
हमें अपनी खबर न थी
उन्हें मेरी खबर न थी
तिनकों के आशियाँ में
बस्ते थे हम, और अब
यादों के धुंदले साये में
अब और ठिकाना ढूँढ़ते हैं
ये धुएं के महल
ये गहरे अँधेरे
ये वीरान मरहले
ये हैं मेरे हमसफ़र
मेरे हमदर्द मेरे अपने
कौन छीनेगा इन्हे मुझसे?
शुक्र है तेरी मुहब्बत में
कुछ तो मिला है
कुछ तो बचा है
Kuchh nahin bhoola
Kuchh nahin khoya
Kuchh tha bhi nahin
Kuchh hai bhi nahin.
Ose ki boond thi kyaa
Ya udata hua gubaar?
Hawa ke jhonke ki
Apni koi hasti hai kyaa?
Khwaab tha
Khwaab hai
Hamen apni khabar na thi
Unhe meri khabar na thi.
Tinako ke aashiyaan mein
Baste the ham, aur ab hain
Yaadon ke dhundle sayon mein.
Ab aur dhikaana dhoondte hain
Ye dhuyen ke mahal
Ye gehre andhere
Ye viraan marhale.
Yehi hain mere hamsafar
Mere hamdard, mere apne.
Kaun chheenega inhen mujhase?
Shukr hai teri muhabbat main
Kuchh to apna mila hai
Kuchh to apna bacha hai.
Life is the biggest gift of God to us; the next biggest is sleep. It relaxes us and refreshes us and prepares us to face a new day. But, what about those who can’t sleep? If they are small children, then God has given them the gift of their parents, especially their mother, who sings for them lori or lullabies to them to make them sleep. And if they are older people? Well, they still need lullabies from their beloved to make them sleep.
Lori or lullabies send the child or beloved to a different world, a world of dreams. This one from the 1955 movie Vachan, penned by my namesake, and composed by him and sung by Asha Bhosle is the ultimate into this dream world. We are all familiar with it:
Chandamama door ke, puye pakaayen boor ke
Aap khaaen thaalii men, munne ko den pyaali men
PyaalI gai toot munna gaya rooth
Laaenge nayi pyaaliyaan bajaa bajaa ke taaliyaan
Munne ko manaaenge ham dudh malayi khaaenge
Chandamama …
Udan – khatole baith ke munna chanda ke ghar jaayega
Taaron ke sang aankh michauli khel ke dil behlaayega
Khel kood se jab mere munne ka dil bhar jaayega
Thumak thumak mera munna vaapas ghar ko aayega,
Chandamama …
(Boor = white cane sugar powder, puye = plural of ‘puaa’ or ‘malpuaa’, a sweet bread made from thick fluor (sooji / rava); thaali = a dinner plate pyaali = a small bowl to serve side dishes munna = a traditional name for a small child.
There are dozens of Lori songs in the Hindi movies. I was requested to do a post on Lori songs, when, a few months back, I did one on Neend (Sleep) songs (Please read: Neend Hamari Khwaab Tumhaare – Best Of (Lost) Neend Songs – A ‘Lyrical’ Special). I didn’t know it would be such a difficult task since I landed up with almost a hundred Lori songs. I wanted to select just ten for this post; but, finally I have ended up selecting a dozen. These are not in any particular order.
Lets begin with the first one. It is from the 1953 Bimal Roy classic ‘Do Bigha Zameen’ starring Balraj Sahni and Nirupa Roy in lead roles. The movie’s songs lyrics were by Shailendra Singh and the music director was Salil Choudhury who also wrote the story. A young Lata Mangeshkar has sung this so well that it must rank amongst her top 50.
Please enjoy: Aa ja re aa nindiya tu aa…
Aa jaa re aa ni.ndiyaa tuu aa
jhilamil sitaaro.n se utar aa.Nkho.n me.n aa sapane sajaa
SoI kalI soyaa chaman pIpal tale soI havaa
sab ra.ngaa ik ra.ng me.n tuune ye kyaa jaaduu kiyaa
aa jaa …
Sa.nsaar kii raanI hai tuu raa jaa hai meraa laaDalaa
duniyaa hai merii god me.n soyaa huaa sapanaa meraa,
aa jaa …
So jaa tuu aise morii sajaniyaa
so jaa tuu aise morii sajaniyaa
sajiyaa pe soye jaise dulhaniyaa
chandaa kaa Tiikaa maathe lagaa_uu.N
taaro.n kii maalaa tujhako pahanaa_uu.N
taaro.n kii maalaa tujhako pahanaa_uu.N
tohe sulaa_uu.N gaa gaa ke lorii
jhuulaa jhuulaa_uu.N ni.ndiyaa ko torii
chandan kaa palanaa …
In the duet version, Hemantda and Lata sing the following stanza together:
Uu.Nche gagan se koii bulaaye
laayii.n hai.n pariyaa.n Dolaa sajaaye
sajan se milane duur chalii jaa
u.Dake tuu ni.ndiyaa phur.r chalii jaa
u.Dake tuu ni.ndiyaa phur.r chalii jaa
chandaa pukaare aajaa chakorii
jhuulaa jhuulaa_uu.N ni.ndiyaa ko tori
https://youtube.com/watch?v=H0l1qQVTfHA%3F
Have you realised that the movies that we saw in our childhood and boyhood/girlhood have much more lasting effects on us than the latter day movies? One such movie for me was the 1963 movie Mujhe Jeene Do starring Sunil Dutt and Waheeda Rehman. The movie was about the rehabilitation of dacoits who want to live the lives of ordinary people with families and children. This song is sung by a mother (Waheeda) to her child as a Lori. The dacoit father Sunil Dutt is on run from the police. Hence, the entire family is constantly in hiding, moving from place to place and hoping to remain undetected. This song is a very touching song showing the anxiety of a young mother for her new-born child and the kind of life that he faces. Lata’s voice has made it a most touching lullaby. Sahir Ludhianvi’s lyrics are superb and Jaidev’s music is perfect for the emotions.
Please enjoy: Tere bachpan ko jawani ki dua deti hoon, aur dua deke preshaan si ho jaati hoon…
tere bachapan ko javaanii kii duaa detii huu.N
aur duaa deke pareshaan sii ho jaatii huu.N
mere munne mere gulazaar ke nanhe paudhe
tujhako haalat kii aa.ndhii se bachaane ke liye
aaj mai.n pyaar ke aa.nchal me.n chhupaa letii huu.N
kal ye kamazor sahaaraa bhii na haasil hogaa
kal tujhe kaa.nTo.n bharii raaho.n pe chalanaa hogaa
zi.ndagaanii kii ka.Dii dhuup me.n jalanaa hogaa
tere bachapan ko javaanii …
tere maathe pe sharaafat kii koI mohar nahii.n
cha.nd hote hai.n muhabbat ke sukuun hii kyaa hai.n
jaise maao.n kii muhabbat kaa koI mol nahii.n
mere maasuum farishte tuu abhii kyaa jaane
tujhako kis-kisakii gunaaho.n kii sazaa milanii hai
diin aur dharm ke maare hue i.nsaano.n kii
jo nazar milanii hai tujhako vo khafaa milanii hai
tere bachapan ko javaanii …
be.Diyaa.N leke lapakataa huaa kaanuun kaa haath
tere maa.N-baap se jab tujhako milii ye saugaat
kaun laaegaa tere vaaste khushiyo.n kii baaraat
mere bachche tere a.njaam se jii Darataa hai
terii dushman hii na saabit ho javaanii terii
khaak jaatii hai jise sochake mamataa merii
usii a.njaam ko pahu.nche na kahaanii terii
tere bachapan ko javaanii …
https://youtube.com/watch?v=P2D-Z7XM7aU%3F
The 1968 movie Brahmachari starring Shammi Kapoor, Rajshree, Pran and Mumtaz. Shammi Kapoor, the brahmachari, was an orphan who had taken upon himself to take care of orphan children in his home. The movie had many best awards: Best Movie, Best Actor: Shammi Kapoor, Best Singer: Mohammad Rafi, Best Lyricist: Shailendra, and Best Music Director: Shankar Jaikishan.
