Beautiful Duet Series
I started this series on my Facebook group Yaad Kiya Dil Ne on 23 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.
Last time, I gave you Beautiful Duet #21 – Yaad kiya dil ne kahan ho tum. So here, then, is the next one:
Song #22
Jodi hamari jamega kaise Jaani?
Remembering Mehmood on His Birth Anniversary
He was born on this day in 1932.
Just like Meena Kumari, he started acting in Hindi movies as a child artiste (Kismet being an early movie for him). He married her sister Madhu later.
He soon emerged as the King of Comedy and some of his roles and songs are memorable (eg, Hum kaale hain to kyua hua dilwale hain in Gumnaam, Ajahun na aaye balma in Saanjh Aur Savera, Ek Chatur naar in Padosan and his entire role in Kunwara Baap.
He often paired with Shubha Khote and quite a few duets are picturised on them such as Main rangeela pyar ka rahi.
He also paired with IS Johar and Aruna Irani.
He was responsible for giving a break to Amitabh Bachchan in the movies (The Big B stayed in Mehmood’s house for two years and then Mehmood gave him his debut role in Bombay To Goa with Aruna Irani. Reportedly, Amitabh Bachchan in later life didn’t even bother to see Mehmood in the hospital when he was sick even when AB had gone to the same hospital to see his ailing father Harvansh Rai.
Mehmood also gave a break to RD Burman in his first movie as full fledged music director Chhote Nawab with Lata’s first song composed by Pancham: Ghar aaja ghir aaye badra sanwariya, in Raag Malgunji.
This Song
This song is from Kundan Kumar’s 1968 movie Aulad starring Jeetendra and Babita and Mehmood and Aruna Irani.
Majrooh Sultanpuri, the first recipient of Dadasaheb Phalke Award as Lyricist, penned the lyrics for this unique song. It is a fusion between Western beats (for Mehmood as Chamanlal “Charlie” Singaporie) and Indian beats (for Aruna Irani as Shobha). It was, indeed, a masterly stroke by Chitragupt Shrivastava to have thought of a duet wherein the beats change every time one or the other sings.
Of course, Manna Dey sang for Mehmood in his put up Anglicised role and Asha Bhosle for typical village belle Aruna Irani. The song was shot in Goa that got its name from Go or Cow but loves to be seen in borrowed Portuguese culture.
Lyrics
Jodi hamari jamega kaise jani
Jodi hamari jamega kaise jani
Ham toh hai angreji tum ladki hindustani
Tumko bhi mushkil mujhe bhi pareshani
Ham toh hai angreji tum ladki hindustani
Tumko bhi mushkil mujhe bhi pareshani
Bat mano saiya ban jao hindustani, jodi hamari
Angreji mulak me kitna romance hai
Bahar kaa chokari kitna advance hai
Angreji mulak me kitna romance hai
Bahar kaa chokari kitna advance hai
Dekhe bina kabhee koyi itepyar se
Mukhde pe laj kaaancharva dar ke
Khilti hai ghunghat me jawani
Jodi hamari jamega kaise jani
Khilti hai ghunghat me jawani
Jodi hamari jamega kaise jani
Bat mano saiyan ban jao hindustani, jodi hamari
Bahoo me tham ke do ghanta roj me
Tumko shikhlayega ulfat kaa poz me
Bahoo me tham ke do ghanta roj me
Tumko shikhlayega ulfat kaa poz me
Daiya re nain kaa kajra naa chhut jayey
Jhankoro naa piya jhumka naa tut jayey
Ro degi dekho tumhare dil kee rani
Tumko bhi mushkil mujhe bhi pareshani
Tumko bhi mushkil mujhe bhi pareshani
Ham toh hai angreji tum ladki hindustani, jodi hamari
My Own Poetry
I have written a number of humorous poems on the subject of Angrezi. Here is one of them:
Honhaar Birbaan Ke Chikne Chikne Paat
पिछले दस सालों से मारी है हमने नक़ल,
तब कहीं जाके exam में हुए हैं सफल,
कड़ी मेहनत का काम था, दोस्तो,
और बहुत ही यूज़ करनी पड़ी थी अकल।
सबसे मुश्किल था अंग्रेजी का टेस्ट,
Essay की पर्ची ले के गए थे ‘My Friend Best’
लेकिन उस साल ‘Journey by Aeroplane आ गया,
सारी मेरी एफर्ट हो गयी वेस्ट।
और उस साल भी हम हो गए फेल,
पिता जी की पिटाई करनी पड़ी झेल,
लेकिन पता था कभी तो आयेगा नंबर,
अंग्रेज़ी में क्यों रहेंगे हम अनवेल?