This Lori sung by Mohammad Rafi for Shammi Kapoor is touching indeed when Shammi Kapoor is forced to make the children sleep hungry.
Please enjoy: Main gaaun tum so jaao…
mai.n gaauu.N tum so jaao
sukh sapano.n me.n kho jaao
maanaa aaj kii raat hai lambii
maanaa din thaa bhaarii
par jag badalaa badalegii
ek din taqadiir hamaarii
us din ke khvaab sajaao
kal tum jab aa.Nkhe.n khologe
jab hogaa ujiyaaraa
khushiyo.n kaa sandeshaa lekar
aaegaa saveraa pyaaraa
mat aas ke diip bujhaao,
mai.n gaaU.N …
jii karataa hai jiite jii
mai.n yU.N hii gaataa jaaU.n
gardish me.n thake haatho.n kaa
maathaa sahalaataa jaauu.n
phir ik din tum doharaao,
sukh sapano.n …
At this stage let me take you to the era of the first super-star of the Hindi movies: KL Saigal; a singer par excellence. This Lori is for the old timers who like the lyrics of Kedar Sharma, the music of Pankaj Mullick and KL Saigal singing and acting. The movie is the 1940 movie Zindagi.
Please enjoy: So jaa raajkumari, so jaa….
so jA ##(slow)##
so jA rAjakumArI so jA
so jA mai.n balihArI so jA
so jA rAjakumArI so jA
so jA mIThe sapane Ae.N
sapano.n me.n pI daras dikhAe.N – 2
u.D kar rUpanagar me.n jAe.N – 2
rUpanagar kI sakhiyA.n Ae.N – 2
rAjAjI mAlA pahanAe.N – 2
chUme mA.ng tihArI so jA
so jA rAjakumArI so jA
https://youtube.com/watch?v=aNfuW2i4tLw%3F
This one is an extraordinary Lori sung by Lata Mangeshkar and C Ramachandra for the 1951 movie Albela starring Geeta Bali and Bhagwan. These absolutely enchanting lyrics are by Rajendra Krishan and the music is by C Ramachandra. The Lori is in two parts. The duet version is a sadder one. Chitalkar just sings the mukhada
and Lata sings the two antaraas. The tune is the same for both versions.
Please enjoy: Dheere se aaja ri ankhiyan mein, nindiya aaja ri aaja…
dhiire se aajaa rii a.Nkhiyan me.n
ni.ndiyaa aajaa rii aajaa, dhiire se aajaa
chhoTe se nainan kii bagiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
o …
lekar suhaane sapano.n kii kaliyaa.N, sapano.n kii kaliyaa.N
aake basaa de palako.n kii galiyaa.N, palako.n kii galiyaa.N
palako.n kii chhoTii sii galiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …
o …
taaro.n se chhup kar taaro.n se chorii, taaro.n se chorii
detii hai rajanii cha.Ndaa ko lorii, cha.Ndaa ko lorii
ha.Nsataa hai cha.Ndaa bhii nindiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …
Sad / Duet version
dhiire se aajaa rii a.Nkhiyan me.n
ni.ndiyaa aajaa rii aajaa, dhiire se aajaa
chhoTe se nainan kii bagiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
o …
aa.Nkhe.n to sab kii hai.n ik jaisii
jaisii amiiro.n kii, gariibo.n kii vaisii
palako.n kii suunii sii galiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …
o …
jagatii hai a.Nkhiyaa.N sotii hai qismat, sotii hai qismat
dushman gariibo.n kii hotii hai qismat, hotii hai qismat
dam bhar gariibo.n kii kuTiyan me.n
nindiyaa aajaa rii aajaa, dhiire se aajaa
dhiire se …
https://youtube.com/watch?v=TEN1DkOiFuY%3F
Have you ever imagined cinematography that enhances the effect of a Lori? If you haven’t, you have to see this Lori sung by Sunil Dutt for Nutan in the 1967 movie Milan. The lyrics are by Anand Bakshi and music by Laxmikant Pyarelal and the singer is Mukesh.
Please enjoy: Raam kare aisa ho jaaye, meri nindiya tohe mil jaaye…
raam kare aisaa ho jaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …
(svapna chalaa aae koii chorii-chorii
mast pavan gaae lorii
cha.ndra kiraN banake Dorii) -2
tere man ko jhuulaa jhulaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …
guzar jaae.n sukh se terii dukh bharii ratiyaa.N
badal luu.N mai.n tose a.Nkhiyaa.N
bas me.n agar ho.n ye batiyaa.N
maa.Nguu.N duaae.n haath uThaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …
mai.n hii nahii.n tuu hii nahii.n
saaraa zamaanaa dard kaa hai ek fasaanaa
aadamii ho jaae diivaanaa
yaad kare gar bhuul na jaae
merii ni.ndiyaa tohe mil jaae
mai.n jaaguu.N, tuu so jaae
mai.n jaaguu.N, tuu so jaae …
https://youtube.com/watch?v=P9qhPcwndP0%3F
Okay, time for a happy Lori now. This is from the 1977 movie Mukti starring Vidya Sinha and Shashi Kapoor. Once again, the lyrics are by Anand Bakshi but, this time, the music is by RD Burman. The Lori is a duet between Lata Mangeshkar and Mukesh.
chhoTii-chhoTii pyaarii sundar pariyo.n jaisii hai
kisii kii nazar naa lage merii munnii aisii hai
shahad se bhii miiThii duudh se bhii gorii
chupake-chupake chorii-chorii chorii
lallaa lallaa lorii …
kaarii rainaa ke maathe pe chamake chaa.Nd sii bi.ndiyaa
munnii ke chhoTe-chhoTe naino.n me.n khele ni.ndiyaa
sapano.n kaa palanaa aashaa_o.n kii Dorii
chupake-chupake chorii-chorii chorii
lallaa lallaa lorii …
https://youtube.com/watch?v=s3iOMHOg7DI%3F
This one is another heart rending Lori from the 1964 movie Beti Bete starring Sunil Dutt with Saroja Devi and Jamuna. Shalendra as lyricist, Shankar Jaikishan as composers and Lata Mangeshkar as singer have put this together.
Please enjoy: Aaj kal mein dhal gaya din hua tamaam…
aaj kal me.n Dhal gayaa, din huaa tamaam
tuu bhii so jaa, so ga_ii, ra.ng bharii shaam
so gayaa chaman chaman, so ga_ii kalii-kalii
so gae hai.n sab nagar, so ga_ii galii-galii
nii.nd kah rahii hai chal, merii baa.Nh thaam, tuu bhii …
hai bujhaa-bujhaa saa dil, bojh saa.Ns-saa.Ns pe
jii rahe hai.n phir bhii ham, sirf kal kii aas pe
kah rahii hai chaa.Ndanii, leke teraa naam, tuu bhii …
kaun aaegaa idhar, kisakii raah dekhe.n ham
jinakii aahaTe.n sunii, jaane kisake ye kadam
apanaa koI bhii nahii.n, apane to hai.n raam, tuu bhii …
https://youtube.com/watch?v=eTh9WUbvkwE%3F
I don’t know about you but I am very fond of this Lori from the 1959 movie Chiraag Kahan Roshni Kahan starring Rajendra Kumar and Meena Kumari. Ravi is the lyricist as well as the music director. Singer is Lata Mangeshkar.
Please enjoy: Tim tim karte tare, kehate hain saare…
Tim-Tim karate taare ye kahate hai.n saare
so jaa tohe ni.ndiyaa pukaare
Tim-Tim karate …
sapano.n ke desh chandaa maamaa raajaa
bulaa rahaa hai bajaakar suro.n kaa baajaa
chorii-chorii khi.Dakii se karataa hai ishaare
Tim-Tim karate …
baadalo.n kii paalakii pe tujhako biThaa ke
chandaa maamaa saaraa jag laa_egaa ghumaa ke
lauT ke aa_e shaan se raajaa dvaare
Tim-Tim karate …
https://youtube.com/watch?v=vpLmlPLJkO8%3F
I hope you enjoyed all these Loris. We come to the last two now. The first one of these is from an outstanding movie of Kamal Hassan and Sridevi: the 1983 movie Sadma. This is the story of a girl: Sridevi who meets with an accident, loses her memory and is led into prostitution. Kamal Hassan rescues her and painstakingly works on her with love and understanding to make her recall her past. It takes him months of hard labour and many unpleasant situations. But, ironically, when she regains her memory, she can’t recognise Kamal Hassan.
This Lori is sung by Yesudas for Kamal Hassan trying to make Sridevi sleep. It has really outstanding lyrics by Gulzar and music by Illayaraaja.
Please enjoy: Surmayi akhiyon mein nanna munna ik sapna de jaa re…
suramaI akhiyo.n me.n nanhaa munnaa ek sapanaa de jaa re
nindiyaa ke udate paakhii re, a.Nkhiyo.n me.n aajaa sAthI re
raa rii raa ram o raarii ram
sachchaa koI sapanaa dejaa
mujhako koI apanA dejaa
anajaanaa saa magar kuchh pahachaanaa saa
halkaa phulkaa shabanamii
resham se bhI reshamii
suramaI …
raat ke rath par jaane vaale
nI.nd kA ras barasaane vaale
itanA kar de kI merI aa.Nkhe.n bhar de
aa.Nkho.n me.n basataa rahe, sapanA ye ha.Nsataa rahe
sapanaa yuu.N chalataa rahe
a.Nkhiyo.n me.n basataa rahe
suramaI …
https://youtube.com/watch?v=V5qMS-K8eYY%3F
Sadly, that brings us to the last one of the dozen best Lori songs that I selected for you. This is from the 1959 movie Sujata about the rehabilitation of untouchables. The movie starred Nutan as an untouchable and Sunil Dutt who falls in love with her. This outstanding Lori has been sung by Geeta Dutt on the lyrics of Majrooh Sultanpuri and music of Sachin Dev Burman.
Please enjoy: Nanhi kali sone chali hawa dheere aana…
resham kii Dor agar pairo.n ko ulajhaae – 2
ghu.ngharuu kaa daanaa koI shor machaa jAe
daane mere jaage to phir ni.ndiyaa tU bahalaanaa
nI.nd bhare pa.nkh liye jhuulaa jhuulaa jaanaa
nanhii kalii sone chalI havaa dhIre aanaa
https://youtube.com/watch?v=l1rjhKLsi88%3F
In the end, anyone who has read Rudyard Kipling’s ‘The Jungle Book’ and/or has seen the movie, will be aware of the dream world of the lullaby. Here is Seal Lullaby for you from the children’s loved book and movie: The Jungle Book:
Seal Lullaby
[lineate][/lineate]Oh! hush thee, my baby, the night is behind us[lineate][/lineate]And black are the waters that sparkled so green.[lineate][/lineate]The moon, O’er the combers, looks downward to find us[lineate][/lineate]At rest in the hollows that rustle between.[lineate][/lineate]Where billow meets billow, there soft by the pillow.[lineate][/lineate]Oh, weary wee flipperling, curl at thy ease![lineate][/lineate]The storm shall not wake thee, no shark shall overtake thee[lineate][/lineate]Asleep in the storm of slow-swinging seas.[lineate][/lineate]
Phool or flowers are amongst the best of God’s creations, so much so, that we often compare our dear ones to flowers; we send flowers to people we like and we are convinced that there are as many colours of flowers as the colours that God made.
There are many poems on Flowers. One of the best is Pushp Ki Abhilasha by Makhanlal Chaturvedi. This is even more apt after the heartless remark of Bihar Rural Works and Panchayat Raj Minister Bhim Singh that soldiers are meant to die. He was responding to five Indian soldiers having been killed in cold blood by the Pakis.
पुष्प की अभिलाषा- माखनलाल चतुर्वेदी (Makhanlal Chaturvedi)
[lineate][/lineate]चाह नहीं मैं सुरबाला के गहनों में गूँथा जाऊँ[lineate][/lineate]चाह नहीं, प्रेमी-माला में बिंध प्यारी को ललचाऊँ[lineate][/lineate]चाह नहीं, सम्राटों के शवपर हे हरि, डाला जाऊँ[lineate][/lineate]चाह नहीं, देवों के सिर पर चढ़ूँ भाग्य पर इठलाऊँ[lineate][/lineate]मुझे तोड़ लेना वनमाली उस पथ पर देना तुम फेंक[lineate][/lineate]मातृभूमि पर शीश चढ़ाने जिस पर जावें वीर अनेक II[lineate][/lineate]
[lineate][/lineate]It is not my desire to be weaved in the ornaments of a beautiful girl.[lineate][/lineate]It is not my desire to be weaved into a Lover’s garland and tempt a beloved.[lineate][/lineate]It is not my desire, O Hari, to adorn the funeral of a monarch.[lineate][/lineate]It is not my desire to be presented as offering to a goddess and rejoice at my good luck.[lineate][/lineate]O, Gardner, all I desire is[lineate][/lineate]That you will pluck me and throw me on that path[lineate][/lineate]On which our brave soldiers tread to sacrifice their lives for the motherland.[lineate][/lineate]
(Photo Courtesy: photodivision.gov.in)
P.S. Any guesses how many Flowers would like to adorn the funeral of the Bihar Minister Bhim Singh?
The first Phool song, the best Phool song ever in Hindi movies, therefore, I have taken from the 1965 movie Shaheed starring Manoj Kumar and Kamini Kaushal. Lyrics are by Prem Dhawan as also the music. Mohammad Rafi has sung it with his usual passion. ‘Phool’ occurs once in the mukhada and once in the antara. In the mukhada it signifies that Flowers are nothing; at your feet, O’ Nation, we are prepared to offer our heads too. In the antara it signifies that We are from different parts of this great nation. We thus are like flowers of different colours and plants in your pooja thali. Really, I cannot think of a better Phool song for an Indian.
Ai vatan ai vatan hamako terii qasam
terii rAho.n mai.n jaa.n tak luTaa jaaye.nge
phuul kyaa chiiz hai tere kadamo.n pe ham
bhe.nT apane saro.n kii cha.Dhaa jaaye.nge
ai vatan ai vatan
Koii Pa.njaab se, koii MahaarAshhTr se
koii yuu pii se hai, koii ba.ngaal se
terii puujaa kii thaalii me.n laaye hai.n ham
phuul har ra.ng ke, aaj har Daal se
naam kuchh bhii sahii par lagan ek hai
jot se jot dil kii jagaa jaaye.nge
ai vatan ai vatan …
Terii jaanib uThii jo kahar kii nazar
us nazar ko jhukaa ke hii dam le.nge ham
terii dharatii pe hai jo kadam Gair kaa
us kadam kaa nishaa.N tak miTaa de.nge ham
jo bhii diivaar aayegii ab saamane
Thokaro.n se use ham giraa jaaye.nge
https://www.youtube.com/watch?v=c_I2sU8k7Hk
The second song is from the 1968 movie Saraswati Chandra starring Nutan and Manish. The movie won the National Awards in the Best Cinematography and Best Music Director (Kalyanji Anandji) categories.
The lyrics are by Indeevar and singers are Lata Mangeshkar and Mukesh.
Please enjoy: Phool tumhen bheja hai khat mein, Phool nahin mera dil hai, Pritam mere tum bhi likhana Kya yeh tumhaaare kaabil hai?
https://youtube.com/watch?v=vlLL2YlcGUI%3F
Phool or flower is often compared to blossoming of Love. The last thing that the lovers want is that it should be called infatuation. This is exactly the theme of this Manna De song. Manna De left us on the 25th of Oct 13 and this ranks amongst his best. The song is from the 1971 movie Anubhav directed by Basu Bhattacharya and starring Sanjeev Kumar and Tanuja. Lyrics are by Kapil Kumar and music by Kanu Roy.
Man kaa samu.ndar pyaasaa huaa, kyuu.N kisii se maa.Nge duaa – 2
laharo.n kaa lagaa jo melaa, tuufaa.n naa kaho usako
phir kahii.n …
Dekhe.n sab vo sapane, khud hii sajaae jo hamane – 2
dil unase bahal jaae to, raahat naa kaho usako
phir kahii.n …
https://youtube.com/watch?v=i40o6DEdIy0%3F
What about a Phool song describing the beauty of the heroine? There are dozens of them. I plan to give you just three of them. The first one is from the 1964 movie Aarzoo starring Rajendra Kumar, Feroze Khan, and Sadhna. Hasrat-SJ-Rafi have put this together. It has phool all the way, in the mukhada and antaras.
Please enjoy: Ai phoolon ki rani, baharon ki malika…
[lineate][/lineate]Ai phoolon ki raani, baharon ki malika,[lineate][/lineate]Tera muskaraana ghazab ho gaya…[lineate][/lineate] ai phuulo.n kii raanii bahaaro.n kii malikaa[lineate][/lineate]teraa muskuraanaa gazab ho gayaa[lineate][/lineate]na dil hosh me.n hai na ham hosh me.n hai.n[lineate][/lineate]nazar kaa milaanaa gazab ho gayaa[lineate][/lineate]
[lineate][/lineate]Tere ho.nTh kyaa hai.n gulaabii ka.nval hai.n[lineate][/lineate]ye do pattiyaa.n pyaar kii ik gazal hai.n[lineate][/lineate]vo naazuk labo.n se muhabbat kii baate.n[lineate][/lineate] hamii.n ko sunaanaa gazab ho gayaa[lineate][/lineate]
[lineate][/lineate]Kabhii khul ke milanaa kabhii khud jhijhakanaa[lineate][/lineate]kabhii raasto.n pe bahakanaa machalanaa[lineate][/lineate]ye palako.n kii chilaman uThaakar giraanaa[lineate][/lineate]giraakar uThaanaa gazab ho gayaa[lineate][/lineate]
[lineate][/lineate]Fizaao.n me.n Tha.nDak ghaTaa bhar javaanii[lineate][/lineate]tere gesuo.n kii ba.Dii meharabaanii[lineate][/lineate]har ik pe.nch me.n saika.Do.n maikade hai.n[lineate][/lineate]teraa la.Dakha.Daanaa gazab ho gayaa[lineate][/lineate]
https://youtube.com/watch?v=zJd0ZZ-pezk%3F
We are on the sub-theme of phool songs describing the beauty of the heroine. This is from the 1962 movie Professor starring Shammi Kapoor and Kalpana. Hasrat Jaipuri, Shankar Jaikishan and Rafi have put this together.
Please enjoy: Aye gulbadan, aye gulbadan…
[lineate][/lineate]Aye gulbadan, aye gulbadan,[lineate][/lineate]Phoolon ki mehak, kaanton ki chubhan…[lineate][/lineate]ai gulabadan, ai gulabadan, phuulo.n kii mahak kaa.NTo.n kii chubhan[lineate][/lineate]tujhe dekh ke kahataa hai meraa man[lineate][/lineate]kahii.n aaj kisii se muhabbat naa ho jaae[lineate][/lineate]
[lineate][/lineate]Kyaa hasiin mo.D par aa ga_ii zi.ndagaanii[lineate][/lineate]kii haqiiqat na ban jaae merii kahaanii[lineate][/lineate]jab aahe.n bhare ye Tha.nDii pavan[lineate][/lineate]siine me.n sulag uThatii hai agan[lineate][/lineate]tujhe dekh ke …[lineate][/lineate]
[lineate][/lineate]Kyaa ajiib ra.ng me.n saj rahii hai Kudaaii[lineate][/lineate]kii har ik chiiz maalik ne su.ndar banaaii[lineate][/lineate]nadiyaa kaa chamakataa hai darapan[lineate][/lineate]muKa.Daa dekhe.n sapano.n kii dulhan[lineate][/lineate]tujhe dekh ke …[lineate][/lineate]
[lineate][/lineate]Mai.n tumhii.n se yuu.N aa.Nkhe.n milaataa chalaa huu.N[lineate][/lineate]ki tumhii.n ko mai.n tumase churaataa chalaa huu.N[lineate][/lineate]mat puuchho meraa diivaanaapan[lineate][/lineate]aakaash se uu.Nchii dil kii u.Dan[lineate][/lineate]tujhe dekh ke …
https://www.youtube.com/watch?v=Bo3-uUPSAnc
We are on the sub-theme of Phool songs describing the beauty of the heroine. The third best song in this category (there are dozens of these) is from the 1963 movie Shikari. Lyrics by Farooq Qaisar and music by GS Kohli. It is a duet between Rafi and Lata.
Please enjoy: Chaman ke phool bhi tumako ghulab kehte hain…
[lineate][/lineate]Chaman ke phuul bhii tujh ko gulaab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]
[lineate][/lineate]Nazar milaa ke mere dil kii baat pahachaano[lineate][/lineate]sunaa hai chehare ko dil kii kitaab kahate hai.n[lineate][/lineate]
[lineate][/lineate]Saaz-e-dil chhe.D diyaa hai to ye naGamaa sun lo[lineate][/lineate]bikharii bikharii huii ye pyaar kii kiraNe.n chun lo[lineate][/lineate]isii kiraN ko sanam aafataab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hamii.n nahii.n[lineate][/lineate]hamii.n nahii.n hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]chaman ke phuul bhii tujhako[lineate][/lineate]
[lineate][/lineate]aaj tak dekhii nahii.n aisii dahakatii aa.Nkhe.n[lineate][/lineate]Daal do aa ke in aaNkho.n me.n chhalakatii aa.Nkhe.n[lineate][/lineate]sambhal ke piinaa ise sab sharaab kahate hai.n[lineate][/lineate]hamii.n nahii.n, hamii.n nahii.n[lineate][/lineate]hamii.n nahii.n hai.n sabhii laajavaab kahate hai.n[lineate][/lineate]
[lineate][/lineate]Chaman ke phuul bhii tujhako …[lineate][/lineate]
https://youtube.com/watch?v=4ZW0SXRZDr4%3F
Lets now look at the comical and satirical songs with phool.
The first song in this category is also by Mukesh for the 1975 movie Prem Kahani starring Rajesh Khanna and Mumtaz. Lyrics have a kind of indirect satire perfected byAnand Bakshi and the music is by Laxmikant Pyarelal.
[lineate][/lineate]Phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]vaise bhii to ye bad.h-qisamat nok pe kaa.nTo.n kii sote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]
[lineate][/lineate]ba.Dii khuubsuurat shiqaayat hai ye[lineate][/lineate]magar sochiye kyaa sharaafat hai ye[lineate][/lineate]jo auro.n kaa dil to.Date rahate hai.n[lineate][/lineate]lagii choT unako to ye kahate hai.n[lineate][/lineate]ki phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]jo rulaate hai.n logo.n ko ek din khud bhii rote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]
[lineate][/lineate]kisii shoK ko baaG kii sair me.n[lineate][/lineate]jo lag jaaye kaa.nTaa koii pair me.n[lineate][/lineate]Kafaa husn vaalo.n se ho kis liye[lineate][/lineate]ye maasuum hai bahakataa is liye[lineate][/lineate]ki phuul aahistaa phe.nko, phuul ba.De naazuk hote hai.n[lineate][/lineate]ye kare.nge kaise ghaayal ye to khud ghaayal hote hai.n[lineate][/lineate]phuul aahistaa …[lineate][/lineate]
[lineate][/lineate]gulo.n ke ba.De aap hamadard hai.n[lineate][/lineate]bhalaa kyo.n na ho aap bhii mard hai.n[lineate][/lineate]hazaaro.n savaal.o.n kaa hai ik javaab[lineate][/lineate]fareb-e-nazar ye na ho ai janaab[lineate][/lineate]ki phuul aahistaa phe.nko phuul ba.De naazuk hote hai.n[lineate][/lineate]sab jise kahate hai.n shabanam, phuul ke aa.Nsuu hote hai.n[lineate][/lineate] phuul aahistaa …[lineate][/lineate]
https://youtube.com/watch?v=J_RLTi5ufCI%3F
The second one in this category is from the 1964 Raj Kapoor movie Sangam and everyone knows why it is a phool song: Sab jo laaye phool buddha gobhi le ke aa gaya….
Hasrat Jaipuri, Shankar Jaikishan and Lata Mangeshkar have put this together.
Please enjoy: Main kaa Karun Raam mujhe buddha mil gaya…
[lineate][/lineate]Mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa -2[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay, haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]
[lineate][/lineate]sab jo gaye baaG meraa buDDhaa bhii chalaa gayaa -2[lineate][/lineate]sab to laaye phuul buDDhaa gobhii le ke aa gayaa -2[lineate][/lineate]mai.n ho ga_ii badanaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]
[lineate][/lineate]mai.n gu.Diyaa hasiin merii moranii sii chaal hai -2[lineate][/lineate]sar pe.n safed[lineate][/lineate]sar me.n safed usake daadaa jii kaa baal hai -2[lineate][/lineate]ab kyaa hogaa a.njaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]
[lineate][/lineate]pariyo.n ke des mujhe buDDhaa le ke aa gayaa -2[lineate][/lineate]mai.nne jo uThaayaa ghuu.NghaT buDDhaa Gussaa khaa gayaa -2[lineate][/lineate]biga.De saare kaam mujhe buDDhaa mil gayaa[lineate][/lineate]haay kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate][lineate][/lineate]hoy hoy buDDhaa mil gayaa[lineate][/lineate]haay buDDhaa mil gayaa[lineate][/lineate]haay mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]mai.n kaa karuu.N raam mujhe buDDhaa mil gayaa[lineate][/lineate]
https://youtube.com/watch?v=m0k2wzIeNjo%3F
And the third one in this variety is an old favourite of mine sung by Manna Dey.
The song is from the 1964 movie Door Ka Chand starring Bharat Bhushan and B Saroja Devi. Sahir Ludhianvi was the lyricist and Roshan the music director. This song has typical Manna De classical singing.
Please enjoy: Phul gendwa naa maaro,…
[lineate][/lineate]haay[lineate][/lineate]ajii phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]phul gendawaa na maaro, na maaro (2)[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]
[lineate][/lineate]duu.Ngii mai.n duhaa_ii[lineate][/lineate]kaahe chatur banat chhichhorii karat harajaa_ii[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karej[lineate][/lineate]t karej (3)[lineate][/lineate]gat karejawaa me.n choT[lineate][/lineate]
[lineate][/lineate]he dahakaa hu_aa ye a.ngaaraa, a.ngaaraa haa.N[lineate][/lineate]dahakaa hu_aa ye a.ngaaraa[lineate][/lineate]jo gendawaa kahalaaye hai[lineate][/lineate] ajii tan par jahaa.N gire paapii[lineate][/lineate]wahii.n daaG pa.D jaaye hai[lineate][/lineate]a.ng-a.ng moraa piir kare aur kar ke kahe[lineate][/lineate]
[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]he phul gendawaa na maaro[lineate][/lineate]ajii phul gendawaa na maaro[lineate][/lineate]phul gendawaa na maaro -2[lineate][/lineate]ma_ika[lineate][/lineate]na maaro -3[lineate][/lineate]phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]
[lineate][/lineate]ruk jaa_o -5[lineate][/lineate]na sataa_o mohe julamii balam, o balam -2[lineate][/lineate]maan jaa_o, binatii abalaa kii[lineate][/lineate]dekho-dekho ab duu.Ngii mai.n duhaa_ii[lineate][/lineate]kaahe chatur banat chhichhorii karat harjaa_ii[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]na maaro na maaro na[lineate][/lineate]pa pa dha[lineate][/lineate]dha dha dha ni dha[lineate][/lineate]pa ma dha pa ma[lineate][/lineate]ga ma ga re sa[lineate][/lineate]sa sa sa sa sa sa[lineate][/lineate]phul gendawaa na maaro[lineate][/lineate]
[lineate][/lineate]na maaro (6)[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]karejawaa me.n choT (2)[lineate][/lineate]sa ga ga re re sa[lineate][/lineate]sa ma pa ma ga ga re sa sa ni[lineate][/lineate]sa dha dha dha sa pa pa pa sa pa sa pa sa[lineate][/lineate]pa ni ma[lineate][/lineate]phul gendawaa na -3[lineate][/lineate]na maaro -3[lineate][/lineate]
[lineate][/lineate]arre phul gendawaa na maaro, na maaro[lineate][/lineate]lagat karejawaa me.n choT[lineate][/lineate]
Can a phool or flower be used for sad feelings or feelings of revenge? See it for yourself.
The name of this 1966 movie is ‘Aye Din Bahar Ke’ and hence one would expect that it would have happy phool songs. Well, it had: the title song and the song: Phoolon se mukhade waali. But, you have to give in to the lyrics of this revenge song too wherein the hero Dharmendra feels that he has been deceived by his beloved Asha Parekh. Amongst other things he curses her in the song that she should become a phool of patjhad (an autumn flower). The song has been put together by Anand Bakshi, Laxmant Pyarelal and Mohammad Rafi.
Please enjoy: Mere dushman tu meri dosti ko tarase…
mere dushman tuu merii dostii ko tarase
mujhe Gam dene vaale tuu khushii ko tarase
tuu phuul bane patajha.D kaa, tujh pe bahaar na aae kabhii
merii hii tarah tuu ta.Dape tujhako qaraar na aae kabhii
jiye tuu is tarah kii zi.ndagii ko tarase
itanaa to asar kar jaae.n merii vafaae.n o bevafaa
jab tujhe yaad aae.n apanii jafaae.n o bevafaa
pashemaan hoke roe, tuu ha.nsii ko tarase
tere gulashan se zyaadaa viiraan koI viiraanaa na ho
is duniyaa me.n teraa jo apanaa to kyaa, begaanaa na ho
kisii kaa pyaar kyaa tuu beruKii ko tarase
https://youtube.com/watch?v=9X0eenyBvvU%3F
This is not a filmy song but is dear to me. It has the same sentiments as in the Lyrical page picture of Rajesh Khanna holding a dried flower in his hand whilst singing: Kahin door jab din dhal jaaye.
This ghazal is from a favourite ghazal singer of mine:Mehdi Hasan. The ghazal was penned by Ahmed Faraz.
[lineate][/lineate]Please enjoy: Ab ke ham bichhade to shayad kabhi khwaabon mein milen,[lineate][/lineate]Jis tarah sookhe hue phool kitabon mein mile….
[lineate][/lineate]Ab ke ham bichha.De to shaayad kabhii Kaabo.n me.n mile.n[lineate][/lineate]jis tarah suukhe huye phuul kitaabo.n me.n mile.n[lineate][/lineate]
[lineate][/lineate]Dhuu.NDh uja.De huye logo.n me.n wafaa ke motii[lineate][/lineate]ye Kazaane tujhe mumkin hai Karaabo.n me.n mile.n[lineate][/lineate]
[lineate][/lineate]Tuu Kudaa hai na meraa ishq farishto.n jaisaa[lineate][/lineate]dono.n insaa.N hai.n to kyuu.N itane hijaabo.n me.n mile.n[lineate][/lineate]
[lineate][/lineate]Gam-e-duniyaa bhii Gam-e-yaar me.n shaamil kar lo[lineate][/lineate]nashaa ba.Dhataa hai sharaabe.n jo sharaabo.n me.n mile.n[lineate][/lineate]
[lineate][/lineate]ab na wo mai.n huu.N na wo tuu hai na wo maazii hai ‘faraaz'[lineate][/lineate]jaise do saaye tamannaa ke saraabo.n me.n mile.n[lineate][/lineate]
https://youtube.com/watch?v=hGUrNF9cdzU%3F
Another melancholic song in this category is depicting that if I don’t get phool (flowers) I shall live with the friendship of the thorns. It is from the 968 movie Anokhi Raat starring Parikshat Sahni and Zaheeda. Kaifi Azmi, Roshan and Rafi have put this together.
Please enjoy: Mile naa phool to kaanto se dosti kar li…
[lineate][/lineate]Mile na phuul to kaa.NTo.n se dostii kar lii[lineate][/lineate]isii tarah se basar hamane zi.ndagii kar lii[lineate][/lineate]
[lineate][/lineate]Ab aage jo bhii ho a.njaam, dekhaa jaaegaa[lineate][/lineate]Kudaa talaash liyaa aur ba.ndagii kar lii[lineate][/lineate]
[lineate][/lineate]Nazar milii bhii na thii aur unako dekh liyaa[lineate][/lineate]zabaa.n khulii bhii na thii aur baat bhii kar lii[lineate][/lineate]
[lineate][/lineate]Vo jinako pyaar hai chaa.ndii se, ishq sone se[lineate][/lineate]vahii kahe.nge kabhii hamane Kudakashii kar lii[lineate][/lineate]
https://youtube.com/watch?v=EdePhHHjHO0%3F
Okay, just one last sad phool song before I end with happy ones.
This one is from the 1964 movie Chandi Ki Deewar. The singer is Talat Mehmood on Sahir Ludhianvi’s lyrics and N Dutta’s music.
[lineate]Please enjoy: Ashqon mein jo paaya hai, vo geeton mein diya hai,[/lineate]Is par bhi sunaa hai ke zamaane ko gila hai…[lineate][/lineate]
[lineate][/lineate]PHOOL is in the second stanza…[lineate][/lineate]
[lineate][/lineate]Ashko.n ne jo paayaa hai vo giito.n me.n diyaa hai[lineate][/lineate]is par bhii sunaa hai ki zamaane ko gilaa hai[lineate][/lineate]
[lineate][/lineate]Jo taar se nikalii hai vo dhun sab ne sunii hai[lineate][/lineate]jo saaz pe guzarii hai vo kis dil ko pataa hai[lineate][/lineate]ashko.n ne jo paayaa hai …[lineate][/lineate]
[lineate][/lineate]Ham phuul hai.n auro.n ke liye laaye hai.n khushabuu[lineate][/lineate]apane liye le de ke bas ik daaG milaa hai[lineate][/lineate]ashko.n ne jo paayaa hai …
https://youtube.com/watch?v=flBfcMCgVe0%3F
Lets now take up some happy phool songs.
No ‘Special’ on Phool songs can be complete without this Prem Pujari song penned by Neeraj with music by Sachin Dev Burman (since Prem Pujari was a Dev Anand movie). Kishore Kumar sang it.
Please enjoy: Phoolon ke rang se, dil ki kalam se….