और इस साल प्रभु ने खोल दी किस्मत,
हमारी पर्ची ने रख ली हमारी इज़्ज़त,
If I Were The Prime Minister की पर्ची ले के गए थे,
वही आया, मंज़ूर की प्रभु ने हमारी ख़िदमत।
अब हम भी matric पास हैं कहलाते,
पढ़े लिखों में हम भी हैं गिने जाते,
प्लीज, यस सर, गुड़ मारनिंग के इलावा,
कई वर्ड्स हमें अंग्रेज़ी के हैं आते।
देखना एक दिन हम बनेंगें HRD मिनिस्टर,
बड़ी कार और मकान होगा, हम कहलायेंगे मिस्टर,
हाऊ आर यू कह के विदेशियों को मिलेंगे,
हेलो जेंटलमैन, हेलो बरादर, और हेलो सिस्टर।
Please enjoy: Jodi hamari jamega kaise Jaani…
I hope you liked my choice of Beautiful Duet #22.
Please await Beautiful Duet #23- Tere mere milan ki ye raina.
I take the help of this song penned by Shailendra and composed and sung by Kishore Kumar in the 1964 movie Door Gagan Ki Chhaon Mein that was written, produced and directed by Kishore Kumar:
He could truly be called an One Man Army or One Man Industry. Take the movies that he made: this and Door Ka Rahi. Instead of trying to make them as commercial successes, he preferred to make them as reflection of his inner self, his quest for an eternal world.
No matter who and where you are; you do deserve a song by Shakeel Badayuni, every now and then. And this is from the 1962 Biren Nag Film Bees Saal Baad for whose song Kahin deep jale kahin dil Shakeel received his third (of the only hat-trick in Hindi movies) Filmfare Award for Best Lyricist and Lata Mangeshkar received Best Playback Singer (Female) Award.
Hemant Kumar was one singer who would at the fastest transport you to the world of the lyrics of the song. So, if he sang Sahir’s Pedon ki shaakhon pe soyi soyi chandini, or Kaifi’s Raat haseen ye chand haseen tu sabse haseen mere dilwar, your imagination donned wings and you didn’t hear him from far; you were already there at the scene of the song (even if you had never seen the video!)
The movie was based on Arthur Conan Doyle’s Sherlock Holmes story The Hound of Baskervilles. It starred Biswajeet and Waheeda Rehman in the lead roles. It was the most super hit movie of 1962 thanks, to a great extent to Shakeel – Hemant Kumar songs.

However, here we are with the title song of the group from the 1953 Amiya Chakrabarty movie Patita starring Dev Anand and Usha Kiran, both of whom feature in this truly iconic song that we shall never be able to get out of our system. Hemant Kumar sang for Dev Anand and Lata ji sang for Usha Kiran.
The song was penned by my behna Kishwar Jaipuri’s dad Hasrat Jaipuri and composed by the duo who were the best in the world. Even after so many years, Hasrat ji and Shankar Jaikishan ji never fail to wow us. This song, of course, is very special to this group and not just a beautiful duet. Each word is imprinted on our hearts; each word fills us with precious memories; each note touches the chords of our hearts:
This movie Oomar Qaid, a movie of 1961, has Aspi Irani directing it and Mohan Choti, Helen, Sheikh Mukhtar, Mukri, Nazima and Sudhir in the lead roles.
The song with very beautiful and expressive lyrics was penned by Kishwar Jaipuri’s father Hasrat Jaipuri and composed most beautifully by Iqbal Qureshi. It is simply the best and most memorable song of the movie.