[lineate][/lineate]Phuulo.n ke ra.ng se, dil kii kalam se[lineate][/lineate]tujhako likhii roz paatii[lineate][/lineate]kaise bataauu.N, kis kis tarah se[lineate][/lineate]pal pal mujhe tuu sataatii[lineate][/lineate]tere hii sapane, lekar ke soyaa[lineate][/lineate]terii hii yaado.n me.n jaagaa[lineate][/lineate]tere khayaalo.n me.n ulajhaa rahaa yuu.N[lineate][/lineate]jaise ke maalaa me.n dhaagaa[lineate][/lineate]haa.N, baadal bijalii cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]haa.N, itanaa madir, itanaa madhur teraa meraa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]
[lineate][/lineate]saa.Nso.n kii saragam, dha.Dakan kii viinaa,[lineate][/lineate]sapano.n kii giitaa.Njalii tuu[lineate][/lineate]man kii galii me.n, mahake jo haradam,[lineate][/lineate]aisii juhii kii kalii tuu[lineate][/lineate]chhoTaa safar ho, lambaa safar ho,[lineate][/lineate]suunii Dagar ho yaa melaa[lineate][/lineate]yaad tuu aae, man ho jaae, bhii.D ke biich akelaa[lineate][/lineate]haa.N, baadal bijalii, cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]
[lineate][/lineate]puurab ho pachchhim, uttar ho dakkhin[lineate][/lineate]tuu har jagah muskuraae[lineate][/lineate]jitanaa bhii jaauu.N, mai.n duur tujhase,[lineate][/lineate]utanii hii tuu paas aae[lineate][/lineate][lineate][/lineate]aa.Ndhii ne rokaa, paanii ne Tokaa,[lineate][/lineate]duniyaa ne ha.Ns kar pukaaraa[lineate][/lineate]tasaviir terii, lekin liye mai.n, kar aayaa sabase kinaaraa[lineate][/lineate]haa.N, baadal bijalii, cha.ndan paanii jaisaa apanaa pyaar[lineate][/lineate]lenaa hogaa janam hame.n, ka_ii ka_ii baar[lineate][/lineate]
The 1966 movie Dil Ne Phir Yaad Kiya starred Dharmendra, Nutan and Rehman and some very nice numbers put together byGS Rawal and Sonik Omi. This one is particularly refreshing; sung byMohammad Rafi.
[lineate][/lineate]Please enjoy: Kaliyon ne ghoonghat khole,[lineate][/lineate]Har phool pe banvara dole….[lineate][/lineate]
[lineate][/lineate]Kaliyo.n ne ghuu.NghaT khole har phuul pe bha.Nvaraa Dole[lineate][/lineate]lo aayaa pyaar kaa mausam gul-o-gulazaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]
[lineate][/lineate]O hoy jab tuu chaman me.n aa_e har gu.nchaa muskaraa_e -2[lineate][/lineate]hai behijaab teraa shabaab ham ho ga_e diivaane[lineate][/lineate]lo aayaa pyaar kaa mausam tere diidaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]
[lineate][/lineate]O hoy har-suu teraa nashaa hai har zarraa pii rahaa hai -2[lineate][/lineate]tuu aafataab jaam-e-shabaab roshan hu_e maiKaane[lineate][/lineate]lo aayaa pyaar kaa mausam visaal-e-yaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]
[lineate][/lineate]O haay jaan-e-bahaar aa jaa dil ke qaraar aa jaa -2[lineate][/lineate]ye shab ye Kvaab ye maahataaab ab to lage ta.Dapaane[lineate][/lineate]lo aayaa pyaar kaa mausam mere diladaar kaa mausam[lineate][/lineate]kaliyo.n ne ghuu.NghaT …[lineate][/lineate]
https://youtube.com/watch?v=TwLfCH6CL7A%3F
Since we are on the sub theme of happy phool songs, how can we forget this really enchanting duet from 1975 movie Chupke Chupke starring Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bahaduri? Anand Bakshi, SD Burman, Mukesh and Lata have put this together.
Please enjoy: Baagon meinm kaise ye phool khilate hain?
[lineate][/lineate]BaaGo.n me.n kaise ye phuul khilate hai.n[lineate][/lineate]khilate hai.n bha.Nvaro.n se jab phuul milate hai.n[lineate][/lineate]o~ baaGo.n me.n …[lineate][/lineate]
[lineate][/lineate]o~ a Haa~[lineate][/lineate]
[lineate][/lineate]Mausam bahaaro.n ke lagate hai.n kyo.n pyaare[lineate][/lineate]ha.Nsate hai.n rote hai.n kaliyo.n ke sa.ng saare[lineate][/lineate]kaliyo.n ke khilane se dil bhii khilate hai.n[lineate][/lineate]baaGo.n me.n …[lineate][/lineate]
[lineate][/lineate]Achchhaa ab tum bolo aisaa kab hotaa hai[lineate][/lineate]ba.De vo ho mat chhe.Do aisaa tab hotaa hai[lineate][/lineate]jab tere nayano.n se mere nain milate hai.n[lineate][/lineate]baaGo.n me.n …[lineate][/lineate]
https://youtube.com/watch?v=v2lxsXa_Nkk%3F
We haven’t exhausted all the sub-themes of phool songs. But I end up with the Yaad theme. Phool or flowers are beautiful creations of God. When you look at them, if you are away from your love, you think of him or her. There are many songs on this sub theme, eg, Rang rang ke phool khile mujhe bhaaye koi rang na..ab aan milo sajana; and Rajnigandha phool tumhaare mehake younhi jeevan mein. But my favourite is this from the 1967 movie Taqdeer. It is an Anand Bakshi – Laxmikant Pyarelal song sung by various singers.
[lineate][/lineate]Jab jab bahaar aa_ii[lineate][/lineate]Aur phool muskuraaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]jab jab bhii chaa.Nd nikalaa[lineate][/lineate]aur taare jagamagaaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]
[lineate][/lineate](ik pyaar aur wafaa kii tasaviir maanataa huu.N) -2[lineate][/lineate]tasaviir kyaa, tumhe.n mai.n taqadiir jaanataa huu.N ho~~[lineate][/lineate]dekhii nazar ne Kushiyaa.N, yaa dekhe Gam ke saaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]
[lineate][/lineate](apanaa ko_ii taraanaa mai.n ne nahii.n banaayaa) -2[lineate][/lineate]tum ne mere labo.n pe har ek sur sajaayaa… o…[lineate][/lineate]jab jab mere taraane duniyaa ne gun_gunaaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]
[lineate][/lineate](mum_kin hai zi.ndagaanii kar jaaye bewafaa_ii) -2[lineate][/lineate]lekin ye pyaar vo hai jis me.n nahii.n judaa_ii… o…[lineate][/lineate]is pyaar ke fasaane jab jab zubaa.N pe aaye[lineate][/lineate](mujhe tum yaad aaye) -2[lineate][/lineate]
https://youtube.com/watch?v=mrY6FIQcbYY%3F
On second thoughts the best way to end with the best phool songs is with a bhajan – my favourite form of music.
This is a very beautiful bhajan from the 1954 movie Nastik starring Nalini Jaywant and Ajit. Lyrics are those of Pradeep and music is by C Ramachandra.
This is the only way to love God!
[lineate][/lineate]Tere phoolon se bhi pyaar,[lineate][/lineate]Tere kaanton se bhi pyaar…[lineate][/lineate]
[lineate][/lineate]AmR^it aur zahar dono.n hai.n saagar me.n ek saath[lineate][/lineate]manthan kaa adhikaar hai sab ko phal prabhu tere haath[lineate][/lineate]
[lineate][/lineate]Tere phuulo.n se bhii pyaar[lineate][/lineate]tere kaa.nTo.n se bhii pyaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar[lineate][/lineate]tere phuulo.n se bhii pyaar …[lineate][/lineate]
[lineate][/lineate]Chaahe sukh de yaa dukh, chaahe khushii de yaa Gam -2[lineate][/lineate]maalik jaise bhii rakhegaa vaise rah le.nge ham[lineate][/lineate]maalik rah le.nge ham[lineate][/lineate]chaahe ha.Nsii bharaa sa.nsaar de yaa aa.Nsuo.n kii dhaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar[lineate][/lineate]
[lineate][/lineate]Ham ko dono.n hai.n pasa.nd terii dhuup aur chhaa.Nv -2[lineate][/lineate]daataa kisii bhii dishaa me.n le chal zi.ndagii kii naav[lineate][/lineate]le chal zi.ndagii kii naav[lineate][/lineate]chaahe hame.n lagaa de paar Dubaa de chaahe hame.n ma.njhadhaar[lineate][/lineate]jo bhii denaa chaahe de de karataar[lineate][/lineate]duniyaa ke taaraNahaar …[lineate][/lineate]
https://youtube.com/watch?v=18CI719CKmQ%3F
I hope you liked my choice of phool songs under various sub-themes.
My next theme is the best of lori (lullaby) songs in Hindi movies. Please keep accessing this blog.
Can anyone live without water?
Or live without breathing at all?
Then how is this you can’t hear
Our pining-for-you call?
Yes, you lived with us long ago
And taught us Love, Peace, and Right from Wrong
But, we need you now, O Krishna
We need your flute and song.
You may say that when you came
It was the worst time in Indian past
But, we can prove to you, our Lord God
We are close to Bharat’s last.
It is the last chance before our rot
Make us worse than any Kaurava
And the polity fragments our once great nation
Whilst they dance on the ruins like Bhairava.
All that Love that you left with us
Where can it be found now?
Not on banks of Jamuna or anywhere
We love only money, and how!
Our chariot wheels are stuck in the slime
Of dishonesty, immorality and corruption
We don’t have urge or will to fight
The Evil Forces’ sudden eruption.
Krishna, if you fail us now
We won’t know where to go
We have seen enough of the predicted Kalyug
Please put an end to our woe.
Lets hear your divine flute again
As also your battle conch
Guide us to live in Love and Justice
But, against the rot, a war to launch.
Come to us again Lord Krishna
We need you more than ever before
We want you to live amongst us again
And not just in folk-lore.
[lineate][/lineate]Over there, in that dark corner[lineate][/lineate]Is the old relic of a radio set[lineate][/lineate]It screeches and whines, if you turn it on[lineate][/lineate]No music comes out of it now[lineate][/lineate]At one time, not long ago[lineate][/lineate]I used to hear my favourite Hindi songs on it[lineate][/lineate]And then, it broke.[lineate][/lineate]But, still, I had music[lineate][/lineate]On my cell and lips[lineate][/lineate]And I miss the radio[lineate][/lineate]Only in nostalgia[lineate][/lineate]
[lineate][/lineate]Here on the wall[lineate][/lineate]Is my favourite clock[lineate][/lineate]Whereat I used to see the time[lineate][/lineate]To see you and be with you[lineate][/lineate]At one time, not long ago[lineate][/lineate]I used to love its tick-tock[lineate][/lineate]Counting minutes for the tryst[lineate][/lineate]And then it broke[lineate][/lineate]But, still, I have time[lineate][/lineate]On my cell and mind[lineate][/lineate]Though I scarcely need to know it now[lineate][/lineate]And I miss the clock[lineate][/lineate]Only in nostalgia[lineate][/lineate]
[lineate][/lineate]Over there, on the table[lineate][/lineate]Is the old wine-glass[lineate][/lineate]We used to drink from it together[lineate][/lineate]Sipping from the same stemmed glass[lineate][/lineate]As if it was a magic bowl[lineate][/lineate]That held us together[lineate][/lineate]In love, in warmth, in joys[lineate][/lineate]And then it broke[lineate][/lineate]But, still, I have another[lineate][/lineate]To drink and sip from[lineate][/lineate]And I miss the old glass[lineate][/lineate]Only in nostalgia[lineate][/lineate]
(Pic courtesy: thestrategyexchange.co.uk)
[lineate][/lineate]Deep inside my body[lineate][/lineate]Is my old bleeding heart[lineate][/lineate]It is dead and useless now[lineate][/lineate]It doesn’t feel anymore[lineate][/lineate]At one time, not long ago[lineate][/lineate]It was on a high[lineate][/lineate]Singing and flying[lineate][/lineate]But then, it broke[lineate][/lineate]And I don’t have another[lineate][/lineate]To beat, to feel, to live[lineate][/lineate]I miss my heart[lineate][/lineate]I wish it’d come alive again.[lineate][/lineate]
[lineate][/lineate]I shouldn’t have ever loved even though,[lineate][/lineate]I saw you in everything beautiful and so,[lineate][/lineate]I saw you in the flowers, birds and brooks,[lineate][/lineate]In nests, crannies, niches and nooks[lineate][/lineate]I saw you in the changing shades of twilight[lineate][/lineate]And in the whispering silence of moonlit night[lineate][/lineate]I should never have loved.[lineate][/lineate]
[lineate][/lineate]I am a man and it is more than well known,[lineate][/lineate]A man can never cry, sob or bemoan[lineate][/lineate]A woman has express right to feign heartbreak[lineate][/lineate]Even though he often suffers for hers sake[lineate][/lineate]So, you could deceive, cheat and spend your hours[lineate][/lineate]in drenching me in your abusive showers[lineate][/lineate]I should never have loved.[lineate][/lineate]
(Pic courtesy: fineartamerica.com)
[lineate][/lineate]I wish, in my next life, I will be a woman born,[lineate][/lineate]And subject men around me to equal scorn[lineate][/lineate]And tell the story of what you did and do,[lineate][/lineate]And jeer, “No man, to a woman, can be true”[lineate][/lineate]Whilst giving him a life of perpetual agony[lineate][/lineate]And rejoice in this sweet irony[lineate][/lineate]I should never have loved.[lineate][/lineate]
[lineate][/lineate]Else, I would hope to get to that elusive verge[lineate][/lineate]Where heavens and earth finally merge[lineate][/lineate]And tell my story to the angels above[lineate][/lineate]Those poor men who once were abused in love[lineate][/lineate]By heartless women who accused and abused[lineate][/lineate]The trust that were held in often misused[lineate][/lineate]I should never have loved[lineate][/lineate]
[lineate][/lineate]I shouldn’t ever have loved being a man[lineate][/lineate]In a world where he can’t do what a woman can[lineate][/lineate]Through tears to tell all those around[lineate][/lineate]That a man is a wolf, a bull, a hound[lineate][/lineate]For every wrong he is often blamed[lineate][/lineate]Whilst it might just be opposite of what she claimed[lineate][/lineate]I should never have loved.[lineate][/lineate]