After making my more than a dozen groups and pages, I have spent more time on YKDN than on any other group or page. Hence, I can be excused saying it with Majrooh Sultanpuri:
This movie was directed by Phani Majumdar for the primary reason that sometime or the other I shall be able to use this as an RRR Song. Thank you Phani, thank you Majrooh, thank you Chitragupt and thank you Mohammad Rafi. If you guys hadn’t given me this song, I won’t have known how to start my RRR Series.




RK Nayyar’s 1963 movie Yeh Raaste Hain Pyar Ke was based on the case of navy Commander KM Nanavati who returned from sailing and shot dead the lover of his wife.
One can call it an unforgettable song both for its lyrics that silently touch your heart in many ways and its sensitive handling by Ravi. Here are the lyrics for you to appreciate:
Majrooh was from that part of Uttar Pradesh that produced some of the greatest lyricists in Hindi movies: Kaifi from Azamgarh, Shakeel from Badayuni and he himself from Sultanpur. Many many years later, politically, it was said that the winners in UP normally made the government at the centre. That was the effect of people in that part of the world both poetically and politically.
With such beautiful lyrics, who is there to compose them? Well, the maestro: Madan Mohan himself. Recall what he did to Kaifi’s Main ye soch kar uske dar se utha tha? He transformed already great lyrics into something totally sublime. He did the same here.
And now for the other relatively insignificant details. The song is from the 1958 Mahesh Kaul movie Aakhri Dao starring Nutan and Shekhar. He has been asked to sing in a picnic party and he sings, not to everyone, but only to her. She is uncomfortable with the revelation of his love for her in such intense words in front of everyone. You should see the way she looks and the way others, especially Shammi, looks at her.


This movie was directed by Prasad and starred Nanda in the title role, supported by Balraj Sahni, Rehman, Mehmood and Shobha Khote. I already talked about their duet: Main rangeela pyar ka rahi.
I have already given you a Raat song penned by this great lyricist. This one is a Raat, Chanda song as well as a beautiful duet. Please appreciate the lyrics penned by him:
They made a very popular pair of Lyricist and Music Director. Their 1954 movie Nagin is their most talked about association; each song is still talked about as if it was yesterday.
As I have said any number of times, some of the finest duets in the Hindi movies were sung by them. This duet has the standard format: He sings one stanza, she sings the next one and then they sing one together. Dil ki nazar se is in this format but sung by Mukesh and Lata Mangeshkar.
It happened in this song and the movie Aadmi. Yesterday, on Chitragupta’s Birth Anniversary, I gave you a song in Beautiful Duet Series: Chand jaane kahan kho gaya. It was, I mentioned, for the 1962 A Bhimsingh movie Main Chup Rahungi. I had given you a list of movies directed by A Bhimsingh and mentioned that Aadmi of the year 1968 was one of them.
So fond he was of his guru Mohammad Rafi that one day, as related by Annu Kapoor on Mastii channel in a late night show, he was being felicitated on stage for his singing skills. He noticed the son of Mohammad Rafi, his guru, sitting in the audience. He called him on stage, touched his feet, garlanded him and said, “How can I be felicitated in a function that has the presence of the son of my guru?”
Everyone knows the legend of Sohni Mehiwal, a tragic romance of Punjab and I am not going to repeat it. On this night when Mahendra Kapoor sang this iconic song, she was to take the journey across the river on her clay pitcher that she used every night to meet Mehiwal, her lover. Sohni’s sister-in-law had already discovered the place where Sohni kept the pitcher and replaced it with a kuchcha one so that the love affair would be over once and for all. Sohni undertook the journey and drowned. Mehiwal saw her drowning and jumped into the river himself to save her. The river was in spate and he drowned too and united with her in death.
This particular incident is so popular in folk-lore that Shobha Singh of Andretta made his famous painting Sohni Mehiwal (now in Chandigarh Art Museuam). I have a copy of it in Whispering Winds, Kandaghat.
Shakeel Badayuni wrote about Love only (others were all part of Progressive Writers Movement and had Communist leanings) and he seems to have put in his best in this. His mentor Naushad has composed it so well. It was to be high pitch throughout and Naushad must have felt that Mahendra Kapoor’s voice was better suited for it. And indeed it was. Here are the lyrics: